Gated Commune , a video by Camel Collective, is a critique of the complex, and often obtuse, language used to describe sustainable development projects. To construct a future scenario in the imagination of the viewers, a voiceover narrates two perspectives of futuristic practices in architecture and social behaviors: neo-primitives on one hand, who value organic materials and design based on geometric forms, and futurists on the other hand, who value organic forms and computer design. In this constructed universe, both perspectives lead to societal structures that malfunction due to issues with their design, which are not in line with their users’ needs.
Central Region by Tanatchai Bandasak is a meditation on materiality and time-based media centres on the mysterious, prehistoric ‘standing stones’ of Hintang in Northern Laos: little-studied megaliths which have survived thousands of years of political change and the cataclysmic carpet-bombing of Laos by the United States during the Cold War. In Bandasak’s unpretentious, animist portrait of the ruins, what is remarkable is the absence of the embodied observer, instead, it is the technical parsing of the digital video camera that enlivens these prodigiously still, mute and enduring objects, through a chanceless sequence of static shots, dissolving measure and revealing gradual modulations of light. The piece evokes a spectral landscape energised by the undead and the nonhuman, opening up contemporary philosophical questions via seemingly ageless and inert artifacts.
In the fictional narrative Plantation Boy (2012), Irhoa places himself inside imagery from Francis Ford Coppola’s seminal The Godfather (1972). Inflected with humor, the series examines race in society. According to the artist, the 40 images collectively question structures of power and the hegemony of Western culture.
After the decade-long conflict (1996-2006) that ended with Nepal becoming a Federal Democratic Republic, political unrest and weak governance continued to mark the country’s future as daily life repeatedly witnessed ruptures. From accessing essentials to employment, education, compensation, legal justice, health facilities, and human rights, the people of Nepal have been forced to wait. Meanwhile by Karan Shrestha records moments of impasse as the post-conflict period dragged on.
Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art. For him, this is a way of rethinking the tradition in a more personal way, to have a grip on events of recent history and examine them with a curiosity, both critical and sensual. The artist emphasizes the fact that new ideas and meanings may arise from these archaeological narratives.
For 7 Materials , Tao Hui films seven scenes selected from the countless scenarios in his notebooks, including a group of ethnic minority girls in a spoil pit in the rain, a reporter interviewing a corpse, and a deity sailing on the river. Due to the lack of internal logical order, these one-minute video “materials” are not played in a fixed sequence but randomly. For Tao Hui, to film his diary is to adorn and embellish his memories before evoking and reviving their spirits.
Drawing & Print (Drawing & Print)
The three cut-outs are made of three aerial photographs coming from the archives of the Ecuadorian Military Geographic Institute. These are views of the Amazon forest. The photographs are cut following an optical illusion pattern called “reversible cubes” or “tumbling blocks”, based on the Necker cube, a multistable object of psychophysics that is constantly switching perspectives.
The four-channel video installation Same Old Crowd departs from the documentation of an unknown city and takes place in an ambiguous temporal and spatial frame. Twelve characters (amateur actors hired by the artist) appear in black-and-white in highly stylized surroundings wearing patterned cloths. The identities or time period of the characters, all deprived of languages, are impossible to determine.
Drawing & Print (Drawing & Print)
Report of the Legal Subcommittee is a print featuring a map of the stars, together with a found transcription of a recent United Nations meeting in which various international delegations declare frustration with their 40-year-old, ongoing efforts to devise a legal definition of outer space. This admission seems to hold a rich poetic potential, the human attempts to bureaucratize and control outer space seemingly frustrated by the sublime scale and mystery of its infinite depths.
In the video work Any Resemblance is Coincidental , CHEN Zhexiang mined portraits of real Asian criminals that were abandoned on the Internet. In order to form a database of the portraits, he saved the files under the original names retrieved from the Internet. CHEN used digital facial recognition technology to build a lexicon of the criminals’ facial characteristics in order to analyze them.
This work is one of Koller’s many variations which he began to use from 1970 to describe the ‘cultural situations’ he created. His “Anti-Happenings” turned mundane events into ‘cultural’ and ‘subjective’ situations. He sought to create new cultural situations that weren’t new art, but rather new ways of living: a new creativity for a new humanistic culture.
A subject’s back stands before a landscape of mountains, arid and majestic, Der Wanderer 3 revisits the theme of man versus nature dear to Romantic painting and the paintings of Caspar David Friedrich in particular. “From him I returned to the theme of the character turning their backs to the viewer. I love the back.
This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005. His broad smile, on the verge of laughter, encourages reciprocity on behalf of the onlooker. This could be said to be a typical tactic in Creed’s work as it is so infused with humor and irony.
Drawing & Print (Drawing & Print)
MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication. In the series, Rogan alters the magazine’s pages by erasing the image of the magicians doing their tricks, leaving only the background of their performances on view. These contexts range from the more overtly staged scenario in Silencer #16 —the erased magician is about to perform a trick on his assistant trapped on an odd, almost dada looking box—to the more “colloquial” Silencer #17 in which the absent magician’s silhouette appears in what seems to be a children’s hospital.
Drawing & Print (Drawing & Print)
Sara Cwynar’s composite photographs of found objects and images court feelings of time passing. Using studio sets, collage, and re-photography, she produces intricate tableaux that draw from magazine advertisements, postcards, or catalogs. Cwynar is interested in how design and popular images work on our psyches, in how their visual strategies infiltrate our consciousness.
Message to the Extraterrestrials consists of a slide projector beaming images into the side of the telescope. These are then reflected down to a mirror at the bottom of the telescope and from there to a mirror on the ceiling. From the ceiling the images bounce down to a mirror at floor level which projects the images through an open window to the world outside.
Advanced Technology (Advanced Technology)
The Great Adventure of the Material World Knight by Lu Yang is a video game world in which an androgynous protagonist goes on a hero’s journey to overcome their understanding of the material world as a coherent, objective truth. Looping arcade music builds suspense as the artist mobilizes varying aesthetics—Sinofuturist cityscapes, Kawaii, religious imagery, anime characters, and body scans of the artist—to propel the viewer through a series of levels, including heaven, hell, and various sites populated by deities and monsters. While traversing these worlds, the protagonist encounters a dizzying array of characters while posing a series of questions about the subjective nature of reality, desire, and suffering.
In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger. The installation suggests the personal, physical, psychological, and political dimensions of the modern office environment. Though abstracted from their original contexts, these materials are still formally recognizable and function as stand-ins for the places from which they came.
From the Ending by Rocky Cajigan consists of an assemblage painting, with accompanying sculptural objects presented on the floor. The bright pink object central to the painting is based on a photograph, and the artist’s personal memory, of a Bontoc ancestral tomb, commonly located at close proximity to a family home. The painting is covered by a net material simulating a fence, creating a certain bodily distance from the viewer’s perspective.
Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious. This closed circuit of dominance and submission between two powerful men, is echoed by the closed circuit of the video through which the viewer takes on the role of voyeur. The artist’s presence in the piece not only calls attention to its staging, but inverts the traditional power dynamic of the “male gaze” and gender roles.
For the two-channel work Asking the Repentistas – Peneira & Sonhador – to remix my octopus works Shimabuku asked two Brazilian street singers to compose a ballad about his previous works with octopi (in which he created traditional Japanese ceramic vessels to catch octopi, with a fisherman who took him on his boat to test them out as we can see on one of the channel). In the Brazilian singers’ ballad, Shimabuku is transformed into a fisherman, the greatest fisherman in Japan, but a kindly fisherman who returns his catch to the sea. The artwork thus becomes facilitator for an interaction between different cultures and interpretations.
Mixed clips from her collection of thousands of images found online, the three-channel video Weather Forecast is an inquiry into the necessity of a physical movement (a travel) for our identity to transform or change. The question “Why can’t we view Europe from a chair?” periodically punctuates the video, suggesting that a similar personal transformation could occur by experiencing a place through the Internet and staying in the same place. Few episodes appear, each being a transformation process in itself, either by correlation, juxtaposition, combinations of specific matters such as iconography, texts, landscapes, events.
Incompatibles (Unitas) is made from discarded samples of the yarns that are exported from Croatia and not actually available in the local market. The textile industry in former Yugoslavia has essentially closed down under pressure from Indian and Chinese industries and as a result of the botched privatization of once state-owned factories. There is only one factory remaining in Zagreb producing these yarns.
In Andrew Norman Wilson’s work Kodak the artist uses computer-generated imagery to create narratives that question the reliability of images in the age of post-production. The artist creates disturbances in typical notions of time and space to highlight the existential terror of humans trying to make sense of their memories and perception in the 21st century. On its surface, Kodak questions how improvements in digital imagery have affected the analog film industry, but it also showcases the consequences for how humans relate to their memories.
The acronym “CFL” stands for an existing light standard (Compact Fluorescent Light) as well as a standard nutrient (Cognitive Fooding Laboratory). “CFL” is a mobile laboratory for growth of watercress shoots which contain high levels of anthocyanin – a natural pigment used by fighter pilots to increase their visual acuity at night in order to achieve better responses to light stimuli. In the work Celador, a taste of illusion (2007), the viewer is invited to consume the plants – a candy with the flavor of illusion.
Chase ATM emitting blue smoke, Bank of America ATM emitting red smoke, TD Bank ATM emitting green smoke was shot in the American Southwest at Mid-century modern architectural structures that were built to house regional independent banks and have since been bought up by Chase, Bank of America, and TD Bank. The video utilizes transparency and opacity effects in multimedia software to question the perceptibility of finance. It offers a complex metaphor (toxic assets, emergency flares, house/mortgage on fire) about the financial sector and the effects of the ‘crisis’ that led to the disappearance (and the ghostly memory) of many local and regional banks.
366 Liberation Rituals is a series that gathers a number of actions related to the artist’s micro-politics. They materialize as a plurality of pointers that destabilize reality and interrogate our outlook on the political historicity of former Yugoslavia. These actions were realized over the course of the year the artist turned forty and revolved for one part around the revolutionary movement of 1968 and on the other on the informal group called Grupa šestorice autora (Group of Six Authors)* which was active in Zagreb between 1975 and 1979.
Untitled (Ring) consists of two prominent elements contained in water filled glass sphere. The first, Phinthong’s wife’s ring, cast in recycled gold, collected from damaged electronic devices during Thailand’s great flood in late 2011. It is intended to be a reminder of when the couple consoled one another amid the flooding disaster.
Andrew Norman Wilson is an artist, curator, and filmmaker whose practice is mostly based in research and documentary...
Drawing from literature, plays, and historical events, Mary Reid Kelley makes rambunctious videos that explore the condition of women throughout history...
Rometti Costales is an artistic collaboration between Julia Rometti and Victor Costales that began in 2007...
Artist Zhou Tao has a diverse and varied practice, and notably, he denies the existence of any singular or real narrative or space...
Jonas Bendiksen is a Norwegian-American artist and photographer whose work addresses enclaves, people on the fringes of society, and those living in isolated communities...
Working in video and installation-based performance, Jennifer Locke stages physically intense actions in relation to the camera and specific architecture in order to explore the unstable nature of artist/model/camera/audience hierarchies...
Gilad Ratman’s videos and installations address the apparently untenable aspects of human behavior by exploring the need for community and by showing forms of resistance and the borders of self...
Teppei Kaneuji produces sculptures and installation-based work that interrogates Japan’s continuously burgeoning postwar culture of commodification...
Michael Craig-Martin studied fine art at Yale University returning to Europe in the mid-1960s and becoming one of the key figures in the first generation of British conceptual artists...
Tenzing Rigdol is a contemporary Tibetan artist whose work ranges from painting, sculpture, drawing and collage, to digital, video installation, performance art and site-specific pieces...
A.K...
Li Xiaofei initiated Assembly Line in 2010, an ongoing project that records industrialized social change not only China, but as it occurs internationally...
Randa Maddah, was born 1983 in Majdal Shams, occupied Syrian Golan...
Werner Herzog is a renowned filmmaker, screenwriter, actor, and producer; he makes both documentaries and fictional films that aim to reveal what he calls ecstatic truths about humanity...
Cwyner is both related to a photo conceptual tradition of photography from Vancouver as well as to a new school of photography working with digital manipulation, scanners, stock photography and the notion of photography after image making, both of which are represented in the Kadist collection via artists such as Arabella Campbell, Ron Terada, Tim Lee, Rodney Graham, Ian Wallace from Vancouver and artists such as Chris Wiley, Lucas Blalock, Erin Shirreff or John Houck, who recently have explored the idea of photography beyond image making....
Christoph Keller’s works function between science and art and have a practical as well as an aesthetic application...
As the daughter of an actor, Amapola Prada recalls frequently attending the theater as a child and noticing that she never saw herself (her body or reality) represented...
Drawing on her background in theater design and direction, Maya Watanabe is known for her multi-channel video installations that explore the relationship between language, collectivity, identity, and space...
Karan Shrestha’s practice portrays the social tensions and historical complexities embodied in the social fabric of Nepal...
Bady Dalloul cunningly employs collage across various media: texts, drawings, video, and objects to produce powerful works commenting on the past and the present...
Artist Tanatchai Bandasak began his career as a filmmaker, however following his studies at art school in France, he began exploring installation and sculptural strategies for presenting moving images...
Rocky Cajigan is a Bontoc Igorot artist working in the contemporary contexts of Indigenous people from the Cordilleras region in the northern state of Luzon island in the Philippines...
Happy Lunar New Year! 5 Things to Know About the Year of the Dragon | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Happy Lunar New Year! 5 Things to Know About the Year of the Dragon Rae Alexandra Feb 9 Save Article Save Article Failed to save article Please try again Email The Year of the Dragon begins is upon us....
TeamLab Borderless, Tokyo interactive digital art museum, makes a comeback with boundary-breaking installations | South China Morning Post Advertisement Advertisement Asia travel + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more TeamLab co-founder Toshiyuki Inoko stands inside the “Bubble Universe” installation at the new teamLab Borderless, an interactive digital art museum in Tokyo’s Azabudai Hills development in Japan...
Gildas Le Reste — & Guests — Catherine Putman Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Gildas Le Reste — & Guests — Catherine Putman Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Gildas Le Reste — & Guests Exhibition Drawing, print, painting Gildas Le Reste, Notes de voyage #1, 2023 Ink on paper mounted on canvas Gildas Le Reste & Guests Ends in 27 days: January 27 → March 9, 2024 Galerie Catherine Putman has pleasure in making a double invitation to Gildas Le Reste as both artist and exhibition curator...
Gildas Le Reste — & Guests — Galerie Catherine Putman — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Gildas Le Reste — & Guests — Galerie Catherine Putman — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Gildas Le Reste — & Guests Exposition Dessin, estampe, peinture Gildas Le Reste, Notes de voyage #1, 2023 Encre sur papier marouflé sur toile Gildas Le Reste & Guests Encore 27 jours : 27 janvier → 9 mars 2024 La galerie Catherine Putman est heureuse de proposer une double invitation à Gildas Le Reste, comme artiste et commissaire d’exposition...
Whilst the batteries are not included, what we discover in the exhibition is a magical atmosphere bound to the technological and scientific developments...
Brice Marden’s valedictory courage – Two Coats of Paint Brice Marden, Blue Painting, 2022-2023, oil on linen, 72 x 96 inches Contributed by David Rhodes / Brice Marden died at the age of 84 in August 2023...
Plus, who was spotted at Gladstone's annual holiday party? What textile artist is catching institutional attention? The post An Artist Sues a Beloved L...
Austin-based gallery Sebastian Foster continues its 2023 Fall Print Set, marking the 11th anniversary of the collection since it launched in 2012...
A celebration of contemporary art against the backdrop of the historic Houghton Hall in Norfolk, the 2024 programme promises to be a visual feast The post Antony Gormley and Magdalene Odundo Headline Houghton Hall 2024 Exhibitions Lineup appeared first on Artlyst ....
Ed Ruscha's Poetry of the American Experience | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Learn How to Draw Realistic Portraits in This Online Class Home / Classes / Academy Discover the Secrets of Drawing Realistic Portraits (Now on Pre-Sale!) By Jessica Stewart on December 5, 2023 Have you ever seen a realistic portrait and wished that you knew how to create something similar? Thanks to My Modern Met Academy's new course, Realistic Portrait Drawing Made Easy , you'll discover all the tips, tricks, and techniques to produce a portrait that looks incredibly real....
© 2023 All rights reserved - The Eye of Photography Olivier Culmann, URSSAF Normandie, site du Havre @ Olivier Culmann Le Havre, Seine-Maritime, Normandie, France 10/05/2023 © Olivier Culmann / Tendance Floue @ Thomas Jorion @ Sidonie Van Den @ Isabelle Scotta @ Carlo Lombardi S From October 21st to January 7th, 2024, for its 14th edition, 25 international photographers, both established and emerging, can be discovered in an open-air exhibition tour throughout the city, on the beach, and indoors at Point de Vue and Les Franciscaines...
BOMB Magazine | Three Poems Necessary (Required) Cookies that the site cannot function properly without...
"KorSonoR" exposition-festival d'arts sonores et visuels - artpress X 9 octobre 2023 Dans AP Web , arts visuels “KorSonoR” exposition-festival d’arts sonores et visuels Par Félix Gatier...
LGBTQ+ Travel Alert Browser Extension - Steve Lambert LGBTQ+ Travel Alert Browser Extension - Steve Lambert Steve Lambert wrote a book!!! Art Works News Writing About Steve Contact Resume Now Newsletter Book Creative Commons BY-NC-SA August 2023 Work Planning your next adventure? Excited to explore new destinations?...
Pier 24 Pilara Foundation Changing Philanthropic Focus - Pier 24 Pilara Foundation Changing Philanthropic Focus January 28, 2023 Chris McCaw, Sunburned GSP#455 (San Francisco) , 2010...
10 Things You Should Know About: Keris | ArtsEquator Skip to content In the latest episode of our popular 10 Things You Should Know series, we share facts about the keris, a warfare weapon commonly used in maritime Southeast Asia...
John Oliver Is Sending His Profoundly Weird Art Collection on Tour to Museums Across the U.S...
Danish Collector Jens Faurschou Inaugurates New Outpost in Brooklyn - via The Art Newspaper...
Omaha’s Joslyn Art Museum has announced plans for a redesign and second addition to its original Memorial Building....
Ruth Bader Ginsburg to Give Leadership Award to Art Collector Agnes Gund - via ARTnews...
In 2016, Philippe Méaille signed a 25-year lease on a 15th-century Loire Valley château, where he is showcasing his collection of Conceptual art....
SEE WHAT SEE: SEA AT SGIFF 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints November 28, 2021 By ants chua, Ruby Thiagarajan and Janiqueel (1,200 words, 4-minute read) In this edition of See What See, we review three films made by Southeast Asian directors and featuring Southeast Asia currently showing at the Singapore International Film Festival 2021 (SGIFF)...
Podcast 95: Three Sisters and _T0701_ at SIFA 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Arts House Limited / Nine Years Theatre and The Pond Photography August 19, 2021 In this episode of the ArtsEquator theatre podcast, Naeem Kapadia, Matthew Lyon and Nabilah Said discuss Three Sisters by Nine Years Theatre and _T0701_ by Zeugma, which were both part of SIFA 2021...
A Malaysian under lockdown reviews Singapore Art Week 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints January 27, 2021 By Ellen Lee (2,500 words, 9-minute read) Looking through the 35-page programme booklet for the 9th edition of Singapore Art Week (SAW), I was fully struck by my Malaysian-ness...
The paintings and drawings of David Welker have adorned rock posters, public spaces, and gallery walls...
Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 Wheat Grain World Dreams , the centre section from the artist’s book contains a map that includes some of our research questions around, for example, histories of 19th century cash crops and the crimes of the British India Company; and the extension of China’s Belt and Road journey West...
Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 The 4.7m concertina artists book: A Guide to the Interior of a Salt Water Crocodile by Zachary Chan and Lucy Davis with photographs by Kee Ya Ting, June 2019...
Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 For the benefit of the possible intelligences that may find these treasures after humans have long gone, we have translated one of the photographs of our wheat gleaning ceremony in Singapore into binary code...
Lot 1255 Rago’s Modern Design sale, September 23, 2018: Nikko cabinet designed by Shiro Kuramata, 1982...
This work is one of Koller’s many variations which he began to use from 1970 to describe the ‘cultural situations’ he created...
In 1980, with the construction of highways in Indigenous territories, an epidemic was brought to the Yanomami region...
This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005...
Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...
The acronym “CFL” stands for an existing light standard (Compact Fluorescent Light) as well as a standard nutrient (Cognitive Fooding Laboratory)...
Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious...
For the two-channel work Asking the Repentistas – Peneira & Sonhador – to remix my octopus works Shimabuku asked two Brazilian street singers to compose a ballad about his previous works with octopi (in which he created traditional Japanese ceramic vessels to catch octopi, with a fisherman who took him on his boat to test them out as we can see on one of the channel)...
Message to the Extraterrestrials consists of a slide projector beaming images into the side of the telescope...
366 Liberation Rituals is a series that gathers a number of actions related to the artist’s micro-politics...
Drawing & Print
MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...
At first glance, Cityscapes (2010) seems to be a collection of panoramic photographs of the city of Istanbul—the kind that are found on postcards in souvenir shops...
Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945...
In the video The Syphilis of Sisyphus (2011), Reid Kelley transported her heroine to the French demimonde...
In the fictional narrative Plantation Boy (2012), Irhoa places himself inside imagery from Francis Ford Coppola’s seminal The Godfather (1972)...
Commissioned for the 2012 Whitney Biennial, Hearsay of the Soul (2012) is Werner Herzog’s ode to the landscape paintings of the 17th-century Dutch artist Hercules Segers...
Bath Time by Sharif Waked is a short video based on the tragi-comic outcome of the Israeli Blockade and the wars in Gaza...
Drawing & Print
The three cut-outs are made of three aerial photographs coming from the archives of the Ecuadorian Military Geographic Institute...
Priapus Agonistes by Mary Reid Kelley and Patrick Kelley is the first work in The Minotaur Trilogy (2013-2015), a trio of videos that reimagine the Greek myth of the Minotaur...
In the video, the artist follows her grandmother, Aldona, during her daily walk through the Grutas Park in Lithuania...
n the opening scene of the video Power (La Fuerza) we see a mature woman asleep in a dark room...
Central Station, Alignment, and Argument are “situation portraits” that present whimsical characters within distorted and troubling worlds...
Chase ATM emitting blue smoke, Bank of America ATM emitting red smoke, TD Bank ATM emitting green smoke was shot in the American Southwest at Mid-century modern architectural structures that were built to house regional independent banks and have since been bought up by Chase, Bank of America, and TD Bank...
Originally a multi-channel video installation with sculptures and sound, this iteration of The Workshop by Gilad Ratman is a three-channel distillation of the expansive project that follows a group’s underground pilgrimage from Mt...
In his White Discharge series (2002 to today), arguably his best known works, Kaneuji assembles old toys and plastic scarps into dramatic mounded heaps and covers the surface with white plastic resin, drawing on allusions to landfills, commodity fetishism, and creative repurposing...
In Escenarios (Sceneries) Maya Watanabe films forgotten wastelands through a series of 360° camera movements that highlight the dramatism and visual richness of terrain that would be otherwise forgotten...
Drawing & Print
Sara Cwynar’s composite photographs of found objects and images court feelings of time passing...
The final work in the Marshal Tie Jia series (of which Turtle Island is in the KADIST collection), Spirit Writing features the Marshal in conversation with Chia-Wei Hsu, by way of a ritual involving the Marshal’s divination chair...
In a 2002 Pentagon press conference, former Secretary of Defense Donald Rumsfeld addressed a question about Iraq’s alleged weapons of mass destruction with an unforgettable evasion: there are known knowns, known unknowns, and unknown unknowns, the latter being the most precarious...
After the decade-long conflict (1996-2006) that ended with Nepal becoming a Federal Democratic Republic, political unrest and weak governance continued to mark the country’s future as daily life repeatedly witnessed ruptures...
From the Ending by Rocky Cajigan consists of an assemblage painting, with accompanying sculptural objects presented on the floor...
Shot from the rooftop of her house in Majdal Shams, through a complex construction of moving mirrors, this video connects both sides of the border which has cut through Syrian Golan heights since the 1967 Six-Day war...
Gated Commune , a video by Camel Collective, is a critique of the complex, and often obtuse, language used to describe sustainable development projects...
Untitled (Ring) consists of two prominent elements contained in water filled glass sphere...
The film Sometimes It Was Beautiful by Christian Nyampeta poetically addresses the systemic conditions leading and emerging from the 1994 Rwandan genocide, which had lasting and profound effects on Rwanda and neighbouring countries like Congo...
DADYAA: The Woodpeckers of Rotha by Pooja Gurung and Bibhusan Basnet illuminates a unique and seldom seen international perspective on indigenous cultures and contemporary social issues in the Nepali context...
Monteverdi Ici – Deeply, Feeling Filling the World by Laure Prouvost is a tapestry that references a video by the artist entitled Monteverdi Ici (2018)...
Central Region by Tanatchai Bandasak is a meditation on materiality and time-based media centres on the mysterious, prehistoric ‘standing stones’ of Hintang in Northern Laos: little-studied megaliths which have survived thousands of years of political change and the cataclysmic carpet-bombing of Laos by the United States during the Cold War...
Incompatibles (Unitas) is made from discarded samples of the yarns that are exported from Croatia and not actually available in the local market...
In Andrew Norman Wilson’s work Kodak the artist uses computer-generated imagery to create narratives that question the reliability of images in the age of post-production...
Produced in an interview format and as an extended chapter of Cosmic Call (2019) in the KADIST Collection, Angela Su’s True Calling by Angela Su documents the artist’s answers to a series of questions on the conception of her 2019 film that proposes speculative cosmic synchronicities for an alternative understanding of epidemics that is not built on the foundation and authority of Western medical science...
Unhealed by Tenzing Rigdol is a photograph of the artist’s back tattooed with a map of Tibet with the dates of important political events...
The point of departure for Xar – Sueño de obsidiana by Edgar Calel is a poem that the artist wrote in Maya Kaqchikel...
In the video work Any Resemblance is Coincidental , CHEN Zhexiang mined portraits of real Asian criminals that were abandoned on the Internet...
Advanced Technology
The Great Adventure of the Material World Knight by Lu Yang is a video game world in which an androgynous protagonist goes on a hero’s journey to overcome their understanding of the material world as a coherent, objective truth...
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...
The short film I Can Only Dance to One Song by Arash Fayez features a series of people from the migrant community in Barcelona singing along or dancing to songs of their choosing...
With Inner Child , Bady Dalloul continues his ongoing reflection on migration and belonging, putting in balance levantine and Japanese histories...