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Adaptando la Carta #1, #2, #3, #4, #5
© » KADIST

Fabiola Torres-Alzaga

Drawing & Print (Drawing & Print)

Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions. Her interests and the resulting aesthetic projects seem couched in the 19thcentury sideshow, more than the contemporary art world. In her delicate drawings, Adaptando la Carta, layers of tracing paper reveal different hand positions, concealing and revealing a playing card hidden among the curves of the magician’s hand.

Reflection Paper No.2
© » KADIST

Wang Taocheng

Film & Video (Film & Video)

Reflection Paper No. 2 is one of four videos in which Wang attempts to accurately illustrate the writings of influential Chinese Eileen Chang, who published her works during the Japanese occupation of China. Image and text reflect on the everyday experiences of women in society, family, marriage, love, and death.

Paper Tigers…from a whisper to a scream
© » KADIST

Juan Capistran

Sculpture (Sculpture)

The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami. From left to right, each bill is progressively folded up, step by step, into the shape of a gun. Both a scream and a whisper are capable of conveying the same content, if at drastically different decibels, the artist proposes.

Bite Work
© » KADIST

Eamon Ore-Giron

Film & Video (Film & Video)

Eamon Ore-Giron’s new commissioned video project Bite Work, is an experimental genre breaking video that is part-performance, part-conceptual and part-comical addressing issues of mediation, surveillance and trust. The main characters in the video wear traditional dance masks of “La Chonguinada” rituals from Peru and attempt to dance while being bitten by trained attacked dogs. Through this act, the dogs simultaneously become sculptural obstacles and dancers.

Work No. 299
© » KADIST

Martin Creed

Photography (Photography)

This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005. His broad smile, on the verge of laughter, encourages reciprocity on behalf of the onlooker. This could be said to be a typical tactic in Creed’s work as it is so infused with humor and irony.

quadroquadro (círculo)
© » KADIST

Renata Lucas

Sculpture (Sculpture)

Lucas’s quadroquadro (círculo) employs familiar materials for the artist: wood, paper, and glass. A simple composition—a black circle inscribed on white paper, encased in a rectangular frame—is interrupted in Lucas’s work, the continuous geometry of the nested forms segmented into four broken shards. Pieced back together, these fragments comprise a whole, but it is a unity shattered, unsteadied.

Work On Felt (Variation 2) and (Variation 11) Black
© » KADIST

Naama Tsabar

Sculpture (Sculpture)

Naama Tsabar’s sculptural works are developed serially. The series Work on Felt references the history of post-minimal sculpture: from Robert Morris to Joseph Beuys’s social sculptures. However one can equally relate her work to 1970s conceptual performers such as Terry Fox or Paul Kos.

Mao, who curves himself along the edge of the paper
© » KADIST

Liu Yin

Painting (Painting)

Liu Yin’s cartoon-like paintings and drawings explore the ambivalences of love, nature, and consumerism. Their scenes belong to the realm of childhood dreams, expressing both desire and anxiety through delicate colors and playful figures.

Search for the origin of the work of art or on the way to Heidegger’s cabin
© » KADIST

Maria Bussman

Drawing & Print (Drawing & Print)

The drawing “Heidegger’s Cabin” (2005) is inspired by Martin Heidegger’s essay, “The Origin of the Work of Art.” During the artist’s stay in a high alpine area, near a lake reservoir, Bussmann related the landscape in her surroundings to her reading of Heidegger’s terms on the work of art and the meaning of a “thing.” In attempt to link spiritual heights to natural heights, Bussmann metaphorically relates the subjects of being and truth to a hiking path, and its different degrees of challenge and risk. In the drawings rather than finding the optimal path to reach ultimate meaning and materialization, Bussmann never arrives at “Heidegger’s Cabin,” and instead is led off the beaten track to areas she never discovered before. Upon her return from the mountains in 2004 and 2005, she continued to develop the series, leading up to 20 drawings on handmade paper that attempt to problematize Heidegger’s theory on artworks as “things” as bearers of traits, “things” confronting the world of perception, and “things” as formed matter.

Holes in White and Holes in Cream with Front Light on Left
© » KADIST

David Haxton

Photography (Photography)

In the mid to late 70s David Haxton turned to photography, and similarly to his output in film, his photographs show reverberations of his perspective as a painter. As inferred from the title—and the titles of most of his work—Haxton has a methodical, near-scientific approach to studying and documenting the effects of light. In Holes in White and Holes in Cream with?

Octavia E. Butler Papers: mssOEB 1-9062 II (Waylin Plantation)
© » KADIST

American Artist

Drawing & Print (Drawing & Print)

American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E. Butler (b. 1947, Pasadena, CA); the evolution of rocketry and sci-fi in Los Angeles; and the post-war movement of African-diasporic families from the Southern to the Western United States, a phenomenon known as the Second Great Migration. Using a historical materialist frame of study, American Artist’s undertaking asks of the region and the frequency of Black people practicing art and science in Altadena, an enclave northeast of Los Angeles.

Octavia E. Butler Papers: mssOEB 1-9062 I (Shape God)
© » KADIST

American Artist

Drawing & Print (Drawing & Print)

American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E. Butler (b. 1947, Pasadena, CA); the evolution of rocketry and sci-fi in Los Angeles; and the post-war movement of African-diasporic families from the Southern to the Western United States, a phenomenon known as the Second Great Migration. Using a historical materialist frame of study, American Artist’s undertaking asks of the region and the frequency of Black people practicing art and science in Altadena, an enclave northeast of Los Angeles.

Fire Embroidery
© » KADIST

Gozo Yoshimasu

Drawing & Print (Drawing & Print)

Gozo Yoshimasu’s double-sided work on paper Fire Embroidery explores his response to the March 2011 Tohoku earthquake and tsunami. He embarked on the project out of a deep sense of sympathy and commitment, in pursuit of “poetry possible after March 2011”, without exactly knowing where he was heading. He started scribing lines and letters on exceptionally large manuscript paper that he handcrafted every day.

Untitled (series)
© » KADIST

Francis Alÿs

Drawing & Print (Drawing & Print)

This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper. Alÿs often executes such sketches in preparation for his performances, videos, and larger two-dimensional bodies of work. As the first visual representations of his ideas, they capture his thinking processes at the raw conceptual stage and allow us to gain a deeper understanding of his larger works.

Octavia E. Butler Papers: mssOEB 1-9062 II (The L.A. Area)
© » KADIST

American Artist

Drawing & Print (Drawing & Print)

American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E. Butler (b. 1947, Pasadena, CA); the evolution of rocketry and sci-fi in Los Angeles; and the post-war movement of African-diasporic families from the Southern to the Western United States, a phenomenon known as the Second Great Migration. Using a historical materialist frame of study, American Artist’s undertaking asks of the region and the frequency of Black people practicing art and science in Altadena, an enclave northeast of Los Angeles.

Untitled (Breathless)
© » KADIST

Ian Wallace

Untitled (Breathless) presents a folded newspaper article on Jean-Luc Godard’s À Bout de Souffle (Breathless). The work uses collage techniques—it is stapled down and has a thick strip of contact sheet paper taped over it—that convert the media coverage on Godard’s film into a filmic object itself. The black paper enacts a kind of cinematic “jump cut” on the article, while simultaneously drawing attention to the medium of the film, as well as the photograph reproduced in this newspaper article.

Immolation I
© » KADIST

David G. Tretiakoff

Drawing & Print (Drawing & Print)

Immolation I is taken from the four-part Immolation series which shows four Arab revolutionaries who publicly sacrificed themselves through self-immolation and in so doing heralded the beginning of the Arab Spring. The lugubrious drawings are made with cigarette burns, a direct reference to torture and burning stakes, even if what is depicted here can be considered the ultimate act of resistance in the form of self-destruction. The portraits were meticulously executed on large-scale fragile sheets of paper.

Tender
© » KADIST

Lee Kit

Installation (Installation)

The work Tender is composed of several elements: a porcelain spoon, a florescent lamp box, a small portable night light, a shelf with nearly invisible embossments of flowers and a jar of jam resting on a black plastic tray. The cardboard painting is made of acrylic and inkjet ink on which we can read Tender . Tender is a brand of extra soft tissue paper, it refers to an intimate comfort but results in a sentiment of melancholy and absence.

Untitled
© » KADIST

Gabriel Sierra

Sculpture (Sculpture)

Untitled consists of a small wooden sculpture that leans against a wall. Here, a rectangular piece of wood holds a folded article from a vintage design magazine whose Italian text states: “Villa per una persona sola. Arquitectura Pasadena California.” On the flipside of the paper is a feature with different images of paintings and architecture, including a painting by Piet Mondrian.

#17 Pink
© » KADIST

James Welling

Photography (Photography)

#17 Pink is a photogram, a photographic image produced without the use of a camera. Here, the artist placed plumbago blossoms on a sheet of eight-by-ten-inch film and exposed it to light. The negative was then projected onto Kodak Metallic Endura paper through a color mural enlarger and cooler filters to produce the multicolored print.

050020
© » KADIST

Yosuke Takeda

Photography (Photography)

Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for. He gives light a density in the precise moments he captures—a forest’s leaves shimmering in the early morning, a street’s reflective surface radiating color at night, luminous blinds drawn over an apartment window. He achieves his distinctive effects by using an old, second hand analog era lens that he attaches to his digital camera.

220357
© » KADIST

Yosuke Takeda

Photography (Photography)

Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for. He gives light a density in the precise moments he captures—a forest’s leaves shimmering in the early morning, a street’s reflective surface radiating color at night, luminous blinds drawn over an apartment window. He achieves his distinctive effects by using an old, second hand analog-era lens that he attaches to his digital camera.

Sunday (Domingo)
© » KADIST

Rivane Neuenschwander

Film & Video (Film & Video)

In this video, a parrot chews on seeds printed with punctuation marks. A radio on the shelf in the background broadcasts the news of an unfolding football match. As the game (and video) progresses, the bird eats all of the remaining punctuation.

144540
© » KADIST

Yosuke Takeda

Photography (Photography)

Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for. He gives light a density in the precise moments he captures—a forest’s leaves shimmering in the early morning, a street’s reflective surface radiating color at night, luminous blinds drawn over an apartment window. He achieves his distinctive effects by using an old, second hand analog-era lens that he attaches to his digital camera.

Tissue II
© » KADIST

Nathan Lewis

Drawing & Print (Drawing & Print)

Nathan Lewis has always made figurative and abstract drawings, which are related to anatomical textures and patterns he encountered when working as an ICU nurse. Hence the title of this work, Tissue II , is a spare and elegant work, in which the artist combines hand sculpted paper with embossment and frottage for the first time in his practice. The effect recalls African weaving and skin embellishment, but also reflects the influence of his former job as an intensive-care nurse, seeking to heal the most damaged.

Untitled
© » KADIST

James "Yaya" Hough

Drawing & Print (Drawing & Print)

This untitled ink and pencil drawing by James “Yaya” Hough is made on what the artist calls “institutional paper”, or the state-issued forms that monitor the daily activities of prisoners, of which, each detainee is generally required to fill out in triplicate. The form used for this drawing details a weekly menu for the prisoners. Hough’s drawing depicts three grimacing figures, riding atop the back of a larger, female figure on all fours.

LAB
© » KADIST

Kori Newkirk

Photography (Photography)

LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel. His photograph of this throwaway object calls back the body, and the handprint is in fact his own right hand; thus the piece can function as a self-portrait of the artist, in an ironic twist on the art historical genre.

Memory: Record/Erase
© » KADIST

Nalini Malani

Film & Video (Film & Video)

Memory: Record/Erase is a stop-motion animation by Nalini Malani based on ‘The Job,’ a short story by celebrated German poet and playwright Bertolt Brecht. Brecht’s story follows a poverty-stricken family during the German depression, as the central character, Frau Hausmann, is forced to impersonate her late husband to procure his job as a nightwatchman to support her two children. Despite her exceptional performance during the job, and even after receiving public commendation for catching a thief, when eventually her identity is discovered during a factory accident she is forced into a precarious existence where she resorts to selling herself to get by.

Karam Natour

Through video and digital drawing Karam Natour manifests his interest in the power of language, and specifically how translation becomes a unique vehicle for a deeper understanding of issues connected to identity, race and gender...

Jiri Kovanda

American Artist

American Artist makes experimental work in the form of sculpture, video, and software that comments on histories of race, technology and forms of knowledge production...

James "Yaya" Hough

Working in ballpoint pen, pencil, and watercolor, often on the backs of bureaucratic prison forms, James “Yaya” Hough’s work conveys the burdens of incarcerated life, revealing not only the brutal reach of the carceral system, but laying bare its affects...

Kubra Khademi

Afghani artist Kubra Khademi uses her practice to explore her experiences as both a refugee and as a woman...

Yosuke Takeda

Yosuke Takeda started from experimenting with darkroom photography production and he shifted over to digital photography, aware that photographic film and paper were becoming obsolete...

Rivane Neuenschwander

Imran Qureshi

Pakistani artist Imran Qureshi’s practice revives 16th century Mughal miniature painting...

Helina Metaferia

Helina Metaferia is an interdisciplinary artist working across collage, assemblage, video, performance, and social engagement...

Martin Kippenberger

Mithu Sen

Mithu Sen’s writing is central to her practice, as a poet from West Bengal, a region of great Indian literary history, poetic and visual tropes giving ground to her challenge of semiotics...

Runo Lagomarsino

Martin Creed

Gozo Yoshimasu

Gozo Yoshimasu is a prolific Japanese poet, photographer, artist and filmmaker active since the 1960s...

Carlos Garaicoa

Sancintya Mohini Simpson

Sancintya Mohini Simpson is an artist, writer, and researcher whose work addresses the impact of colonization on the historical and lived experiences of her family and broader diasporic communities...

Jeamin Cha

Jeamin Cha’s questions exist in the gyre between individual and social environment, stepping over conspicuous strands of relation between the two in favor of cultivating characters that dwell in the night, under-noticed or otherwise surplus figures outside of mainstream societal representation...

Harm van den Dorpel

Harm van den Dorpel’s practice focuses on emergent systems and the role technology plays in their development and meaning...

Lu Pingyuan

Lu Pingyuan works with a variety of media such as texts, videos, installations, paintings, performances and other...

Bruce Conner

Haegue Yang

Gabriel Sierra

Colombian artist Gabriel Sierra’s work lies in the intersection between art and design...

Hong-Kai Wang

Wang is an artist working primarily with sound...

Lucas Blalock

Chitti Kasemkitvatana

Chitti Kasemkitvatana is an artist, independent curator, and teacher; he presents an art program on the radio and is the co-editor of the magazine Ver with Rirktit Tiravanija...

Matthew Darbyshire

Matthew Darbyshire is interested in the non-specificity of today’s design language...

Lubaina Himid

Naama Tsabar

Naama Tsabar is an Israel-born, New York-based sculpture artist...

Hernan Bas

Hernan Bas creates expressionistic, yet highly detailed figurative paintings of young men...

American Artist
© » TATE EXHIBITIONS

about 11 months ago (02/12/2024)

Vija Celmins | Hatton Gallery See the work of Latvian-American artist Vija Celmins at the Hatton Gallery, Newcastle ARTIST ROOMS Vija Celmins takes an in-depth look at the artist’s works on paper...

© » THE GUARDIAN

about 11 months ago (02/08/2024)

Frank Auerbach: The Charcoal Heads review: war-scarred faces on paper that has taken a pounding | Art and design | The Guardian Skip to main content Skip to navigation Skip to navigation The only remaining family Auerbach had … Gerda Boehm, 1961...

© » LITHUB

about 11 months ago (02/08/2024)

Blood, Sweat, and Paint: Finding the Work Behind the Art ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture History Science Politics Biography Memoir Food Technology Bookstores and Libraries Film and TV Travel Music Art and Photography The Hub Style Design Sports Freeman’s The Virtual Book Channel Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library The Critic and Her Publics Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Future Fables The History of Literature I’m a Writer But Just the Right Book Keen On The Literary Life with Mitchell Kaplan New Books Network Read Smart Talk Easy Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast Write-minded Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In Via Viking Blood, Sweat, and Paint: Finding the Work Behind the Art Bianca Bosker Explores the Artistic Practice From the Painter’s Perspective By Bianca Bosker February 8, 2024 Pretty much all the gallerists I talked with would, at some point, lower their voices as if imparting a trade secret and confide that their favorite way to find talented artists was by talking to other artists...

© » LITHUB

about 11 months ago (02/07/2024)

Between Risk and Control: How Mark Rothko Discovered His Signature Style ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture History Science Politics Biography Memoir Food Technology Bookstores and Libraries Film and TV Travel Music Art and Photography The Hub Style Design Sports Freeman’s The Virtual Book Channel Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library The Critic and Her Publics Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Future Fables The History of Literature I’m a Writer But Just the Right Book Keen On The Literary Life with Mitchell Kaplan New Books Network Read Smart Talk Easy Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast Write-minded Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In Between Risk and Control: How Mark Rothko Discovered His Signature Style Adam Greenhalgh on the American Abstract Painter's Early Years Via Yale University Press By Adam Greenhalgh February 7, 2024 Featured image: Allie Caulfield via Creative Commons In the summer of 1933, Mark Rothko, who was then still known as Markus Rothkowitz, hitchhiked nearly three thousand miles from New York City to his hometown of Portland, Oregon...

© » SOUTH CHINA MORNING POST

about 11 months ago (02/06/2024)

Architect at the cutting edge: how making Chinese paper decorations became Nick Tsao’s second career | South China Morning Post Architect at the cutting edge: how making Chinese paper decorations became Nick Tsao’s second career Profile Nick Tsao talks about the Foster + Partners internship that led to him becoming an architect, learning the art of paper cutting and promoting Hong Kong culture Kate Whitehead + FOLLOW Published: 7:15am, 7 Feb, 2024 Why you can trust SCMP My parents were both born in Hong Kong and went to boarding school in the UK, where they met while at university...

© » ARTSY

about 11 months ago (02/05/2024)

5 Artists on Our Radar in February 2024 | Artsy Skip to Main Content Advertisement Art 5 Artists on Our Radar in February 2024 Artsy Editorial Feb 5, 2024 8:50PM “Artists on Our Radar” is a monthly series focused on five artists who have our attention...

© » ASX

about 12 months ago (01/22/2024)

Danny Franzreb – Proof of Work – AMERICAN SUBURB X Skip to content My initial response to the massive swell of attention that cryptocurrency received in 2021, and more specifically to the non-fungible token (NFT) hysteria that gripped so much of cultural discourse online and in the press, was a dismissive roll of the eyes...

© » WALLPAPER*

about 13 months ago (12/17/2023)

100 Hooks at JB Blunk estate pays homage to the late artist | Wallpaper Left, hook by Martino Gamper...

© » ROYAL ACADEMY

about 13 months ago (12/12/2023)

Start here: Impressionists on Paper | Blog | Royal Academy of Arts Edgar Degas, Dancers on a Bench, c.1898 (detail)...

© » COLOSSAL

about 13 months ago (12/12/2023)

Strips of cardboard, papier-mâché, and precision folding are just a few of the techniques artists employ as they explore of the endless potential of paper...

© » ARTSJOURNAL

about 13 months ago (12/12/2023)

What does switching from paper to screens mean for how we read? | Psyche Ideas Photo by Jens Büttner/picture alliance/Getty i What does switching from paper to screens mean for how we read? Photo by Jens Büttner/picture alliance/Getty by Lili Yu, Sixin Liao, Jan-Louis Kruger & Erik D Reichle + BIO Save Share Tweet Email It’s well established that we absorb less well when reading on screen....

© » ROYAL ACADEMY

about 13 months ago (12/12/2023)

Quiz: how well do you know the Impressionists? | Blog | Royal Academy of Arts Installation view of 'Impressionists on Paper: Degas to Toulouse-Lautrec' at the Royal Academy of Arts, London, 25 November 2023 – 10 March 2024, showing ‘The Market Stall’, 1884, by Camille Pissarro...

© » ART & OBJECT

about 13 months ago (12/12/2023)

5 Objects That Show the Evolution of Women’s Work | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » HYPERALLERGIC

about 13 months ago (12/11/2023)

Displaced by War, Sudanese Artists Fight to Keep Making Work Skip to content Without access to her digital camera, artist Arwa Ahmed uses her phone to keep a visual diary, documenting the war that has displaced her and her family from Khartoum...

© » HYPERALLERGIC

about 13 months ago (12/10/2023)

Deb Sokolow’s Wackadoodle World of Design Skip to content Deb Sokolow, "Visualizing the Manipulation of Light in a Built Environment for Various Agendas" (2023), graphite, crayon, colored pencil, ink, and collage on Arches paper, 22 x 30 x 1 inches (all images courtesy Western Exhibitions) CHICAGO — A random survey of recent architectural news items includes descriptions of: eco-certified ultra-luxury resorts in the Red Sea, the fact that less than half of one percent of licensed architects in the United States are Black women, and an analysis of how Russia has targeted historic landmarks as part of its war on Ukraine...

© » HYPERALLERGIC

about 13 months ago (12/07/2023)

How the Impressionists Captured Life on Paper Skip to content Edgar Degas, "Dancers on a Bench" (c...

© » HYPERALLERGIC

about 13 months ago (12/07/2023)

50 Years Ago, Barbara Nessim Broke Illustration’s Glass Ceiling Skip to content Barbara Nessim, “A Maze From Above” (1970), pen and ink and watercolor on paper, 14 x 10 1/4 inches (all images courtesy Derek Eller Gallery unless noted otherwise) Artist, illustrator, and designer Barbara Nessim is one of very few women who found full-time work in the American editorial and commercial arts sphere during the 1960s...

© » MODERN MET ART

about 13 months ago (12/06/2023)

Traditional Craftsmanship Merges With Digital Pixels in Installation Home / Art / Installation Suspended Paper Kite Installations Explore Artist’s East Asian and Western Identities in the Digital Age By Margherita Cole on December 6, 2023 Japanese-American artist Jacob Hashimoto unveiled an immersive installation at the Miles McEnery Gallery in New York City...

© » OBSERVER

about 13 months ago (11/27/2023)

On View: “Making Their Mark,” Works from the Shah Garg Collection | Observer Art collector Komal Shah’s first acquisition of Rina Banerjee’s work on paper, It Rained so she Rained (2009), marked the start of a collecting journey firmly rooted in championing women artists...

© » SOUTH CHINA MORNING POST

about 14 months ago (11/19/2023)

Should human remains be kept in museums? Artist’s work reflects original resting places | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Korean-Colombian artist Gala Porras-Kim’s work examines the relationship between human remains and the museums that house them, and how to better visually reflect the spirits’ original resting places...

Wade Guyton
© » ARTOBSERVED

about 15 months ago (10/17/2023)

Wade Guyton, Galerie Matthiesen, Ausstellung, Edouard Manet, 1928, 6...

© » LENS CULTURE

about 18 months ago (06/30/2023)

Animalograms: Photograms of Animals Made in the Wild - Photographs and text by Zana Briski | LensCulture Feature Animalograms: Photograms of Animals Made in the Wild To create these amazing life-size photograms of animals in the wild, photographer Zana Briski waits patiently for an animal to pass by on moonless nights in places where she has installed huge sheets of light-sensitive photographic paper...

© » LARRY'S LIST

about 27 months ago (10/05/2022)

A life trustee at the Museum of Modern Art, he acquired thousands of works on paper, and focused on making them accessible to the public....

© » LARRY'S LIST

about 27 months ago (10/05/2022)

Laura de Gunzburg tells us about what's hanging on her walls and how she views the relationship between fashion and art....

© » GAS

about 38 months ago (12/05/2021)

We are pleased to present a selection of original works on paper by Kimbal Bumstead...

© » ARTS EQUATOR

about 47 months ago (03/01/2021)

How they got their stART: ArtsWok, Paper Monkey Theatre and Bhumi Collective | ArtsEquator % Thinking and Talking about Arts and Culture in Southeast Asia Articles March 1, 2021 In unprecedented times like a pandemic, artists, like everyone else, are focused on survival...

© » GAS

about 54 months ago (08/11/2020)

Summer Show Week 2 : Abstracts on Paper + Perspex – Gina Cross - Curator + Mentor Close Thin Icon Close Thin Icon Your cart Close Alternative Icon Now partnered with Art Money for interest free art collecting Now partnered with Art Money for interest free art collecting News Written by Gina Cross Previous / Next Our Summer Show continues throughout August - week 2 shines a light upon abstract works on paper and perspex - featuring works by our new Artist Christine Wilkinson, alongside works by Katy Binks, Kate Banazi and Natalie Ryde...

© » HIGH FRUCTOSE

about 61 months ago (01/10/2020)

Painter Maha Ahmed’s creature-filled paintings are inspired by traditional Persian and Japanese techniques and sensibilities...

© » ARTS EQUATOR

about 71 months ago (03/18/2019)

Podcast 53: Songwriter on the Spot - Ng Sze Min of Artwave Studio | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Poetry Festival Singapore On-the-Spot Poetry Singing March 18, 2019 Duration: 21 min Ng Sze Min, a young emerging music composer and producer, whips up a song based on Akanksha’s teenage poetry, and shares about the other projects that she has worked on as part of Artwave Studio, which she runs together with her partner – aside from her personal practice composing audio plays (which can be found on Spotify )...

© » THE RE:ART

about 95 months ago (03/19/2017)

Dragoș Bădiță - Light Falls - The re:art Dragoș Bădiță – Light Falls From February 3rd to March 17th, 2017, Anca Poterașu Gallery presented the solo show Light Falls by Cluj-Napoca based artist Dragoș Bădiță, who is also co-coordinator of Lateral ArtSpace ...

© » KADIST

about 89 months ago (09/16/2017)

© » KADIST

about 121 months ago (01/24/2015)

© » KADIST

about 143 months ago (04/15/2013)

© » KADIST

about 165 months ago (07/01/2011)