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Subterranean Doomsday Vendor
© » KADIST

Christoph Draeger

Film & Video (Film & Video)

In his performative action Subterranean Doomsday Vendor , Draeger positions himself in the subway system of Mexico City, as part of the common occurrence of bootleg media vendors. His contribution lies in dissemination of prophecy as he tests the public’s reactions to the types of content and media which can be circulated in such common spaces.

Time they Stopped (Forouhars’ house, Tehran)
© » KADIST

Barbad Golshiri

Photography (Photography)

Time they stopped (Forouhars’ house, Tehran) depicts the trace of a recently stolen wall clock. The clock had stopped on the time of death of Dariush Forouhar and Parvaneh Eskandari. Barbad Golshiri is an Iranian visual artist who studied painting at the School of Art and Architecture at the Azad University in Tehran.

Imagine How Many
© » KADIST

Margo Wolowiec

Textile (Textile)

Imagine How Many by Margo Wolowiec is a woven polyester depiction of blurred text and floral images found on social media, distorted beyond complete recognition. It resembles a newspaper with a conspicuous “fold” down the middle, but its contents are undoubtedly drawn from Wolowiec’s practice of image aggregation and do not follow the clear formatting newspapers normally possess. Instead, Wolowiec has created an alternative publication of sorts, drawing in a third, comparative source of “networked” imagery and information, inserting the concept of publication and social media into her greater examination of the structures governing dissemination.

Unfollow
© » KADIST

Yung Jake

Film & Video (Film & Video)

Unfollow is a music video by Yung Jake featuring a man haunted by the shadows of a former relationship. With the omnipresence of social media in our daily lives, breaking up in the physical world no longer suffices: posts by his ex-lover still appear in his newsfeed, reminding him of her presence and thus making it harder from him to let go of his relationship. As the ‘unfollow’ button on social media appears to be the only way to break up completely, Unfollow underlines the barrier between our online and offline identities and the difficulty to separate them.

Letters I Never Wrote: Arg Alishah
© » KADIST

Jinoos Taghizadeh

Drawing & Print (Drawing & Print)

Letter I Never Wrote is one of the most powerful series of Jinoos Taghizadeh. This is a series of stamps reflecting on variety of issues that the artist finds them important and critical to be discussed and seen by the public, which is also hidden and not talked enough by the Iranian government. From extremely political issues such as the chain murderers of intellectuals and politicians in Iran to environmental changes and archeological decadence of historical heritage, Taghizadeh is using one of the most popular form of circulation for information and communication to put these issues on top of them.

Tropical Vulture
© » KADIST

Miguel Calderon

Film & Video (Film & Video)

Tropical Vulture is a cross-generational project which highlights the artistic influences between George Kuchar, a Bay Area legend of independent filmmaking, and Mexican artist Miguel Calderón. Conversations with a Tropical Vulture is an experimental narrative video, co-directed by both artists, and blends Hollywood glamour and drama with an all-too-real life approach, which creates and inspires a counterpoint of unattainable desire against unbearable actuality. The video, shot on location in Acapulco, utilizes a “lo-fi” aesthetic and playful use of non-professional actors.

Letters I Never Wrote: The Political Murders
© » KADIST

Jinoos Taghizadeh

Drawing & Print (Drawing & Print)

Letter I Never Wrote is one of the most powerful series of Jinoos Taghizadeh. This is a series of stamps reflecting on variety of issues that the artist finds them important and critical to be discussed and seen by the public, which is also hidden and not talked enough by the Iranian government. From extremely political issues such as the chain murderers of intellectuals and politicians in Iran to environmental changes and archeological decadence of historical heritage, Taghizadeh is using one of the most popular form of circulation for information and communication to put these issues on top of them.

Rocket
© » KADIST

Jeffrey Vallance

Vallance’s Rocket is a vibrant picture in which masses of color and collage coalesce into a central vehicle, yet the whole surface seems lit with the roar of space travel. This varied use of media has enabled the artist to bring all of the life, energy, and objects he works with into a single image.

South Africa Righteous Space
© » KADIST

Hank Willis Thomas

Installation (Installation)

South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race.

Untitled
© » KADIST

Trisha Donnelly

Photography (Photography)

Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook. Donnelly’s interest in the waveform–visually, aurally, and perceptually–is made manifest in works across multiple media, including photography, drawing, video, sculpture, and performance.

A Gust of Wind
© » KADIST

Zhang Peili

Film & Video (Film & Video)

In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique. His ultimate goal is to reveal the ways in which social image is constructed and to cast doubt on the ephemeral vision of a middle-class utopia offered by mass media.

Hommage To Balotelli's Missed Trick
© » KADIST

Burak Delier

Sculpture (Sculpture)

Burak Delier’s sculpture Homage to Balotelli’s Missed Trick is a symbol of resistance to the demand for success and performance. The sculpture represents Italian soccer player Mario Balotelli, who intentionally missed an opportunity to score during a 2011 game between LA Galaxy and Manchester City. The miniature Balotelli stands on his left foot, raising his right foot to kick the ball.

Lightning01
© » KADIST

Lin Ke

Film & Video (Film & Video)

Lightning 01 (2014) parodies our contemporary relationship to screen-based media and the absurdity of aestheticizing boredom. The video depicts a computer user aimlessly taking photos of himself, seemingly numb to external stimuli or intervention. Set on a loop, the video produces the illusion of an endless state of bored selfies and disaffected gazes.

ONE MILLION (Japanese Yen)
© » KADIST

Kwan Sheung Chi

Film & Video (Film & Video)

Kwan Sheung Chi’s work One Million is a video work depicting the counting of bills. Divided into three versions, the video first shows a number of Japanese ten-thousand-yen bills being counted without in an orderly, efficient manner. In Two Million , a similar counting of one-thousand-dollar bills from Hong Kong follows.

Landscape Series no. 1
© » KADIST

Nguyen Trinh Thi

Installation (Installation)

Landscape Series no. 1 presents landscape as a “quiet witness of history.” It began with searches of online archives of Vietnamese news-media, for images of figures in landscapes “pointing, to indicate a past event, the location of something gone, something lost or missing.” The uniformity is striking but the sequence is subtly structured: the typology hints at narrative progression, though of an uninformative narrative, lacking details.

Jet Folder & Data Tree
© » KADIST

Lin Ke

Drawing & Print (Drawing & Print)

Jet Folder & Data Tree (2013) offers a humorous take on how computer and screen-based technologies affect our relationship to the natural world. In a statement through his gallery, Gallery Yang, Lin remarks that “one day in 2010, I discovered that the folders in my computer began talking to me. So I created lots of empty folders with no content but name.” Lin’s print, by extension, functions as a collage in which screen-based media becomes part of the natural world, and vice versa.

Vertical Horizon
© » KADIST

Woto Wibowo

Film & Video (Film & Video)

Vertical Horizon by Wito Wibowo addresses a media scandal in 2010 that took over the cultural milieu of Indonesia. Someone uploaded on a sextape of pop star Ariel Peterpan with model-actress Luna Maya recorded on a mobile phone. Several days later, another video of Ariel Peterpan and Cut Tari, an infotainment news presenter in Indonesia, surfaced on the Internet.

TWO MILLION (Hong Kong Dollar)
© » KADIST

Kwan Sheung Chi

Film & Video (Film & Video)

One Million is a video work depicting the counting of bills. Divided into three versions, the video first shows a number of Japanese ten-thousand-yen bills being counted without in an orderly, efficient manner. In Two Million , a similar counting of one-thousand-dollar bills from Hong Kong follows.

Untitled (Stanley Kubrick, 1945)
© » KADIST

Tim Lee

Photography (Photography)

Part of Tim Lee’s practice involves envisioning himself reenacting key moments from iconic peoples’ lives. In the photograph Untitled (Stanley Kubrick, 1945) (2010), Lee re-creates a self-portrait by Stanley Kubrick from 1945. Kubrick shot the original photograph in the mirror when he was just beginning his career as a photojournalist.

Any Resemblance is Coincidental
© » KADIST

Chen Zhexiang

Film & Video (Film & Video)

In the video work Any Resemblance is Coincidental , CHEN Zhexiang mined portraits of real Asian criminals that were abandoned on the Internet. In order to form a database of the portraits, he saved the files under the original names retrieved from the Internet. CHEN used digital facial recognition technology to build a lexicon of the criminals’ facial characteristics in order to analyze them.

La balserita de Puerto Gala (The Raft)
© » KADIST

Nicolás Grum

Sculpture (Sculpture)

El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present. Through the episodes he chose to depict, the artist focused on historical narratives, the way the story is told, and the supposed irrefutability of historical facts. Museo Futuro (“Future Museum”) stands within a tradition of artists who re-read history and offer their interpretation of it through the distopic lens of the museum display.

Men from Hyperion and Women from Phoebe (ver 0.3)
© » KADIST

Venzha Christ

Sculpture (Sculpture)

The installation work Men from Hyperion and Women from Phoebe (2011), for examples, features six guitars mounted on steel crossbar stands and connected to one another with slack wires. The electric guitars’ faceplates have been removed, revealing the built-in circuitry and electric pick-ups hidden under the surface. A DIY electronic circuit controls various sounds produced by the installation, while a pair of headphones allows participants encounter the work to engage on a different sensorial level.

Excerpt (Sealed) (Brown)
© » KADIST

Stephen G. Rhodes

Photography (Photography)

For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame. This visual seal refers to the disastrous aftermath of Hurricane Katrina in 2005 in which rescue workers spray painted the doors of the houses they searched giving the date, the team and the number of bodies found. Excerpt (Sealed) (Brown) is a multilayered collage with contradictory imagery—from New Orleans debris to the American eagle and a theater curtain.

El gran pacto de Chile (The Great Pact)
© » KADIST

Nicolás Grum

Sculpture (Sculpture)

El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present. Through the episodes he chose to depict, the artist focused on historical narratives, the way the story is told, and the supposed irrefutability of historical facts. Museo Futuro (“Future Museum”) stands within a tradition of artists who re-read history and offer their interpretation of it through the distopic lens of the museum display.

baby born in the back of an uber
© » KADIST

David Horvitz

NFT (NFT)

On March 30, 2015, at 5:52am, David Horvitz caught his daughter, Ela Melanie, as she was being born, in the back of an Uber driving through Midtown Manhattan. He held her up in the morning light as the car drove down Park Avenue, blocks away from the Museum of Modern Art, where Zanna Gilbert, the mother, was a fellow. After arriving at the hospital, Horvitz tweeted a photo and later e-mailed his friends and family with additional images.

Untitled (Breathless)
© » KADIST

Ian Wallace

Untitled (Breathless) presents a folded newspaper article on Jean-Luc Godard’s À Bout de Souffle (Breathless). The work uses collage techniques—it is stapled down and has a thick strip of contact sheet paper taped over it—that convert the media coverage on Godard’s film into a filmic object itself. The black paper enacts a kind of cinematic “jump cut” on the article, while simultaneously drawing attention to the medium of the film, as well as the photograph reproduced in this newspaper article.

Assistant designer Solomon
© » KADIST

Sabelo Mlangeni

Photography (Photography)

The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together. These houses are more than just places of survival; they are a physical embodiment of radical queer expression that encourage solidarity. The Royal House of Allure was initially conceived following an investigation of how social media influences celebrity culture.

A roof top photoshoot with the dancers; Tonnex, (Ruby, Nonso and Oshodi)
© » KADIST

Sabelo Mlangeni

Photography (Photography)

The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together. These houses are more than just places of survival; they are a physical embodiment of radical queer expression that encourage solidarity. The Royal House of Allure was initially conceived following an investigation of how social media influences celebrity culture.

Afternoon visit, Ola and I playing nipple (Photo by Sodiq)
© » KADIST

Sabelo Mlangeni

Photography (Photography)

The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together. These houses are more than just places of survival; they are a physical embodiment of radical queer expression that encourage solidarity. The Royal House of Allure was initially conceived following an investigation of how social media influences celebrity culture.

No Nepa evening with Nonso, Thom, Mike, Daniel and Ruby
© » KADIST

Sabelo Mlangeni

Photography (Photography)

The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together. These houses are more than just places of survival; they are a physical embodiment of radical queer expression that encourage solidarity. The Royal House of Allure was initially conceived following an investigation of how social media influences celebrity culture.

Sabelo Mlangeni

Photographer Sabelo Mlangeni’s black and white images capture the intimate, everyday moments of communities in contemporary South Africa...

Hank Willis Thomas

Shilpa Gupta

Ian Wallace

Bani Abidi

Bani Abidi’s practice deals heavily with political and cultural relations between India and Pakistan; she has a personal interest in this, as she lives and works in both New Delhi and Karachi...

Wong Hoy Cheong

Anthony Discenza

Since the late 1990s Anthony Discenza’s work has focused primarily on the omnipresence of mainstream media...

Jinoos Taghizadeh

Jinoos Taghizadeh uses a variety of media including painting, collage, video and performance and deals with the problematic construction of collective identities in contemporary Iran....

Kwan Sheung Chi

Kwan Sheung Chi obtained a third honor B.A...

Chen Shaoxiong

Nazgol Ansarinia

Takeshi Murata

Underlining the temporality of nostalgia, memory, and narratives crafted through cinematic pop culture, the American artist Takeshi Murata has constructed a body of animated works that explore the lifespan of moving images and their role in the shaping of shared cultural histories...

Lin Ke

Lin Ke’s video and media-based installations explore how perceptual experiences of our surrounding environments are mediated and altered by various technologies...

Tim Lee

Stephen G. Rhodes

Elizabeth McAlpine

Elizabeth McAlpine has described herself as a « fanatical geologist » who explores the different layers of cinematic footage...

Willie Doherty

Amol k Patil

Interested in vernacular theater and performance, Amol k Patil works within family tradition: his grandfather was an interpreter and a poet (Powada Shahir, a troubadour telling epic stories as he went from one village to another), and his father was an avant-garde playwright, who addressed issues, such as the devastating effects of immigration and its traumas through absurd situations in his plays...

Jeffrey Vallance

Robert Zhao Renhui

Robert Zhao Renhui’s multimedia practice questions fact-based presentations of ecological conservation and reveals the manner in which documentary, journalistic, and scientific reports sensationalize nature in order to elicit viewer sympathy...

Zon Ito

Zon Ito was born in 1971 in Osaka...

Tsang Kin-Wah

Mandy El-Sayegh

Beginning with rigorous research and resulting in a wide range of media, from layered paintings, to installation, diagram, sculpture, sound and video, El-Sayegh’s work is about systems of bodily, linguistic and political order among others, and their disintegration...

Chitti Kasemkitvatana

Chitti Kasemkitvatana is an artist, independent curator, and teacher; he presents an art program on the radio and is the co-editor of the magazine Ver with Rirktit Tiravanija...

Hu Yun

Glenn Ligon

Emmanuel van der Auwera

Emmanuel van der Auwera is interested in conspiracy theories, surveillance photography and its ubiquity, giving texture to major events that are frequently smoothed out by media reporting...

Wadada Leo Smith

Wadada Leo Smith is an avant-garde jazz musician, composer, educator and visual artist, celebrated for his creative and unconventional approach to music...

Qing Zhang

Kori Newkirk

© » ARTSJOURNAL

about 8 months ago (02/12/2024)

More than 100 million viewers in the U.S...

© » KADIST

about 8 months ago (02/12/2024)

OCAT Shanghai and KADIST are pleased to announce that Wang Tuo has been selected for a research residency at KADIST San Francisco as part of the OCAT x KADIST Emerging Media Artist Residency Program 2020 The artist was selected by an esteemed international jury from the shortlist of artists selected for the Emerging Media Artist Exhibition 2020...

© » MODERN MET PHOTOGRAPHY

about 9 months ago (01/29/2024)

Learn the Story Behind Photo of B2 Bomber Flying Over the Rose Bowl Home / Photography / Aerial Photography Aerial Photographer Waits Three Years for Epic Photo of Jet Flying Over the Rose Bowl By Jessica Stewart on January 29, 2024 When photographer Tyler Leipprandt saw a photo of a B2 Bomber flying over the Rose Bowl, it instantly became part of his bucket list to capture an image of it...

© » APERTURE

about 9 months ago (01/26/2024)

Inspired by 2000s-era teen-girl magazines, Elizabeth Renstrom uses a mix of real and AI-generated imagery to consider the ongoing effects of media on young women....

© » AESTHETICA

about 10 months ago (12/18/2023)

Aesthetica Magazine - Mixed-Media in Focus: 5 Group Exhibitions for 2024 Mixed-Media in Focus: 5 Group Exhibitions for 2024 Textiles...

© » ARTSJOURNAL

about 10 months ago (12/17/2023)

VHS makes a comeback with ‘tapeheads’ fueling a retro analog revival - The Washington Post With VHS and video stores, ‘tapeheads’ are fueling an analog revival By Reis Thebault December 17, 2023 at 6:00 a.m...

© » MODERN MET ART

about 10 months ago (12/12/2023)

LaToya Hobbs' Powerful Mixed-Media Art on Show in Nashville Home / Art Powerful Mixed-Media Carvings Speak to the Experiences of Black Womanhood By Jessica Stewart on December 12, 2023 LaToya Hobbs...

© » MODERN MET ART

about 11 months ago (12/02/2023)

Stan Squirewell's Mixed-Media Collages Give a Fresh Perspective on the Past Home / Art Vibrant Mixed-Media Collages Give a Fresh Perspective on African American Ancestry By Jessica Stewart on December 2, 2023 “Mrs...

© » ART AND CAKE

about 12 months ago (10/30/2023)

Art of the Joshua Tree – Art and Cake October 30, 2023 October 30, 2023 Author Art of the Joshua Tree Sossi Madzounian Deserts Ikebana , Photography Charity: Center for Biological Diversity Karin Lindeberg Frida, I see you under the shady tree , 35mm Photography 8×10 inches Charity: Center for Biological Diversity Chloe Allred, Dreaming in Cerulean and Quinacridone , Oil Paint on Canvas...

© » ART AND CAKE

about 12 months ago (10/30/2023)

Art of the Joshua Tree – Art and Cake October 30, 2023 October 30, 2023 Author Art of the Joshua Tree Sossi Madzounian Deserts Ikebana , Photography Charity: Center for Biological Diversity Karin Lindeberg Frida, I see you under the shady tree , 35mm Photography 8×10 inches Charity: Center for Biological Diversity Chloe Allred, Dreaming in Cerulean and Quinacridone , Oil Paint on Canvas...

© » ART AND CAKE

about 12 months ago (10/30/2023)

Art of the Joshua Tree – Art and Cake October 30, 2023 October 30, 2023 Author Art of the Joshua Tree Sossi Madzounian Deserts Ikebana , Photography Charity: Center for Biological Diversity Karin Lindeberg Frida, I see you under the shady tree , 35mm Photography 8×10 inches Charity: Center for Biological Diversity Chloe Allred, Dreaming in Cerulean and Quinacridone , Oil Paint on Canvas...

© » ART21

about 13 months ago (09/28/2023)

Press Release: Art21 Welcomes Dynamic New Board Members from Art, Film, Media, Non-Profit Leadership and Law | Art21 Our Series Art in the Twenty-First Century Extended Play New York Close Up Artist to Artist William Kentridge: Anything Is Possible Specials Art21.live An always-on video channel featuring programming hand selected by Art21 Playlists Curated by Art21 staff, with guest contributions from artists, educators, and more Art21 Library Explore over 700 videos from Art21's television and digital series Latest Video 7:29 Add to watchlist Interrupting the Broadcast Paul Pfeiffer Extended Play October 4, 2023 Search Searching Art21… Welcome to your watchlist Look for the plus icon next to videos throughout the site to add them here...

© » LARRY'S LIST

about 20 months ago (03/01/2023)

Walter Ulloa, Collector and Media Executive Who Supported Latinx Communities and Artists, Has Died at 74 - via ARTnews...

© » LARRY'S LIST

about 25 months ago (10/05/2022)

Private art collections are notoriously secretive...

© » LARRY'S LIST

about 25 months ago (10/05/2022)

The second episode of the Shattering the Glass Ceiling mini-podcast series features art collector and Meredith Corp...

© » LARRY'S LIST

about 25 months ago (10/05/2022)

A foundation set up by media mogul and CBS founder William Paley will sell a trove of artworks at Sotheby’s that have long been on loan to the Museum of Modern Art in New York...

© » ARTS EQUATOR

about 41 months ago (06/09/2021)

Expand, Exchange, and Beyond: A reflection of the Asian Arts Media Roundtable 2021 at SIFA | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints June 9, 2021 By Gladhys Elliona It was a laid-back day at the end of April, when I got the email from ArtsEquator informing me that I had gotten into the Asian Arts Media Roundtable (AAMR) at the Singapore International Festival of Arts 2021...

© » ARTS EQUATOR

about 44 months ago (03/05/2021)

Mapping Asian Arts Media: Key Findings (Singapore, Malaysia and Cambodia) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles March 5, 2021 By Kathy Rowland What is the state of the arts media landscape in Southeast Asia? Based on global trends, the answer seemed evident: the landscape has shrunk, and its impact on the arts ecosystem is a growing concern amongst arts writers, artists and policy makers...

© » ARTS EQUATOR

about 50 months ago (09/02/2020)

ArtsEquator, Deadline Now | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 2, 2020 by Kathy Rowland ArtsEquator sometimes feels like a mythical creature...

© » ARTS EQUATOR

about 51 months ago (08/06/2020)

Weekly Southeast Asia Radar: Hikayat Raja Babi; new media and freedom | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Varuth Hirunyatheb August 6, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

© » HIGH FRUCTOSE

about 58 months ago (01/22/2020)

The illustrations and personal work of artist Jay Torres have a dark surrealist edge...

© » HIGH FRUCTOSE

about 58 months ago (01/10/2020)

The mixed-media assemblages of Christopher Bales come to La Luz de Jesus Gallery for a new show next month...

© » HIGH FRUCTOSE

about 58 months ago (01/03/2020)

Artfucker’s recent body of work, displayed in the exhibition “Smoke Show,” meditates on just how accustomed viewers are to the omnipresence of marketing efforts...

© » HIGH FRUCTOSE

about 59 months ago (12/24/2019)

Joao Ruas brings his striking, ghostly paintings to Thinkspace Projects with the new show “Knots.” The show, running through Jan...

© » HIGH FRUCTOSE

about 59 months ago (12/23/2019)

Sam Gainsborough's film "Facing It" cleverly combines live-action actors and mixed-media stop motion...

© » HIGH FRUCTOSE

about 59 months ago (12/08/2019)

Miami Art Week and all of its accompanying fairs come to a close on Sunday, including SCOPE Miami Beach , of which we're a media partner...

© » ARTS EQUATOR

about 64 months ago (07/11/2019)

Podcast 61: The Media Landscape in Thailand | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Asian Arts Media Roundtable July 11, 2019 Duration: 20 min In our latest podcast, Thai theatre critic Amitha Amranand gives a comprehensive overview of the media landscape in Thailand, discussing the impact of the political and legal system on the arts and the paradoxical freedom that arts journalists have in the country...

© » ARTS EQUATOR

about 64 months ago (07/04/2019)

Podcast 60: The Media Landscape in the Philippines | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Asian Arts Media Roundtable July 4, 2019 Duration: 19 min In our latest podcast, art critic Pristine de Leon gives a comprehensive overview of the media landscape in the Philippines, discussing challenges to the practice and the new platforms that are paving the way for creative, incisive and timely forms of arts criticism...

© » ARTS EQUATOR

about 65 months ago (06/12/2019)

Asian Arts Media Roundtable 2019: When Asian Critics Meet | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Asian Arts Media Roundtable June 12, 2019 By Akanksha Raja and Ke Weiliang (1,444 words, 6-minute read) The inaugural Asian Arts Media Roundtable (AAMR) took place between 24 to 25 May 2019 at LASALLE College of the Arts, Singapore...

© » ARTS EQUATOR

about 74 months ago (10/02/2018)

nor Reclaims the Transgender Experience from Mainstream Media (via Frieze) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles October 2, 2018 The walls of nor’s exhibition, ‘In Love’, are painted millennial pink...

© » KADIST

about 65 months ago (06/29/2019)

© » KADIST

about 82 months ago (01/24/2018)

© » KADIST

about 99 months ago (08/30/2016)

© » KADIST

about 100 months ago (07/31/2016)

© » KADIST

about 116 months ago (04/13/2015)

© » KADIST

about 116 months ago (03/31/2015)

© » KADIST

about 117 months ago (03/01/2015)

© » KADIST

about 129 months ago (03/19/2014)

© » KADIST

about 131 months ago (01/22/2014)

© » KADIST

about 159 months ago (09/14/2011)

© » KADIST

about 172 months ago (09/01/2010)