Drawing & Print (Drawing & Print)
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints. Though simple, each contains a nested stack of historical and self-referential quotations. Both black-and-white prints depict a version of Ligon’s 1988 painting, Untitled (I Am A Man) , which declares the words of the parenthetical in blocky black letters.
Drawing & Print (Drawing & Print)
In 2010, Kadist Art Foundation, David Roberts Foundation and Nomas Foundation successively presented an exhibition of the work of Etienne Chambaud in collaboration with Vincent Normand: The Siren’s Stage / Le Stade des Sirènes. For this project, Etienne Chambaud made The Exchange (The Horse) . A contract was written with the lawyer Daniel McClean to establish the conditions for the exhibition and conservation of copies of the sculptures exchanged between the collections of these three foundations.
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image. Near his studio, Chen often walks over fallen branches in late autumn and sense their existence. Thus, his placing them in diverse contexts builds a “narrative Ariadne’s thread” where the branches become “the language of things” intertextually cohering his oeuvre.
Calvin Warren calls it an ‘ontological equation’/or methods of estimating the odds to rise in the coming centuries by Kameelah Janan Rasheed is part of A Casual Mathematics , a series of interpretive art diagrams, which revisit W. E. B. Du Bois’s iconic data portraits in The Exhibit of American Negroes . This was a landmark exhibit within the Palace of Social Economy at the 1900 World’s Fair in Paris that demonstrated the progress of Black Americans through the visual display of quantitative sociological information.
Kameelah Janan Rasheed is a radical self-publisher, and pamphleteer based in Brooklyn...
BOMB Magazine | From 36 Ways of Writing a Vietnamese Poem Necessary (Required) Cookies that the site cannot function properly without...
Re Somma and Tamil Theatre in Singapore | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Agam Theatre Lab December 24, 2021 By Vithya Subramaniam, in conversation with Karthikeyan Somasundaram (2,330 words, 8-minute read) Why stage a piece about, and play your own father? What is Tamil Theatre in Singapore? And did Karthik really need to put on a full face of paint just for that one 12-minute scene?...
The Sound Inside: Duet of life and loss | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints April 9, 2021 By Leia Devadason (772 words, 3-minute read) Filled to the brim at 25% capacity, Singapore Repertory Theatre’s Robertson Quay theatre was cold...
Open Calls and Opportunities: May 2020 (Singapore/SEA) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar May 20, 2020 ArtsEquator Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia...
Open Calls and Opportunities: April 2020 (Singapore/SEA) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar April 15, 2020 ArtsEquator Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia...
Open Calls and Opportunities: Mar 2020 (Singapore/SEA) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar March 19, 2020 ArtsEquator Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia...
Open Calls and Opportunities: Feb 2020 (Singapore/SEA) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar February 19, 2020 ArtsEquator Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia...
Open Calls and Opportunities: Jan 2020 (Singapore/SEA) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints January 9, 2020 ArtsEquator Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia...
Open Calls and Opportunities: Dec 2019 (Singapore/SEA) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar December 17, 2019 ArtsEquator Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia...
Book Review: "Writing the Modern: Selected Texts on Art & Art History in Singapore, Malaysia & Southeast Asia" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 12, 2018 By Carmen Nge (1300 words, five-minute read) In the vast firmament of Singaporean-Malaysian art history, no star illuminates as radiantly as T...
Drawing & Print
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
Drawing & Print
In 2010, Kadist Art Foundation, David Roberts Foundation and Nomas Foundation successively presented an exhibition of the work of Etienne Chambaud in collaboration with Vincent Normand: The Siren’s Stage / Le Stade des Sirènes...
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
Calvin Warren calls it an ‘ontological equation’/or methods of estimating the odds to rise in the coming centuries by Kameelah Janan Rasheed is part of A Casual Mathematics , a series of interpretive art diagrams, which revisit W...