Satirizing an airport security checkpoint, The Ecdysiast – Molt (Body Inspection) by Yao Qingmei offers a comedic and critical inquiry into the logics underpinning collective control and surveillance culture. The three channels of the video respectively feature a dancer (left), a chorus (middle), and a security inspector (right). The dancer and security inspector enact a mechanical burlesque performance that parodies the body inspection procedures implemented by airport security.
Long Long Live (2013) takes the viewer to the setting of the Oasis Villa on Green Island, once a reform and re-education prison to house political prisoners during Taiwan’s martial law period. In black and white, Yao depicts the historical site as an eerie abandoned compound. Reflecting on the centenary of the HsinHai Revolution and the end of the Cold War, Yao questions the existence of an ever lasting dynasty or “transcendental Rules of History.” The soundtrack features a sole voice reverberating through loud speakers.
Informed by her long-term interest in the complex tensions between music, dance, text, and video, Yao Qingmei’s practice collapses the boundary between performance and its site...