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© » KADIST

Francisco Camacho Herrera

Film & Video (Film & Video)

As an artist Francisco Camacho Herrera seeks ways in which his work can exist within, and challenge, official social channels. His practice revolves around the possibility of art to bear practical effects on cultural assumptions and reflects on redefining common concepts that can lead art to change the ways in which we conceive society. Camacho Herrera speculated that Chinese sailors might have reached the Americas by crossing the Pacific Ocean before the arrival of the Spanish in the late 15th century.

Sólheimasandur
© » KADIST

Calderón & Piñeros (La Decanatura)

Film & Video (Film & Video)

Calderón & Piñeros (La Decanatura) refer to Sólheimasandur as a work that tackles the issue of “the ruin as a tourist destination.” As they say, “at the end, tourists become an essential part of this unusual, beautiful, and—at the same time—banal landscape.” The video features a plane wreck on Sólheimasandur beach in Iceland, where a navy plane belonging to the United States Army crashed in 1973 due to fuel exhaustion. The plane appears as an anthropomorphized figure: lying on the sands of the beach without its wings, it resembles a sculptural torso that has lost all its limbs, with cables coming out of its body appearing as internal organs. These injuries remind the viewer of the danger inherent in these artifacts, and the potential for both heroism and death implicit in flying them to far-away territories.

Scaffold
© » KADIST

Lotus Laurie Kang

Sculpture (Sculpture)

Scaffold by Lotus Laurie Kang features a seemingly disjointed amalgamation of materials between flat fabrics and lumps of aluminum. However, the simplest arcane gesture presented in the work oscillates sculptural syllabary and verse that mysteriously run through and connotes the artist’s personal, cultural, and diasporic history. Installed on the floor with a humble combination of folded burlap bags, commonly found in Korean construction sites or markets, and aluminum cast lotus roots, a common ingredient in traditional Korean cuisine.

Studies of Chinese New Villages II
© » KADIST

Gan Chin Lee

Drawing & Print (Drawing & Print)

In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory. The watercolor images on each note paper document the artist’s visits to various Chinese ‘New Villages’ in Malaysia. The studies, some in color and others in grey-scale, from this series include architectural ruins, portraits of people and animals, and groups of people in protest.

Studies of Chinese New Villages II
© » KADIST

Gan Chin Lee

Drawing & Print (Drawing & Print)

In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory. The watercolor images on each note paper document the artist’s visits to various Chinese ‘New Villages’ in Malaysia. The studies, some in color and others in grey-scale, from this series include architectural ruins, portraits of people and animals, and groups of people in protest.

Le Fou Postcolonial Insane
© » KADIST

Guy Woueté

Film & Video (Film & Video)

The video installation Le Fou Postcolonial Insane by Guy Woueté is a series of five videos that examine the concept of insanity in the post-colonial Democratic Republic of Congo. The first three videos in the series were shot in a market place in Lubumbashi, the second largest city in the Congo, where several psychoanalysts explore mental health in the context of the Congolese public sphere. Throughout the video series, Woueté links this public health examination to memories of colonial history.

Canción para un fósil canoro (Song for a chanting fossil)
© » KADIST

Rometti Costales

Installation (Installation)

Canción para un fósil canoro (Song for a chanting fossil) by Rometti Costales is inspired by the history of the building that currently hosts the Museo de la Solidaridad Salvador Allende (MSSA) in Santiago, Chile. The duo associated the layers of the building’s history with the vestiges of life and the processes of fossilization that have taken place in areas of the Atacama Desert, a territory that has been the stage for several episodes in Chile’s tumultuous economic and political history. The work operates as a metaphor for the strata of historical memory, condensing different materials and operations.

Pendulum
© » KADIST

Maya Watanabe

Film & Video (Film & Video)

Three men with their backs to each other, dressed similarly in dark colors, stare straight at the camera. They individually deliver sacred lines from the Torah, New Testament, and Qur’an in their representative languages: Old Hebrew, Greek, and Old Arabic. As the camera slowly rotates around the trio, the men begin to perform traditional manifestations of each religious cult: Torah Cantillations, Gregorian Chants, and tilawat of Al-Qur’an.

Cebo & Dollar
© » KADIST

José Castrellón

Photography (Photography)

Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia. In the game, young men climb a wood post smeared with animal wax to collect a Panamanian flag in return for a bounty. During what is now remembered as Martyrs’ Day, Panamanian students trespassed the fence that separated the American-governed strip of land along the Panama Canal and Panama City to fly a flag and symbolically claim sovereignty over the area that had been turned over to the United States by the Hay–Bunau-Varilla Treaty in 1903.

Untitled (Zimbabwe)
© » KADIST

Fred Wilson

Painting (Painting)

Fred Wilson’s flag paintings document the 20th century history of African people, indexing the period of liberation from colonialism. As the majority of African flags were created during the 1950s and 60s, they were intended to reflect a so-called ‘modern’ aesthetic and ideology. Many African flags maintain the typical flag tropes such as stripes, stars, birds, and blocks of primary and secondary colors; green to represent the land; blue to symbolize the ocean or sky; and red to recall the violence that occured in the pursuit of liberty.

A series of personal questions addressed to a Hikimawashi kappa traveling coat
© » KADIST

James Webb

Installation (Installation)

Referencing psychology, philosophy, and spiritualism, A series of personal questions addressed to a Hikimawashi kappa traveling coat by James Webb is an ongoing series in which the artist poses spoken questions to objects via a speaker installed near the object on display. The questions are addressed to the objects as if they were sentient beings able to respond. Each question is left hanging, unanswered for approximately 10 seconds before the next question is posed.

Life ’64
© » KADIST

José Castrellón

Photography (Photography)

Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia. In the game, young men climb a wood post smeared with animal wax to collect a Panamanian flag in return for a bounty. During what is now remembered as Martyrs’ Day, Panamanian students trespassed the fence that separated the American-governed strip of land along the Panama Canal and Panama City to fly a flag and symbolically claim sovereignty over the area that had been turned over to the United States by the Hay–Bunau-Varilla Treaty in 1903.

Lacquerscope #1 and #2 (Palimpsest A-F series)
© » KADIST

Phi Phi Oanh

Installation (Installation)

Palimpsest is a series of what artist Phi Phi Oanh calls “pictorial installations”. Lacquerscope is the name she has given to the lacquer projection machines that she created from lenses and old parts of small format film projectors. The name harkens back to the early age of mechanical reproduction that also coincides with the “invention” of Vietnamese lacquer painting in the last century.

The Weaver's Lament
© » KADIST

Erika Tan

Film & Video (Film & Video)

Part of an installation commissioned by National Gallery Singapore, The Weaver’s Lament by Erika Tan addresses the invisibility of women textile artists and their labor. Tan’s video focuses on the story of a forgotten weaver, Halimah Binti Abdullah, who participated in the 1924 British Empire Exhibition in the United Kingdom. A minor figure in the exhibition histories of what was formerly known as Malaya, Abdullah’s loom was left behind at the end of the exhibition, now residing in the Victoria and Albert Museum.

Musa
© » KADIST

Minia Biabiany

Film & Video (Film & Video)

Musa is a visual and textual work by Minia Biabiany and the starting point of a broader research around the sexuality of Caribbean women, the historical legacy of slavery, and the artist’s own female lineage. Sometimes shown within an installation, sometimes on its own, the video combines images of flowers, landscapes, and bodies, with text in Creole and English. The video is conceived as a weaving, its technique creating stitchings and surfaces, upon which the artist inscribes stories.

Studies of Chinese New Villages II
© » KADIST

Gan Chin Lee

Drawing & Print (Drawing & Print)

In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory. The watercolor images on each note paper document the artist’s visits to various Chinese ‘New Villages’ in Malaysia. The studies, some in color and others in grey-scale, from this series include architectural ruins, portraits of people and animals, and groups of people in protest.

Bath Time
© » KADIST

Sharif Waked

Film & Video (Film & Video)

Bath Time by Sharif Waked is a short video based on the tragi-comic outcome of the Israeli Blockade and the wars in Gaza. The story tells about how, after a war and the ongoing economic pressure, the Gaza Zoo lost several of their animals, and decided that they could paint a donkey so that it could pose as a zebra. The video imagines the donkey in the shower after a shift impersonating a zebra at the Gaza Zoo, as the hot water slowly washes its faux stripes away.

Deluminator
© » KADIST

Harit Srikhao

Photography (Photography)

Young men are often found together in uniform, already influenced by ideology and bodily and style stereotypes. The majority of these photographs are linked to the memory of the military coup d’état in 2014 when the artist was very young. The imagination always remains at the center of Harit Srikhao’s work and may be defined as an arm against convention.

Um Al Dhabaab (Mother of Fog)
© » KADIST

Farah Al Qasimi

Film & Video (Film & Video)

Um Al Dhabaab (Mother of Fog) by Farah Al Qasimi addresses the myth of Al Qasimi tribe-instigated piracy in the Gulf, perpetuated by the British Empire and upheld by contemporary western academia. This narrative is contested through a fictional retelling of the 1819 siege of Al Dhayah fort and the subsequent Pax Britannica treaty that solidified Britain’s military presence in the Trucial States. Relayed across various locations and times in Ras Al Khaimah through the perspectives of an ancient jinn, the ghost of an Al Qasimi pirate, two RAK-based sisters, a Jack Sparrow impersonator and ship captain, and an 1819 British naval officer, the film challenges Western-centric historiographies of the Gulf and the lingering imperialist interests at play across Asia’s modern-day trade hubs.

Invertebrate Interactions
© » KADIST

Sofia Crespo

NFT (NFT)

This short looped-video NFT Invertebrate Interactions by Sofia Crespo aims to capture generated impressions of diatoms. Diatoms are the microscopic algae that inhabit a large portion of our seas, whose anatomies are characteristically enclosed in a shell of silica, their shapes formed as various symmetries. The rapid, shifting quality of Crespo’s work reflects the pace of microscopic life, which often appears sped up to our eyes.

A Thoughtful Gift
© » KADIST

Pio Abad

Sculpture (Sculpture)

A Thoughtful Gift by Pio Abad is based on a version of a letter written by the former First Lady of the United States, Nancy Reagan to the former First Lady of the Philippines, Imelda Marcos. Written in 1986, the letter assures Marcos of their safety from persecution in the United States, following widespread anti-government protests across the Philippines. The Marcoses were granted exile in the United States by the Reagan administration and they eventually fled to Honolulu.

Appearance of Isabel Rosario Cooper
© » KADIST

Miljohn Ruperto

Film & Video (Film & Video)

Miljohn Ruperto’s silent video work Appearance of Isabel Rosario Cooper is an archive of ghosts. The video’s title figure, a Filipina actress, vaudeville dancer and singer who played racialized, peripheral roles in Hollywood in the 1940s and 1950s, flits in and out of a montage of scenes. Ruperto digitally modified the 16mm film by blurring the background and all of the figures in each scene except for Cooper herself.

Whites for Sale
© » KADIST

Dread Scott

NFT (NFT)

In conjunction with his first NFT sale of White Male Dread Scott made and circulated a poster titled Whites For Sale . The indigo-colored poster advertises a “cargo” of newly arrived white slaves, from which one will be for sale. This work is adapted from a 1796 slave sale announcement poster that is now archived in the library at Columbia University, NYC.

Of Dice and Men
© » KADIST

Didem Pekün

Film & Video (Film & Video)

Of Dice and Men is a video diary-essay: in it, Didem Pekün’s daily life and political events are intertwined, just as they are in our individual realities. Displayed on two screens, the video brings us back and forth between London and Istanbul from 2011 to 2016, the two cities the artist inhabited at the time. Dice are thrown repeatedly throughout the video, each time triggering the occurrence of fleeting moments – sometimes very common, sometimes very violent.

Studies of Chinese New Villages II
© » KADIST

Gan Chin Lee

Drawing & Print (Drawing & Print)

In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory. The watercolor images on each note paper document the artist’s visits to various Chinese ‘New Villages’ in Malaysia. The studies, some in color and others in grey-scale, from this series include architectural ruins, portraits of people and animals, and groups of people in protest.

Studies of Chinese New Villages II
© » KADIST

Gan Chin Lee

Drawing & Print (Drawing & Print)

In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory. The watercolor images on each note paper document the artist’s visits to various Chinese ‘New Villages’ in Malaysia. The studies, some in color and others in grey-scale, from this series include architectural ruins, portraits of people and animals, and groups of people in protest.

The Willing (Sharjah)
© » KADIST

Helina Metaferia

Film & Video (Film & Video)

By Way of Revolution is a series of works by Helina Metaferia that addresses the inherited histories of protest that inform contemporary social movements. In the project, Metaferia works intrinsically with female descendants of prominent historical black activists to produce video art; with women of color organizations to produce socially engaged work; with “radicalism” archives and performance stills to produce works on paper and tapestries; and with museum, gallery, and public spaces to produce participatory performances. Tapestry (Gewel) (2023) is one of a series of tapestries that are all subtitled with names of traditional storytellers from across the African continent.

Studies of Chinese New Villages II
© » KADIST

Gan Chin Lee

Drawing & Print (Drawing & Print)

In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory. The watercolor images on each note paper document the artist’s visits to various Chinese ‘New Villages’ in Malaysia. The studies, some in color and others in grey-scale, from this series include architectural ruins, portraits of people and animals, and groups of people in protest.

Three Times at Yamato Hotel
© » KADIST

Luka Yuanyuan Yang

Photography (Photography)

Composed of three photographic panels, Three Times at Yamato Hotel by Luka Yuanyuan Yang is a part of the artist’s ongoing project Dalian Mirage , a seven act play in a theatre staged as the city of Dalian. This modern city was built by the Russian Empire in 1898 and occupied by Japan between 1905 and 1945. Based on historical investigations, Yang created ten characters, including a Dalian-born Japanese writer and a Dalian-born American immigrant.

Studies of Chinese New Villages II
© » KADIST

Gan Chin Lee

Drawing & Print (Drawing & Print)

In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory. The watercolor images on each note paper document the artist’s visits to various Chinese ‘New Villages’ in Malaysia. The studies, some in color and others in grey-scale, from this series include architectural ruins, portraits of people and animals, and groups of people in protest.

Gan Chin Lee

Gan Chin Lee is a Malaysian artist of Chinese descent known across Southeast Asia for his realist paintings that painstakingly register the ethnic and religious complexities of Malaysia...

Subas Tamang

Part of the Indigenous Tamsaling community in Nepal, Subas Tamang comes from a family of traditional stone carvers...

Fabien Giraud & Raphael Siboni

The collaborative work of Fabien Giraud and Raphael Siboni is part of a reflection on the history of cinema, science, and technology...

Wang Tuo

Through film, performance, painting, and drawing, artist Wang Tuo interweaves disparate realities through archives, modern history, myth, and literature...

siren eun young jung

With a practice deeply engaged with feminism and LGBT rights issues, siren eun young jung reveals the subversive power of traditional culture, one unknown in the Korean modernization period, and provides unique perspectives and documentation of important communities...

Trevor Paglen

Trevor Paglen’s work combines the knowledge-base of artist, geographer and activist...

Lisa Oppenheim

Helina Metaferia

Helina Metaferia is an interdisciplinary artist working across collage, assemblage, video, performance, and social engagement...

Maya Watanabe

Drawing on her background in theater design and direction, Maya Watanabe is known for her multi-channel video installations that explore the relationship between language, collectivity, identity, and space...

Joana Hadjithomas & Khalil Joreige

Joana Hadjithomas and Khalil Joreige collaborate as both filmmakers and artists, producing cinematic and visual artwork that intertwine, spanning feature and documentary films, video and photographic installations, sculpture, performance lectures and texts...

Charlotte Moth

Charlotte Moth has been constituting an image bank since 1999...

Harit Srikhao

Harit Srikhao perceives photography as a culturally determined medium...

Minia Biabiany

Minia Biabiany’s practice is concerned with the past and ongoing effects of colonialism, exploring the poetics of resistance embedded in everyday life practices, and translating this research into the exhibition space through careful consideration of the cultural and spiritual implications of the material she uses, and the techniques she employs...

Mario Garcia Torres

Runo Lagomarsino

Sharif Waked

Sharif Waked is a Palestinian artist who’s work enages with with Islamic culture and history, and its interaction with the Israeli occupation and hegemonic Jewish culture in Palestine...

Anthony Goicolea

Goicolea, a first generation Cuban-American living in New York, makes work that explores his conflicted identity and the recent history of the Cuban people...

Erika Tan

Erika Tan’s practice is primarily research-driven with a focus on the moving image, referencing distributed media in the form of cinema, gallery-based works, Internet and digital practices...

Manuel Correa

Manuel Correa’s practice deals with the reconstruction of post-conflict intergenerational memory in contemporary societies...

Rometti Costales

Rometti Costales is an artistic collaboration between Julia Rometti and Victor Costales that began in 2007...

Daniel Joseph Martinez

Uriel Orlow

In his research-based and process-oriented practice Uriel Orlow’s work is concerned with “spatial manifestations of memory, blind spots of representation and forms of haunting”...

Phi Phi Oanh

Phi Phi Oanh’s unique practice and methodology is anchored in the study of lacquer and pushes the boundaries of the material as a sculptural and conceptual form...

Glenn Ligon

Juan Brenner

Born and raised in Guatemala, photographer Juan Brenner spent ten years in New York City working in the fashion industry before returning to his home country in 2008...

Luka Yuanyuan Yang

Luka Yuanyuan Yang is a photographer, filmmaker and visual artist based in Beijing...

Kota Ezawa

Voluspa Jarpa

Voluspa Jarpa’s work is based upon a meticulous analysis of political, historical, and social documents from Chile and other Latin American countries, which she uses to develop a reflection on the concept of memory...

Ryan Gander

© » KADIST

about 104 months ago (03/26/2016)

© » KADIST

about 105 months ago (03/05/2016)

© » KADIST

about 105 months ago (02/26/2016)

© » KADIST

about 109 months ago (10/27/2015)

© » KADIST

about 118 months ago (02/19/2015)

© » KADIST

about 118 months ago (02/11/2015)

© » KADIST

about 127 months ago (05/06/2014)

© » KADIST

about 140 months ago (04/15/2013)

© » KADIST

about 151 months ago (05/23/2012)