Erin Shirreff’s A. P. series of prints investigates how objects are “constructed” at the level of the image. For each composite photograph, Shirreff fabricates two sculptural forms from what appear to be metal or plaster, although the precise materials are unidentified. Her sculptures resemble miniature architectural models or renderings of buildings as-yet-to-be fully conceptualized, both elemental and elegant in their use of sharp angles and clean lines.
Taking its title from the eponymous mythological creature—famously featured as sea nymphs in Homer’s Odyssey. Sirens exist in literature across many cultures including Ancient Greece and India, described as part bird and part woman, or like a mermaid. They were said to charm men by their song, and, having first lulled them to sleep, tear them to pieces.
Sound of Ice Melting is based on the ancient Zen Buddhist koan about the sound of one hand clapping. Here, Kos has surrounded two twenty-five-pound blocks of ice with eight microphones that call to mind the political press conferences prevalent during the Vietnam War era when this piece was created. Zen practice values such absurdity as a way to transcend the limitations of ordinary discourse and rational thought—empirical processes at the root of all political conflicts.
The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits. The monumental and unnatural aspect of the baobabs turns them into strange and anthropomorphic personalities. Adding to the descriptive aspect of the film, the sound is a recording of the environment, of sounds made by animals, and participates in this peaceful contemplation.
Parked on the shoulder of a single lane highway running through a desert landscape, Marlene looks over her shoulder from inside the car at a fierce storm looming over a distant horizon. Turning her head toward and away from the scene she says, “When I look for the lightning it never strikes, but when I look away it does.” And indeed, the lightning does seem to strike only when she turns away. Before filming Lightning , Paul Kos had done a fair amount of research on lightning, much of it conducted at the lightning research lab at the University of Colorado.
In this video, a parrot chews on seeds printed with punctuation marks. A radio on the shelf in the background broadcasts the news of an unfolding football match. As the game (and video) progresses, the bird eats all of the remaining punctuation.
Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities. When installed, viewers are invited to fill out and mail a postcard to any destination, an act which parallels the dissemination and global circulation of image, text, and the idea of place.
The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history. The project began in 2005 when Fletcher visited the War Remnants Museum in Ho Chi Minh City. He was shocked by images that depicted the lasting effects of the war and the atrocities committed by the United States.
Pedro Reyes’s Los Mutantes ( Mutants , 2012) is composed of 170 plates that combine characters from ancient and modern mythologies. As in a periodic table, animals and objects are combined with humans (male or female), providing a rational framework for the irrational products of human imagination. A Cartesian matrix such as this must follow certain rules.
In Reyes’s words, “We should be able to extract the technological nutrients before we excrete our waste. There is a missing organ in our social metabolism which would work as a stomach or intestines. The Recyclone is a device made of plastic containers that fit into each other.
While Untitled (Shuffle) presents the same formal characteristics as the rest of Berman’s verifax collages, this constellation of specific images inside the radio’s frames—the Star of David, Hebrew characters, biblical animals—have Jewish symbolism and attest to the artist’s lasting obsession with the kabala. The piece’s sub-title, “Shuffle,” suggests the presence of chance and randomness in any given organization of elements.
Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994). The artist arrived a week prior to the opening with no artwork to install, and created three spontaneous works from locally sourced materials. This one was made of white plastic record sleeves that Orozco arranged on the damp roof of the gallery.
Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour . The images depict the gradual blowing away of a plate of flour held by Tanaka. Because his pose is static throughout the images, his presence is deemphasized and instead the viewer’s attention is drawn to the motion of the flour.
This One, That One by Micah Lexier does not have one ultimate version, but instead consists of a source body of 51 separate chapters that are edited to make up different versions. These different versions are edited depending on the context in which the work is being shown. For instance, the version that was shown at the Power Plant consisted of 20 chapters and was edited specifically for that venue, keeping in mind its length and the other works exhibited in the other rooms.
Concerning his objects, Pozarek often relies on chance to guide him. He uses scraps of wood, boxes, hinges and doors, keeping a close eye on what position each object will assume later in the space. Although it suggests the opposite at first glance, Zwillinge is autonomous and functionless.
As suggested by its title, Pipe Opening (2002) depicts a hole in a wood wall exposed by the removal of a pipe. In contrast to his signature immense tableaux, Pipe Opening is a direct but modest document of a “real” scene that Wall “encountered by chance” in daily life. However factual, the image indicates certain enigmatic significance, allowing multiple interpretations.
This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him. He captures incongruities or everyday simplicity and highlights their suggestive power. The composition and framing of these interventions specially emphasizes the object of interest and the humor of the context.
This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him. He captures incongruities or everyday simplicity and highlights their suggestive power. The composition and framing of these interventions specially emphasizes the object of interest and the humor of the context.
Like much of Aran’s work this sculptural installation is akin to a riddle. It has no exact meaning, and it can be somewhat frustrating, yet with careful inspection it begins to reveal unexpected information. In his 2014 exhibition at Peep-Hole, Milan, where this work was shown, Aran referred in a series of new works to Mancala games.
After two years of research in close conversation with anthropologists and archaeologists, Linares eventually enrolled in classes to study archeology—specifically the history of material artifacts. He became obsessed with the origin of metaphor, and the stick as the Ur (earliest) object used by humans that led to the formation of meaning itself. This video, which accompanies the “Museum of the Stick,” is part of major work surveying material culture collected and presented by the artist through a complex narrative of associations and anthropological research.
It rains, Paris, 1st July 2000 , which could be the refrain of a song, is the title of a photograph of a minimal moment, the vision of a Parisian pedestrian, a cut flower lying on the pavement covered in rain drops. Is this moment captured by chance or a mise en scène? There is a sort of hiatus in the image; the planes – motif and background – connect nature in full bloom, pure, fragile, ephemeral with the grey weighty tarmac.
Manuel Correa’s short film Didn’t Know I Died is a testimonial portrait of the acclaimed Colombian poet Olga Elena Mattei. Earlier in her life during a simple medical operation, Mattei was declared medically dead. In the film, she recounts her first memory upon waking up, a dream.
Dialect by Felipe Romero Beltrán is a photographic series that follows a group of immigrants who have recently crossed the strait (the maritime border between Morocco and Spain) to avoid border controls. The young immigrants settle in Seville while their legal situation is either resolved or refused. Reflecting on his own status as a migrant, Beltra?n’s series of photographs documenting Morrocan immigrants is a tribute to their trajectories; a trace of their existences.
Cumulocumulonimbus capillatus incus functions on the mode of a mise en abîme: it is a cube composed with 8000 dice. The work plays with chance, each installation produces a renewed visual combination. Robert Filliou said that Eins.
The work BRB is a 30 min. journey in the new game world of Second Life (“SL”). Consistent with Segal’s work with the projected image, this video was shot using a virtual in-world camera, with the footage later being transformed by a software custom designed by the artist.
Wong Wai Yin is an interdisciplinary artist who experiments with a variety of media ranging from painting, sculpture, collage, performance, video, installations and photography...
Through an economy of means, Elsa Werth makes purposefully non-spectacular gestures as forms of resistance, disruption, and transformation...
Evariste Richer constantly invents new standards for measurement which are mostly objects to prompt the spectator’s potential investigations: avalanche probes, a meter drawn from memory, a meter with no measurements… Meteorology, science, magic, mineralogy, photography, optics are his preferred terrains...
Born in 1977 in Jerusalem Lives and works in New York...
Photography and book publishing are inextricable in the work of Jason Fulford...
Growing up in Czechoslovakia, Vaclav Pozarek experienced political aggression, spying and ludicrous impediments...
Li Binyuan explores physicality, chance, play and social values through actions, film works and performances that intervene in the social fabric of everyday Chinese society...
Naama Tsabar is an Israel-born, New York-based sculpture artist...
Jeamin Cha’s questions exist in the gyre between individual and social environment, stepping over conspicuous strands of relation between the two in favor of cultivating characters that dwell in the night, under-noticed or otherwise surplus figures outside of mainstream societal representation...
Micah Lexier is a critically acclaimed Canadian artist living in Toronto...
Charlotte Moth has been constituting an image bank since 1999...
Michael Linares (San Juan, Puerto Rico) asks critical questions about the most fundamental forms and concepts of art...
Manuel Correa’s practice deals with the reconstruction of post-conflict intergenerational memory in contemporary societies...
Chris Huen Sin-Kan (b...
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Bill Viola | Royal Albert Memorial Museum & Art Gallery Discover the work of internationally renowned video artist Bill Viola at Exeter’s Royal Albert Memorial Museum & Art Gallery (RAMM) ARTIST ROOMS Bill Viola presents three works from the ‘Passions’, a series of video works created between 2000 and 2002 that explore human emotions...
Last Chance to See Turner Prize 2023 - FAD Magazine Skip to content By Mark Westall • 5 February 2024 Share — Jesse Darling, Turner Prize 2023 at Towner Eastbourne...
Artist Spotlight: Douglas Alvarez – Art and Cake January 18, 2024 January 18, 2024 Author Artist Spotlight: Douglas Alvarez Coffee Shop What does a day in your art practice look like? When not dealing with graphic design projects, I start my mornings working on the painting on my easel...
Martin Creed | The Dick Institute Experience the work of one of this country’s most ingenious, audacious and surprising artists at the Dick Institute ARTIST ROOMS Martin Creed presents highlights from the British artist’s thirty-year career...
Rabanne and Dazed are looking for the next generation of image makers | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Fashion News The new initiative will give young creatives a chance to be a part of the Arts Factory Rabanne 12 December 2023 Text Dazed Digital This month, Rabanne is joining forces with Dazed to find the next generation of visionaries...
Chance and Chaos: A Q&A with Artists Ciarán Murphy and Niamh O’Malley | Observer The works of Irish artists Ciarán Murphy and Niamh O’Malley couldn’t be more dissimilar at first glance...
25th "Sculpture by the Sea" Brings Over 100 Artworks to Australian Coast Home / Art / Sculpture 25th Annual ‘Sculpture by the Sea’ Brings 100 Artworks to Australian Coast By Margherita Cole on December 11, 2023 Gleb Dusavitskiy, “I Believe I Can Fly.” (Photo: Tyr Liang) Once a year, part of the Australian coastline is transformed into an outdoor museum during the Sculpture by the Sea festival...
Holiday market returns to Westmoreland Museum for 2023 season | TribLIVE.com Art & Museums Holiday market returns to Westmoreland Museum for 2023 season Julia Maruca Wednesday, Dec...
William Anastasi, a prominent Conceptual artist, has died at 90...
Romain Best — Coulissements par frictions — Frac île-de-france, le Plateau — Exhibition — Slash Paris Login Newsletter Twitter Facebook Romain Best — Coulissements par frictions — Frac île-de-france, le Plateau — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Romain Best — Coulissements par frictions Exhibition Installation, sculpture, mixed media Romain Best, Coulissements par frictions, 2023 © Romain Best Romain Best Coulissements par frictions Ends in 27 days: November 9, 2023 → January 7, 2024 The Project Room is the Frac’s new prospective and experimental space, located in the last room of the Plateau...
Manal AlDowayan to represent Saudia Arabia at the 2024 Venice Biennale...
Accidentally Wes Anderson Exhibition | Londonist An 'Accidentally Wes Anderson' Exhibition Is Coming To West London By Will Noble Will Noble An 'Accidentally Wes Anderson' Exhibition Is Coming To West London Image by @matthijsvmierlo - not Wes Anderson...
Artist Spotlight: Ben Cuevas – Art and Cake October 4, 2023 October 4, 2023 Author Artist Spotlight: Ben Cuevas What does a day in your art practice look like? Sleep till 10am...
Artist Spotlight: Ben Cuevas – Art and Cake October 4, 2023 October 4, 2023 Author Artist Spotlight: Ben Cuevas What does a day in your art practice look like? Sleep till 10am...
Artist Spotlight: Ben Cuevas – Art and Cake October 4, 2023 October 4, 2023 Author Artist Spotlight: Ben Cuevas What does a day in your art practice look like? Sleep till 10am...
Sinae Lee — Exposition personnelle — L'ahah Moret — Exhibition — Slash Paris Login Newsletter Twitter Facebook Sinae Lee — Exposition personnelle — L'ahah Moret — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Sinae Lee — Exposition personnelle Exhibition Video Upcoming Sinae Lee, J’ai besoin de la chance, vue de l’installation vidéo à la biennale de la jeune création, Houilles © Marc Domage Sinae Lee Exposition personnelle In 8 months: March 2 → 23, 2024 L’ahah #Moret est heureuse d’inviter l’artiste Sinae Lee pour une exposition personnelle du 02 mars au 23 mars 2024...
Sinae Lee — Exposition personnelle — L'ahah Moret — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Sinae Lee — Exposition personnelle — L'ahah Moret — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Sinae Lee — Exposition personnelle Exposition Vidéo À venir Sinae Lee, J’ai besoin de la chance, vue de l’installation vidéo à la biennale de la jeune création, Houilles © Marc Domage Sinae Lee Exposition personnelle Dans 8 mois : 2 → 23 mars 2024 L’ahah #Moret est heureuse d’inviter l’artiste Sinae Lee pour une exposition personnelle du 02 mars au 23 mars 2024...
Release/Benefit: Banksy – ‘Fragile/Agile’ « Arrested Motion Continuing his support for humanitarian causes around the globe, Banksy is releasing a new screen print in partnership with Giles Duley ’s Legacy of War Foundation ...
The actor is reportedly considering a $2.5 million piece that features 150-million-year-old dinosaur bones....
New ownership schemes allow investors to buy digital portions of paintings and share in the profits when it sells...
What I Buy & Why: Bangladeshi Collector Durjoy Rahman on Why He Loves Impractical Art and How Heâs Helping Local Creatives - via artnet...
Kansong Art Museum, South Korea’s oldest private museum, opened its doors for the first time since 2014 on Saturday...
James McKissic shares pieces from his collection in AVA's 'Rooted in Color' exhibition | Chattanooga Times Free Press Photo from AVA Gallery / "Minister, Chicago 1950" by Gordon Parks The Association for Visual Arts ventures into new territory with its first show of 2020...
Organisée par Daniella Dangoor et sponsorisée par Chiswick Auctions, the Classic Photograph revient à Londres Organized by Daniella Dangoor and sponsored by Chiswick Auctions, the Classic Photograph returns to London Organized by Daniella Dangoor and sponsored by Chiswick Auctions, the Classic Photograph returns to London...
Mystery Zone, or A Lotta Endings : Open Space November 23, 2021 Mystery Zone, or A Lotta Endings by Poetry Collaborations with Creative Growth They lived happily ever after And then the sun came up And then the sun go down The couple is riding off into the sunset The End They threw a pie at the shark, the end “We’ll have to do this again sometime” “See ya later, turkey!” “I have a train to catch” My hero! Good night and God bless We’re closed! Take and catch an airplane Keep in touch, never come back!...
Quiz: Which Singaporean writer are you? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints July 3, 2021 For every Singaporean who loves stories and words—whether you lovingly document your everyday experiences on Facebook, pen epic poems during your lunch breaks, or are a writer working on that great Singapore novel— there comes a time where you ask yourself the big questions: like, what is the meaning of life? Could I win the Golden Point Award?...
While Untitled (Shuffle) presents the same formal characteristics as the rest of Berman’s verifax collages, this constellation of specific images inside the radio’s frames—the Star of David, Hebrew characters, biblical animals—have Jewish symbolism and attest to the artist’s lasting obsession with the kabala...
Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...
The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...
It rains, Paris, 1st July 2000 , which could be the refrain of a song, is the title of a photograph of a minimal moment, the vision of a Parisian pedestrian, a cut flower lying on the pavement covered in rain drops...
The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history...
In Reyes’s words, “We should be able to extract the technological nutrients before we excrete our waste...
This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him...
This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him...
Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities...
Invited in 2007 to the Museum Folkwang in Essen (Germany), Simon Starling questioned its history: known for its collections and particularly for its early engagement in favor of modern art (including the acquisition and exhibition of works by Cézanne, Gauguin, Van Gogh, Matisse), then destroyed during the Second World War, the museum was pillaged for its masterpieces of ‘degenerate art’ by the nazis...
Cumulocumulonimbus capillatus incus functions on the mode of a mise en abîme: it is a cube composed with 8000 dice...
Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...
In New York City’s Chinatown, subject Suat Ling Chua’s morning exercise is to practice the hula hoop...
In this work the artist stages a humorously violent “intervention” against male-dominated cultures of art production in present-day China...
Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
Charlotte Moth asked the art critic Francesco Pedraglio to write a text in response to the Man Ray film “Les Mystères du Château de Dé”, the decor of which was the Villa Noailles, built by Mallet-Stevens...
Pedro Reyes’s Los Mutantes ( Mutants , 2012) is composed of 170 plates that combine characters from ancient and modern mythologies...
Contrast to the bustling and unrelenting experience of a city such as Hong Kong, Chris Huen Sin Kan paints the tranquil interiors of his apartment, where he leads a modest and almost hermit-like life...
In the early 2000s, as urban redevelopment accelerated and intense construction significantly diminished public space in Tehran, state-funded murals began to represent imaginary landscapes on building facades...
Another curious element is that it seemed that I was seeing images from the dreams I had that afternoon...
After two years of research in close conversation with anthropologists and archaeologists, Linares eventually enrolled in classes to study archeology—specifically the history of material artifacts...
Freedom Farming presents how, after being given the right of farming, Li Binyuan began to re-dig his land...
La cabeza mató a todos or “The Head that Killed Everyone”, is a mixing of indigenous mythologies with present-day characters, geographies, and culture in Puerto Rico...
Marché Salomon by Beatriz Santiago Muñoz depicts two meat vendors, a young man and woman, chatting in Marché Salomon, a busy Port-au-Prince market...
Fridge-Freezer is a 2-channel video installation where Yoshua Okón explores the darker side of suburbia, d escribed by the artist as “ the ideal environment for a numb existence of passive consumerism and social a nd environmental disengagement...
This One, That One by Micah Lexier does not have one ultimate version, but instead consists of a source body of 51 separate chapters that are edited to make up different versions...
In the video Color Strip by Elsa Werth two-dimensional versions of all the national flags of the world (197 in all) are compiled into a long horizontal strip...
Manuel Correa’s short film Didn’t Know I Died is a testimonial portrait of the acclaimed Colombian poet Olga Elena Mattei...
Jeamin Cha’s essay-film Ellie’s Eye is an extensive examination of the human mind and the effects of new technology, such as chatbots and virtual avatar therapists on the mental health industry...
Drawing & Print
Throughout his career, Marwan Rechmaoui has maintained a drawing practice...
Drawing & Print
Throughout his career, Marwan Rechmaoui has maintained a drawing practice...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Dialect by Felipe Romero Beltrán is a photographic series that follows a group of immigrants who have recently crossed the strait (the maritime border between Morocco and Spain) to avoid border controls...