Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face. Masks (Merkel F6.1) was created in consultation with Merkel’s personal make-up artist; it features the special makeup that Merkel wears for HD cameras applied onto canvas. The image has been magnified to a near-microscopic level, rendering an ambiguous skin tone across which the makeup’s denser patches produce an abstract composition.
Kelley’s 2015 portrait of the poet Charles Baudelaire is one of a series of poets, rappers, and other thinkers who have influenced the artist’s ideas about beauty, creativity, and expression. As a challenging artist who marches to her own drum, Mary Reid Kelley is in the vanguard of a generation that blends the digital and the analog to dialogue with history. From 2009 to the present, she has made videos that fuse live performance, animation, drawing, sculpture, and digital design.
Drawing & Print (Drawing & Print)
The series Castigos del caucho by Santiago Yahuarcani originates in the oral memory transmitted by the artist’s grandfather, who was a survivor of the Putumayo genocide where thousands of Indigenous people were annihilated and enslaved to extract rubber from the Amazon forest between 1879 and 1912. Yahuarcani’s complex narrative paintings on tree bark highlight a long history of colonial violence against the Uitoto and other Indigenous communities. They also show the destruction of the rainforest under Western models of extraction, privatization, and development.
Dash shapes, manipulates, and molds the materials herself, as the works becomes something of a physical archive. Through these delicate and time-consuming processes, the artist’s bodily interaction with the material becomes clear, with marks of its making and traces of the artist’s hand embedded in the surface of her quiet compositions.
In the video work Any Resemblance is Coincidental , CHEN Zhexiang mined portraits of real Asian criminals that were abandoned on the Internet. In order to form a database of the portraits, he saved the files under the original names retrieved from the Internet. CHEN used digital facial recognition technology to build a lexicon of the criminals’ facial characteristics in order to analyze them.
For over five months, Zhou situated himself in an underdeveloped village surrounded by the high skyscrapers of Guangzhou to produce South Stone . Interweaving footage of a village’s landscape, residents, and animals with his seemingly absurd interventions with the place, South Stone indicates the equally incoherent social reality. Fluctuating between documentary and fiction, the film catalyzes alternative connections in time, and the emergence of imaginative spaces.
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations. Against authorship and the commodification of art, he never gives titles or dates to his works which have infinite edition possibilities. This mise en scène of found kitchenware also exists with a rounder and flatter plain modern white porcelain teapot.
This work is one of Koller’s many variations which he began to use from 1970 to describe the ‘cultural situations’ he created. His “Anti-Happenings” turned mundane events into ‘cultural’ and ‘subjective’ situations. He sought to create new cultural situations that weren’t new art, but rather new ways of living: a new creativity for a new humanistic culture.
Discrepancies with Oaxacan Textile II by Leonor Antunes is a hanging sculpture composed of three elements made of brass. This sculptural work was originally produced for the exhibition Discrepancies with Clara Porset (2018) at Museo Tamayo, which featured reassembled objects from early 20th century Cuban designer Clara Porset. Antunes’s work explores Mexican traditions through a contemporary context.
The Bolotnaya Battle Park Complex is the future home for the Museum of Russian History (M. I. R.). Located on the grounds of Bolotnaya square in Moscow, this park sits on top of what once was a swamp. Above the main building stand two bio-engineered ‘living sculptures’, which strike various poses to commemorate the brave acts of those defending the federation from foreign intervention during protests of May 6th, 2012.
LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel. His photograph of this throwaway object calls back the body, and the handprint is in fact his own right hand; thus the piece can function as a self-portrait of the artist, in an ironic twist on the art historical genre.
On the first day of the Covid-19 lockdown in New York, Andrew Norman Wilson was evicted from his sublet and decided to board a $30 flight to Los Angeles that evening. From a cottage that faces the Hollywood sign, he began to dwell on an encounter he had with a woman driving alongside him on the highway, emphatically singing along to the song he was listening to through the same radio station. That song was Phil Collins’s “In the Air Tonight.” For Wilson, the uncanny synchronicity of this encounter with a stranger tuned into the same frequency resonated with the inspiration for Phil’s song, which he first heard as a teenager while getting high in a friend’s basement.
Scaffold by Lotus Laurie Kang features a seemingly disjointed amalgamation of materials between flat fabrics and lumps of aluminum. However, the simplest arcane gesture presented in the work oscillates sculptural syllabary and verse that mysteriously run through and connotes the artist’s personal, cultural, and diasporic history. Installed on the floor with a humble combination of folded burlap bags, commonly found in Korean construction sites or markets, and aluminum cast lotus roots, a common ingredient in traditional Korean cuisine.
Drawing & Print (Drawing & Print)
Johanna Calle’s Abece “K” (2011) is part of a series of drawings (compiled into an artist book called Abece ) based on the alphabet. There is a drawing for each letter, in which the letter is repeated over and again in various directions and scales, thereby demonstrating how a symbol can be reoriented without changing its linguistic meaning. Here, the letter K is outlined and surrounded by a dense and varied field of other K s.
HFT The Gardner by Suzanne Treister is a large-scale project that comprises drawings and computer works by fictional character Hillel Fischer Traumberg. HFT is an algorithmic High-Frequency Trader based in London, who experiences a hallucinogenic episode that triggers a journey into the exploration of psychoactive plants. In a nerd-like discovery of Discovering Hebrew, numerology, botany, and shamanic divination and healing, HFT becomes an ‘outsider artist’ whose works are collected by oligarchs, bankers, and museums, much like in the mainstream art world.
Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art. For him, this is a way of rethinking the tradition in a more personal way, to have a grip on events of recent history and examine them with a curiosity, both critical and sensual. The artist emphasizes the fact that new ideas and meanings may arise from these archaeological narratives.
Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning. With copper wire stretched out across the room like a clothesline, Valeska Soares’ La Ligne du Temps creates a timeline out of fluttering, old book pages. Read upon the pages of this delicately wrought installation are linguistic approaches to time and its phenomonologies.
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials. Untitled (Ticket Roll) belongs to this group of sculptures and consists of three smooth ornate marble elements and a roll of public transport tickets. The artist poetically associates finesse and fragility as in a number of these works.
The title of Alicia Smith’s video work, Teomama , means “God Carrier” in the Aztec language of Nahuatl. It was the name given to medicine men and women who carried the bones of Huitzilopochtli—the god of war, sun, and human sacrifice in ancient Mexico, and the national deity of the Aztecs. Of the many legends featuring Huitzilopochtli, the origin story of Tenochtitlan (present day Mexico City) is perhaps one of the most well-known.
Dominique Zinkpè’s works with a wide range of materials, from jute to used cars to “hôhô” figures, which come from the Cult of Twins in southern Benin as a voodoo religion symbole of fertility. His portfolio is continually morphing between mediums and subjects, tackling issues such as intimacy, sex, the sacred and the profane while linking ancestral culture with the contradictions found in today’s world. These sketches of tumultuous human drama are infused with elements of irony and satire to reveal Zinkpè’s most disturbing and arresting constructs of the imagination.
Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape. As the video progresses, however, a disembodied hand begins to move these forms, animating a pictorial frame that was previously still. The hand – ostensibly the “arranger” of the works title – functions as a metonym of the artist’s hand, quite literally bringing a motionless work to life.
In 2011, Mounira Al Solh began a series of drawings that documented her meetings and conversations with displaced Syrian refugees in Lebanon and various European countries. The oral histories she collected are very different from those told in administrative interviews or police interviews. My specialty was to make a peasants’ haircut, but they obliged me work till midnight often (2017) is part of a series of embroideries that speaks to how personal stories in this political context create collective history.
Drawing & Print (Drawing & Print)
The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement. These drawings were created during the trial of political activists pursued by the government that the artist would regularly attend. During the tribunal, the artist would let his pen slide freely across his notebook, replicating the automatic drawing techniques of the surrealists.
This is one of the most important works Schoorel has made to date, a triptych that has as its subject matter a garden scene with what looks like a pond. One of her largest works, it seems highly suited to a Parisian collection where Monet’s Nympheas in the Orangerie represent the summit of treatments of such subjects. Typically for Schoorel, the painting is as much about absence as presence and examines the amount of information the viewer needs to construct meaning.
Satirizing an airport security checkpoint, The Ecdysiast – Molt (Body Inspection) by Yao Qingmei offers a comedic and critical inquiry into the logics underpinning collective control and surveillance culture. The three channels of the video respectively feature a dancer (left), a chorus (middle), and a security inspector (right). The dancer and security inspector enact a mechanical burlesque performance that parodies the body inspection procedures implemented by airport security.
The Wedding is a silent film, a probing observation of marriage rituals in Qatar in which we soon notice that there is not a single woman visible. The film is part of the broader project The Challenge through which the artist depicts the boredom and rituals endured by young Qatari men throughout various forms of costly and codified entertainment, including the highly theatrical practices of falcon hunting or car racing. The strange, almost surreal, choreography set against an artificial, overexposed backdrop, highlights the privileged presence of men in this part of the world, grouped together by sex and social class.
Tughra is a protocol by Sharif Waked that reproduces the sixteenth century calligraphic monogram for tughra ; also known as the signature of Suleiman the Magnificent. Under Suleiman’s reign, at the beginning of the 16th century, the Ottoman empire achieved its apex both in terms of territorial extension and cultural creation. Suleiman personally instituted major judicial changes relating to society, education, taxation, and criminal law, as such he is often referred to as ‘The Lawgiver’.
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture. The Freeway Series was developed in 1995, right after the artist’s inclusion in that year’s Whitney Biennial. As if suggesting that her work should not be restricted to being seen through overtly political or activist lenses, this series lends insight into the city of Los Angeles via its most characteristic urban feature: its highways.
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers. As part of the drop of Augmented Reality sculptures, Ögüt invites the public to participate in populating public space with AR monuments, honoring those who have stood up to corrupt power. Each monument is dedicated to a different individual who stood up to protest systems far larger than themselves.
Arseny Zhilyaev is arguably one of the most influential contemporary Russian artists of his generation...
Based on photographs and domestic environments, Maaike Schoorel’s paintings are charged with an atmosphere of melancholy and loss...
Gan Chin Lee is a Malaysian artist of Chinese descent known across Southeast Asia for his realist paintings that painstakingly register the ethnic and religious complexities of Malaysia...
Jonas Bendiksen is a Norwegian-American artist and photographer whose work addresses enclaves, people on the fringes of society, and those living in isolated communities...
Andrew Norman Wilson is an artist, curator, and filmmaker whose practice is mostly based in research and documentary...
Wang Taocheng is a Shanghai artist who lives and works in Amsterdam...
Khvay Samnang’s work critically examines the interlocking nature of ritual and politics, the humanitarian and ecological impacts of globalization, colonialism and migration, and the cultural-material histories of exchange that have shaped the Southeast Asia region...
davi de jesus do nascimento grew up in Pirapora, a town in the north of Minas Gerais, which guides the narratives of his work, as does the heritage of his family of fishermen, laundresses, and Carranca masters...
Working with various mediums, from sculpture to installation, site-specific interventions, and readymades, Leonardo Engel addresses issues related to the climate, nature, traditional crafts, architecture, and popular culture of the Caribbean...
Santiago Yahuarcani belongs to the Aimen+ (White Heron) clan of the Uitoto people of the northern Amazon...
Urban Fauna Laboratory is a collective founded by Russian artists Alexey Buldakov and Anastasia Potemkina in 2011...
Since the beginning of his career, Minamikawa Shimon has made work that deviates from conventional painting and other formats...
Yuri Ancarani’s films are quasi-hypnotic devices; following highly unique bodily and site-specific choreographies, drawing sensitive portraits of human relations...
Kamau Amu Patton is a collector of the intangible...
In the 1980s, Suzanne Treister’s practice was concerned primarily with painting...
Elizabeth McAlpine has described herself as a « fanatical geologist » who explores the different layers of cinematic footage...
Alicia Smith is a Xicana artist and activist whose work thoughtfully engages with the subjects of indigeneity, colonialism, the environment, and the female body...
Artist Zhou Tao has a diverse and varied practice, and notably, he denies the existence of any singular or real narrative or space...
Born in 1965 in Mbouda (Cameroun), Goddy Leye was an artist, a teacher, a cultural activist and a curator based in Douala (Cameroun)...
Pratchaya Phintong’s works often arise from the confrontation between different social, economic, or geographical systems...
Cao Shu’s works span three-dimensional digital moving images, sound installation, and interactive games...
Gregory Halpern is an acclaimed American photographer whose practice is predicated on wandering...
Literacy crisis in college students: Essay from a professor on students who don’t read...
5 Must-See Artworks at ZonaMaco 2024 - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe ZONAMACO 2024...
Fabrice Gygi — Quelques nouvelles… — Galerie Chantal Crousel — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Fabrice Gygi — Quelques nouvelles… — Galerie Chantal Crousel — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Fabrice Gygi — Quelques nouvelles… Exposition Peinture, sculpture Fabrice Gygi, Quelques nouvelles…, vue d’exposition, Galerie Chantal Crousel, Paris (2024)...
David Rhodes: Reconfiguring the authorship of a painting – Two Coats of Paint David Rhodes, 1 September 2023, 2023, acrylic on raw canvas, 23 x 15 inches...
Documentation of Jan Kiefer at Good Weather, North Little Rock is featured on Contemporary Art Daily....
Imago - Photographs by Mehrdad Mirzaie | Essay by Magali Duzant | LensCulture Award winner Imago Using alternative photographic processes, Mehrdad Mirzaie reinterprets archival images to question how photographs influence our perception of history and shape our vision of the future...
The precious marble was brought home 50 years ago as a souvenir after a family vacation in Italy...
Collectors Buy the Aura: Syd Krochmalny’s works at The Opening Gallery advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Collectors Buy the Aura: Syd Krochmalny’s works at The Opening Gallery Syd Krochmalny, I Speak the Languages of the Stones, 2017...
Elizabeth Gilfilen: De-defining the gesture – Two Coats of Paint Elizabeth Gilfilen, Territory 1, 2023, oil on canvas, 48 x 40 inches Contributed by Vittorio Colaizzi / “I vehemently reject the claim that mark making by itself harbors any potential.” This was Isabelle Graw in conversation in 2010 with Achim Hochdörfer ...
Metropolitan Museum of Art commissions Petrit Halilaj, Lee Bul, and Tong Yang-Tze...
Martin Maeller "lethargic rays" Loggia/UA26 / Vienna | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
Diana Al-Hadid’s Monumental, Spiky Bronzes Examine Feminine Strength and Fragility | Artsy Skip to Main Content Advertisement Art Diana Al-Hadid’s Monumental, Spiky Bronzes Examine Feminine Strength and Fragility Rawaa Talass Nov 16, 2023 5:13PM Diana Al-Hadid The Bride in the Large Glass , 2023 Kasmin Price on request Portrait of Diana Al-Hadid by Diego Flores...
The Truth is in the Soil - Photographs by Ioanna Sakellaraki | Essay by Cat Lachowskyj | LensCulture Award winner The Truth is in the Soil Prompted by personal loss, Ioanna Sakellaraki embarked on a photographic journey back to her native Greece to immerse herself in the culture of grief and explore its liminal space with her camera...
The National Portrait Gallery's Pavilion Cafe | Londonist That Kiosk Outside The National Portrait Gallery Is About To Reopen As A Cafe By Will Noble Will Noble That Kiosk Outside The National Portrait Gallery Is About To Reopen As A Cafe The former ticket booth opens as a cafe on 1 November 2023...
Bérénice Reynaud, as Camille, in No Trifling with Love...
Before it decided to sell the majority of its collection, California’s di Rosa Foundation explored the exact alternative critics of its decision have suggested....
Christo and Jeanne-Claudeâs Art Collection Set for February Auction - via InsideHook...
“You have to have an office, so why not look at a Jasper Johns rather than a reproduction?” the businessman and philanthropist once said....
El Jardín de las Delicias, un recorrido a través de las obras de la Colección SOLO, es una invitación a repensar y conectar desde lo contemporáneo con la obra maestra del Bosco...
The Cheech Marin Center for Chicano Art & Culture aims to make Riverside into an international art destination....
How Collectors Can Establish Meaningful Connections with Artists - via Artsy...
Podcast 106: Boom | ArtsEquator Skip to content In our latest podcast, we discuss Boom, a production by A Mirage which took place on 1-20 July 2022...
Open Calls and Opportunities: Sep 2020 (Singapore/SEA) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar September 22, 2020 ArtsEquator Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia...
Weekly Southeast Asia Radar: Indonesian govt aids arts; female voices in Vietnam war stories | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar JG Photo/Yudha Baskoro May 14, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
In a parallel universe, we would have been setting up the Affordable Art Fair Stand in Hampstead today, preparing all the work on the walls and print boxes for all the eager art lovers to enjoy...
ArtsEquator's Top 10 Picks at the Performing Arts Meeting 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles José Maceda, Cassettes 100, 1971, Photo by Nathaniel Gutierrez, Courtesy of UP Center for Ethnomusicology and Ringo Bunoan January 10, 2019 Established in 1995, the Tokyo Performing Arts Market (TPAM) was created to be a platform to network Japanese artists with producers and funders...
Weekly Picks: Malaysia (3–9 Dec 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do December 3, 2018 The Edge , at Lot’ng, 8–23 Dec This is a beautiful locally produced musical that explores the relationships and past of a man standing on the edge...
In fall 2018 Even published Out of Practice, our 300-page anthology of our first ten issues...
This work is one of Koller’s many variations which he began to use from 1970 to describe the ‘cultural situations’ he created...
In Habito/Habitante , the suspended material renders the wall a prison and the participant a prisoner...
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...
Elizabeth McAlpine’s work frequently deals with time based issues as well as the experience of watching...
Drawing & Print
This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...
Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
Strongly influenced by history and memory, Goddy Leye’s paintings are based primarily on stories and mythologies...
This is one of the most important works Schoorel has made to date, a triptych that has as its subject matter a garden scene with what looks like a pond...
The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture...
Drawing & Print
Audra Knutson’s work, The Death , is a hand-pulled linocut print inspired by Rainer Maria Rilke’s novel The Notebooks of Malte Laurids Brigge ...
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
Arseniy Zhilyaev (born 1984 in Voronezh, Russia) is an artist, writer and political activist who lives and works in Moscow and Voronezh...
Drawing & Print
Johanna Calle’s Abece “K” (2011) is part of a series of drawings (compiled into an artist book called Abece ) based on the alphabet...
Kamau Amu Patton’s painting Static Field I originates from a system of electronic and digital media...
Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...
Dominique Zinkpè’s works with a wide range of materials, from jute to used cars to “hôhô” figures, which come from the Cult of Twins in southern Benin as a voodoo religion symbole of fertility...
Changi, Singapore, possibly 1970s is from the series “As We Walked on Water” (2010-2012), which looks into Singapore’s history around the phenomenon of land reclamation...
Untitled (Celestial Motors) is a visual meditation on an icon of modern urban Philippine life—the jeepney...
LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel...
Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...
Tughra is a protocol by Sharif Waked that reproduces the sixteenth century calligraphic monogram for tughra ; also known as the signature of Suleiman the Magnificent...
The Bolotnaya Battle Park Complex is the future home for the Museum of Russian History (M...
The video Rubber Man continues exploring issues related to land use, also noticeable in his Untitled series (2011)...
In Play , the image comes from a fashion magazine from the 1950’s (USA) whose theme is costume sportswear from the 19th century...
Kelley’s 2015 portrait of the poet Charles Baudelaire is one of a series of poets, rappers, and other thinkers who have influenced the artist’s ideas about beauty, creativity, and expression...
HFT The Gardner by Suzanne Treister is a large-scale project that comprises drawings and computer works by fictional character Hillel Fischer Traumberg...
Drawing & Print
As in other Mauss’ works that often look unfinished, the drawings in Untitled seem ever at the phase of the sketch, his segments as if they may uproot and reorient themselves at any moment...
Hexafluorosilicic acid is a type of sodium fluoride waste product that can be found in a large amount of widely available products such as cleaning fluids, toothpaste, rat poison, and drinking water...
Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face...
The Wedding is a silent film, a probing observation of marriage rituals in Qatar in which we soon notice that there is not a single woman visible...
Pyre , an installation by Mexico City-based artist Joaquín Segura, addresses corruption, impunity, and the role that failed governments play in the normalization of violence...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Drawing & Print
The series Castigos del caucho by Santiago Yahuarcani originates in the oral memory transmitted by the artist’s grandfather, who was a survivor of the Putumayo genocide where thousands of Indigenous people were annihilated and enslaved to extract rubber from the Amazon forest between 1879 and 1912...
In 2011, Mounira Al Solh began a series of drawings that documented her meetings and conversations with displaced Syrian refugees in Lebanon and various European countries...
Drawing & Print
The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...
Satirizing an airport security checkpoint, The Ecdysiast – Molt (Body Inspection) by Yao Qingmei offers a comedic and critical inquiry into the logics underpinning collective control and surveillance culture...
Misting Miner is a vapor sculpture by Alexey Buldakov from the Urban Fauna Lab collective that gives material form to the invisible phenomenon of mining cryptocurrency...
Designed by the artist and fabricated in collaboration with Kashmiri artisans in India, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly coloured symbols of personal significance to the artist: a pair of embroidered sneakers, a fragment of an Urdu poem, and the Purple Heart medal...
In borrowing and subverting images from popular culture, Sadie Benning exposes the media’s role in constructing false and oppressive stereotypes of women, with regard to gender and sexual identity...
Discrepancies with Oaxacan Textile II by Leonor Antunes is a hanging sculpture composed of three elements made of brass...
The title of Alicia Smith’s video work, Teomama , means “God Carrier” in the Aztec language of Nahuatl...
The title of this work by Egle Jauncems, The Paler King I , is taken from an unfinished novel by the late David Foster Wallace called The Pale King, published posthumously in 2015...
Drawing & Print
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Drawing & Print
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
On the first day of the Covid-19 lockdown in New York, Andrew Norman Wilson was evicted from his sublet and decided to board a $30 flight to Los Angeles that evening...
In the video work Any Resemblance is Coincidental , CHEN Zhexiang mined portraits of real Asian criminals that were abandoned on the Internet...
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...
The Rebellion of Roots by Daniela Ortiz depicts a series of situations in which tropical plants, held hostage in the botanical gardens and greenhouses of Europe, are protected and nurtured by the spirits of racialized people who died as a result of European racism...
Scaffold by Lotus Laurie Kang features a seemingly disjointed amalgamation of materials between flat fabrics and lumps of aluminum...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
Drawing & Print
davi de jesus do nascimento’s earthy paintings, from the series sorvedouro , recall his memories as an essentially organic matter...