Edinburgh Castle on the Bin Bag features a model of the Edinburgh castle constructed by using shiny black cards placed on top of an open, full black plastic trash bag. The model is delicate, with detailed rendering of windows and a flagpole. Despite the negative association of black plastic trash bag, this work offers a sense of wonderment in it its scale and subject matter.
Tectonic Model is made from a number of leather bound books piled up in different formations that resemble architecture on top of a sawhorse desk. Tiny cranes of about ten centimetres in height are attached to the top of the books, which have their tassels laid out. The intricately balanced arrangements, with some books standing free and upright, gives the impression that the cranes might have stacked the books themselves by lifting the tassels.
Kwan Sheung Chi’s work One Million is a video work depicting the counting of bills. Divided into three versions, the video first shows a number of Japanese ten-thousand-yen bills being counted without in an orderly, efficient manner. In Two Million , a similar counting of one-thousand-dollar bills from Hong Kong follows.
Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945. Yoneda focuses both on the original Japanese features of the houses and on details that have been altered since the end of the occupation. The yet-to-be acknowledged history of the occupation of Taiwan and other East Asian countries by Japan during World War II is subtly disclosed in these pictures.
Part of a series of videos called LIFE, where Shay Arik videos that re-enact iconic journalistic photographs. As explained by the video’s title, the departure point for LIFE #1 is the iconic 1943 photograph published by Life magazine that captures Japanese officer Yasuno Chikao from the Imperial Japanese Navy as he raises his sword, seconds before publically beheading Australian war commando Leonard Siffleet in the shores of Papua New Guinea. In Arick’s restaging there are no onlookers in the scene, the only two figures represented are Chikao and Siffleet: the perpetrator and victim of this fatal act of violence.
During a residency in 2009 at L’appartement 22 in Rabat, the artist traveled in Morocco and Senegal on the traces of the German sculptor Arno Breker. On this occasion he learned about batik, a fabric printing technique which originates not only from Indonesia but also from Senegal. It is also widespread in Africa.
Steak House is a video representing two small puppets smearing the artist’s face with paint while he is sleeping. The work is based on modest means and reuses the classic theme of inanimate objects coming to life during the night while humans sleep. Is this the artist’s return to repressed feelings or fatigue provoked by the task?
DADYAA: The Woodpeckers of Rotha by Pooja Gurung and Bibhusan Basnet illuminates a unique and seldom seen international perspective on indigenous cultures and contemporary social issues in the Nepali context. A small masterpiece, the work engages with one of the most pressing social issues in Nepal, mass migration and the dissolving of social fabric in rural areas. The story begins with an old couple, Atimaley and Devi, who live in a village in Jumla, in the highlands of Western Nepal.
Words by Meiro Koizumi: “The video installation work In the State of Amnesia is made with Mr. Nobuhiro Tanaka, who damaged his brain when he had an accident when he was 21. Since then he has been living with a memory disorder. I asked Mr. Tanaka to memorize a testimony of a Japanese soldier who served in the war in China during WWII.
This video installation was made for the exhibition “Journey to the West” held in January 2012 in New Delhi, where a group of curators invited six Japanese artists to produce a work to be made around the relationship between Japan and India. In the framework of this exhibition, Meiro Koizumi decided to use a controversial book of modern Japanese history The Judgement of Justice Radhabinod Pal , as material for his work. Koizumi created a performance combining the paradoxical context of this book with monstrous representation of Indian gods.
Dr. N Song belongs Ozawa’s body of work The Return of Dr. N in which he follows a humorous fictional character based upon the historical figure Dr. Hideyo Noguchi who researched yellow fever in Ghana in 1927. Though Dr. Noguchi was known for his unruly temper and behavior and many of his discoveries were erroneous, he was widely revered in Japanese society. Ozawa’s Dr. N story explores links between Japan and Africa, past and present, fact and fiction, through the commissioned work of Ghanaian painters and musicians working in popular African styles.
Reflection Paper No. 2 is one of four videos in which Wang attempts to accurately illustrate the writings of influential Chinese Eileen Chang, who published her works during the Japanese occupation of China. Image and text reflect on the everyday experiences of women in society, family, marriage, love, and death.
Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program. T. Hong’s research is not only an effort to revisit a dark time that complicates certain histories, but more importantly an investigation of how violence is enacted in the name of rationality.
The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies). They are studies for two large sculptures that explore the role of monuments and emblems in the configuration of Latin American national identities. The first drawing reproduces an equestrian statue of Juan Lavalle, one of Argentina’s independence heroes.
Lessons of the Blood by James T. Hong pieces together interviews, extensive archival and field research, and TV footage addressing Japan’s use of biological warfare and experimentation on Chinese prisoners during World War II, as well as the revisionism of the Japanese government and Chinese survivors’ attempts to live with this horrific history and to find justice. Co-written, directed, edited and produced with Yin-Ju Chen, whose work is also represented in the Kadist collection, Lessons of the Blood is a meditation on propaganda, the ways in which national mythologies can literally infect and poison the most vulnerable among us, and the legacy of World War II in China, presented through the testimonies of survivors, academics, medical experts, nationalists and activists. The film locates its genesis in the publication of the New History Textbook in Japan in 2000, which infamously glossed over the Japanese Empire’s wartime atrocities, sparking rage and violent protests in China and South Korea in 2005.
This embroidery on fabric tackles the oneiric and the uncanny to bring about visions of the world. One can discern the methods of nihonga painting (the traditional Japanese style that renders landscape and forms out of subtle shadows), but Ito upsets the balance by destroying perspective. His work is staunchly non-narrative.
This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013. These videos show several participants from different backgrounds gathering to create and object or an action. For this video, he brought together five Japanese poets from different movements and styles.
On September 22, 1940 the French signed an accord, which granted Japanese troops the right to occupy Indochina. The Japanese presence in Indochina lasted until the end of World War II and during the occupation, jute supplies from India were interrupted. Jute was used to make sacks as well as gunpowder, a crucial material for the war industry.
Drawing & Print (Drawing & Print)
Ranging from Baudelaire to the Koran, each of Hassan Massoudy’s drawings are titled with a quotation from a text. In the case of La beauté sauvera le monde, the text originated from Dostoyevsky’s The Idiot , alluding to aspirations, models of behavior and words of wisdom. The image itself, though generated in a hybrid manner relating to Arabic and Japanese calligraphy, suggests both fluttering flags and buildings rising high out of the desert as one would see in many developing Middle Eastern countries.
The word Takasago alludes to several things at once. Takasago is the name of a multi-billion dollar Japanese corporation, previously situated in Taiwan pre-World War II. It is also a famous Japanese Noh play, the oldest extant form of performance in Japan, combining dance, costuming/masks, acting, and operatic chants.
Drawing & Print (Drawing & Print)
Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions. Untitled Inkblot Drawing (CT-1491) (1995) is representative of his aspect of his practice. It is a formal exploration related to many different things: the Rorschach inkblot testing used by psychologists, Japanese calligraphy, Egyptian hieroglyphs, and the intricate patterning Conner saw everywhere in the world around him.
Referencing psychology, philosophy, and spiritualism, A series of personal questions addressed to a Hikimawashi kappa traveling coat by James Webb is an ongoing series in which the artist poses spoken questions to objects via a speaker installed near the object on display. The questions are addressed to the objects as if they were sentient beings able to respond. Each question is left hanging, unanswered for approximately 10 seconds before the next question is posed.
Phan Quang’s portrait series Re/cover grapples with a lesser-known history in Vietnam. After World War II, many Japanese soldiers who fought in Vietnam stayed in the country. They married Vietnamese women, had children, and lived in the country until Japan recalled them home.
Nakayama is part of a larger body of work by Pierre Gonnord focusing on the analysis and description of the lifestyles of urban youth in large Western cities. These images reflect on new canons of beauty, and the appearances and simulacra of fashion for a new generation. In particular, these works consider themes of androgyny, crossbreeding, and recycling.
Drawing & Print (Drawing & Print)
Gozo Yoshimasu’s double-sided work on paper Fire Embroidery explores his response to the March 2011 Tohoku earthquake and tsunami. He embarked on the project out of a deep sense of sympathy and commitment, in pursuit of “poetry possible after March 2011”, without exactly knowing where he was heading. He started scribing lines and letters on exceptionally large manuscript paper that he handcrafted every day.
Drawing & Print (Drawing & Print)
Gozo Yoshimasu’s visual-poetry series Dear Monster (Kaibutsu-kun) explores his response to the March 2011 Tohoku earthquake and tsunami. He embarked on the project out of a deep sense of sympathy and commitment, in pursuit of “poetry possible after March 2011”, without exactly knowing where he was heading. He started scribing lines and letters on exceptionally large manuscript paper that he handcrafted every day.
Drawing & Print (Drawing & Print)
Gozo Yoshimasu’s visual-poetry series Dear Monster (Kaibutsu-kun) explores his response to the March 2011 Tohoku earthquake and tsunami. He embarked on the project out of a deep sense of sympathy and commitment, in pursuit of “poetry possible after March 2011”, without exactly knowing where he was heading. He started scribing lines and letters on exceptionally large manuscript paper that he handcrafted every day.
Imjingawa is Hwayeon Nam’s first foray into borrowing from the documentary form. The root of the work is a Japanese song with Korean diasporic connotations, which the artist heard inadvertently years ago. While tracking the inception and history of the song, her research explored the song’s potential to live beyond “legal, national, ideological, and geographical barriers.” The song earned its fame when it was introduced to the Japanese band, the Folk Crusaders.
In a society saturated by images, Eric Baudelaire is interested in political events that have not found their representation. For the film The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years without Images, Baudelaire conducted research on 1970s Japanese cinema and more specifically on Wakamatsu and Masao Adachi’s filmography. In 1971, as the two legendary filmmakers of Japanese Nouvelle Vague were on their way home from a presentation at the Cannes festival, they stopped in Beirut, where their thinking concerning the image took the form of political activism.
The painting Index (Tokyo) includes an image of a protest march in Japan. There is some humor in this image and also cultural contextual confusion and displacement, embodied in the painting. The protest we can see on the clipping is against two things : 1)recently the Japanese government revised the constitution (some say illegally) so that the right to collective self-defense is possible; this basically re-militarizes Japan ending decades of pacifism and this sparked the largest public protests in recent years and 2) the protestors are also marching against re-starting nuclear power plants in Japan post-Fukushima.
Gozo Yoshimasu is a prolific Japanese poet, photographer, artist and filmmaker active since the 1960s...
Yosuke Takeda started from experimenting with darkroom photography production and he shifted over to digital photography, aware that photographic film and paper were becoming obsolete...
Currently based in Paris, Franco-American artist Eric Baudelaire has developed an oeuvre primarily composed of film, but which also includes photography, silkscreen prints, performance, publications and installations...
Based on an instinctive feeling of unease with the convenience and automation of daily life, Lieko Shiga has developed an artistic approach that links questions about the nature of the photographic medium with fundamental questions about life and the means of expressing oneself...
Meiro Koizumi is a Japanese video and performing artist, born in 1976...
James T...
Kwan Sheung Chi obtained a third honor B.A...
Yoshinori Niwa’s practice takes the form of social interventions, executed through performance, video and installation...
Anju Dodiya paintings feature autobiographical and human relationships, with ‘women’ usually at the center...
James Webb is a conceptual artist, known for his site-specific interventions and installations...
The practice of the French-Moroccan artist Malik Nejmi (b...
Kadar Brock makes large-scale abstract paintings via a rigorous process of layering, erasing, and reworking his surfaces; his highly textured canvases are variously discordant, exuberant, and topographical in nature...
Maryanto is an artist with a background in printmaking whose research-oriented practice is deeply concerned with ecological footprints and actions of humanity...
The artist, writer, and researcher Ho Rui An probes histories of globalization and governance, performing a detournement of dominant semiotic systems across text, film, installation, and lecture...
Wang is an artist working primarily with sound...
Tadasu Takamine is one of the most controversial, thought provoking, and irreverent media, video and installation artist working in Japan...
Wang Taocheng is a Shanghai artist who lives and works in Amsterdam...
Focusing on the temporal and spatial layers inherent in the medium of photography, Yuki Kimura constructs relationships between photographs and exhibition spaces that imbue the act of viewing with new dynamism....
Luka Yuanyuan Yang is a photographer, filmmaker and visual artist based in Beijing...
Bontaro Dokuyama became an artist after the triple disaster of March 2011 that irrevocably damaged his hometown of Fukushima, “sensing that everything that had been taught to him was a lie.” Previously working as an architect, he then started his artistic practice under a new name in order to underline the beginning of this new life...
After graduating from Musashino Art University in 2001, Shitamichi traveled for four years throughout Japan and took photographs of war remains...
Taro Izumi was born in 1976 in Nara (Japan)...
Ryan Villamael’s deeply layered practice is informed by a rare degree of skill and dexterity as well as by vivid imagination and haunting intellectual preoccupations...
Since the beginning of his career, Minamikawa Shimon has made work that deviates from conventional painting and other formats...
Matti Braun’s work entails research and experienced wanderings during sojourns and journeys...
Born in 1969 in Kobe, Shimabuku is an artist who collects unusual encounters...
‘Dazzling moments in the everyday’ inspire Japanese artist Mika Ninagawa’s immersive installation Eternity in a Moment | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Japanese filmmaker, photographer and visual artist Mika Ninagawa during an interview in her office in Tokyo...
Review: Glenn Kaino’s ‘Walking with a Tiger’ at Pace Gallery | Observer Installation view of ‘Glenn Kaino: Walking with a Tiger’ at Pace’s 540 West 25th Street gallery...
Different Mahjong versions, from the classical Chinese game to American mahjong, with its joker tiles, and Japanese riichi | South China Morning Post Advertisement Advertisement Chinese culture + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more There are many variations of mahjong played around the world, with different rules and scoring systems and in some, unique tiles...
All about washi: Japanese handmade paper’s ancient Chinese roots, its uses from writing to home decor, and why it can cost US$120 a sheet | South China Morning Post Advertisement Advertisement Asia travel + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Sheets of Hosokawa-shi, a type of Japanese washi recognised by Unesco as an item of intangible cultural heritage...
Family Portrait: Japanese Family in Flux Skip to content Still from Still Walking (2008), dir...
New Exhibition Merges Pokémon with Japanese Craft Home / Art Unique Pokémon Exhibit Made With Traditional and Contemporary Japanese Craft Techniques By Margherita Cole on January 30, 2024 Photo: ©JAPAN HOUSE Los Angeles Since its debut in 1996, Pokémon has become a fixture of pop culture...
Japanese artist Yoshitomo Nara on his art’s meaning, and chasing the ‘carefree freedom’ of childhood | South China Morning Post Japanese artist Yoshitomo Nara on his art’s meaning, and chasing the ‘carefree freedom’ of childhood Art Yoshitomo Nara, one of Japan’s leading contemporary artists, talks about his influences, from punk rock to Kraftwerk, and what drives him – it isn’t money Kate Whitehead + FOLLOW Published: 7:15am, 29 Jan, 2024 Why you can trust SCMP I am from Aomori, in the north of Japan’s main island of Honshu...
A Hong Kong village house with a Balinese vibe brings Scandinavian, Moroccan and Japanese elements together seamlessly – and it all started with a single-line drawing....
In the UK, Japanese literature translated into English is experiencing a boom...
The artist's philosophical paintings are on view at the Kyoto City Kyocera Museum of Art...
Art Collector of Japanese Art Who Began with a £55 Punt Sees His Collection Go on Show at the Royal Academy - via The Jewish Chronicle...
‘We laughed and cried a lot’: a Japanese photographer in Alabama – in pictures | Art and design | The Guardian Skip to main content ‘We laughed and cried a lot’: a Japanese photographer in Alabama – in pictures ‘He looked very proud’ … Matthew in His Car, 2019 The Band, 2017 When Japanese photographer Fumi Nagasaka was invited by her friend Tanya to visit her home town of Dora, Alabama, it proved to be a moment of creative inspiration...
Japanese ‘rainbow artist’ Ay-O’s debut solo Hong Kong exhibition the first in a series highlighting significant Asian artists | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Japanese artist Ay-O’s screenprint “Homage to Rousseau” is part of his exhibition at the M+ museum of visual culture in the West Kowloon Cultural District...
Girls on top: wrestling smackdown draws the Art Week Miami crowds Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 news Girls on top: wrestling smackdown draws the Art Week Miami crowds Sukeban, a group of Japanese women wrestlers, drew the crowds to a skatepark under an overpass at one of Art Week Miami’s more unusual events Gareth Harris 8 December 2023 Share Dressed to kill: Bingo, one of the competitors in the Sukeban Collective wrestling tournament on Wednesday night Deonté Lee/BFA.com It was a first for Art Week Miami: a Japanese women’s wrestling event held in a skatepark in the city’s downtown area...
Traditional Craftsmanship Merges With Digital Pixels in Installation Home / Art / Installation Suspended Paper Kite Installations Explore Artist’s East Asian and Western Identities in the Digital Age By Margherita Cole on December 6, 2023 Japanese-American artist Jacob Hashimoto unveiled an immersive installation at the Miles McEnery Gallery in New York City...
Chiho Aoshima, a prominent Japanese artist, burst onto the international art stage in the early 2000s, showcasing a distinctive fusion of traditional Japanese artistic techniques and contemporary themes...
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WHAT MUSEUM, situated in Tennoz, Tokyo, is currently hosting a captivating exhibition entitled "ART de Cha Cha Cha - Exploring the DNA of Japanese Contemporary Art -" from the esteemed Takahashi Ryutaro Collection...
Japanese Mega-Collector Yusaku Maezawa Is Giving Away $9 Million to His Twitter Followers to See If Money Makes People Happy - via artnet news...
What happens when a fish baron from Japan decides to collect contemporary Indian art and wants to sell some of his precious collection? He goes to a distinguished gallery in Mumbai, Pundoles, that has history......
âI Will Not Run or Hideâ: Billionaire Art Collector Yusaku Maezawa, Famous for Buying Basquiats, Responds to Tax-Evasion Accusations - via artnet news...
DUBAI: Christie’s Paris is hosting an online charity auction of Middle Eastern art to benefit artists through the Institut du Monde Arabe (IMA)...
Weekly Southeast Asia Radar: Japanese ska in Saigon, experimental music in Yangon | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Alberto Prieto via Saigoneer April 16, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Toshio Saeki, the legendary Japanese artist known for blending eroticism, horror, and humor in his works, passed away in November at the age of 74...
Painter Maha Ahmed’s creature-filled paintings are inspired by traditional Persian and Japanese techniques and sensibilities...
Seiran Tsuno's ghostly dresses rest above the bearer and recontextualize the human body...
Lot 1255 Rago’s Modern Design sale, September 23, 2018: Nikko cabinet designed by Shiro Kuramata, 1982...
Some Southeast Asian picks from the Busan International Film Festival (via Bangkok Post) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles October 25, 2018 How do Aceh and Japan, two places that seem unrelated, separated by a vast distance of land and sea, connect on the personal and historical level? For one, they both have been hit by a tsunami — Aceh in the massive tragedy that struck many parts of Southeast Asia in 2004 and Japan in 2011...
The World Cup, The Japanese Occupation and Our Painful Inheritance Thinking and Talking about Arts and Culture in Southeast Asia Articles July 18, 2018 This article is republished from the Singapore International Film Festival editorial...
This ephemeral installation by Jirí Kovanda, documented in the same way as his performances with a photograph and a text, belongs to a body of works that took place in his apartment/studio...
Drawing & Print
Untitled is a work on paper by Martin Kippenberger comprised of several seemingly disparate elements: cut-out images of a group of dancers, a japanese ceramic vase, and a pair of legs, are all combined with gestural, hand-drawn traces and additional elements such as a candy wrapper from a hotel in Monte Carlo and a statistical form from a federal government office in Wiesbaden, Germany...
Drawing & Print
Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...
Nakayama is part of a larger body of work by Pierre Gonnord focusing on the analysis and description of the lifestyles of urban youth in large Western cities...
In the installation Our Love is like the Flowers, the Rain, the Sea and the Hours, Martin Boyce uses common elements from public gardens – trees, benches, trashbins– in a game which describes at once a social space and an abstract dream space...
For the two-channel work Asking the Repentistas – Peneira & Sonhador – to remix my octopus works Shimabuku asked two Brazilian street singers to compose a ballad about his previous works with octopi (in which he created traditional Japanese ceramic vessels to catch octopi, with a fisherman who took him on his boat to test them out as we can see on one of the channel)...
Hako (2006) depicts a mysterious and dystopic landscape where the world becomes flat: distance between different spaces, depth of field and three-dimensional perceptions are canceled...
An early work in Sung Hwang Kim’s career, the video Summer Days in Keijo—written in 1937 is a fictional documentary, the film is based on a non-fiction travelogue, In Korean Wilds and Villages , written by Swedish zoologist Sten Bergman, who lived in Korea from 1935 to 1937...
Kadar Brock creates dynamic abstract paintings that are born from a process of painting, scraping, priming, sanding, and painting again...
Recollections of Long Lost Memories by Ahmad Fuad Osman is a series of 71 black and white sepia-toned archival photographs that chart, with nostalgia, the social encounters between hierarchies of life in the Malay world...
Edinburgh Castle on the Bin Bag features a model of the Edinburgh castle constructed by using shiny black cards placed on top of an open, full black plastic trash bag...
Drawing & Print
Ranging from Baudelaire to the Koran, each of Hassan Massoudy’s drawings are titled with a quotation from a text...
The three monkeys in Don’t See, Don’t Hear, Don’t Speak are a recurring motif in Gupta’s work and refer to the Japanese pictorial maxim of the “three wise monkeys” in which Mizaru covers his eyes to “see no evil,” Kikazaru covers his ears to “hear no evil,” and Iwazaru covers his mouth to “speak no evil.” For the various performative and photographic works that continue this investigation and critique of the political environment, Gupta stages children and adults holding their own or each other’s eyes, mouths and ears...
During a residency in 2009 at L’appartement 22 in Rabat, the artist traveled in Morocco and Senegal on the traces of the German sculptor Arno Breker...
Steak House is a video representing two small puppets smearing the artist’s face with paint while he is sleeping...
Head Box by J ean-Luc Moulène i s not the representation of a space but a real space that remains in the domain of sculpture which the artist develops in parallel with his photographic practice...
Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
Tectonic Model is made from a number of leather bound books piled up in different formations that resemble architecture on top of a sawhorse desk...
Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945...
The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies)...
Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for...
The Woman, The Orphan, and The Tiger begins with the sound of women’s voices describing histories of violence, of things repressed and silenced...
Seven family members and a cat all squeezed into the small five-room house, where Motoyuki Daifu grew up in Yokohama...
In a society saturated by images, Eric Baudelaire is interested in political events that have not found their representation...
The video Music While We Work (2011) is the first part/work of a long-term research project started in 2010...
Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for...
Gastaldon has made a number of soft sculptures using materials associated with knitting and sewing that have alternately fetishistic, nightmarish or contemplative qualities...
Yoshinori Niwa’s investigation into the monetary system and material goods is witnessed across a range of his works...
Kwan Sheung Chi’s work One Million is a video work depicting the counting of bills...
This video installation was made for the exhibition “Journey to the West” held in January 2012 in New Delhi, where a group of curators invited six Japanese artists to produce a work to be made around the relationship between Japan and India...
Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program...
Kastura (2012) is an installation consisting of 24 black-and-white photographs of the Katsura Imperial Villa in Kyoto bequeathed by Kimura’s grandfather; free-standing structures on which they are hung; and ornamental plants...
The video work Japan Syndrome is a continuation of his lines of inquiry, taking post-Fukushima Japan as a case study...
Part of a series of videos called LIFE, where Shay Arik videos that re-enact iconic journalistic photographs...
This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
On September 22, 1940 the French signed an accord, which granted Japanese troops the right to occupy Indochina...
Phan Quang’s portrait series Re/cover grapples with a lesser-known history in Vietnam...
Pacific Limn weaves together three narratives that comment on hyper-capitalism pan-Pacific cities that San Francisco exemplifies...
With the war-torn Beirut cityscape as its backdrop—urban alleys, glistening beaches, abandoned buildings—Eric Baudelaire’s complex film, The Ugly One , unfolds in a time and place that vacillates among revolutionary narratives of the past, the fragile and ever-changing political situation of the present, and attempts to piece together the memories of those that live, or once lived, in the city...
Drawing & Print
Gozo Yoshimasu’s visual-poetry series Dear Monster (Kaibutsu-kun) explores his response to the March 2011 Tohoku earthquake and tsunami...
Drawing & Print
Gozo Yoshimasu’s visual-poetry series Dear Monster (Kaibutsu-kun) explores his response to the March 2011 Tohoku earthquake and tsunami...
La Chambre Marocaine series is a means to reconnect personally to his connection to family history and objectively assess the process of reconnection...
Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for...
Sara Eliassen’s video work A Blank Slate (2014) employs cinematic effect to investigate the relationships between subjectivity, gaze, and memory...
The series Funerals under Neon Lights by Tomoko Kikuchi focuses on how transgender people’s ritual became a vital part of funerals in rural China...
Words by Meiro Koizumi: “The video installation work In the State of Amnesia is made with Mr...
In Over There, Bontaro Dokuyama conducted a series of workshops with various people who had been forced to relocate in temporary housing after the Fukushima accident...
Drawing & Print
Cluster Illusion examines the brain’s tendency to recognize a pattern as something abstract...
For the works KAKERA, Bullet Train and KAKERA, Loving God Tatsuki Masaru traveled throughout Japan to visit museums holding kakera (which translates to “fragments”) of Jomon Period potteries –Japan’s pre-history 2,300-15,000 years ago...
Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face...
Drawing & Print
Gozo Yoshimasu’s double-sided work on paper Fire Embroidery explores his response to the March 2011 Tohoku earthquake and tsunami...
The film installation Mud Man by Chikako Yamashiro is set on Okinawa and South Korea’s Jeju Islands, two locations at the center of local controversies surrounding the presence of the United States military...
The installation Hey Daddy, Hey Brother comprises a series of “Sukajan” jackets, which Tamura collected over a period of several years...
Mika Tajima’s Pranayama sculptures are built from carved wood and chromed Jacuzzi jets and are presented as artefacts...
As a discipline born at the same time as colonialism, archeology is struggling to rid itself of this sad context...
DADYAA: The Woodpeckers of Rotha by Pooja Gurung and Bibhusan Basnet illuminates a unique and seldom seen international perspective on indigenous cultures and contemporary social issues in the Nepali context...
Composed of three photographic panels, Three Times at Yamato Hotel by Luka Yuanyuan Yang is a part of the artist’s ongoing project Dalian Mirage , a seven act play in a theatre staged as the city of Dalian...
Behold A City 4 extols the old grandeur of Manila, the nation’s storied capital – the complex nexus of heritage, modernity, and all sorts of compulsions, political or otherwise, that attempt to define it...
Z = |Z/Z•Z-1 mod 2|-1: Lavender Town Syndrome by Andrew Norman Wilson is a multi-channel video that uses three different imaging technologies—a photographic lens, photorealistic ray tracing animations, and fractal ray-marching animations—to travel through three constructed environments...
Victory Through Air Power III (1943) by Wendy Cabrera Rubio is part of a series of quilted maps that reproduce different scenes from the eponymous film...
Referencing psychology, philosophy, and spiritualism, A series of personal questions addressed to a Hikimawashi kappa traveling coat by James Webb is an ongoing series in which the artist poses spoken questions to objects via a speaker installed near the object on display...
With Inner Child , Bady Dalloul continues his ongoing reflection on migration and belonging, putting in balance levantine and Japanese histories...
The Shedding by Anju Dodiya is part of a series of mattress paintings the artist creates using fabric stretched on padded and shaped boards...