© » KADIST
Takeshi Murata
Takeshi Murata developed an interest in space inspired by his architect parents. OM Rider features the artist’s characteristic absurdist humor and aesthetics–a mélange of highly attuned lighting and composition (in homage to Ken Price), with retro modeling and minimalist, almost antiseptic spaces.
© » KADIST
Takeshi Murata
If one had been guessing at Takeshi Murata’s criticism of American consumerist culture up until watching Infinite Doors , it would be solidified after hearing the announcer from The Price is Right squawk prizes one after the next. In the two minutes of the film’s runtime, can count the word “new” used twenty-eight times, and “car”—the holy grail of prizes on that show—used eight times. The bodacious women introduce free prizes, the doors slide open repeatedly, and the crowd cheers with an insatiable appetite in a clear signal of an American propensity for numbing overconsumption.
Takeshi Murata
Underlining the temporality of nostalgia, memory, and narratives crafted through cinematic pop culture, the American artist Takeshi Murata has constructed a body of animated works that explore the lifespan of moving images and their role in the shaping of shared cultural histories...
© » KQED
about 13 months ago (12/05/2023)
The Best Art I Saw in 2023 | KQED Skip to Nav Skip to Main Skip to Footer Arts & Culture The Best Art I Saw in 2023 Sarah Hotchkiss Dec 5 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link It’s that time again — time for a hyper-specific superlative-laden list of the best art experiences I had this year but didn’t get a chance to write about...
