© » ARTLYST
about 11 months ago (12/06/2023)
Pirelli HangarBicocca has unveiled its exhibition program for 2024-2025, marking its 20th anniversary...
© » LARRY'S LIST
about 25 months ago (10/05/2022)
The Private Museum Boom Takes a Dark Turn With the Opening of Musja in Rome, a Cavernous Showcase Themed to âFearâ - via artnet news...
© » THE INDEPENDENT
about 34 months ago (12/21/2021)
Reviews | The Independent Reviews Culture Mark Hudson Dürer’s Journeys may spell an end to classic blockbuster exhibitions Culture Mark Hudson Dark energy meets technical mastery in Royal Academy’s Constable show Reviews Anicka Yi’s In Love With The World has overweening intentions Culture Mark Hudson Poussin and the Dance shows a youthful look at the painter Reviews Noguchi at Barbican shows unstoppable optimism of an undersung artist Reviews Turner Prize: Art comes second to the happy-clappy spirit of lockdown Reviews Mixing It Up: Painting Today is a big, punchy show with an upbeat vibe Culture Mark Hudson Ben Nicholson at Pallant House makes for a poignant exhibition Culture Mark Hudson Ben Nicholson at Pallant House makes for a poignant exhibition Reviews Alice: Curiouser and Curiouser at the V&A is a visual joy Culture Aindrea Emelife Richard Hamilton – Respective is a restless showcase of the pop artist Reviews Aindrea Emelife Freedman and White at Pallant House are full of life and fervour Reviews Reflections: Van Eyck and the Pre-Raphaelites, review Reviews Two exhibitions at Pallant House Gallery shine light on women’s work Reviews Mantegna and Bellini review: 'Distinct masters of their craft' Reviews Ian Hislop I Object: An eclectic collection of objects about objecting Reviews Mark Wallinger, review: Cerebral japery fails to stimulate Reviews David Hockney, review: Little more than casual crowd-pleasers Reviews Bomberg, review: This work feels rough-hewn, hard-won Reviews Dorothea Lange, review: These photographs have a fearless honesty Reviews A Midsummer Night's Dream, review: Unalloyed fun from start to finish Reviews Thomas Cole: Eden to Empire, National Gallery, review Reviews RA Summer Exhibition, review: Grayson Perry blows the dust off it Reviews Howard Hodgkin Last Paintings, review: Only one great work Reviews Aftermath: Art in the Wake of World War One, Tate Britain, review Reviews Alexander Calder, review: See him with fresh eyes Reviews Edward Bawden, review: Good wallpaper for the adult nursery Reviews Our Kisses Are Petals, Lubaina Himid, review: Dancingly alive Reviews Artists at Work, review: A fine show which demands close attention Reviews Shape of Light, review: Clangorously dull and yawn-worthy Reviews Rodin and the art of ancient Greece, review: Has a lovely panache Reviews Rose Wylie, review: Few painters are more arrestingly, pleasingly odd Reviews Beatriz Milhazes, review: Visually seductive Reviews Monet and Architecture, review: familiar paintings fling out Reviews Van Gogh and Japan, review: Delves into this subject as never before Reviews Langlands & Bell review: A feat of artistic endeavour Reviews Wim Wenders, review: Wenders loves blur because life itself is a blur Reviews Tacita Dean, review: It's like experiencing bursts of short cinema Reviews All Too Human, review: It all seems a bit too dutiful and sombre Reviews Charles I: King and Collector, review: Magnificently staged Reviews Andreas Gursky, review: Great and fascinating detail Reviews Modigliani, Tate Modern, review: This exhibition is just right Reviews Erté review: Not the best place for a new generation to discover him Reviews Red Star Over Russia, review: A furious flurry of visual stimulation Reviews Impressionists in London review; The show is deceptive Reviews Monochrome, National Gallery, review: I was not bowled over by it Reviews Cézanne Portraits review: No one ever smiles in his works Reviews Paula Rego, review: Storytelling is at the heart of everything Reviews Soutine's Portraits, review: He characterises his sitters wonderfully Reviews The Dutch in Paris, Van Gogh Museum, review: Underwhelming show Reviews Dali/Duchamp review: Often silly but sometimes lovely juxtaposition Reviews Jasper Johns review: The extraordinary nature of the ordinary Reviews Basquiat review: Art is drowned by fame-frothy noise and visuals Reviews Rachel Whiteread review: Fairly significant but also, a little dull Reviews Edinburgh Festival: Douglas Gordon, art review Reviews Matisse in the Studio, Royal Academy, London, review Reviews Soul of a Nation, Tate Modern, review Reviews The Encounter, National Portrait Gallery, review Reviews Sargent: The Watercolours review: Overwhelming dullness Reviews Sheela Gowda: Confidence is shown in the artist’s simple storytelling Reviews Fahrelnissa Zeid, review: She never stopped making art during her life Reviews Grayson Perry review: His entire career is boundless attention-seeking Reviews Mondrian, The Hague, review: How much branding can a dead man take? Reviews Hokusai: Beyond the Great Wave review: Room to breathe and reflect Reviews Anthony Caro: Paper Like Steel, review Reviews Alberto Giacometti at Tate Modern review: What variety there is here Reviews Picasso: Minotaurs and Matadors review: Extravagantly choreographed Reviews Chris Ofili: Weaving Magic review: It's curiously lacklustre Reviews Becoming Henry Moore review: His work could be better lit Reviews Imagine Moscow exhibition: How humanity scaled down its ambitions Reviews Howard Hodgkin: Absent Friends review: He made so many portraits Reviews Gillian Wearing and Claude Cahun review: Gender surrealism Reviews America after the Fall review: A show of highly significant paintings Reviews Wolfgang Tillmans review: Does he deserve to be taken so seriously? Reviews Photographs by Vanessa Bell and Patti Smith, review Reviews Revolution: Russian Art, review: Reviews Keith Tyson Turn Back Now review: A peacockish exercise in showing off Reviews G...
