Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky. The women in the photograph exist ambiguously here. The photograph’s title, the subject’s outfits, and their environment suggest that they are both trapped and glorified within their position.
Gypsy shows an ambivalent scene, in which broken blinds and its unsmiling subject are balanced with the stilllife plentitude of watermelon slices and the beautifully lit nudity of the sitter. The room seems messy and in disrepair, but simultaneously romanticizes the scene. The fruit and the sitter suggest a robustness in contrast with the mise-en-scene.
Solo (2003) is a video exhibited as a video/sound installation depicting shots of drum, voice, guitar, clavier/synthesizer, and a melodica player cut into segmented fragments from the perspective of a studio recording set. Rather than deploying a narrative strategy, Grandmaison focuses on the gestures of the musicians and the repetitions they carry out when recording their individual tracks. The musicians are portrayed nodding, dancing, improvising, strumming, creating resonance that is repeated over and over– however, Grandmaison is sure not to document their entire faces or expressions while they perform, just details.
The half-length portrait of Joe Shirley presents a man with a great presence, wearing several items that point to ancestral Native American culture. In this photograph, which is relatively poor in information, the projection screen in the background acts as a clue about the event: Bruno Serralongue went to the second phase of the ‘Sommet Mondial sur la Société de l’Information’ (or SMSI, World Summit on Information Society, in Tunis in November 2005). This portrait echoes another picture in the same series (Native Peoples Claim Their Right to Participate in the Information Society) in which Joe Shirley is just a silhouette amongst the speakers, whereas here he occupies the entire frame.
Pascal Shirley’s photographs portray a California of beaches, music festivals, families, and hipsters wandering through the hills...
Bruno Serralongue integrates his practice into the processes of production and distribution of information via images...
Marked by an apparent austerity and meticulousness, Pascal Grandmaison’s works display a disconcerting aloofness from the world, a clearly asserted detachment from reality...
American Artist makes experimental work in the form of sculpture, video, and software that comments on histories of race, technology and forms of knowledge production...
15 Art Installations Inspired by the Desert Pop Up in Saudi Arabia Home / Art / Installation 15 Art Installations Inspired by the Desert Pop Up in Saudi Arabia By Jessica Stewart on February 9, 2024 “Reveries” by Rana Haddad and Pascal Hachem For the third time, the Saudi desert is being transformed into an open-air art gallery thanks to Desert X AlUla ...
Catherine Pégard quitte la présidence du Château de Versailles, Christophe Leribault la remplace Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Christophe Leribault, au Musée du Louvre Abu Dhabi, dans l’émirat du Golfe, le 11 octobre 2022...
The best exhibitions and openings of 2024: North America - ArteFuse It’s an exciting year for art lovers — from Alicia Keys and Swizz Beatz’s world-class collection of contemporary art to the world’s first exhibition exploring Matisse and the sea — there’s something for everyone Abraham Ángel: Between Wonder and Seduction Dallas Museum of Art Through 28 January 2024 Praised as one of the leading artists of his generation, Abraham Ángel produced just 24 paintings — four of which remain lost — before his tragic death at 19 years old, but those works established him as a legendary figure in the canon of modern Mexican art...
Those who stay: the Hong Kong artists fighting for a brighter future Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Hong Kong analysis Those who stay: the Hong Kong artists fighting for a brighter future Despite governmental intimidation of arts entities, the high cost of living and the lure of better opportunities abroad, many artists are choosing to remain in the city Lisa Movius 5 February 2024 Share The satirical cartoonist Wong Kei-kwan, who uses the pen name Zunzi, had his comic strip in the Hong Kong newspaper Ming Pao cancelled following government pressure, but he continues to live in the city Photo: Reuters/Tyrone Siu Some call it the great exodus: the family company owners, the bankers and the expatriate businesspeople departing Hong Kong in droves during and since the Covid-19 years...
Congratulations Karyn Olivier, selected for the Whitney Biennial and Prospect New Orleans 6, two prestigious international roundups that hundreds of thousands of people see...
Whitney Biennial 2024 — Even Better Than the Real Thing — Divers lieux — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Whitney Biennial 2024 — Even Better Than the Real Thing — Divers lieux — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Whitney Biennial 2024 — Even Better Than the Real Thing Exposition Techniques mixtes À venir Biennale du Whitney 2024 © Whitney Biennial Whitney Biennial 2024 Even Better Than the Real Thing Dans environ un mois : 20 mars → 28 avril 2024 Soixante-et-onze artistes et collectifs participent à la 81e édition de la Biennale de Whitney, qui ouvre ses portes le 20 mars 2024...
Whitney Museum announces the artists participating in Whitney Biennial 2024: "Even Better Than the Real Thing" | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
Whitney Biennial 2024 — Even Better Than the Real Thing — Divers lieux — Exhibition — Slash Paris Login Newsletter Twitter Facebook Whitney Biennial 2024 — Even Better Than the Real Thing — Divers lieux — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Whitney Biennial 2024 — Even Better Than the Real Thing Exhibition Mixed media Upcoming Biennale du Whitney 2024 © Whitney Biennial Whitney Biennial 2024 Even Better Than the Real Thing In about 1 month: March 20 → April 28, 2024 Seventy-one visionary artists and collectives will participate in the eighty-first installment of the Whitney Biennial, opening March 20, 2024...
Inside the 12th Edition of artgenève, Where Variety Reigns Supreme | Artsy Skip to Main Content Advertisement Art Market Inside the 12th Edition of artgenève, Where Variety Reigns Supreme Arun Kakar Jan 26, 2024 9:42AM Interior view of artgenève, 2024...
The Best Events In London: February 2024 | Londonist 50+ Fantastic Things To Do In London This Month: February 2024 By Londonist Londonist 50+ Fantastic Things To Do In London This Month: February 2024 Imagine Children's Festival returns to Southbank Centre this February...
Artists Participating in the Whitney Biennial 2024: Even Better Than the Real Thing, NYC - ArteFuse Seventy-one visionary artists and collectives will participate in the eighty-first installment of the Whitney Biennial, opening March 20, 2024...
Creative Capital announces the recipients of the 2024 “Wild Futures” art awards...
Jeremy Grayson obituary | Photography | The Guardian Skip to main content Skip to navigation Skip to navigation Jeremy Grayson photographed Shirley Bassey, Sammy Davis Jr and Marlon Brando Jeremy Grayson photographed Shirley Bassey, Sammy Davis Jr and Marlon Brando Obituary Jeremy Grayson obituary My father, Jeremy Grayson, who has died aged 90, was a professional photographer who worked over the years for clients including the BBC, Radio Times, Talk of the Town and the London Palladium...
Playful Sculpture To Playing Videogames: January's Hottest London Exhibitions | Londonist The Top Exhibitions To See In London: January 2024 By Tabish Khan Tabish Khan The Top Exhibitions To See In London: January 2024 Looking for an awesome London exhibition this January? Here's our roundup of must-see shows in the capital 1...
How the Remixed American ‘Cowboy’ Became the Breakout Star of 2023 | KQED Skip to Nav Skip to Main Skip to Footer NPR How the Remixed American ‘Cowboy’ Became the Breakout Star of 2023 Brittany Luse Dec 13 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Beyoncé donned a cowboy hat for the limited edition cover of ‘Renaissance.’ (Parkwood Entertainment/ Columbia Records) When it came to some of the most urgent and enduring pop culture of 2023, the cowboy was center stage...
Don’t Miss: Nina Chanel Abney, Tyler Mitchell, Erin Wurm at SCAD MOA | Observer Museum visits during the holiday season can be fraught, as major institutions tend to be significantly more crowded than usual with tourists and revelers of all ages, regardless of day or time...
Highlights from Art Basel Miami Beach 2023 | Observer The art world is a cold place; Miami is even colder...
On The Cusp Of Her Next Era, Anahita Sadighi Is Redefining The Role Of The Gallerist - IGNANT Name Anahita Sadighi Images Clemens Poloczek Words Anna Dorothea Ker Activist...
Table des matières "Marcel Duchamp, pour et contre" X 30 octobre 2023 Dans 50 ans d’art contemporain , AP Print Table des matières “Marcel Duchamp, pour et contre” > COMMANDER LE VOLUME 4 Avant-propos Catherine Millet 8 Sa vie, ses œuvres 9 Marcel Duchamp...
sommaire du n°515 - novembre 2023 - artpress X 23 octobre 2023 Dans AP Print , artpress , artpress mensuel , sommaires sommaire du n°515 – novembre 2023 > COMMANDER LE NUMÉRO Vous êtes abonné(e) ? Retrouvez les offres de notre club pour novembre par ici ! Édito 5 Faire histoire Making History Étienne Hatt INTRODUCING 6 Frederik Exner Laurent Quénéhen Chroniques / Columns 11 Dépression verte Green Depression Paul Ardenne 15 L’image en creux Implicit Image Étienne Hatt 19 Gilles Aillaud, animal peinture Gilles Aillaud, Animal Painting Anne Bertrand Point de vue / Opinion 22 Picasso, où est le problème ?...
10 must-see items in Hanna's Town's 'Westmoreland 250' exhibit | TribLIVE.com Art & Museums 10 must-see items in Hanna's Town's 'Westmoreland 250' exhibit Shirley McMarlin Sunday, Oct...
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The Longmont Museum’s collection of local art grew quite a bit recently after Longmont resident Shirley Stanosheck donated 22 pieces from her late-husband Don Stanosheck’s collection....
For more than 40 years, Bernard and Shirley Kinsey have amassed one of the largest private collections of Black paintings, letters, books and other artifacts to teach the next generations what history has erased....
Wong Phui Nam (1935-2022), Prophet of Malayan Poetry | ArtsEquator Skip to content Daryl Lim pays moving tribute to literary marvel Wong Phui Nam and his legacy in the world of poetry on both sides of the Causeway...
Podcast 93: Girls & Boys by Pangdemonium | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Pangdemonium July 18, 2021 In the episode of the ArtsEquator theatre podcast, Nabilah Said, Matthew Lyon and Naeem Kapadia discuss Girls & Boys by Pangdemonium, which ran from 25 Feb to 14 Mar 2021...
5 Singapore poems not to quote out of context | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Elliot Wong October 13, 2019 By Nabilah Said (2,500 words, 7-minute read) In 1968, Lee Kuan Yew uttered the words “Poetry is a luxury we cannot afford” to a roomful of University of Singapore students...
Weekly Picks: Malaysia (12–18 Nov 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do November 12, 2018 Bisikan Monsoon — Open Rehearsal , at Selangor & KL Kwang Tung Association, 13 Nov, 5:30pm An invitation to view the rehearsals for Kwang Tung Dance Company’s Bisikan Monsoon (the show is travelling to China later in the month)...
“Closer” at Both Sides, Now: What Do We Choose to Remember? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Zinkie Aw for Both Sides, Now October 29, 2018 By Loo Zihan (1430 words, six-minute read) “What will we forget? What do we hold on to?...