© » KADIST
General Idea
AIDS Ring by General Idea is a cast metal ring, which takes as its basis Robert Indiana’s iconic “LOVE” design, appropriating its pop aesthetic, and totalizing, simplistic universal messaging to instead emphasize the severity of the AIDS epidemic that occurred in the 1970s. This visual detournement of Indiana’s sculpture into the form of a ring is an indictment of pop art’s apolitical nature, as well as of its increasingly commodified status. General Idea instead proposes that art’s expansive platform for messaging be used to spread awareness and create accountability for political negligence of the AIDS epidemic.
© » KADIST
Michelle and Noel Keserwany
Les Chenilles by Michelle and Noël Keserwany is a sensual film that translates the source of women’s oppression into the means for their liberation. In this narrative film, protagonists Asma and Sarah meet while working as waitresses in France. They both come from the Levant and, each in their own way, carry burdens of the past and the consequences of colonialism.
© » KADIST
Chloé Quenum
The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin. The in situ motif becomes a motive of situation to materialize a certain idea of the movement. Her work is a form of thought about written language transformed into a sculpted piece.
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Hikaru Fujii
Les nucléaires et les choses by Hikaru Fujii is the first video produced in the artist’s long-term project focusing on the Futaba Town Museum of History and Folklore, located in the “difficult-to-return zone” since the Fukushima Daiichi nuclear accident in 2011. Over four years, Fujii filmed the rescue and displacement of this museum’s collection of archeological, historical, or cultural artifacts outside the zone, in order to avoid radioactive contamination and biological damage. He followed the actions, gestures, and reflections of the Futaba Museum curator Takamitsu Yoshino and his collaborators, charged with the preservation of these objects and the knowledge they contain about the territory they come from and the life of its community, struck by the disaster.
© » KADIST
Danh Vo
The work “Les Fleurs d’intérieur” (which gives its name to the exhibiton presented at Kadist Art Foundation from May 30 to July 13, 2009) is a brass plate engraved with the inventory list of the works included in the show. From this moment, Dahn Vo will use this brass plates as a systematic element for all his exhibitions.
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Raphaël Zarka
This photograph seems to be awaiting meaning, it more or less evokes known elements without really identifying with them completely: a motorway interchange, a bridge, an electric pylon… In fact this is the end of the tracks of the Aérotrain, a wheelless monorail invented by Jean Bertin in the 1970s, which acts like ‘a fossil of movement on landscape scale’, as explained by the artist. This fragmentary place is meant to activate physical movement. It also activates the spectator’s imagination.
© » KADIST
Valérie Jouve
Like many contemporary photographers who play with the codes of realism, Valérie Jouve composes her images, having already a more or less predetermined result in mind, in order to deliver a complex representation of the world instead of a bold presentation of facts. A part of the series “Les Figures”, this “portrait’ of P. Faure carries a strong ambiguity, typical of the photographer’s images, between realism and mise-en-scene . This photograph is exemplary of Valérie Jouve’s work: inscription of an inidual within an urban landscape, relation to architecture, simplicity of composition and strong, yet imprecise narrativity – related in part to seemingly familiar characters or places.
© » KADIST
Angela Detanico and Rafael Lain
Letters of the Greek alphabet glisten on a black background. When a letter appears, there is a sound. Each letter corresponds to a star in the sky.
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Dinh Q. Lê
Hill of Poisonous Trees (three men) (2008) exemplifies the artist’s signature photo-weaving technique, in which he collects diverse found photographs—portraits of anonymous people, stills from blockbuster films, or journalistic images—cuts them into strips, and weaves them into new composition. The title of the series is translated from the Khmer phrase Tuol Sleng , which literally means a poisonous hill or a place on a mound to keep those who bear or supply guilt, and the photographs came from the Tuol Sleng Genocide Museum in Cambodia, a former prison where at least 200,000 Cambodians were executed during the reign of the Khmer Rouge between 1975 and 1979. In this particular image, three men stand against the backdrop of what looks like a prison interior.
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Jean-Luc Moulène
Drawing & Print (Drawing & Print)
On a piece of paper, the artist has traced two loops in black crayon and placed two eyes where the lines intersect. Cut out of the same photograph, the eyes belong to the same gaze. The first asset of a slip knot is its simplicity, it basically requires a small length of rope.
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Catherine Opie
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture. The Freeway Series was developed in 1995, right after the artist’s inclusion in that year’s Whitney Biennial. As if suggesting that her work should not be restricted to being seen through overtly political or activist lenses, this series lends insight into the city of Los Angeles via its most characteristic urban feature: its highways.
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Koki Tanaka
This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013. These videos show several participants from different backgrounds gathering to create and object or an action. For this video, he brought together five Japanese poets from different movements and styles.
© » KADIST
Piero Golia
Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall. More than a simple reference to the sport, the work has the disconcerting effect of creating a danger zone in the gallery space. The reference to direct aggression or violence is reinforced by the piece’s rapid pace.
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Ed Ruscha
In 1970, Ruscha began a series of paintings made from stains. He experimented with a variety of materials (gun powder, dust, blood, among many others) to leave surface traces of different objects. The resulting images are negative shapes amidst blurry environments like Splinters and Seconal in which a grey surface is imprinted with the materials mentioned in the title.
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Catherine Opie
In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain. She wears an expression of both pleasure and intensity as she points a gun at someone or something outside of the frame. Raven (gun) (1994) is not so much threatening as full of sexuality and potential energy.
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Allan Sekula
San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel. California Stories: Attempt to correlate social class with elevation above main harbor channel (San Pedro, July 1975) (1973–2011) is a series of coupled gelatin silver prints that show the artist using his hand to measure the elevation of various pieces of real estate, ranging from a manicured mansion to a ramshackle beach house. A direct equation becomes evident between the social strata these homes represent and the height at which the artist holds his hand.
© » KADIST
Catherine Opie
Alistair Fate (1994) depicts, presumably, a member of the LGBT community. Catherine Opie is known for her portraits of LGBT, queer, and outsider people; she intends them to come off not as shocking or different, but as human despite their deviance from societal norms. This image is one of several works by Opie in the Kadist Collection that show marginalized people, filtered through the artist’s signature appropriation of formal and classical portraiture in the interest of both documentation and reframing.
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Andrea Bowers
Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely. Meant to hang from the ceiling, Bowers’ neon is further weighed down by long wind chimes made of aluminum pipes and wooden wind catchers that drip unsteadily from their anchors. Poetic but frantic in its juxtapositions, Bowers’ work captures a certain paradoxical energy that echoes the current political climate—it is hopeful but hindered, cacophonous but well intentioned, uncertain but ominous.
© » KADIST
John Baldessari
Arms & Legs (Specif. Elbows & Knees), etc. : Arm (with Bottle) belongs to Baldessari’s most recent series of paintings in which the artist brings together photographic, painted, and three-dimensional elements, to juxtapose unlikely body fragments such as noses and ears, elbows and knees, or eyebrows and foreheads.
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Jeff Burton
In Eniko Mihalik (2012), the camera captures a glimpse of the eponymous Hungarian model as seen through a rearview mirror. They are both two examples of the artist’s many enigmatic photographs of models, actors, musicians, and other powerful figures rooted in the celebrity-driven culture of Los Angeles. Catching a glimpse of the model, the viewer enters into the world of the celebrity.
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Catherine Opie
Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender. The very practice of being photographed raises many complex issues around gender performance and the relationships between an inner self and an outer public persona. Even though Mike and Sky are cropped and obscure one another, many of their choices for self-presentation—as emphasized by their tattoos—remain visible.
© » KADIST
Walead Beshty
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination. Displayed with the cardboard boxes (and their shipping labels, which chart the journey in a different way) that contain them during the journey, these damaged forms draw from minimalist sculpture, and conceptual artworks that focused on distance, travel, and virtual connections.
© » KADIST
Robert Therrien
In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon. The object and its ground both glow, but the chapel-shape is crisp and simple, reminiscent of a piece of cut paper. Like many of Therrien’s early pieces, this abstraction slips into representation and the visual and spiritual power of the image is emphasized by the strong central placement of the chapel.
© » KADIST
Daniel Joseph Martinez
Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P. Newton and Bobby Seale. By using Carrara marble, a material usually associated with heroic public sculptures, Martinez casts the history of African-American revolutionaries into the artistic tradition of monumentality. Like the artist’s earlier work included in the 1993 Whitney Biennial, an interactive piece made up with pins that read, “I CAN’T IMAGINE EVER WANTING TO BE WHITE,” A meditation on the possibility… continues Martinez’s effort to expose cultural contradictions and increase public awareness.
© » KADIST
Jeff Burton
Negligee (2013) serves as an example of this tension, with its artful angle and play with shadow and light upon the sensual subject, rendering the image ambiguous. Like much of Burton’s work, Negligee reflects both his experience as a commercial photographer and his interest in the voyeurism, desire, vulnerability, and power of the photographic act.
© » KADIST
Juan Capistran
The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources. Growing up in an African-American community in Los Angeles, Capistran has long been influenced by hip-hop culture. The photographs in this print document him surreptitiously breakdancing on Carl Andre’s iconic lead floor piece after the guards at the Los Angeles County Museum of Art have left the gallery.
© » KADIST
Miljohn Ruperto
Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth. Set in an empty, derelict room with nothing but an old mattress on the floor, the film features a series of actors independently performing a demonic possession, or at least their interpretation of what one would look like. Although each reenactment is slightly different, actor after actor, the viewer is confronted with a common thread: a near archetypal response that binds them all together.
© » KADIST
Daniel Joseph Martinez
Drawing & Print (Drawing & Print)
If Only God Had Invented Coca Cola Sooner! Or, The Death of My Pet Monkey
© » KADIST
Luisa Lambri
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California. Commissioned by industrialist J. Irwin Miller and his wife Xenia Simons Miller, and built by Richard Neutra in 1937, the Miller house’s open and flowing layout expands upon modernist architectural traditions. It features a flat roof, stone and glass walls, with rooms configured beneath a grid pattern of skylights and supporting cruciform steel columns.
© » KADIST
Daniel Joseph Martinez
For I use to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance (1978), also known as the Bodybuilder series, Martinez asked male bodybuilding competitors to pose in whatever position felt “most natural.” They are obviously trained in presenting their ambitiously carved physiques, but their facial expressions seem comparatively unstudied. Against a bare white background, the men appear unexpectedly vulnerable, caught between performance and rehearsal, public and private. While they present themselves deliberately as exemplars of strength, they also inadvertently expose something about the value system that underlies their endeavors—whatever drove them to keep building by tearing tissue, and whatever makes flexing feel like the most honest pose possible.
Catherine Opie
- location: Los Angeles, California
- year born: 1961
- gender: female
- nationality: American
- home town: Sandusky, Ohio
Daniel Joseph Martinez
- location: Los Angeles, California
- year born: 1957
- gender: male
- nationality: American
- home town: Los Angeles, California
Walead Beshty
- location: Los Angeles, California
- year born: 1976
- gender: male
- home town: London, United Kingdom
John Baldessari
- location: Los Angeles, California
- year born: 1931
- gender: male
- nationality: American
- home town: National City, California
Jeff Burton
- location: Los Angeles, California
- year born: 1963
- gender: male
- nationality: American
- home town: Anaheim, California
Ed Ruscha
- location: Los Angeles, California
- year born: 1937
- gender: male
- nationality: American
- home town: Omaha, Nebraska
Miljohn Ruperto
- location: Los Angeles, California
- year born: 1973
- gender: male
- nationality: Filipino and Danish
- home town: Manila, Philippines
Luisa Lambri
- location: Los Angeles, California
- year born: 1969
- gender: female
- nationality: Italian
- home town: Como, Italy
General Idea
The Canadian artist collective General Idea (Felix Partz, Jorge Zontal and AA Bronson), active from 1967-1993, was an instrumental source of early conceptual art through their multidisciplinary practice...
Hikaru Fujii
Hikaru Fujii utilizes film to bridge art and social activism...
Alexis Smith
- location: Los Angeles, California
- year born: 1949
- gender: female
- nationality: American
- home town: Los Angeles, California
Koki Tanaka
- location: Los Angeles, California
- year born: 1975
- gender: male
- nationality: Japanese
- home town: Tochigi, Japan
Mungo Thomson
- location: Los Angeles, California
- year born: 1969
- gender: male
- nationality: American
Allan Sekula
- location: Los Angeles, California
- year born: 1951
- gender: male
- nationality: American
- home town: Erie, Pennsylvania
Andrea Bowers
- location: Los Angeles, California
- year born: 1965
- gender: female
- nationality: American
- home town: Wilmington, Ohio
Piero Golia
- location: Los Angeles, California
- year born: 1974
- gender: male
- nationality: Italian
- home town: Naples, Italy
Julian Hoeber
- location: Los Angeles, California
- year born: 1974
- gender: male
- nationality: American
- home town: Philadelphia, Pennsylvania
Danh Vo
- location: Berlin, Germany
- year born: 1975
- gender: male
- nationality: Vietnamese and Danish
- home town: Ba Ria, Vietnam
Juan Capistran
- location: Los Angeles, California
- gender: male
- nationality: Mexican American
- home town: Guadalajara, Mexico
Nathan Mabry
- location: Los Angeles, California
- year born: 1978
- gender: male
- nationality: American
- home town: Durango, Colorado
Robert Therrien
- location: Los Angeles, California
- year born: 1947
- gender: male
- nationality: American
- home town: Chicago, Illinois
Angela Detanico and Rafael Lain
Linguists, semiologists, and graphic designers by training, Angela Detanico and Raphaël Lain consider the use of graphic signs in society...
Michelle and Noel Keserwany
Michelle and Noël Keserwany compose and perform their own songs, as well as contribute to the illustrations and animations featured in the videos they produced...
Paul McCarthy
- location: Los Angeles, California
- year born: 1945
- gender: male
- nationality: American
- home town: Salt Lake City, Utah
© » LE MONDE
about 11 months ago (02/11/2024)
Au Quai Branly, les pleureuses revisitées de Myriam Mihindou Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Vue de l’exposition « Ilimb, l’essence des pleurs », de Myriam Mihindou, au Quai Branly, à Paris...
© » LE MONDE
about 11 months ago (02/03/2024)
Au Musée Picasso, à Paris, Léonce Rosenberg ou les mésaventures d’un marchand d’art Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « Le Combat » (1928), de Giorgio De Chirico...
© » LE MONDE
about 11 months ago (02/02/2024)
Dans les sous-sols de la Défense, le vide architectural se pare d’art urbain avec « Les Extatiques » Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « Les Extatiques », dans le quartier de la Défense, à Paris, en janvier...
© » LE MONDE
about 11 months ago (02/02/2024)
Au Musée juif de New York, requiem expressionniste pour les victimes du 7 octobre nav_close_menu Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « Oct...
© » LE MONDE
about 11 months ago (01/31/2024)
A Bruxelles, les foires d’art prolifèrent avec la Brafa et Ceramic Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Des œuvres de Kevin McNamee-Tweed et Anne Marie Laureys, de la galerie Tatjana Pieters, à la foire Ceramic, à Bruxelles, en janvier 2024...
© » SLASH PARIS
about 11 months ago (01/25/2024)
Les Formes du Temps — Topographie de l’art — Exhibition — Slash Paris Login Newsletter Twitter Facebook Les Formes du Temps — Topographie de l’art — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Les Formes du Temps Exhibition Installation, painting, photography, sculpture.....
© » SLASH PARIS
about 11 months ago (01/25/2024)
Les Formes du Temps — Topographie de l’art — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Les Formes du Temps — Topographie de l’art — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Les Formes du Temps Exposition Installations, peinture, photographie, sculpture.....
© » SLASH PARIS
about 12 months ago (01/08/2024)
Jean-Charles de Quillacq — Les poulains deviennent des chevaux — Galerie Marcelle Alix — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Jean-Charles de Quillacq — Les poulains deviennent des chevaux — Galerie Marcelle Alix — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Jean-Charles de Quillacq — Les poulains deviennent des chevaux Exposition Techniques mixtes Jean-Charles de Quillacq, Ouverte (Discomfort), 2023 (Détail) Collage et acetone sur poster — 59,7 × 80 cm Courtesy de l’artiste et galerie Marcelle Alix, Paris Jean-Charles de Quillacq Les poulains deviennent des chevaux Encore 27 jours : 11 janvier → 9 mars 2024 « J’étais un morceau d’usine pour l’éternité...
© » SLASH PARIS
about 12 months ago (01/08/2024)
Jean-Charles de Quillacq — Les poulains deviennent des chevaux — Marcelle Alix Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Jean-Charles de Quillacq — Les poulains deviennent des chevaux — Marcelle Alix Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Jean-Charles de Quillacq — Les poulains deviennent des chevaux Exhibition Mixed media Jean-Charles de Quillacq, Ouverte (Discomfort), 2023 (Détail) Collage et acetone sur poster — 59,7 × 80 cm Courtesy de l’artiste et galerie Marcelle Alix, Paris Jean-Charles de Quillacq Les poulains deviennent des chevaux Ends in 27 days: January 11 → March 9, 2024 “I was a piece of factory for eternity.” Georges Navel, Travaux [Works], Gallimard, 1995, p.108 How can one rediscover desire when its very mechanics are monopolized by capitalism? Where can our desire still intrude in the plethora of poetic, pornographic, intellectual, psychological, promotional, and political offerings? In the field of ruins of the imaginary, increasingly littered with Instagram images of war victims, portraits of friends who left this world too soon, calls for help from NGOs, and—in their wake—, images of ever more exhibitions we couldn’t see, parties that always look better from afar, clothes that would finally suit our morphology, or the latest accessories needed to help us sleep....
© » SLASH PARIS
about 13 months ago (12/18/2023)
Martin Bruneau — Laisser parler les arbres — Isabelle Gounod Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Martin Bruneau — Laisser parler les arbres — Isabelle Gounod Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Martin Bruneau — Laisser parler les arbres Exhibition Painting Upcoming Martin BRUNEAU, Gour de Conche, 2023, huile sur toile, 150 x 130 cm Martin Bruneau Laisser parler les arbres In 19 days: January 6 → March 2, 2024 « Parti, dans un premier temps, sur l’idée de suivre les traces de Gustave Courbet, en me laissant la liberté de voir ce qu’il en adviendra, j’ai réalisé que ce nouveau projet prenait une direction particulière...
© » SLASH PARIS
about 13 months ago (12/18/2023)
Martin Bruneau — Laisser parler les arbres — Galerie Isabelle Gounod — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Martin Bruneau — Laisser parler les arbres — Galerie Isabelle Gounod — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Martin Bruneau — Laisser parler les arbres Exposition Peinture À venir Martin BRUNEAU, Gour de Conche, 2023, huile sur toile, 150 x 130 cm Martin Bruneau Laisser parler les arbres Dans 19 jours : 6 janvier → 2 mars 2024 « Parti, dans un premier temps, sur l’idée de suivre les traces de Gustave Courbet, en me laissant la liberté de voir ce qu’il en adviendra, j’ai réalisé que ce nouveau projet prenait une direction particulière...
© » LE MONDE
about 13 months ago (12/17/2023)
« Les musées doivent pleinement jouer leur rôle dans le débat écologique » nav_close_menu Offrir Le Monde F ace au dérèglement climatique et alors que s’est achevée mercredi 13 décembre la COP28 , les musées, institutions ancrées dans la vie de la cité, sont à un tournant de leur histoire, contraints de réinventer leurs modes d’action, de pensée et de fonctionnement...
© » LE MONDE
about 13 months ago (12/11/2023)
Peinture, poésie, architecture… Les beaux livres d’art sélectionnés par « Le Monde » nav_close_menu Offrir Le Monde Article réservé aux abonnés Peinture 1 « Poésies d’Emily Dickinson illustrées par la peinture moderniste américaine » « Fille endormie » (1926-1927), de Yun Gee, exposée au Hirshhorn Museum and Sculpture Garden de Washington...
© » LE MONDE
about 13 months ago (12/10/2023)
Les êtres évanescents d’Aya Takano Offrir Le Monde Article réservé aux abonnés L’artiste japonaise Aya Takano dans son atelier...
© » LE MONDE
about 13 months ago (12/08/2023)
Une convergence des luttes dans les musées français : Louvre, Pompidou, Versailles, Mobilier national… Offrir Le Monde Article réservé aux abonnés Il y avait comme un air de convergence des luttes, jeudi 7 décembre, à l’entrée du ministère de la culture, rue des Bons-Enfants, à Paris...
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about 13 months ago (12/01/2023)
Group show — Tous les jours — Galerie Chantal Crousel — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Group show — Tous les jours — Galerie Chantal Crousel — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Group show — Tous les jours Exposition Dessin, photographie, sculpture, techniques mixtes.....
© » SLASH PARIS
about 13 months ago (12/01/2023)
Group show — Tous les jours — Chantal Crousel Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Group show — Tous les jours — Chantal Crousel Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Group show — Tous les jours Exhibition Drawing, photography, sculpture, mixed media.....
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about 13 months ago (11/27/2023)
Antoni Tàpies — Les Armes d’Éros — Lelong & Co Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Antoni Tàpies — Les Armes d’Éros — Lelong & Co Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Antoni Tàpies — Les Armes d’Éros Exhibition Painting Antoni Tàpies, Gran triangle, 1990 Peinture et vernis sur toile — 285,5 × 390,5 cm Courtesy galerie Lelong & Co...
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about 13 months ago (11/27/2023)
Antoni Tàpies — Les Armes d’Éros — Galerie Lelong & Co — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Antoni Tàpies — Les Armes d’Éros — Galerie Lelong & Co — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Antoni Tàpies — Les Armes d’Éros Exposition Peinture Antoni Tàpies, Gran triangle, 1990 Peinture et vernis sur toile — 285,5 × 390,5 cm Courtesy galerie Lelong & Co...
© » ARTLYST
about 15 months ago (10/09/2023)
Following its display at the General Idea retrospective in Stedelijk Museum Amsterdam The post AIDS Sculpture By General Idea Finds Permanent Home In Amsterdam Park appeared first on Artlyst ....
© » SLASH PARIS
about 16 months ago (09/25/2023)
Van Gogh à Auvers-sur-Oise — Les derniers mois — Musée d’Orsay — Exhibition — Slash Paris Login Newsletter Twitter Facebook Van Gogh à Auvers-sur-Oise — Les derniers mois — Musée d’Orsay — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Van Gogh à Auvers-sur-Oise — Les derniers mois Exhibition Painting Vincent Van Gogh, Champ de blé sous un ciel orageux, Auvers-sur-Oise, juillet 1890 Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation) © Van Gogh Museum, Amsterdam Van Gogh à Auvers-sur-Oise Les derniers mois Ends in about 2 months: October 3, 2023 → February 4, 2024 Présentée au musée d’Orsay à l’automne 2023, cette exposition sera la première consacrée aux œuvres produites par Vincent van Gogh (1853-1890) durant les deux derniers mois de sa vie, à Auvers-sur-Oise, près de Paris...
© » SLASH PARIS
about 16 months ago (09/25/2023)
Van Gogh à Auvers-sur-Oise — Les derniers mois — Musée d’Orsay — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Van Gogh à Auvers-sur-Oise — Les derniers mois — Musée d’Orsay — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Van Gogh à Auvers-sur-Oise — Les derniers mois Exposition Peinture Vincent Van Gogh, Champ de blé sous un ciel orageux, Auvers-sur-Oise, juillet 1890 Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation) © Van Gogh Museum, Amsterdam Van Gogh à Auvers-sur-Oise Les derniers mois Encore environ 2 mois : 3 octobre 2023 → 4 février 2024 Présentée au musée d’Orsay à l’automne 2023, cette exposition sera la première consacrée aux œuvres produites par Vincent van Gogh (1853-1890) durant les deux derniers mois de sa vie, à Auvers-sur-Oise, près de Paris...
© » SLASH PARIS
about 17 months ago (08/08/2023)
Jeanpascal Février, Pierre Martens et Alain Sicard — ETC...
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about 17 months ago (08/08/2023)
Jeanpascal Février, Pierre Martens et Alain Sicard — ETC...
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about 19 months ago (06/22/2023)
Antoine Grumbach — Les Yeux du Ciel — Jeanne Bucher Jaeger | Paris, Marais Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Antoine Grumbach — Les Yeux du Ciel — Jeanne Bucher Jaeger | Paris, Marais Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Antoine Grumbach — Les Yeux du Ciel Exhibition Architecture, urban art, drawing, installation.....
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about 19 months ago (06/22/2023)
Antoine Grumbach — Les Yeux du Ciel — Galerie Jeanne Bucher Jaeger | Paris, Marais — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Antoine Grumbach — Les Yeux du Ciel — Galerie Jeanne Bucher Jaeger | Paris, Marais — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Antoine Grumbach — Les Yeux du Ciel Exposition Architecture, art urbain, dessin, installations.....
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about 20 months ago (05/28/2023)
Edouard Sautai — Dans les yeux de badine — Espace d’art contemporain Camille Lambert — Exhibition — Slash Paris Login Newsletter Twitter Facebook Edouard Sautai — Dans les yeux de badine — Espace d’art contemporain Camille Lambert — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Edouard Sautai — Dans les yeux de badine Exhibition Urban art La montagne de Mons, 2023 Croquis Edouard Sautai Edouard Sautai Dans les yeux de badine Ends in 6 months: June 3 → December 31, 2023 Dans les yeux de Badine est une œuvre pour l’espace public, issue d’une commande passée à l’artiste Edouard Sautai par l’Ecole et Espace d’art contemporain Camille Lambert et la Maison de Banlieue et de l’Architecture, invitant à porter un autre regard sur le paysage urbain et quotidien...
© » SLASH PARIS
about 20 months ago (05/28/2023)
Edouard Sautai — Dans les yeux de badine — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Edouard Sautai — Dans les yeux de badine — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Edouard Sautai — Dans les yeux de badine Exposition Art urbain La montagne de Mons, 2023 Croquis Edouard Sautai Edouard Sautai Dans les yeux de badine Encore 6 mois : 3 juin → 31 décembre 2023 Dans les yeux de Badine est une œuvre pour l’espace public, issue d’une commande passée à l’artiste Edouard Sautai par l’Ecole et Espace d’art contemporain Camille Lambert et la Maison de Banlieue et de l’Architecture, invitant à porter un autre regard sur le paysage urbain et quotidien...
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1970-1979
Allan Sekula
1973San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel...
Daniel Joseph Martinez
1978For I use to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance (1978), also known as the Bodybuilder series, Martinez asked male bodybuilding competitors to pose in whatever position felt “most natural.” They are obviously trained in presenting their ambitiously carved physiques, but their facial expressions seem comparatively unstudied...
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1980-1989
Robert Therrien
1985In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon...
Catherine Opie
1987In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...
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1990-1999
John Baldessari
Drawing & Print
1991(Drawing & Print) The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
General Idea
1993AIDS Ring by General Idea is a cast metal ring, which takes as its basis Robert Indiana’s iconic “LOVE” design, appropriating its pop aesthetic, and totalizing, simplistic universal messaging to instead emphasize the severity of the AIDS epidemic that occurred in the 1970s...
Catherine Opie
1993Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...
Catherine Opie
1994Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
Alexis Smith
1995In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...
Jean-Luc Moulène
Drawing & Print
1997(Drawing & Print) On a piece of paper, the artist has traced two loops in black crayon and placed two eyes where the lines intersect...
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2000-2009
Valérie Jouve
2000Like many contemporary photographers who play with the codes of realism, Valérie Jouve composes her images, having already a more or less predetermined result in mind, in order to deliver a complex representation of the world instead of a bold presentation of facts...
Raphaël Zarka
2001This photograph seems to be awaiting meaning, it more or less evokes known elements without really identifying with them completely: a motorway interchange, a bridge, an electric pylon… In fact this is the end of the tracks of the Aérotrain, a wheelless monorail invented by Jean Bertin in the 1970s, which acts like ‘a fossil of movement on landscape scale’, as explained by the artist...
Juan Capistran
2002The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
Luisa Lambri
2002Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
Daniel Joseph Martinez
2005Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...
Piero Golia
2007Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...
Luisa Lambri
2007Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon...
Dinh Q. Lê
2008Hill of Poisonous Trees (three men) (2008) exemplifies the artist’s signature photo-weaving technique, in which he collects diverse found photographs—portraits of anonymous people, stills from blockbuster films, or journalistic images—cuts them into strips, and weaves them into new composition...
Miljohn Ruperto
2009Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth...
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2010-2019
Walead Beshty
2010Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...
Paul McCarthy
Drawing & Print
2010(Drawing & Print) To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...
Walead Beshty
2011Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Julian Hoeber
2011Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Jeff Burton
2012In Eniko Mihalik (2012), the camera captures a glimpse of the eponymous Hungarian model as seen through a rearview mirror...
Koki Tanaka
2013This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
Jeff Burton
2013Negligee (2013) serves as an example of this tension, with its artful angle and play with shadow and light upon the sensual subject, rendering the image ambiguous...
Andrea Bowers
2015Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...
Chloé Quenum
2017The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin...
Miljohn Ruperto
2017Miljohn Ruperto’s research-based multidisciplinary practice often deals with possession, re-enactment, mythology and archives...
Walead Beshty
2018Office Work by Walead Beshty consists of a partially deconstructed desktop monitor screen, cleanly speared through its center onto a metal pole...
Hikaru Fujii
2019Les nucléaires et les choses by Hikaru Fujii is the first video produced in the artist’s long-term project focusing on the Futaba Town Museum of History and Folklore, located in the “difficult-to-return zone” since the Fukushima Daiichi nuclear accident in 2011...
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2020-2029
Michelle and Noel Keserwany
2022Les Chenilles by Michelle and Noël Keserwany is a sensual film that translates the source of women’s oppression into the means for their liberation...
