© » KADIST
Regina José Galindo
In 2012, former Guatemalan President José Efran Ros Montt was charged with genocide and crimes against humanity; Regina José Galindo’s video Tierra is a chilling reimagining of the atrocities recounted during his trial. Tierra depicts the artist standing naked in a lush field that a bulldozer has broken up. The video references an incident in which innocent Guatemalans were brutally murdered and buried in a mass grave.
© » KADIST
Regina José Galindo
La Sombra (The Shadow) is a video of Regina Jose Galindo performing with a moving Leopard tank. The artist runs until exhaustion across a dirt field in what looks like a military site. Recorded for the camera, and projected on loop, the video performance was created for Documenta 14.
© » KADIST
Paul McCarthy
Drawing & Print (Drawing & Print)
To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey. On his shoulders he supports an enormous false head, Mickey’s familiar face grinning with glossy eyes. The artist has marked out in heavy black the background of Cinderella’s castle.
© » KADIST
Paul McCarthy
McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works. Here, McCarthy squirts liquid out of a bottle held near his crotch onto a stuffed animal in the shape of a lion. The costuming, materials, and simulated bodily functions frequently appear in McCarthy’s work, which often disturbingly juxtaposes visceral and startling manipulation of the body with the cheerful artifacts of popular consumer culture.
© » KADIST
Paul McCarthy
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself. In homage to an influence in his early career, McCarthy attempted to reconstruct a pair of pants worn by Black Panther revolutionary Eldridge Cleaver in a picture that appeared in Rolling Stone magazine in the 1970s. But in the process, McCarthy misremembered their original design of the pants, which had black outer panels and white inner panels in white, and left a black shape highlighted in the crotch area.
© » KADIST
Dale Harding
Dale Harding’s installation Body of Objects consists of eleven sculptural works that the artist based on imagery found at sandstone sites across Carnarvon Gorge in Central Queensland. Mouth-blown with ochre on sandstone, these extraordinary stencilled images depict weaponry, domestic tools, and ceremonial objects that are specific to the region and that relate to Harding’s own ancestry. In response to these enduring indexes of Indigenous material culture, Harding produced a suite of cast objects using the stencilled imagery as a guide, along with objects that relate to his family history: boomerangs, spears, clubs, and whips are all part of the display.
© » KADIST
Chitra Ganesh
The title of Rainbow Body by Chitra Ganesh refers to an elevated state of, or metaphor for, the consciousness transformation known as a rainbow body. The Buddhist master Padmasambhava achieved this state from his union with Mandarava, a female spirit (dakini) and princess in Tantric Buddhism. Through study and physical connection, each played a key role in the other’s enlightenment.
© » KADIST
Marion Scemama, David Wojnarowicz
Political artist, painter, writer, performer, photographer, David Wojnarowicz, who died of AIDS in 1992 in New York City, was one of the leading figures of the New York Downtown artistic scene of the 80s. His use of image, language and collage generated a new method of idea communication. The series of five videos Collaborative Film Collection made in collaboration with Marion Scemama in 1989 is emblematic of his artistic practice, it unfolds through performance, films, photographs, texts and paintings.
© » KADIST
Yao Qingmei
Satirizing an airport security checkpoint, The Ecdysiast – Molt (Body Inspection) by Yao Qingmei offers a comedic and critical inquiry into the logics underpinning collective control and surveillance culture. The three channels of the video respectively feature a dancer (left), a chorus (middle), and a security inspector (right). The dancer and security inspector enact a mechanical burlesque performance that parodies the body inspection procedures implemented by airport security.
© » KADIST
Ho Rui An
Embracing the conflicting negative and positive affect of the horror genre, Ho Rui An’s film Student Bodies is a self-described work of “pedagogical horror,” that organizes social, political, and economic events in Asia around the motif of the student body. Bound together by a suspenseful, eerie soundtrack, the film temporally cycles through its separate, though thematically interrelated, phenomena and events centering Asian students. Using the student body motif as a human signifier of varied connotations, the film follows phenomenon ranging from the Ch?sh?
© » KADIST
Shen Xin
Composed of five episodes, Brine Lake (A New Body) by Shen Xin is set in a fictional factory where iodine is produced as a byproduct of natural gas sourced from deep sea brine lakes. Korean, Japanese, and Russian are spoken in multiple episodes. The protagonists have multiple encounters and conversations with two unseen employees of the factory whose visions are overtaken by the camera.
© » KADIST
Wura-Natasha Ogunji
Wura-Natasha Ogunji’s recent drawing of cutout figures on architectural tracing paper takes a statement by Leoluca Orlando, the Mayor of Palermo, as a point of departure for the work. Stating, “migration problems can and should find their solution within the affirmation of ‘freedom of movement’ as the new inalienable right of humans. No human has chosen or chooses the place where they were born.
© » KADIST
Kori Newkirk
LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel. His photograph of this throwaway object calls back the body, and the handprint is in fact his own right hand; thus the piece can function as a self-portrait of the artist, in an ironic twist on the art historical genre.
© » KADIST
Lynn Hershman Leeson
Hershman Leeson’s documentary, Women Art Revolution (W. A. R.) draws from hundreds of hours of intimate interviews with her contemporaries—visionary artists, historians, curators and critics—who recount their fight to break down the barriers facing women both in the art world and society at large. The film features an original score by Carrie Brownstein, formerly of the band Sleater-Kinney.
© » KADIST
Yan Xing
The title of this series – Two videos, three photographs, several related masterpieces and American art – is paradoxical, suggesting the work is conceived in relation to its medium and a situation in art history and the region of the world in which it was made. Paradoxical but in the end, often true of the way in which art history is written. The presence of black men and the term “American Art” brings us back to Robert Mapplethorpe’s Black Book .
© » KADIST
Yu Ji
Flesh in Stone – Ghost No. 1 is a stunning series of cement made body parts in various scales and movements, along with components such as iron and plaster molds to emphasize their tension. The “incompleteness” of Flesh in Stone weakens the figurative image itself, thus shifting the viewer’s focus onto the relationship between the rough material and the ideal rounded body shapes.
© » KADIST
Nao Bustamante
Silver & Gold combines video, performance, and original costumes into a self-proclaimed “filmformance” that evokes the legendary filmmaker Jack Smith and his tribute to 1940s Dominican movie starlet Maria Montez in a magical and joyfully twisted exploration of race, glamour, sexuality, and the silver screen. Taking Smith’s interest in Hollywood’s obsession with the reproduction of the exotic as a point of departure, Bustamante embodies Miss Montez. Here, video and the body function as both material and subject in her bizarre search for the new bejeweled body part that is at once her curse and oracle.
© » KADIST
Native Art Department International
The neon sign Walk the Walk (Sam Durant) overlays a Walk/Don’t Walk Sign crosswalk sign onto the text “You Are On Indian Land Show Some Respect.” The sign asks viewers to not walk on Indigenous lands without respecting it, and, switching between a walking person icon in white and a raised hand icon in red, redirects their actions. This work by Native Art Department International signals a reminder that we–the audience and institution–are located on and occupy traditional territories. The work appropriates and twists white artist Sam Durant’s You Are On Indian Land Show Some Respect (2008) in response to his work Scaffold (2012) installed in 2016-7 at the Walker Art Center in Minneapolis.
© » KADIST
Sriwhana Spong
Inspired by the 1934 novella Duo by the French writer Colette, Sriwhana Spong’s film Beach Study explores ideas of disappearance and the ephemeral, both physically and psychologically. In the film, a female body conducts abstract dance movements on a beach, responding to the environment that surrounds her. This particular beach was one the artist loved as a child, but today it is hardly accessible because it is in the hands of a private landowner.
© » KADIST
Moe Satt
Hands Around in Yangon is both a secular and religious exploration of the meaning of hands in Myanmar. Moe Satt’s father is Muslim, while his mother is Buddhist. In the Buddhist context, hand gestures or mudras are often important in signifying the identity of deities.
© » KADIST
Moe Satt
These photographs document the hand and facial gestures in Moe Satt’s performance F n’ F (Face & Fingers) . Whistling and wearing minimal clothing within a bare gallery space, Moe Satt performed a choreographed sequence of gestures based upon those he observed on the streets of Yangon, Myanmar. Each photograph is simple, showing only the artist’s face and hands with a title and caption that describes the meaning of the documented gesture.
© » KADIST
Cheryl Donegan
Fashion is the focus of Blood Sugar , which consists of a video projected onto a vintage vinyl jacket set at torso height on a dressmaker’s dummy. As suggested by the work’s title, Cheryl Donegan uses the body as a metaphor, relating the continuous cycle and recycle of images that characterizes consumer fashion culture to the flow of sugar in our blood. Formally, the work borrows strategies from conceptual art, and specifically video art from the 1960s and 1970s—such as the use of repetition, patterns, found materials, and a DIY, low-tech aesthetic—and combines it with contemporary cultural forms, in this case, the world of fashion.
© » KADIST
Sarah Navqi
A “mata ni pachedi” is a piece of painted textile that depicts narrative images of goddesses. Traditionally, the images would be painted onto a piece of cloth found in the temple. Also known as the “kalamkari” (a hand-painted or block-printed cotton textile), “mata ni pachedi” literally translates to “behind the mother goddess”.
© » KADIST
Frieda Toranzo Jaeger
This triptych is based on a Tesla whose interior the artist customized on the Tesla website. The width of the work when the panels are closed is the exact width of a Tesla, thus one designed to hold two bodies side by side. In Mexico City the car is used as a social space and, for young people, one not controlled by parents.
© » KADIST
Antonio Obá
Figura Noturna II by Antônio Obá depicts a dark figure, surrounded by a halo of light set against an even darker background. He has one eye open, which stares intensely at the viewer. The image relates to a theme recurrent in the artist’s practice: the figure lying awake at night.
© » KADIST
Anne Imhof
Anne Imhof’s video work Untitled (Wave) creates resonances between the feminine, adoration, and immateriality, while also referring to the history of art and aesthetics, in particular the concept of the sublime. Starring Imhof’s partner and collaborator Eliza Douglas, the film depicts a woman, naked from the waist up, dressed simply in tracksuit trousers, long black hair, feet dipped in the ocean water. The woman bears a long whip, while she looks out at the horizon and the waves lick at her bare feet.
© » KADIST
Shahryar Nashat
Employing both the High Modernist technique of abstraction and monochronism, as in the work of Lucio Fontana and Yves Klein, and bodily states of fetishization, Yea High (sweetpreparator) reworks the art historical canon of movement and the body to consider flesh as a physical construction of man-made matter. In the work, the artist uses perspiration as a medium on the surface, combing the man-made and the organic. The pink of the surface reflects the artist’s interest in reframing the way we understand the permeability of human skin.
© » KADIST
Kitty Kraus
Composed of two rectilinear pieces of glass, this work is part of a series of sculptures started in 2006. These transparent assemblages are in contact with the walls and floor of the exhibition space. The sculptures of this series are the same dimensions with different combinations.
© » KADIST
Shahryar Nashat
In the film Hustle in Hand (2014) we observe secret negotiations carried out between two characters with only their torsos visible in the frame— negotiations that consider fetishizations, meaning and symbolic value of the body and flesh. Money, food, appearances, and consumption: the viewer is pulled into a round of transactions, a rumination on our society in which art occupies a coveted position. The film’s rhythm is suddenly interrupted by the appearance of a green polyhedron that, once licked by one of the mysterious protagonists, becomes golden yellow, a magical event accompanied by an intense swelling of violin music.
Paul McCarthy
- location: Los Angeles, California
- year born: 1945
- gender: male
- nationality: American
- home town: Salt Lake City, Utah
Shahryar Nashat
The work of Shahryar Nashat (b...
Moe Satt
Moe Satt is a Burmese visual and performance artist who uses his own body as a symbolic field for exploring self, identity, embodiment, and political resistance...
Reza Aramesh
Working across a wide range of materials and processes, Aramesh examines simultaneously the history of Western art and contemporary commentary on the politics and history of the Middle East, concocting a unique visual language to address the contemporary conditions of violence and bio-politics...
Ashmina Ranjit
Ashmina Ranjit is Nepal’s leading figure in the conceptual and performance fields, as well as an emblematic voice in South Asian feminist art making and activism...
Luis Pazos
Argentinian artist, born in 1940, Luis Pazos transitioned from an experimental poetry and editing practice to the creation of actions and happenings in the 1970s...
Maryam Hoseini
Maryam Hoseini makes delicate, figurative paintings to investigate the political, social, and personal conditions of identity and gender...
Sarah Navqi
Sarah Naqvi works with art-focused activism and material realities...
John Baldessari
- location: Los Angeles, California
- year born: 1931
- gender: male
- nationality: American
- home town: National City, California
Lynn Hershman Leeson
- location: San Francisco, California
- year born: 1941
- gender: female
- nationality: American
- home town: Cleveland, Ohio
Li Ming
- location: Beijing, China
- year born: 1979
- gender: male
- nationality: Chinese
- home town: Sichuan Province, China
Carolina Saquel Martinez
Caroline Saquel was born in Chile and now lives and works in Paris...
Elyla
Elyla (Fredman Barahona) is a performance artist and queer activist...
Wura-Natasha Ogunji
Wura-Natasha Ogunji is a visual artist and performer...
Li Liao
- location: Shenzhen, China
- year born: 1982
- gender: male
- nationality: Chinese
- home town: Hubei Province, China
Dale Harding
A descendant of the Bidjara, Ghungalu, and Garingbal peoples, Dale Harding’s work references and expands upon the philosophical and spiritual touchstones of his cultural inheritance...
Nao Bustamante
California-born and internationally recognized, Nao Bustamante cut her teeth as an artist between 1984 and 2001 in San Francisco where she studied in the New Genres department at the San Francisco Art Institute...
Kitty Kraus
Kitty Krauss has a very particular outlook on Minimal and Constructivist Art...
Kota Ezawa
- location: San Francisco, California
- year born: 1969
- gender: male
- nationality: German
- home town: Cologne, Germany
Yu Ji
Yu Ji is a precise artist with multiple preoccupations, references, and interests; she comes from a long tradition of erudite, polymath approaches to art making...
Igor Grubic
- location: Zagreb, Hrvatska
- year born: 1969
- gender: male
- nationality: Croatian
Marion Scemama, David Wojnarowicz
Marion Scemama is a French photographer and filmmaker...
Chitra Ganesh
Spanning printmaking, sculpture, and video, Chitra Ganesh’s work draws from broad-ranging material and historic reference points, including surrealism, expressionism, Hindu, Greek and Buddhist iconographies, South Asian pictorial traditions, 19th-century European portraiture and fairy tales, comic books, song lyrics, science fiction, Bollywood posters, news and media images...
Native Art Department International
Native Art Department International is a collaborative project created in 2016 and administered by Maria Hupfield and Jason Lujan...
Jiang Zhi
- location: Beijing
- location: Shenzhen, China
- year born: 1971
- gender: male
- nationality: Chinese
- home town: Yuanjiang, China
Yao Qingmei
Informed by her long-term interest in the complex tensions between music, dance, text, and video, Yao Qingmei’s practice collapses the boundary between performance and its site...
Ho Rui An
The artist, writer, and researcher Ho Rui An probes histories of globalization and governance, performing a detournement of dominant semiotic systems across text, film, installation, and lecture...
© » AESTHETICA
about 8 months ago (02/12/2024)
Aesthetica Magazine - Curator Interview: Redefining Landscape Art Curator Interview: Redefining Landscape Art “Green spaces and nature are where I find solace and comfort...
© » ART & OBJECT
about 8 months ago (02/12/2024)
The Top Art Exhibitions of 2023 | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » ASX
about 9 months ago (02/02/2024)
RaMell Ross – Spell, Time, Practice, American, Body – AMERICAN SUBURB X Skip to content An image I find myself returning to over and over again is a photograph by RaMell Ross titled Dream Catcher (2014)...
© » COLOSSAL
about 10 months ago (12/18/2023)
Since the 1960s, British artist Antony Gormley has used the language of sculpture to examine relationships between human beings, nature, and the cosmos...
© » AESTHETICA
about 10 months ago (12/17/2023)
Aesthetica Magazine - Aesthetica Art Prize: Sculpting the Future Aesthetica Art Prize: Sculpting the Future Sculpture is constantly evolving, with its definition widening as we move into an increasingly digital world...
© » ARTNEWS
about 10 months ago (12/15/2023)
Nancy Brooks Brody, fierce pussy Cofounder, Dies at 61 – ARTnews.com Skip to main content By Maximilíano Durón Plus Icon Maximilíano Durón Senior Editor, ARTnews View All December 15, 2023 5:26pm Nancy Brooks Brody in 2009...
© » ROYAL ACADEMY
about 10 months ago (12/12/2023)
A History of Performance Art | Blog | Royal Academy of Arts Pussy Riot’s protest performance Illustration by Lucinda Rogers A History of Performance Art Read more Become a Friend A History of Performance Art By Kelly Grovier Published 16 October 2023 With Marina Abramović taking over the Main Galleries at the RA, we look at some other artists who have shaped the history of performance art...
© » ARTSY
about 10 months ago (12/11/2023)
The Best Public Art of 2023 | Artsy Skip to Main Content Advertisement Art The Best Public Art of 2023, according to Curators Artsy Editorial Dec 11, 2023 5:20PM Phyllida Barlow, installation view of jape, 2022–23, in “Prank” presented by Public Art Fund in City Hall Park, New York City, 2023...
© » HYPERALLERGIC
about 10 months ago (12/08/2023)
University of Florida Offers a Funded MFA in Studio Art Skip to content Natalie Novak, “Levitate (ʇɐolɟ ǝǝɹɟ)” (2023), synthetic nylon tulle, fluid acrylics, gloss medium, thread, air, inflatable blowers; potions made from expired makeup pigments, lotions, shampoos, hair gel, bath bombs, vaseline, nail polish, baby oil, wax, imitation pearls, iridescent beads (photo courtesy the artist) The University of Florida (UF) offers a three-year, full-tuition, stipend-funded MFA degree ...
© » OBSERVER
about 10 months ago (12/08/2023)
One Fine Show: ‘Camille Claudel’ at the Art Institute of Chicago | Observer Welcome to One Fine Show, where Observer highlights a recently opened exhibition at a museum outside of New York City—a place we know and love that already receives plenty of attention...
© » SOUTH CHINA MORNING POST
about 11 months ago (12/05/2023)
‘Tattoos are not a crime’ – how Iranian tattoo artists are leaving an indelible mark on a society that is slowly coming to accept body ink | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more An Iranian man shows his tattoos in Iran’s capital, Tehran...
© » LARRY'S LIST
about 13 months ago (10/05/2023)
An exhibition by Cheong Soo Pieng is the first retrospective of the pioneer artist’s entire body of ink works...
© » LENS CULTURE
about 14 months ago (08/23/2023)
Why I Make Art - Photographs by Mari Katayama | Essay by Marigold Warner | LensCulture Feature Why I Make Art Mari Katayama reflects on the roots of her intricately staged self-portraits, in which she uses her own body—often surrounded by objects and environments she has created herself—as a lens through which to reflect society...
© » TATE EXHIBITIONS
about 17 months ago (05/23/2023)
Rhea Dillon | Tate Britain A new body of sculptures by Rhea Dillon that consider the formation of British and Caribbean identities Rhea Dillon: An Alterable Terrain brings together new and existing sculptures as a conceptual fragmentation of a Black woman’s body...
© » LARRY'S LIST
about 25 months ago (10/05/2022)
The Baltimore Museum of Art (BMA) yesterday announced five new board trustees, only one of whom will have a bathroom named after him at the institution...
© » ARTS EQUATOR
about 33 months ago (01/21/2022)
Capturing The Imagination: Art Installations at The Arts House | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Grace Baey January 21, 2022 Text and Photos by Grace Baey Amidst the line-up of events at Singapore Art Week 2022, The Arts House is currently a site for three new installation works by artists Speak Cryptic, Jason Wee and WY-TO, and the National Library Board...
© » ARTS EQUATOR
about 40 months ago (06/28/2021)
The Body Witness: Gardens Speak, en route, As Far As Isolation Goes at SIFA 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Arts House Limited June 28, 2021 By Vithya Subramaniam (1,600 words, 6-minute read) Though cancelled last year amid the developing pandemic, Singapore International Festival of Arts has done well to lean into the possibilities of small-group, distanced programmes for this year’s line-up...
© » ARTNOME
about 53 months ago (06/16/2020)
FitArt - Fitness Art Club — Artnome Menu Blog Exploring art through data using the Artnome database...
© » GAS
about 54 months ago (04/29/2020)
In a parallel universe, we would have been setting up the Affordable Art Fair Stand in Hampstead today, preparing all the work on the walls and print boxes for all the eager art lovers to enjoy...
© » ARTS EQUATOR
about 58 months ago (01/22/2020)
Weekly Southeast Asia Radar: Jakarta's controversial Performance Art Club; Bangkok Art Biennale | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar 69 Performance Club January 23, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » ARTS EQUATOR
about 59 months ago (12/22/2019)
Everything In Its Right Place: The Body Politic and the Body | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Nabilah Said December 22, 2019 By Nabilah Said (1,400 words, 7-minute read) “You’re a guest, you’re a guest, you’re a guest.” This anodyne version of the Beauty and The Beast song played in my head as I walked through the exhibition The Body Politic and the Body , currently on at ILHAM Gallery in Kuala Lumpur...
© » ARTS EQUATOR
about 62 months ago (09/27/2019)
The Traditional Body, The Contemporary Mind and The (Dancing) Mother | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Sivarajah Natarajan September 27, 2019 By January Low (1,693 words, 7-minute read) A little over a year ago, I was invited to be a part of MI(X)G , Festival Tokyo’s 2018 opening production, and the cherry on the sundae was to work together with legendary Thai contemporary dance artist Pichet Klunchun for five weeks spread out over four months...
© » ARTS EQUATOR
about 67 months ago (04/29/2019)
The Body Remembers: Kitt Johnson on "Stigma" at M1 CONTACT Contemporary Dance Festival 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles "Stigma", photo by James Quah (left), Kitt Johnson, photo by Per Morten Abrahamsen (right) April 29, 2019 By Germaine Cheng (605 words, three-minute read) 2019 marks the 10th edition of the M1 CONTACT Contemporary Dance Festival , a humble endeavour by Kuik Swee Boon, artistic director of T...
© » ARTS EQUATOR
about 67 months ago (04/28/2019)
What If Your Body Turns into a Sculpture? : Interview with Sasha Waltz on "Körper" at SIFA 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 29, 2019 By Winnie Chen Dixon (600 words, four-minute read) Have you ever imagined dancers’ bodies turning into sculptures, as if time stood still? This is the impression of Körper (Body) , the signature dance performance of this year’s edition of the Singapore International Festival of Arts....
© » ARTS EQUATOR
about 73 months ago (10/09/2018)
"Hijrah": In Between Body and Gender 'Migration' | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Sapto Agus October 9, 2018 By Michael HB Raditya (1018 words, five-minute read) Read this review in Bahasa Indonesia ...
© » ARTS EQUATOR
about 74 months ago (09/27/2018)
“Tiger of Malaya”: The Body Remembers What the Archive Cannot Thinking and Talking about Arts and Culture in Southeast Asia Articles Images courtesy of Monospectrum Photography September 27, 2018 By Corrie Tan (2,080 words, 10-minute read ) Spoiler alert: this essay discusses certain plot points about Tiger of Malaya in detail...
© » ARTS EQUATOR
about 76 months ago (07/25/2018)
"dead was the body": Theatre Meets Breaking Meets Therapy | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Adeeb Fazah July 25, 2018 By Akanksha Raja (1500 words, seven-minute read) dead was the body till i taught it how to move ( dwtb ) is Bhumi Collective’s first production of the year, and just like their two principal works of 2017 – Every Brilliant Thing with Andrew Marko and The Last of Their Generation with Mohamed Shaifulbahri – it is a one-man show...
© » ACAW
about 90 months ago (06/09/2017)
Summer ’17 Consortium Partner Programs - Asia Contemporary Art Week Asia Contemporary Art Week ABOUT Consortium Partners PRESENTED ARTISTS FIELD MEETING ABOUT FIELD MEETING TAKE 6: THINKING COLLECTIONS (2018) TAKE 5: THINKING PROJECTS (2017) TAKE 4: THINKING PRACTICE (2016) TAKE 3: THINKING PERFORMANCE (2015) TAKE 2: AN AFTERTHOUGHT (2015) TAKE 1: CRITICAL OF THE FUTURE (2014) FIELD REVIEW ABOUT FIELD REVIEW ISSUE 1: SOUTH ASIA ISSUE 2: MIDDLE EAST PAST EDITIONS ACAW 2002 – 2018 PRESENTED ARTISTS PRESS PRESS RELEASES PRESS COVERAGE Announcements Summer ’17 Consortium Partner Programs New York City Venues ASIA SOCIETY MUSEUM Inspired by Zao Wou-Ki: Works by New York City Students Exhibition | Through August 6 Artworks created by New York City public school students based on Asia Society’s fall 2016 exhibition “No Limits: Zao Wou-Ki” are exhibited in this one of a kind exhibition...
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1970-1979
Luis Pazos
1971La Cultura de la Felicidad (The Culture of Happiness) is a series of five photographs addressing everyday life—a couple in a bed, lovers on a bench and a family reunion...
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1980-1989
Paul McCarthy
1983McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...
Marion Scemama, David Wojnarowicz
1989Political artist, painter, writer, performer, photographer, David Wojnarowicz, who died of AIDS in 1992 in New York City, was one of the leading figures of the New York Downtown artistic scene of the 80s...
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1990-1999
Douglas Gordon
1996In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...
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2000-2009
Paul McCarthy
2008Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
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2010-2019
Paul McCarthy
Drawing & Print
2010(Drawing & Print) To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...
Nao Bustamante
2010Silver & Gold combines video, performance, and original costumes into a self-proclaimed “filmformance” that evokes the legendary filmmaker Jack Smith and his tribute to 1940s Dominican movie starlet Maria Montez in a magical and joyfully twisted exploration of race, glamour, sexuality, and the silver screen...
Natasha Wheat
Drawing & Print
2011(Drawing & Print) Natasha Wheat’s Kerosene Triptych (2011) is composed of three images, one each from the digital files of the Library of Congress, the Smithsonian Institution, and the Field Museum tropical research archive...
Sriwhana Spong
2012Inspired by the 1934 novella Duo by the French writer Colette, Sriwhana Spong’s film Beach Study explores ideas of disappearance and the ephemeral, both physically and psychologically...
Regina José Galindo
2013In 2012, former Guatemalan President José Efran Ros Montt was charged with genocide and crimes against humanity; Regina José Galindo’s video Tierra is a chilling reimagining of the atrocities recounted during his trial...
Kori Newkirk
2013LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel...
Cheryl Donegan
2013Fashion is the focus of Blood Sugar , which consists of a video projected onto a vintage vinyl jacket set at torso height on a dressmaker’s dummy...
Igor Grubic
2013The installation “East Side Story” is based on events that took place in the streets of Belgrade in 2001 and Zagreb in 2002, during the Gay Pride demonstrations, where the participants were the victims of verbal and physical injury by neo-Nazi groups and other citizens...
Shahryar Nashat
2014In the film Hustle in Hand (2014) we observe secret negotiations carried out between two characters with only their torsos visible in the frame— negotiations that consider fetishizations, meaning and symbolic value of the body and flesh...
Shahryar Nashat
2015Employing both the High Modernist technique of abstraction and monochronism, as in the work of Lucio Fontana and Yves Klein, and bodily states of fetishization, Yea High (sweetpreparator) reworks the art historical canon of movement and the body to consider flesh as a physical construction of man-made matter...
Reza Aramesh
2016The photographed plaster heads set against the idyllic landscapes of the south of England, subvert the process of image production and memory...
Reza Aramesh
2016The photographed plaster heads set against the idyllic landscapes of the south of England, subvert the process of image production and memory...
Yao Qingmei
2017Satirizing an airport security checkpoint, The Ecdysiast – Molt (Body Inspection) by Yao Qingmei offers a comedic and critical inquiry into the logics underpinning collective control and surveillance culture...
Frieda Toranzo Jaeger
2017This triptych is based on a Tesla whose interior the artist customized on the Tesla website...
Kota Ezawa
2017The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
Khvay Samnang
2017Originally commissioned for documenta 14, Khvay Samnang’s two-channel video work Preah Kunlong (The way of the spirit) takes land politics, resource extraction and Indigenous Cambodian resistance as its primary concern...
Sin Wai Kin
Drawing & Print
2017(Drawing & Print) A woman you thought you knew by Sin Wai Kin originates from a performance series titled A View from Elsewhere ...
Dale Harding
2018Dale Harding’s installation Body of Objects consists of eleven sculptural works that the artist based on imagery found at sandstone sites across Carnarvon Gorge in Central Queensland...
Chitra Ganesh
2018The title of Rainbow Body by Chitra Ganesh refers to an elevated state of, or metaphor for, the consciousness transformation known as a rainbow body...
Native Art Department International
2018The neon sign Walk the Walk (Sam Durant) overlays a Walk/Don’t Walk Sign crosswalk sign onto the text “You Are On Indian Land Show Some Respect.” The sign asks viewers to not walk on Indigenous lands without respecting it, and, switching between a walking person icon in white and a raised hand icon in red, redirects their actions...
Judith Hopf
2018Hopf’s works reference the effects that developments in economics and technology have had on our bodily and mental composition...
Cecilia Bengolea
2018Lightning Dance by Cecilia Bengolea is a black and white video that considers the relationship between extreme weather and the body...
Wura-Natasha Ogunji
2019Wura-Natasha Ogunji’s recent drawing of cutout figures on architectural tracing paper takes a statement by Leoluca Orlando, the Mayor of Palermo, as a point of departure for the work...
Sarah Navqi
2019A “mata ni pachedi” is a piece of painted textile that depicts narrative images of goddesses...
Diego Bianchi
2019Diego Bianchi’s main concern is distorting straight lines, both literally and metaphorically...
Maryam Hoseini
2019Secrets Between Her and Her Shadow 10 by Maryam Hoseini is from a series of paintings of the same title that are inspired by the story Layla and Majnun – an Arabic love story about Majnun, a 7th century Bedouin poet, and his lover, Layla...
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2020-2029
Antonio Obá
2020Figura Noturna II by Antônio Obá depicts a dark figure, surrounded by a halo of light set against an even darker background...
Ashmina Ranjit
2020While most of Ashmina Ranjit’s work has been large-scale installations, often immersive and site-specific, the series Hair Warp – Travel Through Strand of Universe is a brilliant concentration of both her beliefs and aesthetic...
Anne Imhof
2021Anne Imhof’s video work Untitled (Wave) creates resonances between the feminine, adoration, and immateriality, while also referring to the history of art and aesthetics, in particular the concept of the sublime...
Phoebe Collings-James
2021The Subtle Rules the Dense is a series of masks/torsos/body plates that Phoebe Collings-James cast from mannequins and then worked by hand...
