© » KADIST
Haris Epaminonda
Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination. The images she works with to create her collages (paper or video) come from magazines or history books, film extracts or soap operas from the 1960s and 1970s. By readapting a universal past (in her work on monuments) as well as personal (with tv series she used to watch as a child, etc.)
© » KADIST
Haris Epaminonda
Created from extracts of kitsch movies or Greek soap operas from the 1960s, these videos are like audiovisual ‘postcards’ reflecting a nostalgic and melancholic approach. The images have lost their context and original meaning to then be re-assembled, confronted to each other and superimposed with other elements, to reveal new sequences. The narration has disappeared from the sequences and the spectator waits in vain for something to happen.
© » KADIST
Haris Epaminonda
Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination. The images she works with to create her collages (paper or video) come from magazines or history books, film extracts or soap operas from the 1960s and 1970s. By readapting a universal past (in her work on monuments) as well as personal (with tv series she used to watch as a child, etc.)
© » KADIST
Paul Kos
Sound of Ice Melting is based on the ancient Zen Buddhist koan about the sound of one hand clapping. Here, Kos has surrounded two twenty-five-pound blocks of ice with eight microphones that call to mind the political press conferences prevalent during the Vietnam War era when this piece was created. Zen practice values such absurdity as a way to transcend the limitations of ordinary discourse and rational thought—empirical processes at the root of all political conflicts.
© » KADIST
Luke Butler
Drawing & Print (Drawing & Print)
In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment. However, Kirk’s passive pose doesn’t so much suggest the aftermath of a battle as it does heavy contemplation, depression, or utter despair. Captain X is part of a series of paintings depicting various Star Trek characters who are stricken with human emotion-—a tactic that diminishes the mythological grandeur associated with this heroic captain and his indefatigable crew.
© » KADIST
Clare Rojas
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters. While Untitled (Bird’s Eyes) does not depict any actual women, it nevertheless alludes to gender roles and the power of the female gaze. Apparently playful, this scene of two animals has an ominous quality: A bird and a hedgehog confront at each other and the bird appears to be poking, even eating the hedgehog’s eye.
© » KADIST
Julio Cesar Morales
The video Interrupted Passage presents a performance Morales staged in the former home of Mariano Guadalupe Vallejo, a mid-nineteenth-century Mexican general serving in California. Reenacted here is Vallejo’s acquiescence to Americans who were attempting to overthrow Mexican governance of the region. When a small militia arrived at Vallejo’s house to arrest him, he invited them in and shared a meal.
© » KADIST
Richard T. Walker
let this be us is a single-channel video by Richard T. Walker featuring the artist himself roaming around the wilderness of a deserted landscape, sporadically humming a melody, strumming a guitar, or playing a few notes on a keyboard. As he traverses between striking locations we see him carrying large photographic prints of the same landscape that he is treading, which he then rests onto tripods so that the horizon in the photograph seamlessly matches that of the real landscape. As we hear the music, Walker comes in and out of view, dissipating into the landscape as his body becomes invisible, hidden behind the photographic prints.
© » KADIST
Barry McGee
Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner. Its tiled effect can perhaps be seen as a vertical Carl Andre work and also bears some resemblance to another work in the Kadist Collection, Jedediah Caesar’s JCA-25-SC. McGee’s installation also echoes the votive altars in the chapels he visited during his residency in Brazil in 1993.
© » KADIST
Matt Lipps
Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity. Matt Lipps created this diptych by photographing a single arrangement of cutouts. As in his analogous portrait of men, the middle section appears twice, on either side of the split, signaling a stutter, a caesura, or a schizophrenic break.
© » KADIST
Lynn Hershman Leeson
Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government. Through interviews, scripted acting, and illustrations, Hershman Leeson outlines the series of absurd events that led to New York state’s case against the former SFAI Associate Professor and artist Steve Kurtz. By closely following Kurtz’s story, Hershman Leeson reveals a strange ripple effect of the Bush administration’s destructive policies.
© » KADIST
Kota Ezawa
The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964). Ezawa uses his signature cartoon-like style to remix and reenact these crime scenes, leaving only the artworks as “real” objects (as they are depicted in the films), rather than illustrating them. Reversing fiction and reality in an unexpected way, this gesture invites the viewer to question the reliability of the visual footage.
© » KADIST
Julio Cesar Morales
Contrabando is a work that references the larger sociological phenomenon in which immigrant economic strategies come to infiltrate urban landscapes. It is a study of the realities and consequences of exploited labor that simultaneously aims to record the living history of labor.
© » KADIST
Paul Kos
Parked on the shoulder of a single lane highway running through a desert landscape, Marlene looks over her shoulder from inside the car at a fierce storm looming over a distant horizon. Turning her head toward and away from the scene she says, “When I look for the lightning it never strikes, but when I look away it does.” And indeed, the lightning does seem to strike only when she turns away. Before filming Lightning , Paul Kos had done a fair amount of research on lightning, much of it conducted at the lightning research lab at the University of Colorado.
© » KADIST
Lynn Hershman Leeson
Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco. VertiGhost features the re-creation of select scenes from Vertigo (which takes place in San Francisco), documentation of the life of a painting by Amedeo Modigliani in the Legion of Honor’s collection that was enshrouded by questions of authenticity, as well as interviews—including with the original film’s star Kim Novak— about the construction of realities in life and art. By thoughtfully overlaying these conversations and events, Hershman Leeson distills complex conversations around identity and authenticity into concise insights in just over 12 minutes.
© » KADIST
Bruce Conner
In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue. 27 Punk Photos: 11. Dim Wanker: F Word, May, 1978 (1978) is representative of a series of photographs by Conner, whose subject became a fascination for the artist.
© » KADIST
Ana Teresa Fernández
Drawing & Print (Drawing & Print)
The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico. I painted them sky blue, creating a “Hole in the Wall” This deconstruction of “feminized” work explores the difficulties in reconciling both low wages and undervalued work via social and political infrastructures, confronting issues of labor and power. The images that I myself perform, present a duality: women dressed in a black tango dance attire while engaging in de-skilled domestic chores; the surreal within non-fiction.
© » KADIST
Leslie Shows
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage. Both through its title and formally—through how the shapes in the composition resemble a mountain or natural formation—the piece relays us to a mineral quarry or a deep mining pit where materials are extracted. Interspersed among the block-like figures and rocky textures, we also see several human silhouettes, either cut-out, or as if they were whited out by a shining light, or lost in the shadows.
© » KADIST
Julio Cesar Morales
Drawing & Print (Drawing & Print)
Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation. Morales drew inspiration from both his childhood near the United States-Mexico border as well as from photographic documentation on U. S. government websites.
© » KADIST
Phillip Maisel
While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves. Elements used in various stages of photographic processes (color filters, glassine, and prints themselves) are integrated back into the artwork either as part of the sculpture or as collage elements that are later added to the print. In some of the works, Maisel cuts into the prints themselves.
© » KADIST
Matt Lipps
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form. For Untitled (Men) (2011), he snipped from magazines and textbooks pictures of handsome or famous men, from the ancient Greek to the modern. Arranged in a tableau, lit theatrically, and rephotographed, the two-dimensional figures have an embodied presence.
© » KADIST
Bruce Conner
Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience. The video presents us with a reinterpretation of footage from his unreleased avant-garde film, Easter Morning Raga , from 1966. In contrast to his more famous pieces like A Movie (1958) and Crossroads (1976) which are juxtapositions of fragments from newsreels, soft-core pornography, and B movies, the images in EASTER MORNING serve as a reinterpretation of footage.
© » KADIST
Ranu Mukherjee
Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining.
© » KADIST
Clare Rojas
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters. While Untitled (Bird’s Eyes) does not depict any actual women, it nevertheless alludes to gender roles and the power of the female gaze. Apparently playful, this scene of two animals has an ominous quality: A bird and a hedgehog confront at each other and the bird appears to be poking, even eating the hedgehog’s eye.
© » KADIST
Paul Kos
Taking its title from the eponymous mythological creature—famously featured as sea nymphs in Homer’s Odyssey. Sirens exist in literature across many cultures including Ancient Greece and India, described as part bird and part woman, or like a mermaid. They were said to charm men by their song, and, having first lulled them to sleep, tear them to pieces.
© » KADIST
Kota Ezawa
The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history. In 1995, OJ Simpson—a well-known American football player—was accused of the murders of his ex-wife Nicole Brown Simpson and her friend Ronald Goldman. Based on the courtroom footage, Ezawa uses his signature style to create an abstract and graphically simplified echo of what happened in the room.
© » KADIST
Todd Hido
The two pieces in the Kadist Collection depict foggy landscapes, one at dawn, the other at nighttime. Both dimly lit scenes are dominated by an eerie feeling. Taken by a road, these painterly photographs suggest the uncanny character of the transient.
© » KADIST
Kota Ezawa
Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock. At first glance, due to the oversimplified silhouettes Ezawa employs, the connection between his animation and Namuth’s film may not be obvious. However, when seen side by side, Ezawa’s piece is a faithful reproduction of the scene—up until a point in which his sequence begins playing in reverse, effectively unpainting every brushstroke.
Julio Cesar Morales
- location: San Francisco, California
- year born: 1966
- gender: male
- nationality: Mexican
- home town: Tijuana, Mexico
Lynn Hershman Leeson
- location: San Francisco, California
- year born: 1941
- gender: female
- nationality: American
- home town: Cleveland, Ohio
Paul Kos
- location: San Francisco, California
- year born: 1942
- gender: male
- nationality: American
Haris Epaminonda
Epaminonda’s video works are based on re-shot excerpts of film and television footage – principally the Greek soap operas and kitsch romantic films fromthe 1960s that used to fill up Sunday afternoons in the artist’s Cypriot childhood –which she then subtly reworks...
Bruce Conner
- location: San Francisco, California
- year born: 1933
- gender: male
- nationality: American
- home town: McPherson, Kansas
Kota Ezawa
- location: San Francisco, California
- year born: 1969
- gender: male
- nationality: German
- home town: Cologne, Germany
Clare Rojas
- location: San Francisco, California
- year born: 1976
- gender: female
- nationality: American
- home town: Columbus, Ohio
Matt Lipps
- location: San Francisco, California
- year born: 1975
- gender: male
- nationality: American
- home town: San Francisco, California
Phillip Maisel
- location: San Francisco, California
- year born: 1981
- gender: male
- nationality: American
- home town: Chicago, Illinois
Charlotte Moth
Charlotte Moth has been constituting an image bank since 1999...
Todd Hido
- location: San Francisco, California
- year born: 1968
- gender: male
- nationality: American
- home town: Kent, Ohio
Richard T. Walker
- location: San Francisco, California
- year born: 1977
- gender: male
- nationality: British
Ranu Mukherjee
- location: San Francisco, California
- year born: 1966
- gender: female
- nationality: Indian
Ed Ruscha
- location: Los Angeles, California
- year born: 1937
- gender: male
- nationality: American
- home town: Omaha, Nebraska
Luke Butler
- location: San Francisco, California
- year born: 1971
- gender: male
- nationality: American
- home town: New York, New York
Barry McGee
- location: San Francisco, California
- year born: 1966
- gender: male
- nationality: American
- home town: San Francisco, California
Leslie Shows
- location: San Francisco, California
- year born: 1977
- gender: female
- nationality: American
© » THEARTNEWSPER
about 11 months ago (02/09/2024)
Italy donates replica of Bull of Nimrud destroyed by Isis to Iraq Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Heritage news Italy donates replica of Bull of Nimrud destroyed by Isis to Iraq The 3D-printed reproduction of the Assyrian statue was previously displayed at the Colosseum in Rome and the Unesco headquarters in Paris James Imam 9 February 2024 Share The replica of the Bull of Nimrud at the Colosseum © Museo Archaeologico del Colosseo Italy has donated a reconstructed Assyrian statue to Iraq in what has been described as a “miracle of Italian cultural diplomacy”...
© » THEARTNEWSPER
about 11 months ago (02/08/2024)
Under the bonnet: €300,000 Ferrari-funded restoration completed on 13th-century Cimabue fresco Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Conservation news Under the bonnet: €300,000 Ferrari-funded restoration completed on 13th-century Cimabue fresco Maestà di Assisi, located in the saint's home town, which survived a deadly earthquake in 1997, has been returned to its original luminosity James Imam 8 February 2024 Share Cimabue’s Madonna Enthroned with the Child, Four Angels and St Francis underwent two previous restorations: in the late 19th century and again in 1973 Tecnireco A fading fresco by the 13th-century artist Cimabue that survived a deadly earthquake 25 years ago has been returned to its original splendour following a €300,000 restoration funded by the luxury car manufacturer Ferrari...
© » ARTLYST
about 11 months ago (01/28/2024)
In a mindless act of protest, demonstrators hurled tomato soup at the iconic Mona Lisa by Leonard de Vinci...
© » 1854 PHOTOGRAPHY
about 13 months ago (12/18/2023)
The Jimei × Arles festival is a feast – will it boost Chinese photography for good? - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Operating room party (Grand), 2022, from the series Baby’s Baby © Wu MeiChi Now in its ninth year, the festival brings works from Les Rencontres d’Arles alongside its own cutting-edge programme...
© » LENS CULTURE
about 13 months ago (12/15/2023)
Favorite Photobooks 2023 - Compiled by LensCulture | LensCulture Feature Favorite Photobooks 2023 An eclectic year-end list of favorite photobooks of 2023 — personal recommendations from photographers, photography experts, friends and colleagues around the world...
© » NYTIMES LENS
about 13 months ago (12/12/2023)
Lens - The New York Times Advertisement SKIP ADVERTISEMENT Highlights Photo Credit Johis Alarcón lens Afro-Ecuadoreans Maintain Identity Through Spiritual Practices The photographer Johis Alarcón documented not just the indelible influence of African culture in Ecuador, but also how the descendants of enslaved women maintained their culture...
© » ROYAL ACADEMY
about 13 months ago (12/12/2023)
Recent research reveals how the Royal Academy’s founding artists worked amidst Britain’s imperial expansion in the 18th century, the transatlantic slave trade, and a growing abolitionist movement....
© » THEARTNEWSPER
about 13 months ago (12/08/2023)
The Week in Art Podcast | Art Basel in Miami Beach: big sales, little politics Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search The Week in Art podcast Art Basel in Miami Beach: big sales, little politics Plus, EMST, the all-women museum in Athens, and Pesellino’s David panels at the National Gallery in London Sponsored by Hosted by Ben Luke ...
© » THEARTNEWSPER
about 13 months ago (12/08/2023)
Rediscovered paintings by Rembrandt and Canaletto fail to turbocharge London Old Master auctions Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Auctions analysis Rediscovered paintings by Rembrandt and Canaletto fail to turbocharge London Old Master auctions Evening sales at Sotheby's and Christie's drew in £19.4m and £21.3m, respectively Scott Reyburn 8 December 2023 Share Jussi Pylkkänen took the rostrum at Christie's one final time for its Old Master evening sale on 7 December Courtesy of Christie's It says a lot about the current priorities of the international auction houses that both Sotheby’s and Christie’s websites gave top billing to its pre-Christmas luxury sales, rather than the rediscovered paintings by Rembrandt and Canaletto that led this week’s Old Masters sales in London...
© » ARTSY
about 13 months ago (12/06/2023)
The 10 Best Booths at Untitled Art, Miami Beach 2023 | Artsy Skip to Main Content Advertisement Art Market The 10 Best Booths at Untitled Art, Miami Beach 2023 Maxwell Rabb Dec 6, 2023 6:28PM Exterior view of Untitled Art, Miami Beach, 2023...
© » THE GUARDIAN
about 13 months ago (12/05/2023)
Pesellino review – a lost star of the Florentine Renaissance shines again | Exhibitions | The Guardian Skip to main content Skip to navigation Skip to navigation ‘Almost psychedelic blues, reds and golds’ … The Pistoia Trinity altarpiece, c 1455-60, showing in Pesellino: A Renaissance Master Revealed at the National Gallery...
© » ARTSY
about 13 months ago (11/29/2023)
12 Must-See Gallery and Museum Shows during Art Basel in Miami Beach 2023 | Artsy Skip to Main Content Advertisement Art 12 Must-See Gallery and Museum Shows during Art Basel in Miami Beach 2023 Maxwell Rabb Nov 29, 2023 10:34PM Ahmed Morsi, Green Hors e, 2001...
© » FLASH ART
about 13 months ago (11/27/2023)
"HOPE" Museion / Bolzano | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
© » BROOKLYN STREET ART
about 14 months ago (11/16/2023)
Chekos’Art Creates “Goddess of Paradise”in Brindisi, Puglia, Italy | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY In the vibrant neighborhood of Brindisi, nestled in Italy’s southern region, a new mural bears the distinct signature of artist Francesco Ferreri, widely known as Chekos’art...
© » IGNANT
about 15 months ago (10/20/2023)
A Visit To Studio Hanne Willmann: Clean Design That Evokes Emotions - IGNANT Name Studio Hanne WIllmann Images Clemens Poloczek Words Marie-Louise Schmidlin For Berlin-based product designer Hanne Willmann , one of the essential functions of furniture is to create an emotional response in its users...
© » NYTIMES LENS
about 15 months ago (10/05/2023)
Held in a small, mountainous village, this festival has it all: snakes, charmers, religion, science...
© » LARRY'S LIST
about 15 months ago (10/05/2023)
Italy’s controversial former prime minister, who died in June, amassed tens of thousands of works—of varying quality...
© » BOMB
about 15 months ago (10/02/2023)
BOMB Magazine | Sylvia Snowden Necessary (Required) Cookies that the site cannot function properly without...
© » LENS CULTURE
about 16 months ago (09/26/2023)
Unlike flowers, she won’t come back with spring - Photographs by Francesco Pennacchio | Essay by Magali Duzant | LensCulture Feature Unlike flowers, she won’t come back with spring Through archival imagery and his own pictures, Francesco Pennacchio constructs a photographic bridge to the memory of his mother; a voyage that is equal parts tender and playful...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Francesco Federico Cerruti built an imposing villa outside Turin, filling it with an assortment of stellar works...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Private spaces throughout the country are uniting to host a joint show in the face of government funding cuts...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Meet the miart Early Birds: 10 Fairgoers Share Their Highlights of Milanâs International Art Fair - via artnet news...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
The 'Invasion' and 'X-Men' series writer-producer and the 'Heart Talk' author share how their love of art even played into their engagement party....
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© » LARRY'S LIST
about 27 months ago (10/05/2022)
New ownership schemes allow investors to buy digital portions of paintings and share in the profits when it sells...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
An Italian law firm is now looking into whether the owner of the four fake collector accounts committed any possible crimes....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
A new show at the New York Academy of Art offers a glimpse into the art collections of four artist couples, including Eric Fischl and April Gornik....
© » ARTMARKETMONITOR
about 42 months ago (07/12/2021)
Royalty and Rediscoveries Drive Van Dyck’s Momentum at Auction Two van Dyck royal portraits sold at Sotheby’s in February 2018...
© » ARTS EQUATOR
about 54 months ago (07/23/2020)
Weekly Southeast Asia Radar: The Archipelago for the sidelined; Khmer puppet master returns | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Hean Rangsey July 23, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
-
1970-1979
Bruce Conner
1978In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue...
-
1990-1999
Bruce Conner
Drawing & Print
1995(Drawing & Print) Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...
-
2000-2009
Kota Ezawa
2002The Simpson Verdict is a three-minute animation by Kota Ezawa that portrays the reading of the verdict during the OJ Simpson trial, known as the “most publicized” criminal trial in history...
Julio Cesar Morales
Drawing & Print
2006(Drawing & Print) Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...
Clare Rojas
2006Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Haris Epaminonda
2007Created from extracts of kitsch movies or Greek soap operas from the 1960s, these videos are like audiovisual ‘postcards’ reflecting a nostalgic and melancholic approach...
Haris Epaminonda
2007Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination...
Lynn Hershman Leeson
2007Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
Luke Butler
Drawing & Print
2008(Drawing & Print) In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment...
Clare Rojas
2008Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Julio Cesar Morales
2008The video Interrupted Passage presents a performance Morales staged in the former home of Mariano Guadalupe Vallejo, a mid-nineteenth-century Mexican general serving in California...
Bruce Conner
2008Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...
-
2010-2019
Charlotte Moth
2010Charlotte Moth asked the art critic Francesco Pedraglio to write a text in response to the Man Ray film “Les Mystères du Château de Dé”, the decor of which was the Villa Noailles, built by Mallet-Stevens...
Matt Lipps
2011Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...
Julio Cesar Morales
2011Contrabando is a work that references the larger sociological phenomenon in which immigrant economic strategies come to infiltrate urban landscapes...
Ana Teresa Fernández
Drawing & Print
2011(Drawing & Print) The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...
Matt Lipps
2011In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
Ranu Mukherjee
2011Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....
Haris Epaminonda
2012Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination...
Kota Ezawa
2014Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock...
Phillip Maisel
2015While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...
Lynn Hershman Leeson
2016Tania Libre is a film by Lynn Hershman Leeson centered around renowned artist Tania Bruguera and her experience as a political artist and activist under the repressive government of her native Cuba...
Kota Ezawa
2017The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...
Lynn Hershman Leeson
2017Using the seminal 1958 film Vertigo as a launchpad, Lynn Hershman Leeson explores the blurred lines between fact and fantasy in VertiGhost , a film commissioned by the Fine Arts Museums in San Francisco...
