In Action no. 1 Yang Guangnan reflects on the interiority and exteriority of human-technological experience with mechanical gestures that are semi-human and semi-machine. A hanged shirt mounted upon the artist’s machine rhythmically bounces and rotates in a way that suggests a skeletal interior.
Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands.