Sculpture (Sculpture)

Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other. Gonzales-Torres’ original work was a personal allusion to his own partner’s increasingly debilitating HIV-related illness, which grapples with the existential tension of coexistence in the face of death. Cerith Wyn Evans’s piece takes the same concept, and adds a third clock, moving from the intimacy of a monogamous relationship to suggest a more expansive, or possibly polyamorous alternative.

Sculpture (Sculpture)

Eclipse

Painting (Painting)

The work of Keith Tyson is concerned with an interest in generative systems, and embraces the complexity and interconnectedness of existence. Philosophical problems such as the nature of causality, the roles of probability and design in human experience, and the limits and possibilities of human knowledge, animate much of his work. Language as a coded system, as a representation medium, but also as something that generates a whole variety of realities also plays a central role.

Film & Video (Film & Video)

Edith Dekyndt looks at the waters of the Dead Sea, that become almost an abstract undersea landscape. The exceptional physical qualities of this salt water make this an unusual study: depth, weightlessness floating, where the presence of salt eradicates any possible life form. Dekyndt films the emptiness and the supposed absence in this sea, in which we can, however, notice an immense richness of movements and colors due to light variations of light.

Film & Video (Film & Video)

In the video Color Strip by Elsa Werth two-dimensional versions of all the national flags of the world (197 in all) are compiled into a long horizontal strip. The video is presented on a large flat-screen, approximating the size and dimensions of a national flag. As each flag slides across the screen, connections between the colors, signs, and forms of different countries and parts of the world create unexpected associations.

Painting (Painting)

Tun Win Aung and Wah Nu initiated the series 1000 Pieces (of White) in 2009, as a way to produce objects and images as a portrait of their shared life as partners and collaborators. Interweaving public and private, personal anecdote and pop cultural appropriation, their work attests to the poetry of the everyday. In addition to found and original materials, the artists have occasionally incorporated drawings and sketches by artist friends, and even by their own daughter into the ongoing work.