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Re: Looking
© » KADIST

Wong Hoy Cheong

Film & Video (Film & Video)

Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world. The video—located in an imagined contemporary Malaysian middle-class living room, a space of a fictive former imperial power—explores the precarious link between fact and fiction, fakery and authenticity by overlaying three believable, authoritative forms: a documentary, a website, and a realistic reconstruction of a contemporary home. It is rife with occidental colonial documents and exotic cultural artifacts—the trophy-evidence of Empire-making.

RE-ANIMATED
© » KADIST

Jakob Kudsk Steensen

Advanced Technology (Advanced Technology)

RE-ANIMATED by Jakob Kudsk Steensen revolves around the haunting sound of the Kauai’O’o, a bird that became extinct in the year of Steensen’s birth. Its mating call, recorded and circulated on YouTube, where it has attracted hundreds of thousands of views and thousands of comments from viewers who felt the need to share their own emotional connection with this creature. For Steensen, the video exemplifies the way in which digital media experiences can serve as a memorial for a disappearing natural world, and how they can activate deeply felt connections with nonhuman creatures.

Re-plating Mooi Indie
© » KADIST

Bakudapan Food Study Group

Photography (Photography)

Mooi indie (which translates to “Beautiful Indies”) is a term used to depict the beauty of nature in the East Indies during the period of Dutch colonialism in Indonesia. The term is usually used to describe a painting, romanticising the alluring tropics through the lens of European imperialism. Later in the 1950s, the prominent Indonesian painter S. Sudjojono, who is known as one of the founding fathers of Indonesian Modern Art, publicly rejected the Mooi Indie genre as Indonesian art.

Ticket
© » KADIST

Kaoru Arima

Painting (Painting)

Arima’s free brushstrokes gesture towards traditions in Expressionist painting, and Ticket could be seen as an attempt at “pure painting” in which the aesthetics of the medium supersede content. But if his portraits resist social commentary, they nonetheless challenge conventional standards of beauty through a decided embrace of decayed forms and colors. Inspired by underground creative cultures, his paintings have the slipshod spontaneity of graffiti and other types of street art.

Re/cover no. 6, 8, and 9
© » KADIST

Phan Quang

Photography (Photography)

Phan Quang’s portrait series Re/cover grapples with a lesser-known history in Vietnam. After World War II, many Japanese soldiers who fought in Vietnam stayed in the country. They married Vietnamese women, had children, and lived in the country until Japan recalled them home.

Re: definition of architectural project 2
© » KADIST

Marcelo Cidade

Painting (Painting)

Marcelo Cidade interrogates the city, architecture and urban planning. This architectonic drawing proposes modular possibilities, adaptable variations based on the form of the concrete block (a material which is often actually integrated in his practice). The “re-definition” announced in the title is in construction, in process, under development, in flux.

A person in a red sweater
© » KADIST

Kaoru Arima

Painting (Painting)

Arima’s free brushstrokes gesture towards traditions in Expressionist painting. As with the acrylic painting Ticket (also 2015), Person in Red Sweater could be seen as an attempt at “pure painting” in which the aesthetics of the medium supersede content. But if his portraits resist social commentary, they nonetheless challenge conventional standards of beauty through a decided embrace of decayed forms and colors.

432 Photographs of Nefertiti
© » KADIST

Sara Cwynar

Drawing & Print (Drawing & Print)

Sara Cwynar’s composite photographs of found objects and images court feelings of time passing. Using studio sets, collage, and re-photography, she produces intricate tableaux that draw from magazine advertisements, postcards, or catalogs. Cwynar is interested in how design and popular images work on our psyches, in how their visual strategies infiltrate our consciousness.

Index (Tokyo)
© » KADIST

Shimon Minamikawa

Painting (Painting)

The painting Index (Tokyo) includes an image of a protest march in Japan. There is some humor in this image and also cultural contextual confusion and displacement, embodied in the painting. The protest we can see on the clipping is against two things : 1)recently the Japanese government revised the constitution (some say illegally) so that the right to collective self-defense is possible; this basically re-militarizes Japan ending decades of pacifism and this sparked the largest public protests in recent years and 2) the protestors are also marching against re-starting nuclear power plants in Japan post-Fukushima.

Aktionsplan (Map)
© » KADIST

Andrei Monastyrski

Drawing & Print (Drawing & Print)

Aktionsplan is a map of the field by Kyevy Gorky. Here Monastyrsky locates many of the iconic actions that occurred between 1977 and 1999. In this drawing, the static positions of the audience are marked with circles while the audience that re-locates is marked with hexagons as an arrow delineates their trajectory.

In Time
© » KADIST

Kate Mitchell

Film & Video (Film & Video)

In Time is a 24-hour video in which the artist rests, hangs and clings onto the minute hand of a large clock, 4 x 4 meters in diameter, arduously counting out a full 24-hour cycle so that the video becomes a functional time-keeping device. In standing in for and becoming time, Mitchell ultimately examines its essence as it passes before her. Dressed in blue work overalls, Mitchell appears like a maintenance or quality control worker, making sure every moment is up to muster.

Sans titre n°10 (Temps mort)
© » KADIST

Mohamed Bourouissa

Photography (Photography)

Temps Mort is the result of one year of mobile phone exchanges of still images and videos between the artist and a person incarcerated in prison. Mohamed Bourouissa directs the scenes to be reconstructed inside the prison from a distance. With sketches and instructions, he indicates in detail the sort of shots he would like to receive.

True Red Ruin (Elmina Castle)
© » KADIST

Danielle Dean

Film & Video (Film & Video)

In True Red Ruin (Elmina Castle) , Danielle Dean uses archival documents to re-imagine colonial history from the 1400s, while also referencing her own personal history. Elmina Castle was built in Ghana in 1482 as a Portuguese trading post, and later became a key location in the Atlantic slave trade. Dean’s re-enactment is set in an affordable housing community in Houston, Texas, where her half-sister Ashstress Agwunobi lives, and who also performs the role of “the native.” Dean plays the role of “the prospector,” who plans to “colonize” her sister’s home by bringing a wobbly red cardboard castle into the grounds of the community and getting the locals to help build it and work there.

Minutos de odio contra sí mismo
© » KADIST

Jesús Hdez-Güero

Film & Video (Film & Video)

Minutos de odio contra sí mismo (Minutes of hate against itself) is a simple and powerful work about the political situation in Venezuela, replacing the stars on the flag with bullet holes. A meditation on the disillusionment of the people towards the government and nationalism. The precision of the marksman is impressive, as if “drawing” or re-making the representation of the symbol within a contemporary reality and climate.

Laissez-Faire (Rainbow Flag)
© » KADIST

Alexandre da Cunha

Painting (Painting)

In Laissez-Faire (Rainbow Flag) da Cunha has turned a beach towel into both a painting and a flag. Where the printed surface of the towel originally served to enliven this commodity, here the pattern—now stretched and re-presented—suddenly refers to abstract painting’s promises of transcendence. And its crisply painted shape pulls the printed colors into the rectangularity of the canvas and, as da Cunha notes, the graphic iconicity of flags.

War Footage
© » KADIST

Mauricio Ancalmo

War Footage is a series of wall-mounted works composed of 16mm film leader, tightly bound to flag-shaped panels by the artist. In their monochrome simplicity — some white, some black, one red — they bring to mind Rauschenberg’s minimalist paintings from the 50’s; the shape and repetitive figuration bring to mind Jasper John’s later flag paintings. Modifications to the blank leader – holes, letters, random dots and dashes – were created by the machinations of previous Ancalmo pieces.

Muted Situations #2: Muted Lion Dance
© » KADIST

Samson Young

Film & Video (Film & Video)

In Muted Situations #2: Muted Lion Dance by Samson Young, Chinese lion dancers perform the auspicious procession traditionally presented at special occasions such as weddings or during the Lunar New Year. Yet, the customary percussive sound of drums and cymbals are absent. Instead, it is the sound of the performers’ physical exertion that comes to the forefront, revealing the beautiful, exhaustive rhythm of their craft—their feet hitting the ground, deep inhales and exhales, and the rustling of their clothes.

Untitled (Stanley Kubrick, 1945)
© » KADIST

Tim Lee

Photography (Photography)

Part of Tim Lee’s practice involves envisioning himself reenacting key moments from iconic peoples’ lives. In the photograph Untitled (Stanley Kubrick, 1945) (2010), Lee re-creates a self-portrait by Stanley Kubrick from 1945. Kubrick shot the original photograph in the mirror when he was just beginning his career as a photojournalist.

Serengeti Green
© » KADIST

Phillip Maisel

Photography (Photography)

While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves. Elements used in various stages of photographic processes (color filters, glassine, and prints themselves) are integrated back into the artwork either as part of the sculpture or as collage elements that are later added to the print. In some of the works, Maisel cuts into the prints themselves.

Abuso de poder (Abuse of Power)
© » KADIST

Marcelo Cidade

Sculpture (Sculpture)

Marcelo Cidade’s sculpture Abuso de poder (Abuse of Power, 2010) is a mousetrap elegantly crafted in Carrara marble. Originally made for the Carrara Biennale in 2010, it re-creates the iconic form down to the piece of cheese waiting for an unsuspecting victim. In this sculpture, Cicade challenges the viewer’s participation and intervention into the artistic object.

Xolo & Cuintle
© » KADIST

Xolo Cuintle

Sculpture (Sculpture)

In a post-apocalyptic setting, a layer of dust petrifies everything in an eternal state of latency. Thick as it is, a rocking chair becomes imponent and can no longer rock. The growth of vegetation has been hampered by concrete and could be mistaken for rocks.

Untitled
© » KADIST

Joanna Piotrowska

Photography (Photography)

This selection of untitled photographs taken between 2014 and 2019 focus on Joanna Piotrowska’s long-term preoccupation with issues of domesticity and containment. The images depict young isolated women in domestic environments, holding various unnatural postures: we see a hand raised to a face, as if in a trance; limbs precariously balanced or ambiguously entangled, contorted against an unseen adversary. It is unclear whether gestures are benign or threatening, whether these women are menacing or being menaced.

Pair of shoes / Shoes with eggs
© » KADIST

Hans-Peter Feldmann

Installation (Installation)

The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations. Verging on a form of fetichism, his shoe collections are a case in point and indeed, for some exhibitions, he even asked gallery employees for their shoes. Against authorship and the commodification of art, he never gives titles or dates to his works which have infinite edition possibilities.

Hat with photograph
© » KADIST

Hans-Peter Feldmann

Installation (Installation)

The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations. Hats and photographs are regularly part of his appropriations and arrangements. He famously made numerous trips to England in search of old photographs when he was an antique dealer, and then worked in a gift store with his wife when he left the art world in the 1980s.

Untitled
© » KADIST

Joanna Piotrowska

Photography (Photography)

This selection of photographs taken between 2014 and 2019 focus on Piotrowska’s long-term preoccupation with issues of domesticity and containment. The images depict young isolated women in domestic environments, holding various unnatural postures: we see a hand raised to a face, as if in a trance; limbs precariously balanced or ambiguously entangled, contorted against an unseen adversary. It is unclear whether gestures are benign or threatening, whether these women are menacing or being menaced.

Chu’u Mayaa
© » KADIST

Clarissa Tossin

Film & Video (Film & Video)

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture. By re-appropriating the structure as a temple and imbuing it with a dance performance based on movements and postures found in ancient pottery and murals, the choreography takes its influence from the house’s design and the body positions on ancient Maya ceramics and buildings. A pulse, breathing, and a pre-Columbian clay flute are among the sounds on the soundtrack.

Untitled
© » KADIST

Joanna Piotrowska

Photography (Photography)

This selection of photographs taken between 2014 and 2019 focus on Piotrowska’s long-term preoccupation with issues of domesticity and containment. The images depict young isolated women in domestic environments, holding various unnatural postures: we see a hand raised to a face, as if in a trance; limbs precariously balanced or ambiguously entangled, contorted against an unseen adversary. It is unclear whether gestures are benign or threatening, whether these women are menacing or being menaced.

Untitled
© » KADIST

Joanna Piotrowska

Photography (Photography)

This selection of photographs taken between 2014 and 2019 focus on Piotrowska’s long-term preoccupation with issues of domesticity and containment. The images depict young isolated women in domestic environments, holding various unnatural postures: we see a hand raised to a face, as if in a trance; limbs precariously balanced or ambiguously entangled, contorted against an unseen adversary. It is unclear whether gestures are benign or threatening, whether these women are menacing or being menaced.

Untitled #242, 104, 975 combinations of a 2×2 grid, 18 colors
© » KADIST

John Houck

Photography (Photography)

Untitled #242 is part of Houck’s Aggregates Series, which uses digital tools to manipulate chosen sets and pairs of colors, creating colorful index sheets, bathed in colors and lines. Houck transforms these simple outputs physically, folding, lighting, photographing, and re-printing them, only to fold, photograph, and re-print again. An MFA graduate from UCLA, John Houck works primarily in the medium of photography and specializes in still-life vignettes.

Music While We Work
© » KADIST

Hong-Kai Wang

Film & Video (Film & Video)

The video Music While We Work (2011) is the first part/work of a long-term research project started in 2010. The project revolves around and beyond the history of sugar in the small town Huwei in central Taiwan (the artist’s hometown). The town was nicknamed as the “Capital of Sugar” during the Japanese colonial ruling (1895-1945) of Taiwan.

Marcelo Cidade

Joanna Piotrowska

Photographer and filmmaker Joanna Piotrowska explores issues such as the female condition, family dynamics, and post-Soviet Poland, through black and white images that depict the quotidian...

Jonathan Monk

Haris Epaminonda

Epaminonda’s video works are based on re-shot excerpts of film and television footage – principally the Greek soap operas and kitsch romantic films fromthe 1960s that used to fill up Sunday afternoons in the artist’s Cypriot childhood –which she then subtly reworks...

Daniel Joseph Martinez

Elisheva Biernoff

Kaoru Arima

Kaoru Arima experiments with painting in order to discover new expressive forms...

Nguyen Trinh Thi

Nguyen Trinh Thi is a moving image pioneer, not only within the landscape of contemporary art in Vietnam, but also broader South East Asia...

John Houck

Hans-Peter Feldmann

Sue Williamson

Sue Williamson (b...

Tim Lee

Alexandra Pirici

The performative work of Alexandra Pirici (b...

Shay Arick

Violence is key to Shay Arick’s practice who employs photography, sculpture, performance, video and drawing as means to understand what motivates people to enact it...

Phan Quang

Visual artist and photographer Phan Quang stages nuanced compositions that illustrate the relationship between global historical events and the personal histories of families and communities in Vietnam...

Jakob Kudsk Steensen

Jakob Kudsk Steensen employs a formally rigorous approach to creating multi-layered VR environments that engage with the contemporary issue of extinction...

Hong-Kai Wang

Wang is an artist working primarily with sound...

Wura-Natasha Ogunji

Wura-Natasha Ogunji is a visual artist and performer...

Xolo Cuintle

Artist duo Romy Texier and Valentin Vie Binet go by the collective title Xolo Cuintle, producing works that sit somewhere between furniture, sculpture, sets and domestic spaces...

Christine Sun Kim and Thomas Mader

Christine Sun Kim and Thomas Mader have been collaborating for the last 5 years, covering communication in a variety of formats such as recording an overnight shipment from Berlin to New York ( Recording Contract , 2013), compiling 24 hours of invited contributors’ studio time ( Busy Day , 2014), and using the arm game, a combination of body and face, in order to describe a series awkward situations ( Classified Digits , 2016)....

Tadasu Takamine

Tadasu Takamine is one of the most controversial, thought provoking, and irreverent media, video and installation artist working in Japan...

Gauri Gill

Gauri Gill is interested in the social contract of photography...

Kate Mitchell

Kate Mitchell’s work addresses everyday worries; time, money, work and the future...

Kennedy Browne

Formed in 2005, Kennedy Browne is the collaborative practice of Gareth Kennedy and Sarah Browne...

I-Hsuen Chen

I-Hsuen Chen started focusing on visual arts in the late 2000s after working as a professional opera and choir singer in Taiwan...

Phillip Maisel

Julien Creuzet

The work of Julien Creuzet reveals painful stories – both personal and political – making it impossible separate one from the other...

Bunny Rogers

Like many others of her generation, Bunny Rogers discovered herself through digitally mediated experiences on the Internet, finding outlets online that didn’t exist for her in the reality of her Texas upbringing...

Chemi Rosado-Seijo

Chemi Rosado-Seijo’s work consists of community-based interventions linked to the site where they have been developed...

© » THEARTNEWSPER

about 19 months ago (02/06/2024)

Istanbul mayor sees culture as ‘locomotive’ in re-election bid Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Turkey news Istanbul mayor sees culture as ‘locomotive’ in re-election bid Restoring ancient city’s heritage sites and opening Modern art venues is central to Ekrem İmamoğlu’s campaign Ayla Jean Yackley 6 February 2024 Share Ekrem İmamoğlu at the opening of T he Dynamic Eye: Beyond Op and Kinetic Art exhibition at Artİstanbul Feshane Image: Ekrem İmamoğlu/X Istanbul’s mayor Ekrem İmamoğlu, widely viewed as a future challenger to President Recep Tayyip Erdoğan, is betting that his administration’s culture investments will help him secure re-election in a March vote...

© » SLASH PARIS

about 19 months ago (02/02/2024)

Resilient Currents: On Communal Re-Existence — Forma — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Resilient Currents: On Communal Re-Existence — Forma — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Resilient Currents: On Communal Re-Existence Exposition Techniques mixtes À venir Seba Calfuqueo, Miroir d’eau (capture d’écran), 2023 Courtesy de l’artiste Resilient Currents: On Communal Re-Existence Dans environ un mois : 21 mars → 25 avril 2024 Artistes : Seba Calfuqueo, Colectivo Ayllu, Carolina Caycedo, Patricia Dominguez, Regina José Galindo, Sonia Gomes, Jorge Gonzalez, iki yos piña narváez, Guadalupe Maravilla, Noé Martinez, Nomasmetaforas, Rangiñtulewfü, Rojo Negro, Angelica Serech, Maria Sosa, parmi d’autres...

© » SLASH PARIS

about 19 months ago (02/02/2024)

Resilient Currents: On Communal Re-Existence — Forma — Exhibition — Slash Paris Login Newsletter Twitter Facebook Resilient Currents: On Communal Re-Existence — Forma — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Resilient Currents: On Communal Re-Existence Exhibition Mixed media Upcoming Seba Calfuqueo, Miroir d’eau (capture d’écran), 2023 Courtesy de l’artiste Resilient Currents: On Communal Re-Existence In about 1 month: March 21 → April 25, 2024 In anticipation of La Collective, its future creation and solidarity center, Thanks for Nothing presents its first international exhibition, which focuses on socially engaged practices related to Central and South America...

© » THE ARTBLOG

about 19 months ago (01/31/2024)

Artblog | ‘(re)FOCUS, Then and Now,’ Big Differences, and The Future Artblog Celebrating 20 Years! Support Us Today! Features Reviews News Community About Advertise Donate Contact Features Reviews News Community About Advertise Donate Contact ‘(re)FOCUS, Then and Now,’ Big Differences, and The Future By Katie Dillon Low January 31, 2024 Katie Dillon Low writes a terrific piece on the "(re)FOCUS: Now" exhibit, one of two exhibits at the Galleries at Moore College of Art and Design; the other is "(re)FOCUS: Then" (with artists from the original 1974 exhibit)....

© » CONTEMPORARYAND

about 19 months ago (01/30/2024)

Madame Zo: From Re-Creation to Quest for Meaning | Contemporary And Madame Zo, Bientôt je vous tisse tous [Soon I’ll weave you all], Installation View at Fondation H...

© » THE ARTBLOG

about 19 months ago (01/25/2024)

Artblog | Talking with Diane Burko and Judy Brodsky about FOCUS (1974) and (re)FOCUS (2024), two major women’s art festivals Artblog Celebrating 20 Years! Support Us Today! Features Reviews News Community About Advertise Donate Contact Features Reviews News Community About Advertise Donate Contact Talking with Diane Burko and Judy Brodsky about FOCUS (1974) and (re)FOCUS (2024), two major women’s art festivals By Susan Isaacs January 24, 2024 Susan Isaacs's interview with the two founders of the FOCUS festival, staged in Philadelphia in 1974 provides insights into the origins and significance of (re)FOCUS 2024, a celebration marking 50 years of women in the visual arts....

© » ARTLYST

about 19 months ago (01/24/2024)

John Bonafede, an artist and re-performer/participant in Marina Abramović's renowned 2010 retrospective at the Museum of Modern Art sues.....

© » ARTSY

about 21 months ago (12/18/2023)

Paulina Olowska’s Seductive Portraits of Women Rethink Eroticism | Artsy Skip to Main Content Advertisement Art Paulina Olowska’s Seductive Portraits of Women Rethink Eroticism Josie Thaddeus-Johns Dec 18, 2023 5:05PM Paulina Olowska, S eductress , 2020...

© » ARTSY

about 21 months ago (12/13/2023)

Ambera Wellmann joins Hauser & Wirth in new “collective impact” initiative with Company Gallery...

© » ARTNEWS

about 21 months ago (12/12/2023)

Ambera Wellman Represented by Company, Hauser & Wirth in Collaboration – ARTnews.com Skip to main content By Sarah Douglas Plus Icon Sarah Douglas Editor-in-Chief, ARTnews View All December 12, 2023 11:06am Séance Etiquette 2020, Ambera Wellmann, Oil on linen, 54 x 57 in...

© » HYPERALLERGIC

about 21 months ago (12/05/2023)

Women’s Oppression Is the Earth’s Oppression Skip to content Laura Aguilar, "Nature Self-Portrait #5" (1996) (© Laura Aguilar Trust of 2016) LONDON — The tradition of landscape photography is entwined with a patriarchal settler-colonial perspective...

© » ARTSY

about 21 months ago (12/01/2023)

Nan Goldin tops ArtReview’s Power 100 list...

© » LARRY'S LIST

about 28 months ago (05/11/2023)

A Journey Yuz Museum, Panlong, Shanghai May 18th- August 13th, 2023 For the coming 10th anniversary of Yuz Museum Shanghai, the new venue located in Shanghai Panlong Tiandi will be completed and has its grand ......

© » ART PIL

about 28 months ago (05/09/2023)

Bobby Maher | ARTPIL ARTICLES PROFILES ANNOUNCEMENTS WORKS COLLECTIONS EXHIBITIONS 30/30 WOMEN PHOTOGRAPHERS ABOUT CONTRIBUTORS SUBMISSIONS ARTICLES art photography film + video culture + lifestyle exhibits + events features prescriptions PROFILES artists photographers filmmakers designers/architects fashion organizations/mags museums/galleries ANNOUNCEMENTS ANNOUNCES WORKS COLLECTIONS EXHIBITIONS 30/30 WOMEN WORKS COLLECTIONS ABOUT CONTRIBUTORS SUBMISSIONS + [–] Search for: Search Button • L to R: Michael Wojtalewicz (guitar), Cory Jacobs (drums), Amanda Zimmerman (vocals/bass), Matthew Schufman (vocals/synths)...

© » LARRY'S LIST

about 35 months ago (10/18/2022)

Collector Patrizia Sandretto Re Rebaudengo Reflects on Her Grand Tour of Europe This Past Summer - via ARTnews...

© » LARRY'S LIST

about 35 months ago (10/05/2022)

Top Collector Patrizia Sandretto Re Rebaudengo Reflects on Her Foundation’s 25th Year - via ARTnews...

© » LARRY'S LIST

about 35 months ago (10/05/2022)

The Business of Being an Art Collector: A Roundtable Discussion With Three Top Patrons About How the Pursuit Has Changed - via artnet news...

© » LARRY'S LIST

about 35 months ago (10/05/2022)

As names go, it's quite a mouthful -- Patrizia Sandretto Re Rebaudengo...

© » LARRY'S LIST

about 35 months ago (10/05/2022)

The Turin-based art patron enjoys learning about artist rivalries and delving into the Francis Bacon catalogue raisonné, among other things...

© » LARRY'S LIST

about 35 months ago (10/05/2022)

Private spaces throughout the country are uniting to host a joint show in the face of government funding cuts...

© » LARRY'S LIST

about 35 months ago (10/05/2022)

As the art world becomes increasingly aware of its contributions to the climate emergency, collectors can play a central role in a push for substantial change....

© » LARRY'S LIST

about 35 months ago (10/05/2022)

Zeitz MOCAA presents a group exhibition, 'Still Here Tomorrow to High Five You Yesterday' which re-examines notions of utopias & Afrofuturism....

© » LARRY'S LIST

about 35 months ago (10/05/2022)

The Private Museum Boom Takes a Dark Turn With the Opening of Musja in Rome, a Cavernous Showcase Themed to ‘Fear’ - via artnet news...

© » LARRY'S LIST

about 35 months ago (10/05/2022)

Meet the miart Early Birds: 10 Fairgoers Share Their Highlights of Milan’s International Art Fair - via artnet news...

© » ARTNEWS

about 41 months ago (04/25/2022)

Collector Patrizia Sandretto Re Rebaudengo to Take Over Venice Island – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All April 25, 2022 3:06pm The Isola di San Giacomo...

© » CREATIVETIME

about 42 months ago (03/03/2022)

Creative Time's First Think Tank Now Public - Creative Time Creative Time’s First Think Tank Now Public March 3rd, 2022 Tweet Email For the past year, the Think Tank has served as an incubator and forum for reframing conversations and decision making processes, premised on an understanding of arts and cultural spaces as necessary points of intervention toward wider societal transformation...

© » ARTS EQUATOR

about 45 months ago (12/24/2021)

Re Somma and Tamil Theatre in Singapore | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Agam Theatre Lab December 24, 2021 By Vithya Subramaniam, in conversation with Karthikeyan Somasundaram (2,330 words, 8-minute read) Why stage a piece about, and play your own father? What is Tamil Theatre in Singapore? And did Karthik really need to put on a full face of paint just for that one 12-minute scene?...

© » HIGH FRUCTOSE

about 69 months ago (12/11/2019)

The paintings of Jean Paul Langlois blend memories of 1970s sci-fi and Westerns of his youth, while also exploring the artist’s connection to his own native and non-native roots...

© » HIGH FRUCTOSE

about 70 months ago (11/30/2019)

Oil painter and performance artist John Robinson crafts cerebral, wistful, and, at times, humorous self-portraits...

© » ARTS EQUATOR

about 72 months ago (09/25/2019)

Discovering and Re-discovering Kluang: The INXO International Residency Programme | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of INXO Arts & Culture September 25, 2019 By Akanksha Raja (1,493 words, 6-minute read) It’s almost 4pm as the KTM train I’m travelling on trudges to a slow halt at the railway station in Kluang, Johor...

© » KADIST

about 38 months ago (07/04/2022)

© » KADIST

about 52 months ago (05/18/2021)

© » KADIST

about 59 months ago (11/03/2020)

© » KADIST

about 66 months ago (03/30/2020)

© » KADIST

about 69 months ago (12/14/2019)

© » KADIST

about 84 months ago (09/22/2018)

© » KADIST

about 108 months ago (10/12/2016)

© » KADIST

about 126 months ago (04/13/2015)

© » KADIST

about 148 months ago (06/20/2013)

© » KADIST

about 177 months ago (02/14/2011)

© » KADIST

about 179 months ago (12/04/2010)

© » KADIST

about 179 months ago (12/04/2010)

© » KADIST

about 221 months ago (06/23/2007)