This is not in Spanish looks at the ways in which the Chinese population in Mexico navigates the daily marginalization they encounter there. The neon translates as “this is not in Spanish,” making reference to both the famous Rene Magritte painting “Ceci n’est pas une pipe” as well as signs posted in the windows of Chinese establishments in Mexico.
The film called Temps Mort (Dead Time or Time Out) presents an exchange of short video footage assembled into one final edit. Remotely driven footage of daily life in prison, the banality of a sink, of a plant or a plate of pasta are offtset against scenes of life outside, in the streets of Paris, a night of love or seascapes. The dialogue between the inmate and the artist occurs by text messages and captures this exceptional situation of exchange, sharing et perhaps dependence.
Javier M. Rodriguez’s Going Round and Round in a Line ST (12m) is a sculptural composition made of the simplest materials—a single tape measure and metal rivets. The rivets lock the tape measure in its contorted shape, bending in angles to create a geometric abstraction. The piece hangs simply from the ceiling, at times rotating around, its shape changing with our point of view.
Indigenous educator and curator Sandra Benites, of the Guarani-Ñandeva people, narrates the origin myth of the bird Urutau in her native language. This nightjar stands still on a branch all day long and, at dusk, cries a low hoot resembling a human weeping. In 2013, indigenous activist José Urutau Guajajara remained on the top of a tree for 26 hours, deprived of food and water by state forces.
Há Terra! (There Is Land!) is a short film by Ana Vaz that picks up on the artist’s previous film A Idade da Pedra (2013), in which Vaz imagined premodernity in her native Brazil.
In Amapola Prada’s work Movement, we see three spotlit, female bodies lying inert in a darkened room, alongside three dressed, standing figures holding long, wooden spoons. Looking over the static bodies, the standing figures place their spoons in-between the women’s legs and begin moving them in circular, rowing-like motion, like the oars of a boat. The psycho-sexually charged nature of Movement is illustrative of Prada’s dream-like works, which often relate to the subconscious and other internal processes with which we express desires, tensions, and latent emotions.
In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented. The artists used disposable spoons as catapults to shoot thousands of plastic bottle caps at a hole in a concrete platform. The platform was once part of a U. S. military installation in the Panama Canal Zone, and it is now an observation deck in a nature park.
The video animation Falling Head 2 , hand-painted by Diego Marcon in 2015, consists of a close-up of a head caught on the threshold between sleep and wakefulness or maybe from wakefulness to sleep. The film is projected as a ten-second loop where the first and last frames coincide. Working mainly in video and film, Marcon is familiar with the consequences of eyestrain.
Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015. The sculpture, employing the technique of traditional Atzompa pottery originating from Oaxaca, Mexico, is an examination of the way in which archaeological heritage is remembered in the earthenware made by Atzompa potters today. Accompanied by the publication ‘Ixiptla Vol.
This painting is the direct result of the artist’s research into her roots. Kudzanai-Violet Hwami sought to find a way to immerse herself in present-day Zimbabwe, spending a month at an artist-run space Dzimbanhete on the outskirts of Harare and living with a traditional healer. According to the artist, the experience left her feeling othered by the inability to fully integrate herself into the place she called home.
In a broader sense, the meaning of ‘blackout’ —primarily an electrical failure or momentary interruption, opens up to new organizations, perceptions and different ways of experiencing time and space. Every person caught in a blackout must redefine the potentiality of public space, relate to strangers and invent new temporary forms of organization. A blackout acts as the breaking point of an established order, on a personal level as a loss of consciousness or on a collective level, as the temporary disruption of political institutions for example.
22022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021. The work employs traditional Burmese textiles, which have been employed by protesters harnessing the power of old Myanmar lore. It is said that women’s bodies and the garments that cover them sap men of their power.
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form. For Untitled (Men) (2011), he snipped from magazines and textbooks pictures of handsome or famous men, from the ancient Greek to the modern. Arranged in a tableau, lit theatrically, and rephotographed, the two-dimensional figures have an embodied presence.
“We both died at the same moment” is a humorous observation of anthropomorphism, the attribution of human emotions to nature and animals. A siliquaria armata is a slitworm that loosley-coiles a shell. Growing inside a sea-bed, a siliquaria armata will grow vertically until it touches another siliquaria armata, at which point they will knot together.
Drawing & Print (Drawing & Print)
Letter I Never Wrote is one of the most powerful series of Jinoos Taghizadeh. This is a series of stamps reflecting on variety of issues that the artist finds them important and critical to be discussed and seen by the public, which is also hidden and not talked enough by the Iranian government. From extremely political issues such as the chain murderers of intellectuals and politicians in Iran to environmental changes and archeological decadence of historical heritage, Taghizadeh is using one of the most popular form of circulation for information and communication to put these issues on top of them.
Executed on Sunday 17 August 2013, “Zonnebloem renamed” is a site-specific performative video film marking the centenary of the 1913 Natives Land Act in South Africa. The short film forms part of the artist’s ongoing collaboration with District Six residents titled WITNESS. Commencing in 2011, WITNESS negotiates the forced removals and land compensation in District Six and across South Africa.
Like the film Le Mouton noir, this dimension is counterbalanced by a burlesque element. The piece of fabric on the rat’s paw or ‘graft’ becomes a patchwork made out of colorful geometric shapes recalling a Harlequin costume, thus referring directly to the burlesque tradition. This leitmotiv creates a contrast with the dull colors, the humility of the countryside, and makes the figurative scene look unreal to reveal its superficiality.
This work exemplifies George Pfau’s interest in zombies and liminal embodiment. In different ways, zombies are present here as an icon of coming apart, yet they retain a persistent thereness. In Zombie Swallows The World, the image of the figure is almost overcome by strong light that visually blows away the edges of the body.
In 2015, while in residence at the Jatiwangi Art Factory (JaF) located in the village of Jatisura in Jatiwangi, West Java, Indonesia, Togar initiated the Jatiwangi Cup in which the artist, together with communities in the area, established an annual bodybuilding contest. The area is renowned for its roof tile factories, and the cup aims to celebrate the factory worker’s physiques, sculpted by intense, daily, physical labor. Togar based the idea of the cup on the simple notion of collectivity.
Drawing & Print (Drawing & Print)
BF15 is a preparatory study for the collective’s intervention at the BF15 gallery in Mexico, near Monterrey. It includes a photograph, a collage, sketches and notes. The intervention consists in the seamless extension of the wall of the BF15 gallery beyond the property boundaries, invading the sidewalk and the street, entering public space.
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape. The inharmonious landscape is gradually captivated by the exquisite balance between inorganic material and mystical background. The photos were taken in places that in recent years have become targets of large-scale exploitation under a massive globalization of capital and other political interests.
A child and dreamer my whole life long (broken tree) (2004) is a sculpture made of filler, wire, copper, oil paint, and wood depicting a tree just at it’s moment of breaking into half – one part alive with foliage and blooming branches and the other the crisp of the break exposed, with the trunk adhered solidly to a plinth. The sculpture appears to speak quite bluntly about Isaac’s own sense of bleak pessimism when exposing a severed tree, the universe’s sacred sign of life and birth. Through the perfect rendering of this encapsulated moment, Isaacs demonstrates the strength of the sculptural artifact and his interest in failure and fragility.
In Suspension a young man is hanging in the air, falling, or perhaps drifting through time and space. There is no special or definite way to understand it. And it is in this construction where Morales envisions the world as an endless void, or timeless gravity, that we fall deeper and deeper into our own humanity.
In the hologram “Mano con hojas” (”Hand with Leaves”, 2013), nature is portrayed simultaneously as an interconnected system of processes and the essence of the universe. A change in the understanding of nature challenges the understanding of our own natures. The visual metaphor of the human hand enmeshed and inextricably entangled with leaves suggests that humans cannot be divorced from nature, and moreover that they are always engaging with the problematic of overtaking nature or being overtaken by it.
For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history. Kurant’s fictional mineral-currency is at once data visualization, a sly commentary on global markets, and a speculative narrative about the connection between technology and geology (for example ‘conflict minerals’ used in smartphones). Inspired by the way natural forces shape rocks, landscape, and planets over time, Sentimentite ’s evolving forms are shaped by dynamic social and political ruptures in the 21st century.
The title of the work Eridanus refers to the constellation of the river of ancient Athens that meanders across in the night sky. The constellation is visible uniquely from the Southern Hemisphere. The artist evokes a story from the past, where with the installation of modern street lamps, has resulted in the residents of Paris being disturbed by the difficulty of seeing the stars in the sky as a result of light pollution.
Dhuwã (term used by indentured people of Natal for ‘smoke’), is a single-channel film by Sancintya Mohini Simpson that traces back to the lived experiences of indentured labourers taken from India to Natal (now KwaZulu-Natal, South Africa) to work on sugar plantations during the late 1800s and early 1900s. This often-overlooked chapter in colonial history is close to the artist, as her maternal family were contracted to a sugar plantation in Natal. Filmed originally in 16mm film, Dhuwã captures sugarcane plantations in North Queensland, initially in moments of stillness that are gradually disrupted by a crescendo of repetitive sounds and fast camera movements that culminate in the fields being engulfed by flames.
The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history. In 1995, OJ Simpson—a well-known American football player—was accused of the murders of his ex-wife Nicole Brown Simpson and her friend Ronald Goldman. Based on the courtroom footage, Ezawa uses his signature style to create an abstract and graphically simplified echo of what happened in the room.
To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic. She captures these ephemeral constructions at close range, enlarging minute tensions. Nguyen uses transient, prosthetic lighting—the glow of sunset, an iPhone flash, battery-powered LEDs, fire—so that the camera intervenes moments before these temporary arrangements and their lighting change.
Sancintya Mohini Simpson is an artist, writer, and researcher whose work addresses the impact of colonization on the historical and lived experiences of her family and broader diasporic communities...
Artists András Gálik and Bálint Havas began developing projects together under the name Little Warsaw in 1999...
Collector Barbara Bloom mixes autobiographical details, fictional narratives, and literary quotes...
Trevor Yeung’s (b...
Bani Abidi’s practice deals heavily with political and cultural relations between India and Pakistan; she has a personal interest in this, as she lives and works in both New Delhi and Karachi...
Although the practice plays a central role in the work of David Horvitz, his work is at the opposite of fine art objects...
Haroon Gunn-Salie (b...
Julian Abraham “Togar” is an artist, musician, and pseudo-scientist...
Lim Sokchanlina, nicknamed ‘Lina’, works across documentary and conceptual practices with photography, video, installation, and performance; particularly drawn to the use and function of space where urban communities meet rural attitudes...
Mohamed Bourouissa became known in the 2000s with a series of photographs on young people in the suburbs of Paris...
Ana Vaz is an artist and filmmaker whose works speculate on the relationships between self and other, and myth and history, through a cosmology of signs, references, and perspectives...
UK-based artist, Kudzanai-Violet Hwami was born in Gutu, Zimbabwe in 1993 and lived in South Africa from the ages of 9 to 17...
As the daughter of an actor, Amapola Prada recalls frequently attending the theater as a child and noticing that she never saw herself (her body or reality) represented...
During more than 18 years of collective incarceration, Jared Owens became a self-taught artist, working in painting, sculpture, and installation, using materials and references culled from penal matter...
Samson Young is a Hong Kong-based artist whose practice interlays multiple narratives and references with sound and cultural politics at its heart...
Diego Marcon uses film, video and installation to investigate the ontology of the moving image, focusing on the relationship between reality and representation...
Hossein Valamanesh’s work is often made out of natural material or found objects such as Persian rugs, family photo albums or clothes...
Olaf Breuning’s photographs, videos, performances and installations play with codes of mass production with references to publicity, fashion and cinema and “high” and “low” art...
John Isaacs’ work encompasses many different media, though much of it has origins in sculpture...
Colectivo Tercerunquinto develops work related to the urban, the boundaries between public and private space...
Sergio De La Torre has worked with and documented the manifold ways in which citizens reinvent themselves in the city they inhabit, as well as the site-specific strategies they deploy to move “in and out modernity.” De La Torre often collaborates with his subjects, resulting in both intimate and critical reflections on topics like housing, immigration, and labor...
Working primarily in painting and video, Eric Dizambourg merges the burlesque with the rustic, blurring the boundaries between reality and representation...
Jinoos Taghizadeh uses a variety of media including painting, collage, video and performance and deals with the problematic construction of collective identities in contemporary Iran....
A writer and an artist, Paloma Contreras Lomas has developed a practice in which literature and fiction play a major role, allowing her to address a series of topics regarding race and class that are rarely broached by a traditional Mexican society...
The latest Desert X AlUla biennial features 15 newly commissioned pieces that explore the unseen...
‘Living in Brixton allowed me not to be judged non-stop’: Zineb Sedira, the artist who makes people feel at home | Art | The Guardian Skip to main content Skip to navigation Skip to navigation Zineb Sedira photographed in the Whitechapel gallery, where her Brixton living room has been recreated in wallpaper...
Former Greensburg Salem, Saint Vincent educator to showcase paintings at Greensburg library | TribLIVE.com Art & Museums Former Greensburg Salem, Saint Vincent educator to showcase paintings at Greensburg library Quincey Reese Monday, Feb...
Ahead of his new series 'Blossoms Shanghai', here are five movies from the genius Hong Kong director behind ‘In The Mood For Love’....
Brice Marden’s valedictory courage – Two Coats of Paint Brice Marden, Blue Painting, 2022-2023, oil on linen, 72 x 96 inches Contributed by David Rhodes / Brice Marden died at the age of 84 in August 2023...
Everything we know about A24's The Iron Claw: Release date, plot, Zac Efron wrestling in the trailer advertisement...
See What Sold at the Barbara Walters Estate Sale at Bonhams | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Layered Realities: Exploring Martin Whatson’s “InsideOutsider” / Eva Marie Bentsen | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY Martin Whatson, a Norwegian stencil artist born in 1984, has carved out a distinctive niche in the contemporary and street art worlds...
Miami-based artists and arts organisations grapple with gentrification Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 feature Miami-based artists and arts organisations grapple with gentrification Those responsible for building Miami's vibrant art scene are struggling to pay for housing and workspaces Carolina Ana Drake 8 December 2023 Share Charles Humes Jr.'s Pork & Beans Please (2021) Courtesy of the artist Between 2020 to 2022, the population of Florida grew by 707,000, according to US Census data ...
Inquiring Minds Want to Know: ‘How Does Santa Go Down the Chimney?’ | KQED Skip to Nav Skip to Main Skip to Footer The Do List Inquiring Minds Want to Know: ‘How Does Santa Go Down the Chimney?’ Listen Samantha Balaban Dec 4 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link ‘How Does Santa Go Down the Chimney?’ (Text © 2023 by Mac Barnett...
Furthering FORMA: Vanessa Heepen’s Exclusive Editorial Collaboration Blurs The Art-Design Divide - IGNANT Name FORMA Gallery Images Clemens Poloczek Words Anna Dorothea Ker To spatial designer and creative director Vanessa Heepen , design is inherently discursive...
Granary Square in King's Cross will be transformed into a compelling winter landscape, unveiling its latest annual installation The post Assemble To Reconfigure Granary Square Into A Wintery Landscape appeared first on Artlyst ....
There's a new wave of nights diversifying the sound of the Georgian capital — these are the club kids making it happen....
National Museum of Women in the Arts Grows Its Galleries and the Canon – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All October 27, 2023 8:36am The newly reopened National Museum of Women in the Arts can now play host to bigger artworks...
BOMB Magazine | Bas Devos Necessary (Required) Cookies that the site cannot function properly without...
Selling Polaroids in the Bars of Amsterdam, 1980 - Photographs by Bettie Ringma & Marc H...
Isabella Chiam: Cultivating Risks | ArtsEquator Skip to content SMU students Caitlin Leong and Joy Lo interview Isabella Chiam about her gardening workshop, 'The Last Gardener', gaining insights into the risks and challenges that artists face in the creative sector...
The Utopia Project at Smithsonian Anacostia Community Museum - Steve Lambert The Utopia Project at Smithsonian Anacostia Community Museum - Steve Lambert Steve Lambert wrote a book!!! Art Works News Writing About Steve Contact Resume Now Newsletter Book Creative Commons BY-NC-SA November 2022 Exhibitions Center for Artistic Activism The Utopia Project Location: Anacostia Community Museum, Washington D...
CryptoPunks are prime examples of the wave of popular “profile pic” (or “PFP”) NFTs at the forefront of the medium and its market...
Muriel and Freddy Salem have curated an outstanding contemporary art collection that is set to be exhibited in the south of France...
Top Collector Ronald Lauder Donates Significant Arms and Armor Gift to the Met - via ARTnews...
“I’ve long been working to support creatives, but we’ve redoubled our efforts over recent months,” he said....
Podcast 95: Three Sisters and _T0701_ at SIFA 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Arts House Limited / Nine Years Theatre and The Pond Photography August 19, 2021 In this episode of the ArtsEquator theatre podcast, Naeem Kapadia, Matthew Lyon and Nabilah Said discuss Three Sisters by Nine Years Theatre and _T0701_ by Zeugma, which were both part of SIFA 2021...
In the hands of KT Beans, a seashell takes on unsettling qualities...
Weekly Southeast Asia Radar: Vietnam's new costume institute; Is Penang's art scene dead? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Jitti Chompee October 22, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Weekly Picks: Indonesia (4 - 10 March 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do March 4, 2019 Top Picks of Indonesia art events in Jakarta, Surabaya and Bali from 4-10 March 2019 In order to understand the contemporary art and society, we have to take our understanding beyond the principles of modernism...
"A Land Imagined" and The Ghosts We Forget | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo courtesy of Akanga Film Asia & Philipp Aldrup Photography Photo courtesy of Akanga Film Asia & Philipp Aldrup Photography February 21, 2019 By Alfonse Chiu (1200 words, six-minute read) The three definitions of the word “ghost” from the Oxford dictionary are as follows: the first, “an apparition of a dead person which is believed to appear or become manifest to the living”; the second, “a slight trace or vestige of something”; and the third, “a faint secondary image caused by a fault in an optical system, duplicate signal transmission, etc.” In all three, presence is a suggestion of memory, amenable to corrections by means of a quick scrub of one’s spectacles...
In the 1980’s, while browsing Parisian fleamarkets, Barbara Bloom stumbled into an anonymous watercolor (dating to around 1960) in one of Paris’ fleamarkets, probably a study made by an interior designer for a bedroom...
Drawing & Print
BF15 is a preparatory study for the collective’s intervention at the BF15 gallery in Mexico, near Monterrey...
The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...
For this image, Olaf Breuning invented a revised stone age corrected for the cinema in which dolmens and leather were replaced by surf boards and neoprene clothing...
A child and dreamer my whole life long (broken tree) (2004) is a sculpture made of filler, wire, copper, oil paint, and wood depicting a tree just at it’s moment of breaking into half – one part alive with foliage and blooming branches and the other the crisp of the break exposed, with the trunk adhered solidly to a plinth...
The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...
The film called Temps Mort (Dead Time or Time Out) presents an exchange of short video footage assembled into one final edit...
Like the film Le Mouton noir, this dimension is counterbalanced by a burlesque element...
This is not in Spanish looks at the ways in which the Chinese population in Mexico navigates the daily marginalization they encounter there...
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
Designed as an installation timed spent is determined by the viewer, as with classical sculpture, Anthems is a piece that is in place, and in time, and an important genre of video within the collection...
The installation work Men from Hyperion and Women from Phoebe (2011), for examples, features six guitars mounted on steel crossbar stands and connected to one another with slack wires...
In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented...
In Amapola Prada’s work Movement, we see three spotlit, female bodies lying inert in a darkened room, alongside three dressed, standing figures holding long, wooden spoons...
Executed on Sunday 17 August 2013, “Zonnebloem renamed” is a site-specific performative video film marking the centenary of the 1913 Natives Land Act in South Africa...
In the hologram “Mano con hojas” (”Hand with Leaves”, 2013), nature is portrayed simultaneously as an interconnected system of processes and the essence of the universe...
“We both died at the same moment” is a humorous observation of anthropomorphism, the attribution of human emotions to nature and animals...
In Suspension a young man is hanging in the air, falling, or perhaps drifting through time and space...
In Muted Situations #2: Muted Lion Dance by Samson Young, Chinese lion dancers perform the auspicious procession traditionally presented at special occasions such as weddings or during the Lunar New Year...
Jaali – Horizontal references religious practices in Hungary that were considered as a civil disobedience throughout the 1950s...
The video animation Falling Head 2 , hand-painted by Diego Marcon in 2015, consists of a close-up of a head caught on the threshold between sleep and wakefulness or maybe from wakefulness to sleep...
Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...
Entre Chien et Loup is an installation incorporating a variety of media: rubber, discs, feathers and confetti that the artist weaves, sews and glues together...
Indigenous educator and curator Sandra Benites, of the Guarani-Ñandeva people, narrates the origin myth of the bird Urutau in her native language...
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
The title of the work Eridanus refers to the constellation of the river of ancient Athens that meanders across in the night sky...
This painting is the direct result of the artist’s research into her roots...
In 2015, while in residence at the Jatiwangi Art Factory (JaF) located in the village of Jatisura in Jatiwangi, West Java, Indonesia, Togar initiated the Jatiwangi Cup in which the artist, together with communities in the area, established an annual bodybuilding contest...
To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic...
Paloma Contreras Lomas has frequently used animals as metaphors in her work...
22022021, Yawnghwe Office in Exile by Sawangwongse Yawnghwe belongs to a body of work made in response to the Myanmar military coup that began in February 2021...
Dhuwã (term used by indentured people of Natal for ‘smoke’), is a single-channel film by Sancintya Mohini Simpson that traces back to the lived experiences of indentured labourers taken from India to Natal (now KwaZulu-Natal, South Africa) to work on sugar plantations during the late 1800s and early 1900s...
For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
Ecotone by Enar de Dios Rodríguez is a video work presented in six chapters, each beginning and ending with a one-sided telephone dialog with an informal, friendly and conversational tone, that leads quickly into complex philosophical subjects...
Hog feed 102 is an exemplary work by Jared Owens that combines two of the artist’s primary signatures: the use of soil smuggled out of the grounds at F...