Manuel Correa’s short film Didn’t Know I Died is a testimonial portrait of the acclaimed Colombian poet Olga Elena Mattei. Earlier in her life during a simple medical operation, Mattei was declared medically dead. In the film, she recounts her first memory upon waking up, a dream.
The Town consists of footage taken from Auder’s studio of the skyline of New York, tracking planes as they fly across the sky and pass tall buildings. At the time of recording, like all of this films, there was no particular intent. However, in the aftermath of 9/11, this film becomes prescient and ominously prophetic.
Talking Head is a short film in black and white of Auder’s daughter Alexandra, hidden behind a hemp plant, playing with a plastic wrapper and babbling in an imaginative way. The viewer is uncertain whether Alexandra knows she is being filmed but given that Auder was constantly filming she was probably oblivious to it. Her statements make little sense to the outsider : ‘The thing never came back again.
“We both died at the same moment” is a humorous observation of anthropomorphism, the attribution of human emotions to nature and animals. A siliquaria armata is a slitworm that loosley-coiles a shell. Growing inside a sea-bed, a siliquaria armata will grow vertically until it touches another siliquaria armata, at which point they will knot together.
Michel Auder was born in 1945 in Soissons, France...
Manuel Correa’s practice deals with the reconstruction of post-conflict intergenerational memory in contemporary societies...
Trevor Yeung’s (b...
The Enigmatic Bolivian Artist Who Centered Indigenous Workers’ Rights Skip to content Alejandro Mario Yllanes, "Estaño Maldito (Cursed Tin)" (1937), oil on burlap, 60 inches x 77 1/2 inches (all images courtesy Ben Elwes Fine Art, London) The Bowdoin College Museum of Art has acquired a painting by Indigenous Bolivian artist Alejandro Mario Yllanes, the first by the enigmatic artist to enter the collection of a museum in the United States...
Jack Goldstein — La fulgurance de l’instant ou l’histoire fragmentée — Michèle didier Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Jack Goldstein — La fulgurance de l’instant ou l’histoire fragmentée — Michèle didier Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Jack Goldstein — La fulgurance de l’instant ou l’histoire fragmentée Exhibition Mixed media Upcoming Jack Goldstein, The Burning Forest, on marbled red and white vinyl, 1976 Courtesy Galerie michèle didier Jack Goldstein La fulgurance de l’instant ou l’histoire fragmentée In 17 days: February 29 → May 4, 2024 Jack Goldstein (1945, Montréal — 2003, San Bernardino) est peintre et également auteur de films, d’enregistrements sur disques vinyles et de poèmes...
Jack Goldstein — La fulgurance de l’instant ou l’histoire fragmentée — Galerie michèle didier — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Jack Goldstein — La fulgurance de l’instant ou l’histoire fragmentée — Galerie michèle didier — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Jack Goldstein — La fulgurance de l’instant ou l’histoire fragmentée Exposition Techniques mixtes À venir Jack Goldstein, The Burning Forest, on marbled red and white vinyl, 1976 Courtesy Galerie michèle didier Jack Goldstein La fulgurance de l’instant ou l’histoire fragmentée Dans 17 jours : 29 février → 4 mai 2024 Jack Goldstein (1945, Montréal — 2003, San Bernardino) est peintre et également auteur de films, d’enregistrements sur disques vinyles et de poèmes...
Gildas Le Reste — & Guests — Catherine Putman Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Gildas Le Reste — & Guests — Catherine Putman Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Gildas Le Reste — & Guests Exhibition Drawing, print, painting Gildas Le Reste, Notes de voyage #1, 2023 Ink on paper mounted on canvas Gildas Le Reste & Guests Ends in 27 days: January 27 → March 9, 2024 Galerie Catherine Putman has pleasure in making a double invitation to Gildas Le Reste as both artist and exhibition curator...
Y2-Slay: Style snaps from Namasenda’s riotous London gig | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Fashion Gallery Photographer Michele Baron captures the crowd at the Stockholm-based artist’s recent XOYO show 12 December 2023 Text Dominic Cadogan Namasenda Gig Style by Michele Baron 29 Namasenda ’s unescapable sound is something of an earworm...
BOMB Magazine | Storia della Storia Necessary (Required) Cookies that the site cannot function properly without...
Tomaso Binga — Corps — poésie — La Galerie, centre d’art contemporain — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Tomaso Binga — Corps — poésie — La Galerie, centre d’art contemporain — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Tomaso Binga — Corps — poésie Exposition Collage, dessin, installations, photographie Derniers Jours Tomaso Binga, Alfabetiere murale [Alphabet mural], 1976 (détail) Collage photographique sur carton, 21 éléments, 35,5 × 25,5 cm chaque Courtesy Archives Menna-Binga, galerie Tiziana Di Caro, Naples et galerie Frittelli arte contemporanea, Florence © Amedeo Benestante Tomaso Binga Corps — poésie Encore 5 jours : 16 septembre → 16 décembre 2023 Première exposition personnelle en France de Tomaso Binga (née en 1931 à Salerne, vit et travaille à Rome), artiste majeure de la scène artistique italienne depuis la fin des années 1960, « Corps — poésie » couvre sur plusieurs décennies différentes thématiques — identité et genre, critique sociale, réappropriation du langage, corps manifeste — tout en présentant des œuvres inédites...
Tomaso Binga — Corps — poésie — La Galerie, centre d’art contemporain — Exhibition — Slash Paris Login Newsletter Twitter Facebook Tomaso Binga — Corps — poésie — La Galerie, centre d’art contemporain — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Tomaso Binga — Corps — poésie Exhibition Collage, drawing, installation, photography Closing Tomaso Binga, Alfabetiere murale (Mural alphabet), 1976 (detail of the work) Photo collage on cardboard, 21 elements, 35,5 × 25,5 cm each Courtesy Archives Menna-Binga, galerie Tiziana Di Caro, Naples et galerie Frittelli arte contemporanea, Florence © Amedeo Benestante Tomaso Binga Corps — poésie Ends in 5 days: September 16 → December 16, 2023 “Corps — poésie” is the first solo exhibition in France by Tomaso Binga (b...
L’œil vérité — Le musée au second degré — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Connexion Newsletter Twitter Facebook L’œil vérité — Le musée au second degré — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour L’œil vérité — Le musée au second degré Exposition Techniques mixtes À venir Roman Cieslewicz, M...
L’œil vérité — Le musée au second degré — MAC VAL Musée d'art contemporain du Val-de-Marne — Exhibition — Slash Paris Login Newsletter Twitter Facebook L’œil vérité — Le musée au second degré — MAC VAL Musée d'art contemporain du Val-de-Marne — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back L’œil vérité — Le musée au second degré Exhibition Mixed media Upcoming Roman Cieslewicz, M...
Memori Menonton "Two Lines In a Square": Penjara Bahasa dan Sang Tahanan Bebas Separa | ArtsEquator Skip to content Azrin Fauzi mengulas "Two Lines in A Square", persembahan yang dilancar di Taipei dan Kuala Lumpur dari dua perspektif berbeza...
Yang Ditapis, Yang Terlepas | ArtsEquator Skip to content Zikri Rahman menghuraikan tentang filem-filem yang ditapis secara tegas dan peluang yang terlepas akibat tindakan tersebut...
Before it decided to sell the majority of its collection, California’s di Rosa Foundation explored the exact alternative critics of its decision have suggested....
Michel David-Weill, Collector Who Gave Generously to the Louvre and the Met, Dies at 89 - via ARTnews...
Menyensor Pandemi di Indonesia | ArtsEquator Skip to content Adrian Jonathan Pasaribu mombongkar masalah yang dihadapi oleh bidang seni pada masa pandemi...
Makassar Biennale: Gagasan Literasi Warga dan Pertanyaan Artistik Yang Abadi | ArtsEquator Skip to content Wilda Yanti Salam berbagi pandangan orang dalam tentang upaya berkelanjutan Makassar Biennale untuk membongkar konvensi penyelenggaraan biennale pada biennale pertama di Indonesia bagian timur...
Kuiz: Sejauh Manakah Pengetahuan Anda Tentang Penapisan Seni di Malaysia? | ArtsEquator Skip to content Baik buku yang dilarang mahupun frasa yang tabu, dunia seni kita telah menyaksikan semuanya...
Jit Murad: Imaginasimu Akan Buat Kami Tersenyum | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Via The Star February 22, 2022 Oleh Fasyali Fadzly (1,400 patah kata, 6-minit bacaan) Walaupun saya bergiat di dalam bidang teater di Malaysia, saya bukan kawan Jit Murad...
Saya Takut Untuk Mengkritik Sehinggalah Saya Berjumpa Sekumpulan Pengkritik: Refleksi Terhadap AAMR | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Hello I'm Nik on Unsplash July 22, 2021 Oleh Sukhbir Cheema dan diterjemah oleh Fasyali Fadzly Bila anda mendengar perkataan “pengkritik”, apakah yang anda bayangkan? Saya sering membayangkan orang yang pakai cermin mata; ulat buku, sangat serius, dan payah untuk puaskan hatinya...
Jelmaan Baharu Teater Tradisional dalam "Hikayat Cendawan Putih" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Persatuan Teater Opera Mimpi Negeri Perlis November 6, 2019 Oleh Fasyali Fadzly (1,120 patah kati, 6-minit bacaan) Antara pengarah teater yang kurang dicanang dan disebut-sebut dalam pementasan teater kontemporari adalah Sharul Mizad atau lebih senang dikenali sebagai Ejad...
Merantau Sejarah/Identiti Selat Melaka: Name Laundering oleh Irwan Ahmett dan Tita Salina | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles October 28, 2019 Oleh Fasyali Fadzly (1,150 patah kati, 6-minit bacaan) Jauh perjalanan, luas pandangan...
“Teater Normcore: Stereo Genmai” dan Pengkarya yang Bertengkar dengan Idea | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Moka Mocha Ink December 6, 2018 Oleh Azrin Fauzi (1640 patah kata, 9-minit bacaan) Dan pertengkaran ini berlaku di dalam ruang yang meyakinkan...
"Hijrah": Tubuh di Antara dan Migrasi Gender | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Sapto Agus October 9, 2018 By Michael HB Raditya (1000 words, five-minute read) Read this review in English ...
"One Two Jaga": Keberanian Baharu Sinema Malaysia | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 11, 2018 Oleh Daniyal Kadir (1260 patah kata, 5-miinit bacaan) Penyampaian kritikan sosial atau politik dalam filem-filem Malaysia jarang berlaku melalui suasana yang berani dan mendatangkan ghairah...
Masalah Sastera Di Malaysia Baharu | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles July 11, 2018 Oleh Faisal Tehrani (1, 175 patah kata, 9-minit bacaan) Click here to read this article in English...
Talking Head is a short film in black and white of Auder’s daughter Alexandra, hidden behind a hemp plant, playing with a plastic wrapper and babbling in an imaginative way...
The Town consists of footage taken from Auder’s studio of the skyline of New York, tracking planes as they fly across the sky and pass tall buildings...
“We both died at the same moment” is a humorous observation of anthropomorphism, the attribution of human emotions to nature and animals...
Manuel Correa’s short film Didn’t Know I Died is a testimonial portrait of the acclaimed Colombian poet Olga Elena Mattei...