© » KADIST
Cao Fei
Since 2007, Cao Fei has radically focused her work on Second Life, an online space that virtually mimics “the real world” and includes everything from the expression of ideas to economic investment. Referring to China’s modernization and its capitalist and utopic visions, RMB City explores the ways in which global communication impacts imagination, values, and ways of life. By appropriating virtual reality, Cao Fei opens up a new frontier in the field of art production that surpasses conventional materiality and invites collaboration and exchanges with her public and clients.
© » KADIST
Cao Fei
Cao Fei’s video La Town, 2014 depicts a mythical metropolis that has been destroyed by unknown forces. Although the damage is obvious, as the camera navigates across the elaborate, handmade dioramas, the inhabitants of La Town carry on with their activities and the normality of everyday life pervades. As the film progresses, the latent chaos and violence begin to emanate from every corner of the miniature city: a bloody briefcase left on the ground, a kidnapping scene, an axe murderer on the loose, a ferocious man-eating octopus—all rendering the darkness of this new post-apocalyptic world order.
© » KADIST
Cao Fei
Diversionist is part of the Cosplayers Series from 2004. In Cosplayers Cao Fei depicts the popularity among Asian youths of “cosplay” in which daily life is merged with images of video games and popular films. For many, this virtual reality is an outlet to “transcend” the paradox of a developing society in which the pleasures of consumption and depression of alienation go hand-in-hand.
© » KADIST
Hu Yun
This research-based artwork acts as a memorial to early twentieth century European exploration of China. An antique open suitcase reveals a pile of rubbings and an air-dried peony, while projected photographs of the Chinese landscape appear as a slideshow on the gallery wall. The artifacts refer to a 1908-1909 expedition of naturalists, missionaries, and colonists to the west of China, which ended abruptly with the death of one of the travelers by unusual circumstances.
© » KADIST
Li Liao
A Slap in Wuhan documents Li Liao’s performance in Wuhan, China on January 8, 2011. Li waits at the entrance of the Optical Valley walking street. An anonymous person who was recruited online approaches Li and slaps him in the face.
© » KADIST
Jianwei Wang
In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text. The performance begins with two broad-knife-wielding characters circling each other in conventional operatic steps. Oblivious to the presence of these two on stage, additional characters, in a mix of period costume and contemporary dress, enter the stage in increasing droves to consume a various of foods laid out on a table until they collapse and pile on top of each other.
© » KADIST
Jiang Pengyi
Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water. Yet, ambiguous lights blink from buildings and yachts still sail on the water, and further observation reveals these structures to be miniatures manipulated by the artist through Photoshop and other postproduction image tools. The model city’s surroundings are themselves real abandoned spaces, perhaps an empty room, a wait-to-be demolished building, or a discarded bathtub.
© » KADIST
Jiang Zhi
In the video installation Tremble, Jiang projected the life-size images of seven naked men and women onto seven individual screens. Each person displays a different facial expression and body position such as reading a book, arms open for a hug, holding a knife, raising a fist to take an oath. Each gesture reflects some essential social aspect of everyday life: hugging is about caring, taking oath has to do with politics, reading relates to acquiring knowledge, and raising a knife indicates violence.
© » KADIST
Mimian Hsu Chen
In Hsu’s work, Colonia China (2014), the artist documents a Chinese cemetery of Costa Rica’s Limón Province, along the country’s Caribbean coast. Serving as the final resting place for Chinese migrants who came to Coast Rica during the late nineteenth century as indentured laborers working to construct the Transatlantic Railroad, the Colonia China speaks to a long but divided history. Hsu’s photographs of the burial ground also echo her interest in typography, with blocky black lettering and painted Chinese characters marking the cemetery as a space belonging to two different worlds.
© » KADIST
Jiang Zhi
5 is a three channel video about the dualities of death and resurrection, reminiscence and fantasy, chronological and retrospective narration. The main video features two dancers intertwining, caressing in trancelike movements, with intimacy eventually leading to scarring and bleeding. Towards the end, the trace of bodily movements and fluids crescendo in an image of a skull in a synthesis of performance, painting and theater.
© » KADIST
Marie Voignier
“Na China” means “In China” in Igbo language. Marie Voignier’s film NA CHINA! focuses on the African women communities who have emigrated to Guangzhou, in the southeast of China.
© » KADIST
Köken Ergun and Satyam Mishra
Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017. The BRI is a strategy that was set forth by China in 2013 to expand its influence by building a network of economic corridors around the globe. BRI projects in Nepal include the Kathmandu-Kerung Railway, the Galchhi-Rasuwagadhi-Kerung 400 kilovolt transmission line, the 762 megawatt Tamor hydroelectric dam, and the 426 megawatt Phukot Karnali run-of-the-river hydropower project.
© » KADIST
Miao Ying
As part of her project Chinternet Plus , a “counterfeit ideology” and parodic take on the strategy “Internet Plus” launched by Chinese Prime Minister Li Keqiang in 2015, the video work Post commentary, monetary likes, Morgan Freeman’s advice on reality gives an insight into Internet Culture in China. The brilliantly edited video by Miao Ying presents various scenes from a popular Chinese live-streaming platform together with extracts from a TV show featuring Morgan Freeman talking about “What Is Reality”. This work is exemplary of the artist’s practice, questioning, with a degree of humour, the sometimes dramatic consequences of the Internet as it consumes society.
© » KADIST
Yan Xing
Sexy shows Yan Xing unsuccessfully trying to reach orgasm in freezing temperatures among the falling rocks and howling winds of a precarious canyon. His erotic failure leaves the voyeur-viewer unfulfilled and disappointed. The work explores notions of identity, masculinity, sexuality, voyeurism, and cultural taboos.
© » KADIST
Lu Chunsheng
Lu has developed an oeuvre that consists of characters in bizarre situations. The large-scale photograph I Want to Be a Gentleman depicts nine men standing like statues on display in a museum on tall plinths in front of a run-down industrial building. Lu’s brooding films and photographs are preoccupied with China’s industrial era and communist history.
© » KADIST
Yang Xinguang
Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world. Comprised of rudimentary planks of wood hammered together into a rectangular form, Yang’s work uses reclaimed materials from everyday life and seems deliberately in conversation with Arte Povera, the art movement that originated in Italy during the late 1960s where practitioners produced art from found and common materials as an act of resistance against the decided commercialization of the art world through market economies. Yang, by extension, pays close attention to his materials in attempt to release the forms within them rather than impose his own.
© » KADIST
Yan Xing
The title of this series – Two videos, three photographs, several related masterpieces and American art – is paradoxical, suggesting the work is conceived in relation to its medium and a situation in art history and the region of the world in which it was made. Paradoxical but in the end, often true of the way in which art history is written. The presence of black men and the term “American Art” brings us back to Robert Mapplethorpe’s Black Book .
© » KADIST
Li Ran
The four-channel video installation Same Old Crowd departs from the documentation of an unknown city and takes place in an ambiguous temporal and spatial frame. Twelve characters (amateur actors hired by the artist) appear in black-and-white in highly stylized surroundings wearing patterned cloths. The identities or time period of the characters, all deprived of languages, are impossible to determine.
© » KADIST
Yang Zhenzhong
Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall. With its cushions removed to reveal its internal mechanisms, the chair’s programmed rubbing, kneading, patting, and vibrating motions create a strange sight and soundscape. The work explores the relationship between flesh and machine as they come together through technologically simulated social behaviors, challenging normative ideas about human interaction.
© » KADIST
Li Ming
In the eight-channel video installation Movement , Li Ming uses his body as a prop to interact with different means of transportation. Each channel features footage of the artist moving forward, jumping between various modes of transportation that weave in and out of the frame in a carefully orchestrated choreography. As the artist descends from the loader bucket of a moving construction tractor, he jumps onto a skateboard which he then discards as he lays on top of a suitcase that continues rolling forward.
© » KADIST
Li Ran
In his video work Beyond Geography , Li dramatizes the role of the artist-as-imitator to the point of sheer parody. Dressed to toe in the costume of a typical Discovery Channel adventurer-explorer, the artist dashes suavely through the uncharted jungle habitat of a primitive tribe. Li modulates his own voice in laughably accurate mimicry of the dubbed Discovery Channel protagonist familiar to Chinese viewership, daringly gulping fresh water from a river, expertly admiring exotic vegetation, and whimpering in fear of the dark sounds of the night (screaming, even, as he trips on a human skull) in an full-scale exaggeration of a nature show personality.
© » KADIST
Xiaoyun Chen
In the video work Drag, a man in a dark room pulls on the end of a rope. In midst of sounds of heavy breathing, the camera presents alternating scenes of a man and the shadow of a man wearing a long, pointed hat cast against a wall. Insinuating a sinister mood, the man and the shadow struggle to control the scene through alternating tugs and releases of a rope.
© » KADIST
Sun Xun
Sun Xun’s lushly illustrated, dynamic short film Mythological Time is a dreamy chronicle of rapacious industrial development, the mythical qualities of state propaganda, and the constancy of change, as experienced by an unnamed coal mining town. While it is not named in the film itself, the town at the center of Mythological Time is a re-imagined incarnation of Sun’s hometown of Fuxin, in the northern Chinese province of Liaoning. Sandwiched between North Korea and Inner Mongolia, Fuxin is a poor coal-mining region that used to contain one of China’s largest open-pit mines and has historically been the site of significant conflict, thanks to its rich mineral resources.
© » KADIST
Qiu Anxiong
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections. Each video depicts a portrait with features changing continuously and quickly into different persons, animals and symbols. Driven by the evolving contents of the screen itself, this piece showcases the form and material of Qiu Anxiong’s working method, which relies on precisely planned storyboard sketches drawn in pen on A4 paper.
© » KADIST
Xiaoyun Chen
The central point of Vanishing Point is the most direct physiological reaction of the body to the environment. Chen Xiaoyun has added a written narrative and a poetic quality to his works. Image fragments containing different pieces of information are linked together by the text, their interplay producing a synesthesia effect.
© » KADIST
Lu Chunsheng
A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory. Using long shots and atypical settings, Lu Chunsheng enigmatically refers to a distant history while conveying the sense of dislocation wrought by successive stages of modernization. The combination of elaborate landscape shots from the suburbs of Shanghai and Lu’s signature style of spare and minimally crafted acting offers a surreal view of human behavior in spaces marked by the hulking remnants of China’s extraordinary development.
© » KADIST
Xiaoyun Chen
The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction. Chen emphasizes the direct sensational impact of his work to allow his viewer to question the boundary between reality and art. The image of nails as food harks at a visceral relationship with the title, which cries the tone of a manifesto.
© » KADIST
Xiaoyun Chen
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image. Near his studio, Chen often walks over fallen branches in late autumn and sense their existence. Thus, his placing them in diverse contexts builds a “narrative Ariadne’s thread” where the branches become “the language of things” intertextually cohering his oeuvre.
© » KADIST
Xiaoyun Chen
State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism. The title alludes to the Pre-Raphaelite notion of a brotherhood based on “truth to nature.” Censorship of the mouth and indigestion of freshly cut stalks, central to Chen’s language of tree branches, feeds back provocatively to the title’s suggestion of “state terrorism.” However, one must resist seeking symbolic meaning in the image as Chen’s focus is on the direct visual impact of the absurd act portrayed.
© » KADIST
Sun Xun
Sun’s animated film 21 Ke (21 Grams) is based on the 1907 research by the American physician Dr. Duncan MacDougall who claimed the measured weight of the human soul to be twenty-one grams. Sun used this episode—which was not fully recognized by the scientific community—as a point of departure for his depiction of a dystopian world in which the narration of history and notion of time are interrupted. Because each frame was drawn by hand with crayon, it took Sun and his animation studio team a few years to complete this thirty-minute film of a surreal journey through mysterious cities, plagues of mosquitoes, broken statues, cawing ravens, waving flags, and flooded graveyards.
Xiaoyun Chen
- location: Hangzhou, China
- year born: 1971
- gender: male
- nationality: Chinese
- home town: Hubei Province, China
Du Zhenjun
- location: Paris, France
- location: Shanghai, China
- year born: 1961
- gender: male
- nationality: Chinese
- home town: Shanghai, China
Cao Fei
- location: Beijing, China
- year born: 1978
- gender: female
- nationality: Chinese
- home town: Guangzhou, China
Zhang Kechun
Photographer Zhang Kechun documents striking scenery that meditates on the significance of landscape in modern Chinese national identity...
Lu Chunsheng
- location: Shanghai, China
- year born: 1968
- gender: male
- nationality: Chinese
- home town: Changchun, Jilin province, China
James T. Hong
James T...
Yang Guangnan
- location: New York City, United States
- year born: 1986
- home town: Inner Mongolia, China
Yan Xing
- location: Beijing, China
- year born: 1986
- gender: male
- nationality: Chinese
- home town: Chongqing, China
Li Ran
- location: Beijing, China
- year born: 1986
- gender: male
- nationality: Chinese
- home town: Hubei Province, China
Chen Shaoxiong
- location: Beijing
- location: Guangzhou, China
- year born: 1962
- gender: male
- nationality: Chinese
- home town: Shantou, Guangdong Province, China
Pak Sheung Chuen
- location: Hong Kong, China
- year born: 1977
- gender: male
- nationality: Chinese
- home town: Fujian, China
Sun Xun
- location: Hangzhou, China
- year born: 1980
- gender: male
- nationality: Chinese
- home town: Fuxin, Liaoning Provence, China
Jiang Zhi
- location: Beijing
- location: Shenzhen, China
- year born: 1971
- gender: male
- nationality: Chinese
- home town: Yuanjiang, China
Kwan Sheung Chi
Kwan Sheung Chi obtained a third honor B.A...
Pu Yingwei
Working as an artist, writer and curator, Pu Yingwei’s practice addresses key issues of our contemporary world linked to collective memory, personal history, utopia, identity, and geopolitics...
Charwei Tsai
- location: Taipei, Taiwan
- location: Paris, France
- year born: 1980
- gender: female
- nationality: Taiwanese
- home town: Taipei, Taiwan
Adrian Wong
- location: Hong Kong, China
- year born: 1980
- gender: male
- nationality: American
- home town: Chicago, Illinois
Mimian Hsu Chen
Costa Rica-based artist Mimian Hsu works with photography, documents, typography, and objects to construct site-specific installations, performances, and projects that explore intersecting cultural identities...
Wang Taocheng
Wang Taocheng is a Shanghai artist who lives and works in Amsterdam...
Geoffrey Farmer
- location: Vancouver, British Columbia
- year born: 1967
- gender: male
- nationality: Canadian
- home town: Eagle Island, Canada
Connie Zheng
Connie Zheng is an artist, writer, filmmaker, and field recordist...
Wang Tuo
Through film, performance, painting, and drawing, artist Wang Tuo interweaves disparate realities through archives, modern history, myth, and literature...
Zhang Peili
- location: Hangzhou, China
- year born: 1957
- gender: male
- nationality: Chinese
- home town: Hangzhou, China
Yu Ji
Yu Ji is a precise artist with multiple preoccupations, references, and interests; she comes from a long tradition of erudite, polymath approaches to art making...
Song Ta
Song Ta engages various mediums, including video art, installation, drawing, sculpture, photography, and calligraphy in his practice...
Jianwei Wang
- location: Beijing, China
- year born: 1958
- gender: male
- nationality: Chinese
- home town: Sichuan Province, China
Hu Yun
- location: Shanghai, China
- year born: 1986
- gender: male
- nationality: Chinese
- home town: Shanghai, China
Jiang Pengyi
- location: Beijing, China
- year born: 1977
- gender: male
- nationality: Chinese
- home town: Yuanjiang, Hunan Province, China
Shi Guowei
Shi Guowei is concerned with notions of historical and cultural traditions as they relate to current socio-political issues...
Cao Shu
Cao Shu’s works span three-dimensional digital moving images, sound installation, and interactive games...
© » KADIST
about 11 months ago (02/12/2024)
OCAT Shanghai and KADIST are pleased to announce that Wang Tuo has been selected for a research residency at KADIST San Francisco as part of the OCAT x KADIST Emerging Media Artist Residency Program 2020 The artist was selected by an esteemed international jury from the shortlist of artists selected for the Emerging Media Artist Exhibition 2020...
© » APERTURE
about 11 months ago (02/06/2024)
Taking a local, hometown look at the Chinese Spring Festival Shehuo, Zhang Xiao considers how the thousand-year-old tradition has transformed into a tourist-facing enterprise....
© » SOUTH CHINA MORNING POST
about 11 months ago (02/06/2024)
Following the furore over the United States Postal Service’s 2024 Year of the Dragon commemorative stamp, we look at rival stamp designs from Hong Kong, mainland China, Japan, Thailand and the Isle of Man....
© » SOUTH CHINA MORNING POST
about 11 months ago (01/27/2024)
Book extract: historian sheds new light on Marco Polo’s China travels, which have often been doubted | South China Morning Post Book extract: historian sheds new light on Marco Polo’s China travels, which have often been doubted History Tall tales of the East told by Marco Polo have had their sceptics, but author Christopher Harding highlights details that make the explorer harder to doubt Christopher Harding + FOLLOW Published: 6:15pm, 27 Jan, 2024 Why you can trust SCMP Extracted from The Light of Asia: A History of Western Fascination with the East by Christopher Harding, published by Allen Lane, January 2024 *** “Honoured emperors and kings, dukes and marquesses, counts, knights and townspeople, and all who want to know about the various races of mankind and the peculiarities of the various regions of the world, take this book and have it read to you! “Here you will find all the greatest wonders and chief curiosities of Greater Armenia and Persia, of the Tartars and India, and of many other lands...
© » COLOSSAL
about 13 months ago (12/12/2023)
If you’re looking for a new way to electrify your social media channels, explore dizzying generative animation tools to enhance your art practice, or have a tight deadline for a campaign that needs a mind-melting visual effect, there’s a new graphics tool to add to your arsenal – and you don’t even need to learn to code...
© » SOUTH CHINA MORNING POST
about 13 months ago (12/02/2023)
‘I thought I was god’s gift to China’: art gallery owner Pearl Lam on her ‘colonial attitude’ and embracing her ethnicity | South China Morning Post ‘I thought I was god’s gift to China’: art gallery owner Pearl Lam on her ‘colonial attitude’ and embracing her ethnicity Profile Art gallery owner Pearl Lam on growing up as the daughter of property tycoon Lim Por-yen, losing her colonial mindset and celebrating diversity Kate Whitehead + FOLLOW Published: 7:45am, 3 Dec, 2023 Why you can trust SCMP I was born in Hong Kong and lived in Jardine’s Lookout...
© » SOUTH CHINA MORNING POST
about 13 months ago (11/27/2023)
Floral art by Andy Warhol, Pablo Picasso, Claude Monet and other artists on display at private Deji Art Museum in Nanjing, China | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more The exhibition ‘Nothing Still About Still Lifes: Three Centuries of Floral Compositions’ at Nanjing;s Deji Art Museum features more than 100 modern and contemporary artworks, including (above) “Les Amoureux au Bouquet de Fleurs” (1935-1937), by Marc Chagall...
© » SOUTH CHINA MORNING POST
about 14 months ago (11/23/2023)
A conference in Shenzhen about Arnold Schoenberg saw the Chinese premiere of Tod Machover’s opera about the 20th century Austrian Jewish composer who pioneered atonal music and his exile in America....
© » FRANCE24
about 17 months ago (08/09/2023)
War of words over China breaks out on London graffiti wall - France 24 Skip to main content War of words over China breaks out on London graffiti wall Issued on: 09/08/2023 - 15:42 02:27 War of words over China breaks out on London graffiti wall (2023) © AFP / France 24 Video by: Juliette MONTILLY Follow Long renowned as a graffiti artist's heaven, Brick Lane in east London has found itself at the heart of a furious political debate overseas after a group of Chinese art students spray-painted Communist Party slogans over one of its walls...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Opening in March 2020, Shunde’s He Art Museum hopes that it has what it takes to attract an audience....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
The collection’s owner, Maria Chen-Tu, has demanded the works’ return and alerted authorities in Beijing, but the works’ whereabouts remain unknown....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Shanghai is mainland China’s biggest art hub, and the new branch of the UCCA Centre for Contemporary Art, UCCA Edge, will celebrate the evolution of the city’s role....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Artists have earned more than $1.6 million on SuperRare, a blockchain-based platform for collecting one-of-a-kind digital art....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Swiss Collector Uli Sigg on Why Even a Less Free Hong Kong Remains the Best Home for His Peerless Chinese Art Collection - via artnet news...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Hong Kong Collector Adrian Cheng Expands to Mainland China with $1.4 B...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
How This Businessman Turned a Passion for Art Collecting Into a Platform for Emerging Artists - via Robb Report...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Founder of the Museum of Contemporary Art in the Thai capital, Boonchai Bencharongkul, hands the reins to his son, Kit, who plans to modernise, edit and expand the collection beyond Buddhist art....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
The Indonesian-Chinese collector spoke to artnet News's Andrew Goldstein about his urgent quest to save his groundbreaking private museum....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
When Uli Sigg donated the bulk of his Chinese contemporary art collection to Hong Kong’s M+ museum in 2012, little did he know the controversy it would cause....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Budiardjo ‘Budi’ Tek, who died on March 18 aged 65, made his fortune in the poultry business, but he is best known for his Chinese art collection and for opening Shanghai’s Yuz Museum....
© » ARTS EQUATOR
about 38 months ago (11/28/2021)
Rethinking contemporaries: Asian Producers' Platform Speaker Series | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints November 28, 2021 By Wennie Yang (690 words, 2-minute read) There is a quiet and perhaps stubborn optimism that underlies the work of a producer...
© » CREATIVETIME
about 44 months ago (05/12/2021)
A public platform awaits you with 'Red Stage' by Rashid Johnson - Creative Time A public platform awaits you with ‘Red Stage’ by Rashid Johnson May 12th, 2021 Tweet Email Creative Time is pleased to present artist Rashid Johnson’s Red Stage , a participatory steel sculpture that celebrates the vibrancy and creativity found in New York’s public spaces as the city awakens from the COVID-19 pandemic...
© » ARTMARKETMONITOR
about 45 months ago (05/05/2021)
Auction House Veterans Unveil New Data and Private Dealing Platform LiveArt website interface...
© » ARTS EQUATOR
about 58 months ago (03/23/2020)
Interview with Wang Chong for "Made In China 2.0" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Mark Pritchard March 23, 2020 The following review is made possible through a Critical Residency programme supported by By Nabilah Said (1,000 words, 6-minute read) Experimental Chinese theatremaker Wang Chong presented a work-in-progress showing of his newest work, Made in China 2.0 , at Asia TOPA in February...
© » IMA
about 60 months ago (02/07/2020)
No More No Less | Exhibition | IMA ONLINE No More No Less 13 February 2020 - 21 March 2020 IMA gallery TAGS IMA gallery Kensuke Koike Thomas Sauvin Share In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student...
© » RANDIAN ART MARKET
about 65 months ago (09/03/2019)
by Chris Moore The China art market faces its most difficult period since 2008...
© » ARTS EQUATOR
about 79 months ago (06/25/2018)
Sarawak’s second Rainforest Fringe Festival aims to put indigenous traditions on the map (via South China Morning Post) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar June 25, 2018 The Rainforest Fringe Festival started in 2017 to spotlight Sawarak’s distinct jungle heritage...
© » ARTNEWS CN
about 144 months ago (03/20/2013)
Guggenheim Museum Collects China – ARTnews.com Skip to main content By Sarah Cascone Plus Icon Sarah Cascone View All March 20, 2013 1:10pm New York’s Solomon R...
© » THE INDEPENDENT
about 148 months ago (11/16/2012)
Picture of the Day: The great wall from China | The Independent | The Independent Its simple name – "Head of an Old Man" – offers no hint of the scale or the mood of doom that so define this painting by Zeng Fanzhi, seen here standing in front of his epic work as his first solo British exhibition opens at the Gagosian Gallery in London, running until 19 January...
© » ARTNEWS CN
about 161 months ago (10/06/2011)
CHINA The Next Generation – ARTnews.com Skip to main content By Barbara Pollack Plus Icon Barbara Pollack View All October 6, 2011 10:00am Animal Regulation No...
-
2000-2009
Lu Chunsheng
2004A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory...
Xiaoyun Chen
2006The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...
Xiaoyun Chen
2006State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...
Chen Shaoxiong
2006After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Colectivo Tercerunquinto
2006Escultura publica en la periferia urbana de Monterrey is a public sculpture on the periphery of the city of Monterrey...
Jianwei Wang
2007In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...
Chen Shaoxiong
2007After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Kwan Sheung Chi
2007A Flags-Raising-Lowering Ceremony at my home’s cloths drying rack (2007) was realized in the year of the 10th anniversary of the establishment of The Hong Kong Special Administrative Region of the People’s Republic of China...
Jiang Pengyi
2008Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...
Zhang Peili
2008In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
Pak Sheung Chuen
2008Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...
Charwei Tsai
2008Charwai Tsai’s photograph documents her Hermit Crab Project installation upon the construction site of gallery Sora in Tokyo...
Yang Xinguang
2009Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...
Geoffrey Farmer
2009Ongoing Time Stabbed with a Dagger was Farmer’s first kinetic sculpture that added a cinematic character to an “ever-reconfiguring play presented in real time.” The assembly of various objects and props on top of a large platform constitutes not only a work, but, to a certain extent, a show in itself...
-
2010-2019
Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Shahzia Sikander
2010The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...
Qiu Anxiong
2011A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
Yang Guangnan
2011Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands....
Zhang Kechun
2011Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
Yang Zhenzhong
2012Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...
Xiaoyun Chen
2012The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
Adrian Wong
2012Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion) is part of a series drawn from architectural objects that mark the boundary of public and private spaces Wong encountered while strolling in Hong Kong...
Donna Conlon and Jonathan Harker
2012In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented...
Zhang Kechun
2012Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
James T. Hong
2012Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program...
Chia-Wei Hsu
2012Marshal Tie Jia (Turtle Island) explores the history of a tiny island off of the coast of Matsu in the Taiwan Strait that has been instrumental in the geopolitical relationships between China, Taiwan, and Japan...
Mimian Hsu Chen
2014In Hsu’s work, Colonia China (2014), the artist documents a Chinese cemetery of Costa Rica’s Limón Province, along the country’s Caribbean coast...
Xiaoyun Chen
2014The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...
Liu Chuang
2014Categorized as low-level literature, a “Love Stories” book is a romantic popular fiction of proletariat China, read mainly by teenagers, students, and young workers...
Tomoko Kikuchi
2014The series Funerals under Neon Lights by Tomoko Kikuchi focuses on how transgender people’s ritual became a vital part of funerals in rural China...
Miao Ying
2016As part of her project Chinternet Plus , a “counterfeit ideology” and parodic take on the strategy “Internet Plus” launched by Chinese Prime Minister Li Keqiang in 2015, the video work Post commentary, monetary likes, Morgan Freeman’s advice on reality gives an insight into Internet Culture in China...
Pak Sheung Chuen
Drawing & Print
2017(Drawing & Print) The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...
Connie Zheng
2019The Lonely Age by Connie Zheng is the first chapter in a trilogy of short experimental films about the complex temporalities of navigating ongoing environmental crises, as seen through the lens of seeds real and imagined...
-
2020-2029
Pu Yingwei
2020ChinaCapital: Dream, Hot Land, Interstellar Colonization by Pu Yingwei addresses a complicated phenomena of intertwined influences from different political powers, capital forces, and ideologies in the reality of China...
Zhang Kechun
2020Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
Köken Ergun and Satyam Mishra
2022Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017...
