Residencia Milan 1 is a painting of a house surrounded by lush forest. The image depicted is both photorealistic and creates the illusion of an unfolded piece of paper, with creases and discolorations. In referring to the circulation of images, the painting raises questions of a viewer’s relationship to the image of a beautiful house: as icon, wish, or standard of beauty.
White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form. Here, Capistran humorously remixes the form and style of Frank Stella’s Black Paintings with California punk rock band Black Flag’s song title and logo (created by artist Raymond Pettibon). White Minority , then, appropriates, recontextualizes, and riffs on language and visual signs to unmoor notions of identity, power, and revolution.
The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami. From left to right, each bill is progressively folded up, step by step, into the shape of a gun. Both a scream and a whisper are capable of conveying the same content, if at drastically different decibels, the artist proposes.
The photographic series Tonatiuh (The Son of the Sun) by Juan Brenner is an in-depth visual study of current Guatemalan society from the perspective of miscegenation and the incalculable consequences of the Spanish conquest. Establishing Spanish conquistador Pedro de Alvarado as a central figure, not only in the conquest of Guatemala, but also in the formation of a complex, segregated society, Brenner proposes a series of images that re-establish the lens through which to consider both a historical and contemporary Guatemala. Tonatiuh is a visual essay on the state of a country on the verge of failure and its incapacity to address its own history and learn from it.
They/Them by Juan Obando is a video essay and deepfake that uses Adobe Stock clips, maintaining their branded watermark, but animating the scenes underneath with a narrative of self-critical awareness. It’s a meta-narrative that uses the staged scenarios (as evidence) to talk about the variable politics (and mercenary capitalism) of the stock footage industry and the misinformation dilemma we’re facing with the arrival of AI technology. In a surprising reversal, a deepfake is used to tell the truth.
Drawing & Print (Drawing & Print)
Many of Araujo’s works depict reproductions and Libro Ponti II is a recreation of a book on Italian architect Gio Ponti. Ponti designed the Villa Planchart a private, modernist house in Caracas, Venezuela, which at the time it was built in 1956, reflected the emergence of a class increasingly globalized, both culturally and economically. Araujo’s replica of the book thus refers to the role and visibility of Venezuela in circuits of global cultural production.
The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources. Growing up in an African-American community in Los Angeles, Capistran has long been influenced by hip-hop culture. The photographs in this print document him surreptitiously breakdancing on Carl Andre’s iconic lead floor piece after the guards at the Los Angeles County Museum of Art have left the gallery.
El Salto (The Jump/The Waterfall) by Juan Covelli depicts the Salto de Tequendama, a waterfall located on the outskirts of southwest Bogota. During the 19th and 20th centuries, the waterfall served as a national symbol that captured both the singularity of its geographical reference point, as well as the romantic experience of nature and immensity. The video installation arises from a detailed archive research into historic representations of Colombian landscape and reflection on their role in the present-day imaginary of the country and the wider world.
In Amantes (Lovers) Juan Carlos points his lens at his own environment, his underground (literally) studio in Havana. A beautiful and intimate image of a seedy yet casual scene of two lovers in the background foreshadowed by a beautiful young woman smoking a joint in the foreground, a very powerful and not too subtle political representation of the current realities and truth of youth life in Havana. Juan Carlos Alom is an artist known for his documentary photography of Cuba’s subcultures and underground scenes.
Juan III (Pescadores En Una Isla) is a series of embroideries made with fake pre-Columbian fabrics produced by the Gonzales family, a three-generation family of pre-Columbian textile “forgers” based in Lima, Peru. The members of this family (grandfather, father, and son) all bear the name of Juan and make replicas by hand using traditional methods nearly indistinguishable from the pieces made thousands of years ago. A forgery pretends to be something it is not, but the Gonzalez family’s textiles openly intend to recreate those discovered in the 1920s at a necropolis in Peru.
The video Interrupted Passage presents a performance Morales staged in the former home of Mariano Guadalupe Vallejo, a mid-nineteenth-century Mexican general serving in California. Reenacted here is Vallejo’s acquiescence to Americans who were attempting to overthrow Mexican governance of the region. When a small militia arrived at Vallejo’s house to arrest him, he invited them in and shared a meal.
Contrabando is a work that references the larger sociological phenomenon in which immigrant economic strategies come to infiltrate urban landscapes. It is a study of the realities and consequences of exploited labor that simultaneously aims to record the living history of labor.
Drawing & Print (Drawing & Print)
Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation. Morales drew inspiration from both his childhood near the United States-Mexico border as well as from photographic documentation on U. S. government websites.
In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue. 27 Punk Photos: 11. Dim Wanker: F Word, May, 1978 (1978) is representative of a series of photographs by Conner, whose subject became a fascination for the artist.
Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner. Its tiled effect can perhaps be seen as a vertical Carl Andre work and also bears some resemblance to another work in the Kadist Collection, Jedediah Caesar’s JCA-25-SC. McGee’s installation also echoes the votive altars in the chapels he visited during his residency in Brazil in 1993.
Drawing & Print (Drawing & Print)
The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico. I painted them sky blue, creating a “Hole in the Wall” This deconstruction of “feminized” work explores the difficulties in reconciling both low wages and undervalued work via social and political infrastructures, confronting issues of labor and power. The images that I myself perform, present a duality: women dressed in a black tango dance attire while engaging in de-skilled domestic chores; the surreal within non-fiction.
Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco. VertiGhost features the re-creation of select scenes from Vertigo (which takes place in San Francisco), documentation of the life of a painting by Amedeo Modigliani in the Legion of Honor’s collection that was enshrouded by questions of authenticity, as well as interviews—including with the original film’s star Kim Novak— about the construction of realities in life and art. By thoughtfully overlaying these conversations and events, Hershman Leeson distills complex conversations around identity and authenticity into concise insights in just over 12 minutes.
Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape. Rooted in Central American folklore, politics, and culture, his works often move beyond the canvas onto the wall or into the streets. In Á rbol y Pelicao (Tree and Pelican, 2009), a tree with cartoonlike creatures drawn in pen beside it emerges from a field of bright swaths of color.
San Francisco, Moscone Center is a silver gelatin print from the series American Surveillance , a ten-year-long project where Richard Gordon photographed surveillance cameras across USA. In the image’s foreground we see the silhouette of a man, darkened and in contrast to the bright streetscape unfolding behind him. To the left, an American flag flutters in the wind, saluting the skyscrapers—among them the iconic architecture of the San Francisco Museum of Modern Art.
Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name. Assembled from the remnants and found objects from a hotel room, including a collage, shelf and small lamp, this playful piece—a satirical shrine of sorts—echoes the decidedly un-modern spirit of San Francisco’s bohemian culture. Kienholz’s works, with their critical and anti-establishment content, are often linked to the 1960s Funk Art movement in the Bay Area.
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters. While Untitled (Bird’s Eyes) does not depict any actual women, it nevertheless alludes to gender roles and the power of the female gaze. Apparently playful, this scene of two animals has an ominous quality: A bird and a hedgehog confront at each other and the bird appears to be poking, even eating the hedgehog’s eye.
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters. While Untitled (Bird’s Eyes) does not depict any actual women, it nevertheless alludes to gender roles and the power of the female gaze. Apparently playful, this scene of two animals has an ominous quality: A bird and a hedgehog confront at each other and the bird appears to be poking, even eating the hedgehog’s eye.
The two pieces in the Kadist Collection depict foggy landscapes, one at dawn, the other at nighttime. Both dimly lit scenes are dominated by an eerie feeling. Taken by a road, these painterly photographs suggest the uncanny character of the transient.
After two years of research in close conversation with anthropologists and archaeologists, Linares eventually enrolled in classes to study archeology—specifically the history of material artifacts. He became obsessed with the origin of metaphor, and the stick as the Ur (earliest) object used by humans that led to the formation of meaning itself. This video, which accompanies the “Museum of the Stick,” is part of major work surveying material culture collected and presented by the artist through a complex narrative of associations and anthropological research.
McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works. Here, McCarthy squirts liquid out of a bottle held near his crotch onto a stuffed animal in the shape of a lion. The costuming, materials, and simulated bodily functions frequently appear in McCarthy’s work, which often disturbingly juxtaposes visceral and startling manipulation of the body with the cheerful artifacts of popular consumer culture.
Gutmann’s photographs Untitled Nob Hill and From the North Tower of the Golden Gate Bridge are some of the oldest pieces in the Kadist Collection and serve as historical anchors for many of the more recent works. Distinctly modernist in style, the photos depict two of San Francisco’s most recognizable sites—the affluent neighborhood of Nob Hill and the iconic Golden Gate Bridge—through extremely estranged angles and balanced compositions. Moreover, these two images are representative of Gutmann’s work inasmuch as they epitomize two of the photographer’s visual obsessions: the automobile and the city of San Francisco.
In addition to a long and diverse career as an artist, performer and writer of over a dozen books, Pablo Helguera has worked in the education departments of key institutions such as the Guggenheim Museum (1998-2005) and MoMA (2007-2020)...
Originally from Chicago, Richard Gordon was a self-taught photographer best known for his intelligent and masterfully printed black-and-white photographs...
Lam Tung Pang uses both traditional and non-traditional Chinese ink techniques and materials for his landscapes, referencing notions of collective memory that relate to specific sites...
Since the early 1980s, Cuban-born Tony Labat has been an important participant in the California performance and video scene...
Michael Linares (San Juan, Puerto Rico) asks critical questions about the most fundamental forms and concepts of art...
Elizabeth McAlpine has described herself as a « fanatical geologist » who explores the different layers of cinematic footage...
As a Colombian who studied and now lives in Arizona, Juan Obando has a non-native perspective on the media-obsessed culture of the US...
Based on ideas of architecture, and by means of appropriation of public space and studio-based material operations, Marlon de Azambuja’s work creates new idioms for thinking and inhabiting the built environment...
Juan Covelli uses technology as a medium;, striving to decolonize the museum through digital practices, he releases archives from institutional control for the sake of emancipation...
Collaborative approach fuels rise of San Francisco’s Friends Indeed gallery Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art market news Collaborative approach fuels rise of San Francisco’s Friends Indeed gallery Founder Micki Meng shows that working with like-minded gallerists can be an art trade superpower Julie Baumgardner 12 February 2024 Share For Meng, collaboration means sharing artists with other galleries, as well as sharing information on collectors and dealers with trusted colleagues Photo: Mike Egan Although some dealers seem to have adopted collaboration as merely their latest business strategy, it is an inherent practice for Micki Meng, the founder of what she calls her “gallery-cum-institution” Friends Indeed...
10 Must-See Works at the Museum of Modern Art | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
The Best Late-Night Crab and Garlic Noodles in San Bruno | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint The Midnight Diners Some of the Bay Area’s Best Garlic Butter Crab Is Served in San Bruno After Midnight Luke Tsai Thien Pham Feb 8 Save Article Save Article Failed to save article Please try again Email The Dungeness crab and garlic noodles at San Bruno’s A-One Kitchen hold their own against any restaurant in the Bay — and they’re available until 1 a.m...
The First Known Photograph of the San Francisco Opera | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Newly Unearthed: The First Known Photograph of the San Francisco Opera Sarah Hotchkiss Feb 8 Save Article Save Article Failed to save article Please try again Email A detail from an October 1923 photograph of the San Francisco Opera company in the Civic Auditorium shows performers and family in pre-performance street clothes...
Game on: Museums in Kansas City and San Francisco face off in Super Bowl duel Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Sport news Game on: Museums in Kansas City and San Francisco face off in Super Bowl duel While California law prevents SFMoMA from wagering the loan of a work on the outcome of the NFL’s championship game, officials there and at the Nelson-Atkins Museum have found a creative solution Benjamin Sutton 7 February 2024 Share Photo by Dave Adamson on Unsplash The 2024 Super Bowl matchup between the defending champion Kansas City Chiefs and the San Francisco 49ers is sure to be one of the most watched sports matches of the year—due in no small part to the sudden interest of legions of Taylor Swift fans —and members of the art world will be watching closely, too, to see who will emerge victorious in the latest iteration of an industry tradition known as Museum Bowl...
Eddie Martinez will represent San Marino at the 2024 Venice Biennale...
Juan Uslé — Viento sur — Lelong & Co Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Juan Uslé — Viento sur — Lelong & Co Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Juan Uslé — Viento sur Exhibition Painting Juan Uslé, Fulgor Celeste, 2023 (Détail) Vinyle, dispersion, acrylique et pigment sur toile — 198 × 112 cm Courtesy de l’artiste et galerie Lelong & Co...
Juan Uslé — Viento sur — Galerie Lelong & Co — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Juan Uslé — Viento sur — Galerie Lelong & Co — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Juan Uslé — Viento sur Exposition Peinture Juan Uslé, Fulgor Celeste, 2023 (Détail) Vinyle, dispersion, acrylique et pigment sur toile — 198 × 112 cm Courtesy de l’artiste et galerie Lelong & Co...
Restaurant Tramo embraces a responsible future, bite by bite | Wallpaper (Image credit: Photography by Juan Baraja...
8 Latinx Artists You Should Know | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
The Defining Artworks of 2023 – ARTnews.com Skip to main content By The Editors of ARTnews Plus Icon The Editors of ARTnews View All December 18, 2023 2:20pm Photo Illustration: Kat Brown/ARTnews Each year, countless new artworks are made and historical ones come into sharper focus as events in the art world and beyond give them new valance...
LA artist Patrick Martinez captures the passage of time | Wallpaper (Image credit: Yubo Dong / ofstudio...
A New Flea Market Brings Holiday Spirit to Downtown San Francisco | KQED Skip to Nav Skip to Main Skip to Footer Frisco Foodies The Downtown San Francisco I Loved Was a Holiday Wonderland Rocky Rivera Dec 14 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link A young Rocky Rivera (right) poses with her beloved wheat color Timberland boot...
James Patterson Awards Bonuses to Bay Area Bookstore Employees | KQED Skip to Nav Skip to Main Skip to Footer Arts & Culture James Patterson Awards $500 Bonuses to Bay Area Bookstore Employees The Associated Press Dec 14 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Inside Green Apple on Clement Street; the bookstore has two additional locations, Green Apple Books on the Park and Browser Books...
Colombia Wants to Recover $20 Billion from Storied Shipwreck, San José | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Miami Art Week Fairs (Other Than Art Basel) You Should Know advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Miami Art Week Fairs (Other Than Art Basel) You Should Know Ki Smith and Sono Kuwayama...
Best of classical music in 2023: Big performances and exciting premieres - The Washington Post Skip to main content Listen 7 min Share Comment on this story Comment Add to your saved stories Save Ranked lists are intended to lend what sure feels like objective authority to a retrospective appraisal of the year (why else involve numbers?)...
The Buzziest Artists of Miami Art Week 2023 | Artsy Skip to Main Content Advertisement Art The Buzziest Artists of Miami Art Week 2023 Casey Lesser Dec 8, 2023 5:58PM Alejandro Piñeiro Bello, installation view of Tormenta Solar , 2023, at the Rubell Museum, 2023...
At Miami’s “Smaller” Fairs, Textiles and Softness Take the Stage Skip to content Artist Beya Gille Gacha captures visitors’ attention at the Keijsers Koning booth with her life-like sculpture “Orant 5” (2019)...
BOMB Magazine | Justin Torres Necessary (Required) Cookies that the site cannot function properly without...
The San Francisco residence of Chara Schreyer, one of the world’s leading collectors of contemporary and modern art, has hit the market for $4.9 million....
Lori Dunlap and Charlie Biendenharn say you can boost the local art scene and the ambience of your home with local art (even if you don't want to spend a ton of money)....
New photos of British architect David Adjaye's contemporary art centre in San Antonio, Texas show that construction of the angular crimson has completed....
The late San Antonio philanthropist’s two-story condo, once a social hub of the art world, is the ultimate blank canvas....
Pier 24 Looking Forward reviewed by SF Examiner - Pier 24 Looking Forward reviewed by SF Examiner August 23, 2022 Daniel Postaer, San Francisco, University Club , 2018...
Pier 24 Pier 24 Photography listed as top SF destination in San Francisco Chronicle - Pier 24 Pier 24 Photography listed as top SF destination in San Francisco Chronicle August 15, 2022 John Chiara, Bay Panel , 2020 (installation view from Looking Forward: Ten Years of Pier 24 Photography , August 8, 2022–May 31, 2023)...
SO, where to begin? At the beginning, of course...
Mystery Zone, or A Lotta Endings : Open Space November 23, 2021 Mystery Zone, or A Lotta Endings by Poetry Collaborations with Creative Growth They lived happily ever after And then the sun came up And then the sun go down The couple is riding off into the sunset The End They threw a pie at the shark, the end “We’ll have to do this again sometime” “See ya later, turkey!” “I have a train to catch” My hero! Good night and God bless We’re closed! Take and catch an airplane Keep in touch, never come back!...
In 1940 Rivera came to San Francisco for what would be his last mural project in the city, Pan-American Unity ...
Gutmann’s photographs Untitled Nob Hill and From the North Tower of the Golden Gate Bridge are some of the oldest pieces in the Kadist Collection and serve as historical anchors for many of the more recent works...
San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel...
In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue...
McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...
Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...
Drawing & Print
Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...
The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...
San Francisco, Moscone Center is a silver gelatin print from the series American Surveillance , a ten-year-long project where Richard Gordon photographed surveillance cameras across USA...
White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...
Elizabeth McAlpine’s work frequently deals with time based issues as well as the experience of watching...
Drawing & Print
Many of Araujo’s works depict reproductions and Libro Ponti II is a recreation of a book on Italian architect Gio Ponti...
Drawing & Print
Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
The video Interrupted Passage presents a performance Morales staged in the former home of Mariano Guadalupe Vallejo, a mid-nineteenth-century Mexican general serving in California...
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Drawing & Print
In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment...
Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...
Commissioned by the San Francisco Museum of Modern Art and riffing on the “I Want You” army recruitment campaigns of the 1930s and 1940s, Labat asked Bay Area residents to interpret the slogan and make their own demands of the public in a series of live performance auditions...
Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape...
The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies)...
Drawing & Print
A sly sense of humor is key in Pablo Helguera’s long-running Artoons series, one that includes ~1500 drawings made over ten years...
Drawing & Print
A sly sense of humor is key in Pablo Helguera’s long-running Artoons series, one that includes ~1500 drawings made over ten years...
Contrabando is a work that references the larger sociological phenomenon in which immigrant economic strategies come to infiltrate urban landscapes...
Drawing & Print
The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...
Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami...
In Amantes (Lovers) Juan Carlos points his lens at his own environment, his underground (literally) studio in Havana...
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Drawing & Print
A sly sense of humor is key in Pablo Helguera’s long-running Artoons series, one that includes ~1500 drawings made over ten years...
Another curious element is that it seemed that I was seeing images from the dreams I had that afternoon...
Drawing & Print
Lam Tung Pang created Sketches from train ride Chicago to San Francisco during his travels through the United States researching American curatorial strategies for representing traditional Chinese painting in museums and cultural institutions...
Drawing & Print
A sly sense of humor is key in Pablo Helguera’s long-running Artoons series, one that includes ~1500 drawings made over ten years...
After two years of research in close conversation with anthropologists and archaeologists, Linares eventually enrolled in classes to study archeology—specifically the history of material artifacts...
La cabeza mató a todos or “The Head that Killed Everyone”, is a mixing of indigenous mythologies with present-day characters, geographies, and culture in Puerto Rico...
Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock...
Drawing & Print
A sly sense of humor is key in Pablo Helguera’s long-running Artoons series, one that includes ~1500 drawings made over ten years...
Marché Salomon by Beatriz Santiago Muñoz depicts two meat vendors, a young man and woman, chatting in Marché Salomon, a busy Port-au-Prince market...
Drawing & Print
The series of drawings Cancha Abierta (Yellow Series) derive from a project in which Jesús ‘Bubu’ Negrón worked with the community of El Rosario, located in the region of Beni, Bolivia, approximately 500 meters away from the Mamoré River...
While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...
Drawing & Print
A sly sense of humor is key in Pablo Helguera’s long-running Artoons series, one that includes ~1500 drawings made over ten years...
Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...
Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...
Easy to fold and carry, Jorge González’s Banquetas Chéveres (Chéveres Stools) embody the nomadic and flexible nature of the Escuela de Oficios...
The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
Following a series of related works, Brutalismo Americano by Marlon de Azambuja is a site-specific sculptural installation produced during the artist’s residency at Kadist, San Francisco in 2017...
The photographic series Tonatiuh (The Son of the Sun) by Juan Brenner is an in-depth visual study of current Guatemalan society from the perspective of miscegenation and the incalculable consequences of the Spanish conquest...
Juan III (Pescadores En Una Isla) is a series of embroideries made with fake pre-Columbian fabrics produced by the Gonzales family, a three-generation family of pre-Columbian textile “forgers” based in Lima, Peru...
Drawing & Print
A sly sense of humor is key in Pablo Helguera’s long-running Artoons series, one that includes ~1500 drawings made over ten years...
El Salto (The Jump/The Waterfall) by Juan Covelli depicts the Salto de Tequendama, a waterfall located on the outskirts of southwest Bogota...
Drawing & Print
A sly sense of humor is key in Pablo Helguera’s long-running Artoons series, one that includes ~1500 drawings made over ten years...
Drawing & Print
A sly sense of humor is key in Pablo Helguera’s long-running Artoons series, one that includes ~1500 drawings made over ten years...
Drawing & Print
A sly sense of humor is key in Pablo Helguera’s long-running Artoons series, one that includes ~1500 drawings made over ten years...
They/Them by Juan Obando is a video essay and deepfake that uses Adobe Stock clips, maintaining their branded watermark, but animating the scenes underneath with a narrative of self-critical awareness...