© » KADIST
Andrea Bowers
Drawing & Print (Drawing & Print)
The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights. The protesters and their supporters carried signs and wore t-shirts whose messages are highlighted in the drawings. However, in them, Bowers isolates the images of the protesters from the multitude that surrounds them in the original photographs, and, therefore amplifies their messages.
© » KADIST
Walead Beshty
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination. Displayed with the cardboard boxes (and their shipping labels, which chart the journey in a different way) that contain them during the journey, these damaged forms draw from minimalist sculpture, and conceptual artworks that focused on distance, travel, and virtual connections.
© » KADIST
Juan Capistran
The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources. Growing up in an African-American community in Los Angeles, Capistran has long been influenced by hip-hop culture. The photographs in this print document him surreptitiously breakdancing on Carl Andre’s iconic lead floor piece after the guards at the Los Angeles County Museum of Art have left the gallery.
© » KADIST
Mario Ybarra Jr.
Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model. The work takes as its departure point the history of Wilmington, Ybarra’s native hometown in southern Los Angeles. The piece refers to a Civil War era ammunition store that Ybarra found at the heart of the harbor close to Long Beach.
© » KADIST
Ed Ruscha
In 1970, Ruscha began a series of paintings made from stains. He experimented with a variety of materials (gun powder, dust, blood, among many others) to leave surface traces of different objects. The resulting images are negative shapes amidst blurry environments like Splinters and Seconal in which a grey surface is imprinted with the materials mentioned in the title.
© » KADIST
Walead Beshty
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination. Displayed with the cardboard boxes (and their shipping labels, which chart the journey in a different way) that contain them during the journey, these damaged forms draw from minimalist sculpture, and conceptual artworks that focused on distance, travel, and virtual connections.
© » KADIST
Allan Sekula
San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel. California Stories: Attempt to correlate social class with elevation above main harbor channel (San Pedro, July 1975) (1973–2011) is a series of coupled gelatin silver prints that show the artist using his hand to measure the elevation of various pieces of real estate, ranging from a manicured mansion to a ramshackle beach house. A direct equation becomes evident between the social strata these homes represent and the height at which the artist holds his hand.
© » KADIST
Catherine Opie
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture. The Freeway Series was developed in 1995, right after the artist’s inclusion in that year’s Whitney Biennial. As if suggesting that her work should not be restricted to being seen through overtly political or activist lenses, this series lends insight into the city of Los Angeles via its most characteristic urban feature: its highways.
© » KADIST
Jeff Burton
In Eniko Mihalik (2012), the camera captures a glimpse of the eponymous Hungarian model as seen through a rearview mirror. They are both two examples of the artist’s many enigmatic photographs of models, actors, musicians, and other powerful figures rooted in the celebrity-driven culture of Los Angeles. Catching a glimpse of the model, the viewer enters into the world of the celebrity.
© » KADIST
Piero Golia
Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall. More than a simple reference to the sport, the work has the disconcerting effect of creating a danger zone in the gallery space. The reference to direct aggression or violence is reinforced by the piece’s rapid pace.
© » KADIST
Andrea Bowers
Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely. Meant to hang from the ceiling, Bowers’ neon is further weighed down by long wind chimes made of aluminum pipes and wooden wind catchers that drip unsteadily from their anchors. Poetic but frantic in its juxtapositions, Bowers’ work captures a certain paradoxical energy that echoes the current political climate—it is hopeful but hindered, cacophonous but well intentioned, uncertain but ominous.
© » KADIST
Luisa Lambri
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California. Commissioned by industrialist J. Irwin Miller and his wife Xenia Simons Miller, and built by Richard Neutra in 1937, the Miller house’s open and flowing layout expands upon modernist architectural traditions. It features a flat roof, stone and glass walls, with rooms configured beneath a grid pattern of skylights and supporting cruciform steel columns.
© » KADIST
Luisa Lambri
Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon. Designed by the architect Richard Neutra, its gray glass, white expanses, and simple forms exude austerity. Luisa Lambri’s photograph Untitled (Sten-Frenke House #04) (2007)recalls the unembellished elegance of the structure while also alluding to modernist painting; the image is less a picture than an abstract expanse that conveys its own flatness.
© » KADIST
Daniel Joseph Martinez
Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P. Newton and Bobby Seale. By using Carrara marble, a material usually associated with heroic public sculptures, Martinez casts the history of African-American revolutionaries into the artistic tradition of monumentality. Like the artist’s earlier work included in the 1993 Whitney Biennial, an interactive piece made up with pins that read, “I CAN’T IMAGINE EVER WANTING TO BE WHITE,” A meditation on the possibility… continues Martinez’s effort to expose cultural contradictions and increase public awareness.
© » KADIST
Daniel Joseph Martinez
Drawing & Print (Drawing & Print)
If Only God Had Invented Coca Cola Sooner! Or, The Death of My Pet Monkey
© » KADIST
Daniel Joseph Martinez
For I use to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance (1978), also known as the Bodybuilder series, Martinez asked male bodybuilding competitors to pose in whatever position felt “most natural.” They are obviously trained in presenting their ambitiously carved physiques, but their facial expressions seem comparatively unstudied. Against a bare white background, the men appear unexpectedly vulnerable, caught between performance and rehearsal, public and private. While they present themselves deliberately as exemplars of strength, they also inadvertently expose something about the value system that underlies their endeavors—whatever drove them to keep building by tearing tissue, and whatever makes flexing feel like the most honest pose possible.
© » KADIST
Julian Hoeber
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code. The geometric pattern that composes each acrylic-on-panel painting is determined by a preordained ratio of 2 to 3. But even though a formulaic system determines the image’s structure, its surface is full of painterly effects.
© » KADIST
Chadwick Rantanen
Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure. The ends, protected by two, cut-open tennis balls, recall the legs of a walker. For Rantanen’s second solo exhibition at Jancar Jones Gallery, San Francisco in 2010, one pole was placed inside the gallery while the other was located outside.
© » KADIST
Martine Syms
Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas. Syms’s 4-channel installation follows the central character (an aspiring artist also named Martine Syms) on a journey home from the dentist after receiving “laughing gas.” Mixing multiple points of view, clips borrowed from TV, as well as layers of comedy, fiction, reality, and critique, Syms’ work also delves into issues of race, culture, and representation. For Los Angeles-based Martine Syms, popular culture, television, and the cultural histories woven through both are starting points for her interdisciplinary art practice.
© » KADIST
Clarissa Tossin
In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry. When his rubber trees died from disease and his primarily indigenous workforce revolted, his enterprise went busts within a few short years. Ford never faulted his own planning, but instead blamed the “inhospitable” Brazilian landscape.
© » KADIST
Luisa Lambri
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light. The architect’s longtime studio and residence, which he built in Los Angeles in 1922, exemplifies this philosophy, and has since become an influential part of the modernist architectural canon. In Untitled (Schindler House #01) (2007), Luisa Lambri describes Schindler’s studio by capturing its aftereffects—the play of light and shadow cast through branches onto a surface.
© » KADIST
Mungo Thomson
Drawing & Print (Drawing & Print)
The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979. As with Will Rogan’s MUM series, also included in the Kadist Collection, vital information is now missing: All of all the articles and features have been removed, leaving only ten years of advertisements. In an unusual way, The White Album reminds us that this important New York-focused magazine was originally founded in 1962 in San Francisco to promote Bay Area artists before it moved to Los Angeles in the mid-1960s in search of a wider advertising base.
© » KADIST
Mungo Thomson
In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second. In a way, this work both examines the construction of history and the history of the influential magazine, which was founded in 1923. In addition to the play on “time”—one of Thomson’s ongoing obsessions—this piece highlights and continues the artist’s encyclopedic impulse, also seen in The White Album (2008), to record the history of the spaces he inhabits.
© » KADIST
Mungo Thomson
Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous. Thomson is referencing the lore that Nauman’s work (the first of many neons he’d make in the following years) had been inspired by a neon beer sign found in a corner-store in San Francisco that he used as his studio in the late 60s. This particular work has a self-critical subtext, as it also suggests the act of using another artist’s work, in an endless spiral of influence, is akin to a form of insanity.
© » KADIST
Clarissa Tossin
Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture. By re-appropriating the structure as a temple and imbuing it with a dance performance based on movements and postures found in ancient pottery and murals, the choreography takes its influence from the house’s design and the body positions on ancient Maya ceramics and buildings. A pulse, breathing, and a pre-Columbian clay flute are among the sounds on the soundtrack.
© » KADIST
Juan Capistran
White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form. Here, Capistran humorously remixes the form and style of Frank Stella’s Black Paintings with California punk rock band Black Flag’s song title and logo (created by artist Raymond Pettibon). White Minority , then, appropriates, recontextualizes, and riffs on language and visual signs to unmoor notions of identity, power, and revolution.
© » KADIST
Charles Gaines
To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure. Each is pictured four times: a photograph of the plant, a photograph of its shadow, a drawing of the plant, and a drawing of its shadow. Instead of lending structure to disparate entities, this system serves a counterintuitive purpose, dissolving the object.
© » KADIST
Juan Capistran
The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami. From left to right, each bill is progressively folded up, step by step, into the shape of a gun. Both a scream and a whisper are capable of conveying the same content, if at drastically different decibels, the artist proposes.
Catherine Opie
- location: Los Angeles, California
- year born: 1961
- gender: female
- nationality: American
- home town: Sandusky, Ohio
Mungo Thomson
- location: Los Angeles, California
- year born: 1969
- gender: male
- nationality: American
Miljohn Ruperto
- location: Los Angeles, California
- year born: 1973
- gender: male
- nationality: Filipino and Danish
- home town: Manila, Philippines
Walead Beshty
- location: Los Angeles, California
- year born: 1976
- gender: male
- home town: London, United Kingdom
Paul McCarthy
- location: Los Angeles, California
- year born: 1945
- gender: male
- nationality: American
- home town: Salt Lake City, Utah
Ed Ruscha
- location: Los Angeles, California
- year born: 1937
- gender: male
- nationality: American
- home town: Omaha, Nebraska
Koki Tanaka
- location: Los Angeles, California
- year born: 1975
- gender: male
- nationality: Japanese
- home town: Tochigi, Japan
Daniel Joseph Martinez
- location: Los Angeles, California
- year born: 1957
- gender: male
- nationality: American
- home town: Los Angeles, California
Luisa Lambri
- location: Los Angeles, California
- year born: 1969
- gender: female
- nationality: Italian
- home town: Como, Italy
John Baldessari
- location: Los Angeles, California
- year born: 1931
- gender: male
- nationality: American
- home town: National City, California
Juan Capistran
- location: Los Angeles, California
- gender: male
- nationality: Mexican American
- home town: Guadalajara, Mexico
Chris Johanson
- location: Los Angeles, California
- year born: 1968
- gender: male
- nationality: American
- home town: San Jose, California
Jason Meadows
- year born: 1972
- gender: male
- nationality: American
- home town: Indianapolis, Indiana
Jeff Burton
- location: Los Angeles, California
- year born: 1963
- gender: male
- nationality: American
- home town: Anaheim, California
Alexis Smith
- location: Los Angeles, California
- year born: 1949
- gender: female
- nationality: American
- home town: Los Angeles, California
Mark Grotjahn
- location: Los Angeles, California
- year born: 1968
- gender: male
- nationality: American
- home town: Pasadena, California
Lucas Blalock
- year born: 1978
- nationality: American
- home town: Asheville, North Carolina
Jedediah Caesar
- location: Los Angeles, California
- year born: 1973
- gender: male
- nationality: American
- home town: Oakland, California
Andrea Bowers
- location: Los Angeles, California
- year born: 1965
- gender: female
- nationality: American
- home town: Wilmington, Ohio
Clarissa Tossin
- location: Los Angeles, California
- year born: 1973
- gender: female
- nationality: Brazilian
- home town: Porto Alegre, Brazil
American Artist
American Artist makes experimental work in the form of sculpture, video, and software that comments on histories of race, technology and forms of knowledge production...
James Welling
- location: New York, New York; Los Angeles, California
- year born: 1951
- gender: male
- nationality: American
- home town: Hartford, Connecticut
Carter Mull
Los Angeles-based artist Carter Mull is an obsessive sort, and his fascinations show through in his multimedia photographic and installation-based works...
Dannielle Bowman
Working in photography, Dannielle Bowman’s photographs are multilayered, pushing a more nuanced understanding of American history and culture across various physical locations and time periods...
Mercedes Dorame
Mercedes Dorame is a photographer and member of the Tongva tribe in Los Angeles...
Tuan Andrew Nguyen
Tuan Andrew Nguyen is an artist and filmmaker, one of the three founders of The Propeller Group created in 2006...
Manuel Solano
Manuel Solano, who is non-binary and prefers plural pronouns, was an emerging 26-year-old artist when they lost their sight to an HIV-related infection in 2013...
Julio Cesar Morales
- location: San Francisco, California
- year born: 1966
- gender: male
- nationality: Mexican
- home town: Tijuana, Mexico
Sarah Conaway
- location: Los Angeles, California
- year born: 1972
- gender: female
- nationality: American
- home town: York, Pennsylvania
rafa esparza
rafa esparza is a multidisciplinary artist whose work reveals his interests in history, personal narratives, kinship, colonization, and the disrupted genealogies it produces...
© » ARTNEWS
about 11 months ago (02/12/2024)
Christie's LA to Mount Exhibition of Andy Warhol's 'Screen Tests' Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All February 12, 2024 11:22am Andy Warhol, Jane Holzer [ST144], 1964...
© » THEARTNEWSPER
about 11 months ago (02/09/2024)
30 archaeological artefacts returned to Mexican authorities in Los Angeles ceremony Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news 30 archaeological artefacts returned to Mexican authorities in Los Angeles ceremony Objects ranging from the 1st century to the 15th century were handed over at the Mexican consulate in Los Angeles earlier this month Benjamin Sutton 9 February 2024 Share An elaborately rendered ceramic figure that was handed over to Mexican authorities in Los Angeles on 1 February Mexico Ministry of Culture Anthropomorphic ceramic figures, necklace beads, vessels and more archaeological objects were turned over to Mexican authorities, including the country’s visiting secretary of foreign affairs, Alicia Bárcena Ibarra, during a ceremony this month at Mexico’s consulate in Los Angeles...
© » HYPERALLERGIC
about 11 months ago (02/05/2024)
Arthur Tress Sought the Shadow Side of Photography Skip to content Arthur Tress, "Boy with Root Hands, New York, New York" from the series The Dream Collector (1971) (all photos Ksenya Gurshtein/ Hyperallergic ) LOS ANGELES — The earliest recorded evidence of humans’ fascination with dreams dates to antiquity, when Heraclitus wrote, “When men dream, each has his own world...
© » HYPERALLERGIC
about 11 months ago (02/05/2024)
Artists "Make LA Graffiti History" by Painting on Abandoned High-Rises Skip to content Oceanwide Plaza was covered in graffiti by dozens of artists...
© » HYPERALLERGIC
about 11 months ago (02/05/2024)
Street Artists Say Guess Is Copying Their Tags Skip to content Images show the signatures of Sean Griffin ("NEKST") and Robin Ponn ("BATES") juxtaposed on since-removed articles of clothing sold by Guess...
© » THEARTNEWSPER
about 11 months ago (02/05/2024)
Los Angeles museum repatriates Asante artefacts to Ghana Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Repatriation news Los Angeles museum repatriates Asante artefacts to Ghana The Fowler Museum at UCLA has repatriated seven artefacts that were taken during the Sagrenti War of 1874 Scarlet Cheng 5 February 2024 Share Unidentified member(s) of gold workers' guild (Asante peoples, Kumasi, Ghana), Royal necklace (gorget) or stool ornament; Before 1874; gold Fowler Museum at UCLA, Gift of the Wellcome Trust Seven handcrafted Asante objects have just travelled halfway around the globe to be returned, 150 years later, to the family of their original owners in Kumasi, Ghana...
© » FAD MAGAZINE
about 11 months ago (01/26/2024)
Frieze reveals shortlist for Frieze Los Angeles Film Award - FAD Magazine Skip to content By Mark Westall • 26 January 2024 Share — Frieze has revealed the eight emerging filmmakers shortlisted for the 2024 Deutsche Bank Frieze Los Angeles Film Award...
© » WHITEHOT
about 13 months ago (12/18/2023)
Steven Seidenberg: The Residue of Life & The Architecture of Silence advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Steven Seidenberg: The Residue of Life & The Architecture of Silence Shinjuku #3, Tokyo Tape...
© » HYPERALLERGIC
about 13 months ago (12/14/2023)
Nani Chacon Finds the Essence of Home Skip to content Nani Chacon, "I Miss You…" (2023), graphite and acrylic on polytab, 102 x 140 inches (all photos by ofstudio, courtesy Timothy Hawkinson Gallery) LOS ANGELES — “[Nani Chacon] addresses how a secure home is essential.” This the phrase, from the press release for Chacon’s exhibition + Home+ at Timothy Hawkinson Gallery, forced me to pause...
© » HYPERALLERGIC
about 13 months ago (12/12/2023)
Artist Rodrigo Valenzuela’s Futuristic Ruins Unveiled in LA Skip to content Rodrigo Valenzuela, "The Underpinning" (2023) (photo Matt Stromberg/ Hyperallergic ) LOS ANGELES — On Saturday afternoon, a crowd gathered at Los Angeles State Historic Park on the edge of Chinatown for the opening of Rodrigo Valenzuela’s new public artwork, commissioned by the local nonprofit Clockshop...
© » ART & OBJECT
about 13 months ago (12/12/2023)
Ed Ruscha's Poetry of the American Experience | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » MOUSSE MAGAZINE
about 13 months ago (12/12/2023)
“If You’re Reading This, I’m Already Dead” reaches into the different kinds of agencies that are found in bodies otherwise thought to have none, bodies whose...
© » WHITEHOT
about 13 months ago (12/12/2023)
Matthew Barney’s REPRESSIA (decline) at the Los Angeles County Museum of Art advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Matthew Barney’s REPRESSIA (decline) at the Los Angeles County Museum of Art Matthew Barney, Cremaster 5 (production still), 1997 (fig...
© » THEARTNEWSPER
about 13 months ago (12/07/2023)
Art Basel in Miami Beach Diary: George Clinton is in the pink, Alex Israel chills out, and life models draw a (drawing) crowd Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 blog Art Basel in Miami Beach Diary: George Clinton is in the pink, Alex Israel chills out, and life models draw a (drawing) crowd Plus: a million reasons to score at basketball, Hew Locke's golden opportunity, and your chance to win a koala The Art Newspaper 7 December 2023 Share Reasons to be cheerful: George Clinton in front of his work Evolutionary Directory: Which way do you want to be “what”? at Jeffrey Deitch’s stand...
© » THEARTNEWSPER
about 13 months ago (12/07/2023)
Akinsanya Kambon wins Hammer Museum’s $100,000 Mohn Award Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Prizes news Akinsanya Kambon wins Hammer Museum’s $100,000 Mohn Award The prize, plus two others of $25,000 each, are given to artists participating in the museum’s “Made in LA” biennial Jori Finkel 7 December 2023 Share Akinsanya Kambon Photo: Antonio Gilbreath Don’t be surprised if you don’t know know their names...
© » HYPERALLERGIC
about 13 months ago (12/06/2023)
Ken Gun Min’s Vision of Gay Utopia Skip to content Ken Gun Min, “East Hollywood Red Chair” (2023), oil, Korean pigment, silk embroidery thread, 66 x 54 inches (all photos David S...
© » OBSERVER
about 13 months ago (12/06/2023)
Interview: Rick Garzon of Residency Art Gallery | Observer Rick Garzon is not your typical art world founder...
© » GALERIE MAGAZINE
about 13 months ago (12/04/2023)
From New York to Los Angeles, 8 Must-See Solo Gallery Shows in December - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Installation view of "Arghavan Khosravi: True to Self" at Rachel Uffner Gallery...
© » ARRESTED MOTION
about 15 months ago (09/27/2023)
Openings: Jeff Soto – “Sadlands” @ KP Projects « Arrested Motion Earlier this month, Jeff Soto’s ( interviewed ) new exhibition Sadlands opened up in West Hollywood at KP Projects ...
© » ART AND CAKE
about 16 months ago (08/30/2023)
In the Trenches: Artists Encounter the Los Angeles River, Part 1 – Art and Cake August 30, 2023 August 30, 2023 Author In the Trenches: Artists Encounter the Los Angeles River, Part 1 Michelle Robinson 2023 What Was 4th Street Acylic paint on print 40×60 in By Lawrence Gipe In the mid-1980’s, I lived on Santa Fe Avenue and 7th Street, and the idea of Los Angeles having a “river” was a bit of a joke...
© » ART AND CAKE
about 16 months ago (08/30/2023)
In the Trenches: Artists Encounter the Los Angeles River, Part 1 – Art and Cake August 30, 2023 August 30, 2023 Author In the Trenches: Artists Encounter the Los Angeles River, Part 1 Michelle Robinson 2023 What Was 4th Street Acylic paint on print 40×60 in By Lawrence Gipe In the mid-1980’s, I lived on Santa Fe Avenue and 7th Street, and the idea of Los Angeles having a “river” was a bit of a joke...
© » ART AND CAKE
about 16 months ago (08/30/2023)
In the Trenches: Artists Encounter the Los Angeles River, Part 1 – Art and Cake August 30, 2023 August 30, 2023 Author In the Trenches: Artists Encounter the Los Angeles River, Part 1 Michelle Robinson 2023 What Was 4th Street Acylic paint on print 40×60 in By Lawrence Gipe In the mid-1980’s, I lived on Santa Fe Avenue and 7th Street, and the idea of Los Angeles having a “river” was a bit of a joke...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
The fashion designer is selling off all the art inside his West Village townhouse at Sotheby’s New York to make way for a new collection....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
How the Rich Get Spending Money: Locking Fine Art in Storage and Borrowing against It - via Los Angeles Times...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
For Muzeo, a publicly funded museum in downtown Anaheim, and for actor and art collector Cheech Marin, it’s a take two....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Robert Rifkind, philanthropist and "game-changing" collector of German Expressionist works, has died....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
The Marciano Art Foundation opened in 2017 as L...
© » ARTREPORT
about 109 months ago (01/28/2016)
Performance Art And Interactive Booths Take LA Art Show – Art Report News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result No Result View All Result Performance Art And Interactive Booths Take LA Art Show by Christina Lee Jan 28, 2016 in Featured 0 LA Art Show 2016, Los Angeles Convention Center, Photo: Everest Share on Facebook Share on Twitter LA Art Show at the Los Angeles Convention Center...
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1960-1969
Judy Chicago
1969Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...
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1970-1979
Allen Ruppersberg
1970Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...
Allan Sekula
1973San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel...
Daniel Joseph Martinez
1978For I use to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance (1978), also known as the Bodybuilder series, Martinez asked male bodybuilding competitors to pose in whatever position felt “most natural.” They are obviously trained in presenting their ambitiously carved physiques, but their facial expressions seem comparatively unstudied...
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1980-1989
Charles Gaines
1980To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...
Paul McCarthy
1983McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...
Edward Kienholz
1984Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...
Robert Therrien
1985In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon...
Catherine Opie
1987In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...
Catherine Opie
1987Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...
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1990-1999
Alexis Smith
1990Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage...
John Baldessari
Drawing & Print
1991(Drawing & Print) The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
Catherine Opie
1993Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...
Catherine Opie
1994Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
Alexis Smith
1995In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...
Mike Kelley
1996Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...
John Baldessari
1997In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...
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2000-2009
Chris Johanson
2000Apartment on Cardboard (2000) is an exterior view of an abstracted apartment building...
William E. Jones
2000His series, The Golden State, harkens back to his early career and his photographic training...
Juan Capistran
2002The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
Luisa Lambri
2002Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
Mark Grotjahn
Drawing & Print
2002(Drawing & Print) This particular drawing, like many of Grotjahn’s works, presents a decentered single-point perspective...
Chris Johanson
2004Chris Johanson’s paintings, sculptures, and installations break down everyday scenes and commonplace dramas into colorful forms; the darkest sides of humanity are invoked with humor...
Daniel Joseph Martinez
2005Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...
Juan Capistran
2005White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...
James Welling
2005#17 Pink is a photogram, a photographic image produced without the use of a camera...
Edgar Arceneaux
Drawing & Print
2006(Drawing & Print) Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat...
James Welling
2006Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...
Piero Golia
2007Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...
Luisa Lambri
2007Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon...
Luisa Lambri
2007Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
Diana Fonseca Quiñones
2007In Los amantes (The lovers) Diana Fonseca Quiñones uses simple, commonplace objects and experiences that she derives from daily life to develop narratives that mix reality and fiction...
Ben Shaffer
2007Ben Shaffer’s Ben Deroy (2007) is part performance, part self-portrait, and part spiritual vision...
Mungo Thomson
Drawing & Print
2008(Drawing & Print) The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...
Paul McCarthy
2008Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
Dinh Q. Lê
2008Hill of Poisonous Trees (three men) (2008) exemplifies the artist’s signature photo-weaving technique, in which he collects diverse found photographs—portraits of anonymous people, stills from blockbuster films, or journalistic images—cuts them into strips, and weaves them into new composition...
Ron Terada
Drawing & Print
2008(Drawing & Print) The three Maiko s were included in Ron Terada’s 2008 exhibition, Voight–Kampf , at Catriona Jeffries gallery...
Mario Ybarra Jr.
2009Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...
Miljohn Ruperto
2009Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth...
Jedediah Caesar
2009For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...
Koki Tanaka
2009Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
Miljohn Ruperto
2009Miljohn Ruperto’s silent video work Appearance of Isabel Rosario Cooper is an archive of ghosts...
Jason Meadows
2009The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture...
Doug Aitken
2009The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...
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2010-2019
Andrea Bowers
Drawing & Print
2010(Drawing & Print) The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...
Chadwick Rantanen
2010Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure...
Mungo Thomson
2010In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second...
Walead Beshty
2010Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...
Paul McCarthy
Drawing & Print
2010(Drawing & Print) To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...
Koki Tanaka
2010Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
Jedediah Caesar
2010After being cast, the resulting resin block used in JCA-25-SC was cut into thin slices obtaining a series of rectangular shapes that resemble ceramic tiles...
Chris Johanson
2010Chris Johanson’s Untitled (Painting of a Man Leaving in Boat) (2010) pictures a canoe drifting toward an off-kilter horizon line, which demarcates the cobalt sea from the cerulean sky...
Walead Beshty
2011Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Julian Hoeber
2011Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Karl Haendel
Drawing & Print
2011(Drawing & Print) Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...
Lucas Blalock
2011Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...
Jason Meadows
2011Jason Meadows’s Do Not Pass Go (2011) depicts Richie Rich, “the poor little rich boy” of the 1950s comic strip...
Eamon Ore-Giron
2011Eamon Ore-Giron’s new commissioned video project Bite Work, is an experimental genre breaking video that is part-performance, part-conceptual and part-comical addressing issues of mediation, surveillance and trust...
Jason Meadows
2011Titled afterTruman Capote’s protagonist famously played by Audrey Hepburn in the film Breakfast at Tiffany’s (1961), Holly Golightly (2011) captures the essence of the character: seductive and bold, mysterious and capricious...
Walead Beshty
2012Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Jeff Burton
2012In Eniko Mihalik (2012), the camera captures a glimpse of the eponymous Hungarian model as seen through a rearview mirror...
Clarissa Tossin
2012In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...
Juan Capistran
2012The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami...
Mark Bradford
Drawing & Print
2012(Drawing & Print) This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
Pedro Reyes
2012Pedro Reyes’s Los Mutantes ( Mutants , 2012) is composed of 170 plates that combine characters from ancient and modern mythologies...
Brody Condon
2012Future Gestalt re-imagines a large-scale sculpture “ Smoke” by Tony Smith as embodying a futuristic intelligence that communicates with a group of communitarians undergoing experimental psychotherapy...
Tuan Andrew Nguyen
2012This work presents the image of an immolated monk engraved on a baseball bat...
Koki Tanaka
2013This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
Jeff Burton
2013Negligee (2013) serves as an example of this tension, with its artful angle and play with shadow and light upon the sensual subject, rendering the image ambiguous...
Rodney McMillian
2013In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point...
Miljohn Ruperto
2013Miljohn Ruperto’s high-definition video Janus takes its name from the two-faced Roman god of duality and transitions, of beginnings and endings, gates and doorways...
Brian Bress
2013Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...
Carter Mull
2013Mull’s Worker’s Clock collage works bring together images from the artist’s studio photography practice, found photographs, and pages from a phone book, laying them over a psychedelic warp of color in the background...
Carter Mull
2013Mull’s Worker’s Clock collage works bring together images from the artist’s studio photography practice, found photographs, and pages from a phone book, laying them over a psychedelic warp of color in the background...
Lucas Blalock
Drawing & Print
2013(Drawing & Print) Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay...
Mungo Thomson
2014Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...
Claudia Joskowicz
2014Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez...
Carolina Caycedo
2014YUMA o la tierra de los amigos (YUMA, or the Land of Friends) by Carolina Caycedo is a large mural containing a series of satellite photographs mounted on acrylic...
Andrea Bowers
2015Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...
Edie Fake
Drawing & Print
2015(Drawing & Print) Related to Edie Fake’s Memory Palaces series — reimagined facades of urban lesbian bars and gay nightclubs — Personal Business draws an association between architecture and the body, with ornamental structures that are decorative and protective...
João Maria Gusmão and Pedro Paiva
2015The artist duo João Maria Gusmão and Pedro Paiva traveled to Japan for a month to make a series of short 16mm films, often shot in slow-motion...
Martine Syms
2016Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas...
Clarissa Tossin
2017Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...
Colectivo Los Ingrávidos
2017The word Coyolxauhqui refers to femicide or the killing of women in rural Mexico on the basis of gender...
Miljohn Ruperto
2017Miljohn Ruperto’s research-based multidisciplinary practice often deals with possession, re-enactment, mythology and archives...
Walead Beshty
2018Office Work by Walead Beshty consists of a partially deconstructed desktop monitor screen, cleanly speared through its center onto a metal pole...
Bayrol Jiménez
2018Sombras de los Valles (Shadows of the Valleys) is part of a series of works created by Bayrol Jiménez in which he is influenced by hand-painted signs and large billboards in Mexico...
Mercedes Dorame
2018Mercedes Dorame utilizes photography to investigate, recode, and connect with her Gabrielino-Tongva tribe culture, as well as to bring current Indigenous experiences to light...
Dannielle Bowman
2019Vision (Bump’n’Curl) by Dannielle Bowman is from a series of photographs titled What Had Happened ...
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2020-2029
Manuel Solano
2020Since Manuel Solano became blind, they developed a technique that relies on audio descriptions that allow for an assistant to place pins and threads on a grid that guides the artist’s hands through the surface...
rafa esparza
2020thanks for staying alive Fern.1994 by rafa esparza is from a body of work that pays homage to youth culture in the 90s...
Nao Bustamante
Advanced Technology
2021(Advanced Technology) The Wooden People is a 360º virtual reality film series comprising seven episodes...
Guadalupe Rosales
202290022 (Leonard Ave) by Guadalupe Rosales engages with memory, loss, grief, and nostalgia; themes that run throughout the artist’s practice...
American Artist
Drawing & Print
2022(Drawing & Print) American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E...
American Artist
Drawing & Print
2022(Drawing & Print) American Artist is engaged in a multiyear research project that traces and teases various interconnections between the life and work of science fiction author Octavia E...
