The four-channel video installation Same Old Crowd departs from the documentation of an unknown city and takes place in an ambiguous temporal and spatial frame. Twelve characters (amateur actors hired by the artist) appear in black-and-white in highly stylized surroundings wearing patterned cloths. The identities or time period of the characters, all deprived of languages, are impossible to determine.
In his video work Beyond Geography , Li dramatizes the role of the artist-as-imitator to the point of sheer parody. Dressed to toe in the costume of a typical Discovery Channel adventurer-explorer, the artist dashes suavely through the uncharted jungle habitat of a primitive tribe. Li modulates his own voice in laughably accurate mimicry of the dubbed Discovery Channel protagonist familiar to Chinese viewership, daringly gulping fresh water from a river, expertly admiring exotic vegetation, and whimpering in fear of the dark sounds of the night (screaming, even, as he trips on a human skull) in an full-scale exaggeration of a nature show personality.
Benefiting from its geographic proximity to Hong Kong, since the 1980s Dongguan has become the factory of the world, with toys, plastic products and clothing as the major industries in the town. During its heyday, the region produced 50% of the world’s manufactured toys, but since 2008, the toy industry has declined as the factories moved to South East Asia. Archaeology of the Present (Dongguan) No.
Combined into a single two-channel HD video, Li Xiaofei’s Ponytail and Chongming Island II are silent portraits of the women assembly line workers at a Chinese kitchenware factory. Close-up shots of women’s heads—most notably of the rear with their hair in the similar updo fashion—and faces occupy the frame amidst a backdrop of a revolving steel conveyor. In lieu of dialogue or humming of the machinery, a ringing score of chimes and bells provides a tranquil soundtrack.
ÆTHER (Poor Objects) by Li Shuang builds on the artist’s consideration of the interplay between physical and digital spaces. Through a kaleidoscopic video collage, Li examines the complexities of personal subjectivity within an increasingly immersive and omnipresent online culture. Among disparate imagery that includes extra-terrestrial simulations, dizzying hordes of birds, animated figures trapped in dystopian virtual spaces, and real-life abandoned places, the video references the Chinese creation myth of Nuwa, a goddess who uses her own body to repair the sky.
In the eight-channel video installation Movement , Li Ming uses his body as a prop to interact with different means of transportation. Each channel features footage of the artist moving forward, jumping between various modes of transportation that weave in and out of the frame in a carefully orchestrated choreography. As the artist descends from the loader bucket of a moving construction tractor, he jumps onto a skateboard which he then discards as he lays on top of a suitcase that continues rolling forward.
A Slap in Wuhan documents Li Liao’s performance in Wuhan, China on January 8, 2011. Li waits at the entrance of the Optical Valley walking street. An anonymous person who was recruited online approaches Li and slaps him in the face.
Freedom Farming presents how, after being given the right of farming, Li Binyuan began to re-dig his land. He attempted to physically open a space for conversation with the generation of his parents. On the second day, villagers that were gathering in the field, including his mother, started to watch a strange event: Li Binyuan’ s 2-hour long jumping and falling in his land until he finally stopped, exhausted.
Argentum is part of Li Li Xiaofei’s Assembly Line series. The film was shot in Dongchuan, a small town 180 km from Kunming. Ten years ago, in order to attract foreign investment, Dongchuan officially became a district of Kunming, thus giving it access to preferential policies.
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers. As part of the drop of Augmented Reality sculptures, Ögüt invites the public to participate in populating public space with AR monuments, honoring those who have stood up to corrupt power. Each monument is dedicated to a different individual who stood up to protest systems far larger than themselves.
Eight Views of Xiao and Xiang is a series of landscapes in the Xiaoxiang region in the modern day Hunan Province, China, and was a popular subject of poems, drawings and paintings during the Song Dynasty (960–1279). Liang follows tradition by interpreting the historical subjects by classical Chinese artists including Dong Yuan (934–962 AD), Mu Xi (died in 1281 AD), Wen Weiming (1470–1559 AD). This reinterpretation represents the meeting point of the Xiang River and the Dongting Lake.
Sexy shows Yan Xing unsuccessfully trying to reach orgasm in freezing temperatures among the falling rocks and howling winds of a precarious canyon. His erotic failure leaves the voyeur-viewer unfulfilled and disappointed. The work explores notions of identity, masculinity, sexuality, voyeurism, and cultural taboos.
The Orbit by Bo Wang is based on the story of Hu Na, a former professional tennis player who was known for defecting from the People’s Republic of China. While on tour in California for the 1982 Federation Cup with the China Federation Cup team, Hu Na fled her hotel room and sought refuge at a friend’s home on her second day in the United States. In April 1983, she requested political asylum on the basis that she had a well-founded fear of persecution because of repeatedly refusing to join the Communist Party of China’s tennis team.
As part of her project Chinternet Plus , a “counterfeit ideology” and parodic take on the strategy “Internet Plus” launched by Chinese Prime Minister Li Keqiang in 2015, the video work Post commentary, monetary likes, Morgan Freeman’s advice on reality gives an insight into Internet Culture in China. The brilliantly edited video by Miao Ying presents various scenes from a popular Chinese live-streaming platform together with extracts from a TV show featuring Morgan Freeman talking about “What Is Reality”. This work is exemplary of the artist’s practice, questioning, with a degree of humour, the sometimes dramatic consequences of the Internet as it consumes society.
Untitled consists of a small wooden sculpture that leans against a wall. Here, a rectangular piece of wood holds a folded article from a vintage design magazine whose Italian text states: “Villa per una persona sola. Arquitectura Pasadena California.” On the flipside of the paper is a feature with different images of paintings and architecture, including a painting by Piet Mondrian.
In his performative action Subterranean Doomsday Vendor , Draeger positions himself in the subway system of Mexico City, as part of the common occurrence of bootleg media vendors. His contribution lies in dissemination of prophecy as he tests the public’s reactions to the types of content and media which can be circulated in such common spaces.
Winter is a film installation of multiple tenses—shot in the recent past, depicting an unknown future, unfolding (and changing) in the present of the exhibition. Shot in the white-washed homes of New Zealand architect Ian Athfield, including his own communal compound high above Wellington harbor, the film suggests various temporal and cultural conditions of instability, hinting at concerns of global warming and nuclear accidents, pushing at the boundaries of science fiction, stripped of narrative explication and causal explanation.
Berlin Remake ( 2005) combines extracts of East German films with images filmed by the artist in Berlin. While staying in Berlin, the artist found the locations where the official films were made and she juxtaposes the two in a synchronised double projection. Therefore on one screen there is Berlin between 1945 and 1989 and on the other Berlin in 2004.
Artist Wong Kit Yi’s A River in the Freezer combines directed and found footage to meditate upon glacial memory, cryogenics, and frozen fiction. She synthesizes disparate subjects—ranging from Longyearbyen, Norway (a town where no one is allowed to die), the fair-haired manga character Cygnus Hyoga, 19th-century global trading in ice, and color wavelength theory, among others—within a karaoke-inspired sing-along format.
While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves. Elements used in various stages of photographic processes (color filters, glassine, and prints themselves) are integrated back into the artwork either as part of the sculpture or as collage elements that are later added to the print. In some of the works, Maisel cuts into the prints themselves.
Michigan Central Station is part of a larger photographic series, Detroit Photos , which includes images of houses, theaters, stadiums, offices, and other municipal structures. Continuing his fascination with failed modernist utopias, Douglas depicts Michigan Central Station as a monolithic, almost prison-like structure lording over a desolate landscape. Once the hub of industrial transportation, the station is now devoid of any human activity and lies fallow, surrounded by train-less tracks and vegetation-less ground.
Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future. The video follows a moped carrying a woman holding a very large mirror. The mirror is large enough that she can’t see what lies ahead, she can only see what has already come as reflections in the mirror.
In this work, Omer Fast probes the feelings experienced by young people involved in an acts of war. Four monitors installed in the form a chariot of war relay the words and faces of four young Israeli soldiers. The installation shows a young generation confronted by the reality of danger, whether being attacked or facing death.
View From an Apartment features 18-year-old Joland Novaj whose image was taken from Instagram. Staring vacantly at his cereal bowl, his computer is open on his own Instagram account and Steinbeck’s “Grapes of Wrath” lies open next to it, illustrated with a XV century illumination. Beyond the room there is a bay, lined with modernist buildings.
In Kan Xuan’s four-channel video Island , a series of objects like nail clippers, hairbrush, toothpaste, and house decorations are shot in close-ups. These highly polished and aestheticized images create a poetic visual flow. However, in front of each object lies a coin of different value—two yuan, one pound, one euro, one dollar—that silently reveals the material value of the household supplies.
Wonocolo by Maryanto is part of a body of research and work that has been investigating the mining realities of Indonesia and Nigeria since 2015. This acrylic painting refers to ‘Texas’ Wonocolo in Bojonegoro, a traditional oil mine in East Java. Initially built by the Dutch and abandoned during Japanese occupation, it was revived under Indonesia’s independence (1949) and is now a controversial issue between local sovereign right and environmental concern.
The impressionistic surface of Wild Money (2017) recalls the 1950s paintings of Philip Guston. Its creases recall human skin, while the filigree pattern of red skeins implies what lies beneath. The body is fully implicated in this work.
Drawing & Print (Drawing & Print)
In Michel François’s work, « it is the real, physical and emotional experience that stimulates creation which is therefore highly charged with a vital force. There lies also the profoundly and clandestine figurative nature of his work » (Guillaume Désanges). Contamination is a constant in Michel François’s work.
Jason Meadows’s Do Not Pass Go (2011) depicts Richie Rich, “the poor little rich boy” of the 1950s comic strip. As his steel outline gleefully makes off with a bag of money and a stack of bills, another icon of affluent America, Uncle Pennybags (otherwise known as the Monopoly Man), is crushed underfoot between two heavy blocks. Behind them lies a broken piggy bank, depicted upside down with eyes X-ed out.
Li Xiaofei initiated Assembly Line in 2010, an ongoing project that records industrialized social change not only China, but as it occurs internationally...
Xyza Cruz Bacani is a Filipina author and photographer who uses documentary-style photography to call attention to less visible, erased, and under-reported global events...
Laura Gannon works across a range of media: painting, drawing, sculpture and video...
Maryanto is an artist with a background in printmaking whose research-oriented practice is deeply concerned with ecological footprints and actions of humanity...
The work of Hao Liang reimagines and explores the sublime of contemporary ecological landscapes...
Colombian artist Gabriel Sierra’s work lies in the intersection between art and design...
Gary-Ross Pastrana is an artist interested in the philosophies of art and the epistemologies of the art object...
Wong Kit Yi’s conceptual and performance-based work animates human interactions by measuring, locating, and quantifying the intangible...
Raised in rural south-eastern China in the 1990s, Li Shuang grew up consuming popular media such as YouTube, MySpace, knock off Nintendo consoles, pirated video games, and dakou CDs...
Li Binyuan explores physicality, chance, play and social values through actions, film works and performances that intervene in the social fabric of everyday Chinese society...
Dineo Seshee Bopape is known for her playful and experimental video works and installations of found objects...
Jean Claracq uses his work to deal with issues of loneliness in the social media era, depicting scenes of everyday life featuring isolated individuals against broad infrastructures as an evocation of alienation...
Miao Ying’s practice, including video, installation, website, photography and painting, highlights attempts to discuss mainstream technology and contemporary consciousness and its impact on our daily lives, while accounting for new modes of politics, aesthetics and consciousness created through representation of reality through technology...
Leonor Antunes’s sculptures consider and reinterpret 20th century design, architecture, and modernist art, focusing in particular on work created by women...
Li Jinghu was born in 1972 in Dongguan, Guangdong, where he currently lives and works...
Li Gang’s practice creates a meticulous and poetic balance between materiality and conceptuality...
Swiss artist Christoph Draeger lives and works between Vienna and NY...
Through new media, installation, and video and film, Bo Wang’s practice embodies sociopolitical and cultural subjects in contemporary China and beyond...
A peek behind the many masks of James Ensor in new Brussels show Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions preview A peek behind the many masks of James Ensor in new Brussels show A new exhibition will explore the Belgian artist’s later works, including his little-known ballet, as part of Belgium’s year-long commemoration of the 75th anniversary of his death J...
Why these ephemeral clay artworks by ceramicist Ruth Ju-shih Li will crumble in front of your eyes | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Taiwanese-Australian ceramicist Ruth Ju-shih Li installs an ephemeral clay artwork at the New Taipei City Yingge Ceramics Museum, in Taiwan, in 2019...
Tate Modern announce new partnership with Asymmetry Art Foundation - FAD Magazine Skip to content By Mark Westall • 1 February 2024 Share — Tate Modern © Tate Photography Tate Modern has announced today a new partnership with Asymmetry Art Foundation enabling Alvin Li to be appointed to the role of Curator, International Art and Hera Chan to be appointed Adjunct Curator, Asia-Pacific ...
Special programme: Taiwan, a culture of freedom and diversity (part 2) - arts24 Skip to main content Special programme: Taiwan, a culture of freedom and diversity (part 2) Issued on: 12/01/2024 - 17:25 Modified: 12/01/2024 - 17:29 13:17 FRANCE 24's Alison Sargent takes you to Taipei for a special programme on the island's cultural diversity...
Coco Fusco "Tomorrow, I will become an Island" KW Institute of Contemporary Art / Berlin | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
James Ensor: series of anniversary shows to reveal ‘the man behind the mask’ Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions news James Ensor: series of anniversary shows to reveal ‘the man behind the mask’ Belgium commemorates 75 years since the artist's death with a year-long season of exhibitions and events, often highlighting the lesser known aspects of his work Eddi Fiegel 15 December 2023 Share James Ensor, Pierrot and skeleton in a yellow robe (1893) Photo: Hugo Maertens The Belgian artist James Ensor may be easily recognisable for the macabre faces that so often feature in his works, but a major new season of exhibitions and events in his home country aims to reveal “the man behind the mask”...
Interview: Rick Garzon of Residency Art Gallery | Observer Rick Garzon is not your typical art world founder...
5 Artists on Our Radar in December 2023 | Artsy Skip to Main Content Advertisement Art 5 Artists on Our Radar in December 2023 Artsy Editorial Dec 1, 2023 2:00PM “Artists on Our Radar” is a monthly series focused on five artists who have our attention...
Zhang Wenzhi & Zheng Haozhong at Blindspot Gallery – ARTOMITY 藝源 Zhang Wenzhi: Tiger in Mountains, Deer at Ocean / Zheng Haozhong: Melodic Variations / Curator: Leo Li Chen / Nov 28, 2023 – Jan 13, 2024 / Opening: Saturday, Nov 25, 4pm – 6.30pm / In Conversation (in Mandarin): Zhang Wenzhi and Leo Li Chen, 5pm – 6pm / Blindspot Gallery 15/F Po Chai Industrial Building 28 Wong Chuk Hang Road Wong Chuk Hang, Hong Kong +852 2517 6238 Tuesday – Saturday, 10.30am – 6.30pm blindspotgallery.com Blindspot Gallery is pleased to present the duo solo exhibition Zhang Wenzhi: Tiger in Mountains, Deer at Ocean and Zheng Haozhong: Melodic Variations , curated by Leo Li Chen, showcasing the recent paintings of two Mainland Chinese artists...
Stikman “SIGNS” Show Slides into Skewville | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY Stikman always appears to lurk in New York on street signs, slapped on mailboxes, and stuck into doorways...
Art Basel Hong Kong shaping up to be biggest in years, with 242 exhibitors signed up | South China Morning Post Advertisement Advertisement Hong Kong economy + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Art Basel Hong Kong will welcome 242 galleries for its fair next year, organisers have said...
Now on show in New York City: BJP's Female in Focus winners - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW © Minxu Li, Female in Focus 2022 single image winner BJP’s new exhibition takes place in a converted Brooklyn townhouse, reflecting the award’s domestic focus The winners of BJP ’s Female in Focus 2022 include two series and 20 single images which demonstrate the sheer power of photography by women...
BSA Images Of The Week: 10.29.23 | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY Welcome to BSA Images of the Week! New York is gripped with anxiety and demonstrations because of the Israeli attacks on Gaza that appear to violate International Law...
"KorSonoR" exposition-festival d'arts sonores et visuels - artpress X 9 octobre 2023 Dans AP Web , arts visuels “KorSonoR” exposition-festival d’arts sonores et visuels Par Félix Gatier...
BOMB Magazine | Monica Sorelle Interviewed Necessary (Required) Cookies that the site cannot function properly without...
Of Participatory Censorship in Malaysia | ArtsEquator Skip to content Zikri Rahman examines the evolving nature of censorship in Malaysia through the lens of participatory censorship, with illustrations by Low Pey Sien...
We spoke with collector Jason Li about the David Shrigley that never fails to cheer him up, and the artists on his radar....
Tan Boon Hui: A Cultural Leader Of Grace and Courage | ArtsEquator Skip to content The Executive Director of Singapore's Arts House Limited's untimely death last week reverberated through the international art world...
The Maker’s Project: What does it take to sustain the puppeteer? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of The Finger Players February 13, 2022 By Janice Yap (1,200 words, 6-minute read) What would it look like if makers had the space and time to reflect, research and incubate outside of working on a production? What benefits would it reap for this generation of puppeteers, and for the ones to come?...
Dialogues with Mountains: Preserving indigenous culture in Taromak and Kelecung | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Kelecung, Bali...
(Episode 1) What's in a Scene - 《大狗民》Citizen Dog by The Finger Players | ArtsEquator Skip to content In this episode, Liu Xiaoyi and Oliver Chong unpack a scene from The Finger Players 十指帮 ‘s 《大狗民》Citizen Dog and talk about the set design, costume design and more...
The working processes of artists: Chong Li-Chuan | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles May 11, 2020 Sonic artist and composer Chong Li-Chuan shares how he uses sound and music to complement and elevate performances, from theatre to site-specific works, dance and movement...
Podcast 47: TheatreWorks' "13.13.13" and SRT The Young Company's 'The Fall' | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints September 6, 2018 Duration : 33 mins Theatreworks’ 13.13.13 and SRT’s The Young Company’s The Fall are the two works discussed in this month’s podcast...
Weekly Picks: Malaysia (6 – 12 Aug 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do August 6, 2018 The Fall of the House of Usher , Lot’ng Arts Space, 2–12 Aug Promising a twisted journey into the mind of a mysterious house and the equally enigmatic residents...
Podcast: Singapore Theatre Festival 2018 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints August 2, 2018 Duration: 48 min Matt Lyon and Naeem Kapadia are back on ArtsEquator’s theatre podcast, and with a bang: nearly an hour’s worth of discussion on the Singapore Theatre Festival 2018 which just ended on 22 July...
Spacejunk Bayonne: La Belle Peinture group show - The re:art Spacejunk Bayonne: La Belle Peinture group show Spacejunk Bayonne presents the group show La Belle Peinture ( The Beautiful Painting ) featuring international artists, masters of Pop Surrealism, whose works revisit old masters such as Caravaggio, those of the Dutch Golden Age and Flemish painting or Japanese print, yet through composition and narrative remain deeply relevant to our times...
Come In From the Blizzard: Outsider Art Fair – Art Report News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result No Result View All Result Come In From the Blizzard: Outsider Art Fair by December Projects Jan 27, 2016 in NEWS 0 Cai Dongdong, Klein Sun Gallery...
British Street Artist Hush Makes His Curatorial Debut At NY’s Vandal – Art Report News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result No Result View All Result British Street Artist Hush Makes His Curatorial Debut At NY’s Vandal by December Projects Jan 22, 2016 in Artist Interviews 0 Installation Close Up, Hush...
CHINA The Next Generation – ARTnews.com Skip to main content By Barbara Pollack Plus Icon Barbara Pollack View All October 6, 2011 10:00am Animal Regulation No...
Michigan Central Station is part of a larger photographic series, Detroit Photos , which includes images of houses, theaters, stadiums, offices, and other municipal structures...
Drawing & Print
In Michel François’s work, « it is the real, physical and emotional experience that stimulates creation which is therefore highly charged with a vital force...
Berlin Remake ( 2005) combines extracts of East German films with images filmed by the artist in Berlin...
In his performative action Subterranean Doomsday Vendor , Draeger positions himself in the subway system of Mexico City, as part of the common occurrence of bootleg media vendors...
Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future...
Jason Meadows’s Do Not Pass Go (2011) depicts Richie Rich, “the poor little rich boy” of the 1950s comic strip...
Wheat’s work is built on a strong conceptual framework that weaves together commentary on social and political issues and the radical potential for change...
Interested in the collection of object and their potential to evoke various emotional reactions in the audience, Bopape’s “Why do you call me when you know I can’t answer the phone” is an invitation into the limitless netherworld of the unsaid and unspoken...
Winter is a film installation of multiple tenses—shot in the recent past, depicting an unknown future, unfolding (and changing) in the present of the exhibition...
Freedom Farming presents how, after being given the right of farming, Li Binyuan began to re-dig his land...
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...
As part of her project Chinternet Plus , a “counterfeit ideology” and parodic take on the strategy “Internet Plus” launched by Chinese Prime Minister Li Keqiang in 2015, the video work Post commentary, monetary likes, Morgan Freeman’s advice on reality gives an insight into Internet Culture in China...
Artist Wong Kit Yi’s A River in the Freezer combines directed and found footage to meditate upon glacial memory, cryogenics, and frozen fiction...
View From an Apartment features 18-year-old Joland Novaj whose image was taken from Instagram...
The impressionistic surface of Wild Money (2017) recalls the 1950s paintings of Philip Guston...
Gary-Ross Pastrana’s video installation Rewilding consists of three large-scale projections placed across the exhibition space...
Discrepancies with Oaxacan Textile II by Leonor Antunes is a hanging sculpture composed of three elements made of brass...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...