© » KADIST
Christine Sun Kim and Thomas Mader
Indexes that either allow or inhibit the establishment of communication exist in both signed as well as spoken languages. Some differ radically depending on a variety of social, economic and geographical factors, while others are universally understood. Seemingly small and fleeting gestures can determine a sense of affiliation or a feeling of rejection.
© » KADIST
Christine Sun Kim
Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022). Sun produced this NFT from a still image of the animation that features a drawn notation of the sign “echo” in American Sign Language. Visually the black and white image depicts two side by side mounds, one labelled ‘Hand’ and the other labelled ‘Palm’.
© » KADIST
Sung Hwan Kim
An early work in Sung Hwang Kim’s career, the video Summer Days in Keijo—written in 1937 is a fictional documentary, the film is based on a non-fiction travelogue, In Korean Wilds and Villages , written by Swedish zoologist Sten Bergman, who lived in Korea from 1935 to 1937. In Kim’s film, a Dutch female protagonist traces Bergman’s path in the present-day Seoul (Keijo was the Japanese name for Gyeongseong, currently Seoul). The protagonist navigates through spaces that have been rebuilt since the 1950s onwards, and the scenes are narrated by a voice-over based on Bergman’s written description of the modern city in 1937.
© » KADIST
Hun Kyu Kim
Readymade Flea Market is part of a series of works developed by Hun Kyu Kim. While the artist’s previous work drew a parallel between capitalism’s inherent social violence and the evolution of weaponry, Hun Kyu Kim now focuses on political nihilism and how to overcome it. In this new work he uses the metaphor of 3D Graphic Space to represent our current reality.
© » KADIST
Sung Hwan Kim
Drawing & Print (Drawing & Print)
This untitled drawing was part of Sung Hwan Kim’s solo exhibition Sung Hwan Kim: A Still Window From Two or More Places , which took place in tranzitdisplay in Prague, Czech Republic in 2010. tranzit.cz is part of a network working independently in Austria, the Czech Republic, Hungary, Slovak Republic, and Romania since 2002. Such doodle-like drawings are often crucial components of Kim’s performances. The imagery of faces, heads, snakes, and serpentine paths are recurring motifs in the artist’s drawing practice.
© » KADIST
Sung Hwan Kim
Drawing & Print (Drawing & Print)
This untitled drawing was part of Sung Hwan Kim’s solo exhibition Sung Hwan Kim: A Still Window From Two or More Places , which took place in tranzitdisplay in Prague, Czech Republic in 2010. tranzit.cz is part of a network working independently in Austria, the Czech Republic, Hungary, Slovak Republic, and Romania since 2002. Such doodle-like drawings are often crucial components of Kim’s performances. The imagery of faces, heads, snakes, and serpentine paths are recurring motifs in the artist’s drawing practice.
© » KADIST
Sung Hwan Kim
Drawing & Print (Drawing & Print)
Sung Hwan Kim created the drawing push against the air 01 during a rehearsal for his eponymous 2007 performance at De Apple (as part of Prix de Rome), Amsterdam, and Project Arts Centre, Dublin. For the performance, Kim interviews his frequent collaborator David Michael DiGregorio and a fellow musician, Byungjun Kwon, about love songs they have composed. The performance appears spontaneous and creates a space of vulnerability and intimacy, however in reality, the three rehearsed the performance numerous times and performed it in numerous cities.
© » KADIST
Sin Wai Kin
The video Tell me everything you saw, and what you think it means by Sin Wai Kin is from a performance series titled A View from Elsewhere. Wearing exquisite hair and makeup and a pair of silicone breasts under shimmering diamanté lingerie, Sin Wai Kin’s former persona, Victoria Sin, assumes an alluring, inviting, and intimidating pose. Through subtle and slow movements, this atemporal courtesan appears as a living deity, whose presence embodies codes of representation found in brothels from the turn of the century, burlesque, and Beaux Arts female nude painting.
© » KADIST
Yim Sui Fong
In the nine-channel video installation, Against Step by Yim Sui Fong, a phantasmagorical image of a male dancer appears on a large-scale video projected on a floating retro-projection screen. His cathartic sequence of movements is based on an index of the bodily behavior of random people previously recorded by the artist while observing thousands of Hong Kong citizens in public space. Some of this recorded footage, done in poor mobile video quality, is played on loop in a set of TV monitors placed below the large projection.
© » KADIST
Sin Wai Kin
Drawing & Print (Drawing & Print)
A woman you thought you knew by Sin Wai Kin originates from a performance series titled A View from Elsewhere . Wearing exquisite hair and makeup and a pair of silicone breasts under shimmering diamanté lingerie, Sin Wai Kin’s former persona, Victoria Sin, assumes an alluring, inviting, and intimidating pose. Through subtle and slow movements, this atemporal courtesan appears as a living deity, whose presence embodies codes of representation found in brothels from the turn of the century, burlesque, and Beaux Arts female nude painting.
© » KADIST
Sun Xun
Sun Xun’s lushly illustrated, dynamic short film Mythological Time is a dreamy chronicle of rapacious industrial development, the mythical qualities of state propaganda, and the constancy of change, as experienced by an unnamed coal mining town. While it is not named in the film itself, the town at the center of Mythological Time is a re-imagined incarnation of Sun’s hometown of Fuxin, in the northern Chinese province of Liaoning. Sandwiched between North Korea and Inner Mongolia, Fuxin is a poor coal-mining region that used to contain one of China’s largest open-pit mines and has historically been the site of significant conflict, thanks to its rich mineral resources.
© » KADIST
Sun Xun
Sun’s animated film 21 Ke (21 Grams) is based on the 1907 research by the American physician Dr. Duncan MacDougall who claimed the measured weight of the human soul to be twenty-one grams. Sun used this episode—which was not fully recognized by the scientific community—as a point of departure for his depiction of a dystopian world in which the narration of history and notion of time are interrupted. Because each frame was drawn by hand with crayon, it took Sun and his animation studio team a few years to complete this thirty-minute film of a surreal journey through mysterious cities, plagues of mosquitoes, broken statues, cawing ravens, waving flags, and flooded graveyards.
© » KADIST
Tun Win Aung and Wah Nu
Tun Win Aung and Wah Nu initiated the series 1000 Pieces (of White) in 2009, as a way to produce objects and images as a portrait of their shared life as partners and collaborators. Interweaving public and private, personal anecdote and pop cultural appropriation, their work attests to the poetry of the everyday. In addition to found and original materials, the artists have occasionally incorporated drawings and sketches by artist friends, and even by their own daughter into the ongoing work.
© » KADIST
Christine Rebet
In the Soldier’s Head evokes the traumas of war through the prism of the hallucinations of a soldier. Inspired by the artist’s father,a soldier in Algeria who then suffered from post-traumatic stress disorder,the video depicts the delusions flowing from a mind ravaged by violence: a vision grown from the inside out. Like a mirage amidst a blank, desert expanse, specters are conjured as the inanimate comes to life.
© » KADIST
Christiane Baumgartner
Drawing & Print (Drawing & Print)
Baumgartner’s own excursion into war imagery is the diptych Formation . She was watching a television documentary on the Second World War, was struck by the extraordinary nature of the colour film and decided to video it. The two frames she isolated depict the shadows the planes cast on the ground and the sun glinting off their steel fuselages.
© » KADIST
Christina Quarles
The title of the painting refers to the fact that the figure’s behind is raised upwards and the face is found at the bottom of the painting, thus inverting the way in which people are normally seen. Bottom’s up is also a pun, a nod to the English toast. Quarles draws on a number of sources of inspiration, including comic book imagery, the influence of which sits alongside elements of her practice informed by life drawing classes.
© » KADIST
Thomas Kilpper
Drawing & Print (Drawing & Print)
These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin. As a symbol of the past there could be none more powerful than this. By carving into its floor, Kilpper laid bare its history by making images of its occupants and political figures associated with that period of history.
© » KADIST
Thomas Kilpper
Drawing & Print (Drawing & Print)
These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin. As a symbol of the past there could be none more powerful than this. By carving into its floor, Kilpper laid bare its history by making images of its occupants and political figures associated with that period of history.
© » KADIST
Christian Nyampeta
The film Sometimes It Was Beautiful by Christian Nyampeta poetically addresses the systemic conditions leading and emerging from the 1994 Rwandan genocide, which had lasting and profound effects on Rwanda and neighbouring countries like Congo. The divergent opinions of the characters, as well as suggestive gestures, settings, and marks inscribed in the landscape highlight the different approaches in addressing the slow violence linked to the enduring impact of colonialism and imperialism, the pursuit of knowledge, and the conservation of heritage, culture, and object repatriation. Structured into six chapters, the film imagines a meeting between improbable friends and interlaces dialogues, with choreography of dancers, places and objects.
© » KADIST
Christian Salablanca
Hueso de culebra (Snake Bone) arises from the stories that the artist’s grandmother used to tell him as a child about her father’s medical and spiritual practices in the southern part of Costa Rica, close to the border with Panama. One of them revolved around a plant that had various uses, from healing poisonous snake bites to predicting the future. She said, for example, that if one came across this plant during a period of drought, it could mean trouble was coming.
© » KADIST
Sylbee Kim
Sylbee Kim’s Unindebted Life is a single-channel video, commissioned and premiered at the 13th Gwangju Biennale (2021). This work is a major production by the artist, addressing her attempts to attractively integrate and intersect elements such as bodies and minds, ancient spirituality, heterogeneity, class and capital, digital temporality, and particular aesthetics of the post-internet generation. In the work, the vitality and the movement in calligraphy motifs, revealed through the flashing light presented in the screen panels and video sequences, are related to the moment of change inherent in the body’s cell energy and living things.
© » KADIST
Sora Kim
Turtle Walk is a video installation that documents two performers carrying large white disks on their backs as they walk through the urban environment of Seoul. The simple disks disrupt normal social behaviors in urban space, acting like parabolic antennae that cause the performers to interact and communicate unusually with their surroundings. The performance causes viewers to reflect on their expectations for normal behaviors within the social space of the city.
© » KADIST
Heecheon Kim
Lifting Barbells is a video by Kim Heecheon that narrates his letters in Spanish to his girlfriend in Argentina, discussing his feelings after his father died in a bicycling accident. Using the data recorded on his father’s smartwatch, Kim’s video traces digital footage of his father’s route on Google Maps, the location of the accident, and his cardiographic data as he was dying. The video contrasts Kim’s emotional letters with the clinicality of the quantitative data recordings.
© » KADIST
Christian Jankowski
In New York City’s Chinatown, subject Suat Ling Chua’s morning exercise is to practice the hula hoop. When Christian Jankowski first saw this woman he immediately got the idea to shoot Rooftop Routine . In the short video, Chua leads the group and dictates the movements that each participant has to repeat.
© » KADIST
Ayoung Kim
In 2019, Ayoung Kim traveled to Mongolia to research its widespread animistic belief system towards land, mother rock, stones, and sacred caves that purify human guilt. The Mongolian people’s belief that rocks and minerals are alive, like other natural elements, consider the particular origin myth that human beings were born from stones. For the video work Petrogenesis, Petra Genetrix Kim creates her own hyperbolic mythology connected to the origin of the fictional mineral genderless Petra Genetrix, a figure who also appears in other recent works by the artist.
© » KADIST
Andrew Thomas Huang
Highly autobiographical, exquisitely made and compiling different aspects of the artist’s practice, Kiss of the Rabbit God is one of Andrew Thomas Huang’s most precise, relevant, and successful videos. This video work exemplifies a new, global wave of queering tradition, indigenous references and international pop/post-internet esthetics. In this short video, a Chinese-American restaurant worker falls in love with an 18th century Qing dynasty god of gay lovers who visits him at night and leads him on a journey of sexual awakening and self discovery.
© » KADIST
Hank Willis Thomas
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race.
© » KADIST
Hank Willis Thomas
Drawing & Print (Drawing & Print)
Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title. As with many of his works, the artist has taken a found image and manipulated it to draw out and dramatize the formal contrast between the black hands holding white cotton. Cotton, of course is one of the most familiar fabric sources to us, and becomes incredibly soft once processed.
Lim Sokchanlina
Lim Sokchanlina, nicknamed ‘Lina’, works across documentary and conceptual practices with photography, video, installation, and performance; particularly drawn to the use and function of space where urban communities meet rural attitudes...
Hank Willis Thomas
- location: New York, New York
- year born: 1976
- gender: male
- nationality: American
- home town: Plainfield, New Jersey
siren eun young jung
With a practice deeply engaged with feminism and LGBT rights issues, siren eun young jung reveals the subversive power of traditional culture, one unknown in the Korean modernization period, and provides unique perspectives and documentation of important communities...
Sung Hwan Kim
In his practice, Sung Hwan Kim assumes the role of director, editor, performer, composer, narrator, and poet...
Chantal Edie and Zacharie Ngnogue
Chantal Edie and Zacharie Ngnogue are a photography duo who channel their personal experiences into social commentaries...
Angela Su
Angela Su’s practice is derived from her two divergent backgrounds–she received a degree in biochemistry in Canada before pursuing visual arts...
Mary Ann Aitken
Mary Ann Aitken was known to be very private about her art practice; she was considered somewhat of an outsider by her peers affiliated with the second wave of Detroit’s Cass Corridor arts movement...
Minouk Lim
- location: Seoul, South Korea
- year born: 1968
- gender: female
- nationality: Korean
An-My LE
- location: New York, New York
- year born: 1960
- gender: female
- home town: Saigon, Vietnam
Leung Chi Wo and Wong Sara
Leung Chi Wo tends to highlight in his art the boundaries between viewing and voyeurism, real and fictional, and art and the everyday...
Sue Williamson
Sue Williamson (b...
John Wood and Paul Harrison
John Wood and Paul Harrison have been working collaboratively since 1993, producing single screen and installation-based video works...
Ana Vaz
Ana Vaz is an artist and filmmaker whose works speculate on the relationships between self and other, and myth and history, through a cosmology of signs, references, and perspectives...
Ho Rui An
The artist, writer, and researcher Ho Rui An probes histories of globalization and governance, performing a detournement of dominant semiotic systems across text, film, installation, and lecture...
Sin Wai Kin
Through performance, moving image, writing, and print, artist Sin Wai Kin (formerly known as Victoria Sin) uses speculative fiction to interrupt normative processes of desire, identification, and objectification...
Thomas Kilpper
- location: Stuttgart, Deutschland
- year born: 1956
- gender: male
- nationality: German
Charles Lim
Charles Lim Yi Yong’s work encompasses film, installation, sound, recorded conversations, text, drawing, and photography...
Mithu Sen
Mithu Sen’s writing is central to her practice, as a poet from West Bengal, a region of great Indian literary history, poetic and visual tropes giving ground to her challenge of semiotics...
Paloma Contreras Lomas
A writer and an artist, Paloma Contreras Lomas has developed a practice in which literature and fiction play a major role, allowing her to address a series of topics regarding race and class that are rarely broached by a traditional Mexican society...
Ad Minoliti
Ad Minoliti is a painter who combines the pictorial language of geometric abstraction with the perspective of queer theory...
Sun Xun
- location: Hangzhou, China
- year born: 1980
- gender: male
- nationality: Chinese
- home town: Fuxin, Liaoning Provence, China
Christine Sun Kim
- location: New York, New York
- year born: 1980
- gender: female
- nationality: American
- home town: Orange County, California
H.H. Lim (Hooi Hwa)
H...
Etel Adnan and Lynn Marie Kirby
Visual artist, poet, and essayist Etel Adnan writes what must be communicated through language, and paints what cannot...
Lee Kit
Born in 1978 in Hong Kong Lives and works in Taipei, Taiwan Lee Kit represented the Honk Kong pavilion at the Venice Biennale in 2013 where the exhibition was turned into a half functional private space...
The Propeller Group and Superflex
The Propeller Group was established in 2006 as a cross-disciplinary structure...
Musquiqui Chihying and Gregor Kasper
Through his artistic career, Musquiqui Chihying has striven to dislocate and reconstruct established modes of behavior within systems and structures of power...
Jane Jin Kaisen and Guston Sondin-Kung
Working with narrative experimental film, multi-channel video installation, performative video art, photography, and text, Jane Jin Kaisen engages themes of memory, trauma, migration and translation at the intersection of personal and collective histories...
Pauline Boudry and Renate Lorenz
Working together since 2007, artist duo Pauline Boudry and Renate Lorenz conduct research on the heritage of cultural and gender studies, concentrating primarily on gender discourses and the notion of queer...
© » APERTURE
about 13 months ago (12/01/2023)
For the past two decades, An-My Lê has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling....
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1980-1989
Jean-Marie Straub and Danièle Huillet
1982En rachâchant is based on the short story Ah! Ernesto! (1971) by Marguerite Duras in which the child Ernesto does not want to go to school anymore as all that he is taught are things he does not know...
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1990-1999
John Wood and Paul Harrison
1996One of John Wood and Paul Harrison’s earliest works, Device features Harrison performing a series of actions, assisted by the titular ‘devices’, that use physics to force his body into unusual and uncomfortable positions...
John Wood and Paul Harrison
19973-Legged is an early video work by John Wood and Paul Harrison in which they appear with their legs tied together (as one would do in a three-legged race)...
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2000-2009
Mary Ann Aitken
2002Untitled (Boom Box, Double-Sided) by Mary Ann Aitken is representational painting of a boom box on an unconventionally long canvas painted on both sides, to mimic the scale and appearance of the actual appliance...
Sue Williamson
2003In her 2003 series “Better Lives”, Sue Williamson explores stories of immigrants in search of a better life in a historically contentious South Africa...
Sue Williamson
2003In her 2003 series “Better Lives”, Sue Williamson explores stories of immigrants in search of a better life in a historically contentious South Africa...
Jun Nguyen-Hatsushiba
2003Filmed underwater, this is the third video in Nguyen-Hatsushiba’s “Memorial Project” series which began in 2001...
Maayan Amir and Ruti Sela
2003In Beyond Guilt the two artists create a portrait of our generation in three parts...
H.H. Lim (Hooi Hwa)
2004Images is a two channel video work addressing the relationship between art and ritual...
Christiane Baumgartner
Drawing & Print
2006(Drawing & Print) Baumgartner’s own excursion into war imagery is the diptych Formation ...
Sung Hwan Kim
2007An early work in Sung Hwang Kim’s career, the video Summer Days in Keijo—written in 1937 is a fictional documentary, the film is based on a non-fiction travelogue, In Korean Wilds and Villages , written by Swedish zoologist Sten Bergman, who lived in Korea from 1935 to 1937...
Sung Hwan Kim
Drawing & Print
2007(Drawing & Print) Sung Hwan Kim created the drawing push against the air 01 during a rehearsal for his eponymous 2007 performance at De Apple (as part of Prix de Rome), Amsterdam, and Project Arts Centre, Dublin...
Christian Jankowski
2008In New York City’s Chinatown, subject Suat Ling Chua’s morning exercise is to practice the hula hoop...
Thomas Kilpper
Drawing & Print
2009(Drawing & Print) These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin...
Thomas Kilpper
Drawing & Print
2009(Drawing & Print) These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin...
Pauline Boudry and Renate Lorenz
2009Salomania sees choreographer and filmmaker Yvonne Rainer and artist Wu Tsang rehearse scenes from Valda’s Solo , a chapter of a film Rainer made in 1972 after having seen women perform the dance of the seven veils in Alla Nazimova’s 1923 silent film Salomé ...
Jay Chung and Takeki Maeda
2009Jay Chung and Q Takeki Maeda remake a clip from the 1970s they found on the internet, and without really changing this archive material, displace it by imitating the staging and the acting with scrupulous precision...
Mary Ann Aitken
2009Untitled (Diptych) by Mary Ann Aitken is a pair of paintings; one entirely abstract and the other a hybrid of representational and abstract elements...
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2010-2019
Sung Hwan Kim
Drawing & Print
2010(Drawing & Print) This untitled drawing was part of Sung Hwan Kim’s solo exhibition Sung Hwan Kim: A Still Window From Two or More Places , which took place in tranzitdisplay in Prague, Czech Republic in 2010...
Sung Hwan Kim
Drawing & Print
2010(Drawing & Print) This untitled drawing was part of Sung Hwan Kim’s solo exhibition Sung Hwan Kim: A Still Window From Two or More Places , which took place in tranzitdisplay in Prague, Czech Republic in 2010...
Olive Martin and Patrick Bernier
2010The Mohawk, the emblematic Frontier river in the period of American colonisation, is here a cable of data transmission, and the 7 Sultans Casino is a virtual destination, one of the three hundred online casinos hosted by the servers located in Kahnawake, a small native american indian reserve to the south of Montreal...
The Propeller Group and Superflex
2010Fade In (the whole title of the film is actually the entire five page script) is a collaboration with the Danish artist collective Superflex (group of freelance artist–designer–activists committed to social and economic change, founded in 1993 by Jakob Fenger, Rasmus Nielsen and Bjørnstjerne Christiansen)...
Leung Chi Wo and Wong Sara
2010Office Lady with a Red Umbrella restages a figure from a 1980 postcard made from a photograph from 1950’s...
Jane Jin Kaisen and Guston Sondin-Kung
2010The Woman, The Orphan, and The Tiger begins with the sound of women’s voices describing histories of violence, of things repressed and silenced...
Leung Chi Wo and Wong Sara
2010Photojournalist with Two Cameras restages a portrait of a photojournalist from the background of an old photograph of protest published in South China Morning Post on January 10, 2010 under the headline “Return of the Radicals: Recent angry protests are nothing new.” The photojournalist in the photograph, probably from a protest of earlier decades, was capturing the scene of a protester’s arrest while wearing two cameras...
An-My LE
2010The print Patient Admission, US Naval Hospital Ship Mercy, Vietnam (2010) features an Asian Buddhist monk and an American Navy Solider on board the Mercy ship –one of the two dedicated hospital ships of the United States Navy– sitting upright in their chairs and adopting the same posture...
Võ An Khánh
2010In Extra Curriculum Political Science Class 7/1972 , a group of women walk bare-foot and single file towards Dat Mui Mangrove in Ca Mau Province to attend ‘political science class’...
Tun Win Aung and Wah Nu
2011Tun Win Aung and Wah Nu initiated the series 1000 Pieces (of White) in 2009, as a way to produce objects and images as a portrait of their shared life as partners and collaborators...
Angela Su
Drawing & Print
2011(Drawing & Print) From afar, Chimeric Antibodies by Angela Su may look like scientific drawings or botanical illustrations...
Ei Arakawa and Sergei Tcherepnin
2011Part of a series entitled “Looking at Listening”, 2011, the piece invited the spectator to experiment and consider sound as a kinetic and synesthetic process, where multiple experiences and senses can cross...
Kiluanji Kia Henda
2011Redefining The Power (with Didi Fernandes) is a metaphor of how reflections on history and society during the Angolan Civil War (1975-2002) are largely ignored within the canon of history...
Ana Teresa Fernández
Drawing & Print
2011(Drawing & Print) The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...
Hank Willis Thomas
Drawing & Print
2012(Drawing & Print) Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...
Hank Willis Thomas
2012Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...
Hank Willis Thomas
Drawing & Print
2012(Drawing & Print) Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...
Hank Willis Thomas
2012Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...
Minouk Lim
2012The Possibility of the Half by Minouk Lim is a two-channel video projection that begins with a mirror image of a weeping woman kneeling on the ground...
Donna Conlon and Jonathan Harker
2012In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented...
Ana Roldán
2012Ana Roldán’s Primeval forms series looks up close at the fecund shapes of plants often found in the artist’s native Mexico...
Ana Roldán
2012Ana Roldán’s Displacements works use images taken from a 1970s exhibition catalogue for an exhibition called The Death in Mexico...
Hank Willis Thomas
2013The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...
siren eun young jung
2013Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...
Chris Huen Sin-Kan
2013Contrast to the bustling and unrelenting experience of a city such as Hong Kong, Chris Huen Sin Kan paints the tranquil interiors of his apartment, where he leads a modest and almost hermit-like life...
siren eun young jung
2013Lyrics 1, 2, 3 is part of siren eun young jung Yeoseong Gukgeuk Project (2008–)...
Hank Willis Thomas
2014South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
Hank Willis Thomas
Drawing & Print
2014(Drawing & Print) Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...
Charles Lim
2014In SEA STATE 6 Charles Lim takes the viewer down the Jurong Rock Caverns in Singapore, a massive underground infrastructure for oil and fuel storage, built to support the commercial operations of oil traders, petrochemical ventures and manufacturing industries in the area...
Charles Lim
2014In SEA STATE 6 Charles Lim takes the viewer down the Jurong Rock Caverns in Singapore, a massive underground infrastructure for oil and fuel storage, built to support the commercial operations of oil traders, petrochemical ventures and manufacturing industries in the area...
Christine Rebet
2015In the Soldier’s Head evokes the traumas of war through the prism of the hallucinations of a soldier...
Heecheon Kim
2015Lifting Barbells is a video by Kim Heecheon that narrates his letters in Spanish to his girlfriend in Argentina, discussing his feelings after his father died in a bicycling accident...
siren eun young jung
Drawing & Print
2015(Drawing & Print) Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...
siren eun young jung
2015Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...
Gabriella and Silvana Mangano
2015There is no there by Gabriella and Silvana Mangano is a black and white looped video with sound, in conjunction with a live performance...
João Maria Gusmão and Pedro Paiva
2015The artist duo João Maria Gusmão and Pedro Paiva traveled to Japan for a month to make a series of short 16mm films, often shot in slow-motion...
Christine Sun Kim and Thomas Mader
2016Indexes that either allow or inhibit the establishment of communication exist in both signed as well as spoken languages...
Sin Wai Kin
Drawing & Print
2017(Drawing & Print) A woman you thought you knew by Sin Wai Kin originates from a performance series titled A View from Elsewhere ...
Gala Porras-Kim
Drawing & Print
2017(Drawing & Print) The graphite drawing 4 mourners on a mantel by Gala Porras-Kim is part of a larger installation and body of research, entitled An Index and Its Settings (Un Índice y Sus Entornos) , in which the artist reconsiders 235 ancient burial figures (from circa 200 BCE – 50 CE) from what is now Mexico’s Pacific coast that are part of the Proctor Stafford Collection held by the Los Angeles County Museum of Art (LACMA)...
Lim Sokchanlina
2017The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Lim Sokchanlina
2017The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Lim Sokchanlina
2017The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Lim Sokchanlina
2017The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Wong Kit Yi
2017Artist Wong Kit Yi’s A River in the Freezer combines directed and found footage to meditate upon glacial memory, cryogenics, and frozen fiction...
Etel Adnan and Lynn Marie Kirby
Drawing & Print
2017(Drawing & Print) In conjunction with KADIST’s 2017 exhibition If Not Apollo, the Breeze , artist and filmmaker Lynn Marie Kirby performed Transmissions , a video and live reading created with longtime collaborator Etel Adnan...
Sin Wai Kin
2018The video Tell me everything you saw, and what you think it means by Sin Wai Kin is from a performance series titled A View from Elsewhere...
Christina Quarles
2018The title of the painting refers to the fact that the figure’s behind is raised upwards and the face is found at the bottom of the painting, thus inverting the way in which people are normally seen...
Christian Nyampeta
2018The film Sometimes It Was Beautiful by Christian Nyampeta poetically addresses the systemic conditions leading and emerging from the 1994 Rwandan genocide, which had lasting and profound effects on Rwanda and neighbouring countries like Congo...
Lim Sokchanlina
2018The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Lim Sokchanlina
2018The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
siren eun young jung
2018Taking the same name as their most recent solo show at the Kunstverein für die Rheinlande und Westfalen in Düsseldorf, siren eun young jung’s video work Deferral Theatre intertwines various threads from the last decade of the artist’s research into the Yeoseong Gukgeuk theatrical form, in which all of the roles are played by women, as well as performance-based modes of queer resistance in South Korea...
siren eun young jung
Drawing & Print
2018(Drawing & Print) Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...
Lim Sokchanlina
2018The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Lim Sokchanlina
2018The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Lim Sokchanlina
2018The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
John Lucas and Claudia Rankine
Drawing & Print
2018(Drawing & Print) Historically, blondeness has been a signifier for desirability and beauty, speaking to “purity” — the purity of whiteness — like no other bodily attribute except, perhaps, blue eyes...
Pooja Gurung and Bibhusan Basnet
2018DADYAA: The Woodpeckers of Rotha by Pooja Gurung and Bibhusan Basnet illuminates a unique and seldom seen international perspective on indigenous cultures and contemporary social issues in the Nepali context...
Yim Sui Fong
2019In the nine-channel video installation, Against Step by Yim Sui Fong, a phantasmagorical image of a male dancer appears on a large-scale video projected on a floating retro-projection screen...
Ayoung Kim
2019In 2019, Ayoung Kim traveled to Mongolia to research its widespread animistic belief system towards land, mother rock, stones, and sacred caves that purify human guilt...
Andrew Thomas Huang
2019Highly autobiographical, exquisitely made and compiling different aspects of the artist’s practice, Kiss of the Rabbit God is one of Andrew Thomas Huang’s most precise, relevant, and successful videos...
Angela Su
2019Produced in an interview format and as an extended chapter of Cosmic Call (2019) in the KADIST Collection, Angela Su’s True Calling by Angela Su documents the artist’s answers to a series of questions on the conception of her 2019 film that proposes speculative cosmic synchronicities for an alternative understanding of epidemics that is not built on the foundation and authority of Western medical science...
Angela Su
Drawing & Print
2019(Drawing & Print) In the first part of Cosmic Call by Angela Su the voiceover proposes in a neutral, documentary-like tone, a series of stories to rethink the way we usually understand, justify, or place blame for epidemiological events...
Musquiqui Chihying and Gregor Kasper
2019Addressing the legacy of colonialism, The Guestbook by Musquiqui Chihying and Gregor Kasper is a slow-paced, black-and-white film exploring the German colony of Togoland, now the Republic of Togo...
Ana María Millán
2019Interested in role-play and videogames, Ana María Millán developed workshops with different communities in order to create characters and scenarios for her animations, often in collaboration with a choreographer...
Jordan Ann Craig
2019Something To Do With Being Held by Jordan Ann Craig is inspired by a Cheyenne bead bag...
Ad Minoliti
2019In Ad Minoliti’s expansive three-panel painting Abstracción geométrico-galáctica the artist’s hallmark geometric abstractions serve as playful substitutes for more straightforward depictions of the world...
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2020-2029
Chantal Edie and Zacharie Ngnogue
2020Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...
Chantal Edie and Zacharie Ngnogue
2020Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...
Chantal Edie and Zacharie Ngnogue
2020Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...
Paloma Contreras Lomas
Drawing & Print
2020(Drawing & Print) Paloma Contreras Lomas sometimes incorporates large scale drawing into her practice...
Paloma Contreras Lomas
2020Paloma Contreras Lomas has frequently used animals as metaphors in her work...
Christian Salablanca
2021Hueso de culebra (Snake Bone) arises from the stories that the artist’s grandmother used to tell him as a child about her father’s medical and spiritual practices in the southern part of Costa Rica, close to the border with Panama...
Sylbee Kim
2021Sylbee Kim’s Unindebted Life is a single-channel video, commissioned and premiered at the 13th Gwangju Biennale (2021)...
Jonas Van and Juno B
2021Jonas Van and Juno B’s video work Kebranto is anchored by the figure of Boitatá, a snake that is part of the imaginary Guaraní communities that live between the current nation-states of Argentina, Brazil, Paraguay, and Uruguay...
Christine Sun Kim
2022Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022)...
Michelle and Noel Keserwany
2022Les Chenilles by Michelle and Noël Keserwany is a sensual film that translates the source of women’s oppression into the means for their liberation...
Miguel and Natalia Fernández de Castro and Mendoza
2022The Absolute Restoration of All Things is a collaboration by artist Miguel Fernández de Castro and anthropologist Natalia Mendoza...
Köken Ergun and Satyam Mishra
2022Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017...
Köken Ergun and Tashi Lama
2022Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017...
Köken Ergun and Satyam Mishra
2022Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017...
Ana Vaz
2022Ana Vaz describes her film É Noite na América (It is Night in America) as an eco-terror tale, freely inspired by A cosmopolitics of animals by Brazilian philosopher Juliana Fausto; in which she investigates the political life of non-human beings and questions the modern idea of the exceptionality of the human species...
Lenka Clayton and Phillip Andrew Lewis
2022Five Hundred Twenty-Four, a single-channel video installation by Lenka Clayton and Phillip Andrew Lewis, features singers from over twenty Cleveland-area choirs counting numbers in an iterative process: one person sings “one”, then two people sing “two”, and so forth, to 524...
