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about 27 months ago (10/05/2022)
How Collectors in Indonesia, Malaysia, Thailand, and Taiwan Are Shaping Their Countriesâ Art Scenes - via ARTnews...
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about 32 months ago (05/24/2022)
Podcast 104: Tartuffe: The Imposter | ArtsEquator Skip to content Critics Matthew Lyon, Nabilah Said and Naeem Kapadia discuss Wild Rice's bold adaptation of Tartuffe: The Imposter by Molière in the latest ArtsEquator Theatre Podcast...
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about 33 months ago (04/12/2022)
Open Calls and Opportunities: Apr 2022 (Singapore/SEA) | ArtsEquator Skip to content ArtsEquator Lobang is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia...
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about 58 months ago (03/18/2020)
Podcast 79: Asia TOPA (Part 2) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles March 18, 2020 The following review is made possible through a Critical Residency programme supported by In this latest podcast episode, Nabilah Said and Carolyn Oei discuss various productions that were recently presented at Melbourne’s Asia TOPA: Are You Ready To Take The Law Into Your Own Hands | Hades Fading | À Ố Làng Phố | Dragon Ladies Don’t Weep They also share their highlights of the festival...
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about 59 months ago (03/12/2020)
Podcast 78: Asia TOPA (Part 1) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles March 12, 2020 The following review is made possible through a Critical Residency programme supported by In this latest podcast episode, Nabilah Said and Carolyn Oei discuss various productions that were recently presented at Melbourne’s Asia TOPA: Black Ties | HuRu-hARa | Chinese Square Dancers | The Seen and Unseen | Torch the Place | Metal This is the first of a two-part episode...
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about 59 months ago (03/06/2020)
International Women's Day: Inspiring Women | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles March 6, 2020 By ArtsEquator For International Women’s Day, ArtsEquator asked 11 women arts leaders in SEA to tell us about a woman who has inspired, supported or mentored them on their arts journey...
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about 59 months ago (03/02/2020)
Dragon Ladies Don’t Weep: Brilliance Is Margaret Leng Tan | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Pia Johnson March 2, 2020 The following review is made possible through a Critical Residency programme supported by By Carolyn Oei (638 words, 5-minute read) Note: This review may contain some minor spoilers for Dragon Ladies Don’t Weep by Margaret Leng Tan...
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about 59 months ago (02/28/2020)
Metal: An Improbable Alchemy of Dance And Heavy Metal | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Gregory Lorenzutti February 28, 2020 The following review is made possible through a Critical Residency programme supported by By Carolyn Oei (762 words, 5-minute read) I am not a fan of heavy metal music – or heavy metal anything – so I took my seat in the Playhouse, Arts Centre Melbourne, with trepidation...
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about 59 months ago (02/25/2020)
The Seen and Unseen: A Search For Self | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Claudia Dian February 25, 2020 The following review is made possible through a Critical Residency programme supported by By Carolyn Oei (638 words, 4-minute read) “Embracing life means embracing every element of dualism in it...
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about 62 months ago (12/05/2019)
Lightfay ofway ancyfay: “Peter Pan in Serangoon Gardens” by Wild Rice | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Albert Lim K...
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about 63 months ago (11/13/2019)
Podcast 68: Critics Live! Wild Rice's Merdeka | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Rueyloon from Wild Rice November 13, 2019 Theatre critics Corrie Tan, Nabilah Said, Carolyn Oei and Kathy Rowland discuss the recent production of WILD RICE’s Merdeka / 獨立 /சுதந்திரம் , in a critics-led post-show conversation held in front of an audience on 19 October 2019 at WILD RICE’s Ngee Ann Kongsi Theatre...
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about 64 months ago (10/14/2019)
CRITICS LIVE: A post-show response to "Merdeka" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles October 14, 2019 Join critics Corrie Tan, Nabilah Said, Carolyn Oei and Teo Xiao Ting in a post-show conversation about W!ld Rice’s Merdeka ...
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about 67 months ago (07/15/2019)
Open Call and Opportunities: July 2019 (Singapore/SEA) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar July 15, 2019 Lobang by ArtsEquator is a list of available open calls, job postings and other opportunities open to people from Singapore and Southeast Asia...
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about 75 months ago (11/21/2018)
8 Questions with Alan Oei | Arts Equator Thinking and Talking about Arts and Culture in Southeast Asia Articles Alfonse Chiu November 21, 2018 By Alfonse Chiu (1600 words, five-minute read) As part of ArtsEquator’s interview series profiling artistic directors across the region, we spoke with Alan Oei, AD of The Substation and co-founder and executive director of OH! Open House , on his hopes, his challenges, and how he balances different needs and roles between the two companies...
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about 76 months ago (10/11/2018)
Coda Culture: A Space for Freedom | Arts Equator Thinking and Talking about Arts and Culture in Southeast Asia Articles Akanksha Raja October 11, 2018 As told to Akanksha Raja In the latest instalment in our series covering independent art spaces in Southeast Asia, ArtsEquator.com spoke with artist Seelan Palay to learn about his practice, his inspirations, and his journey setting up the independent alternative art space Coda Culture , at 803 King George’s Avenue in Singapore...
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about 79 months ago (07/16/2018)
Weekly Picks: Singapore (16 - 22 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Singapore July 16, 2018 SINGAPORE THEATRE FESTIVAL 2018 FAGHAG 19 – 22 July 2018 Join Pam Oei in this rainbow-coloured cabaret and see her demonstrate why she deserves to be called Singapore’s Number One Faghag! Join her as she plays multiple characters, tell jokes and heart-warming tales while being accompanied by maestro Julian Wong on the piano in this entertaining performance! More information here....