© » KADIST
Natasha Wheat
Wheat’s work is built on a strong conceptual framework that weaves together commentary on social and political issues and the radical potential for change. Be Oblivion, in Disconnect (2011) is a sculpture and an intervention. Two cardboard boxes house white neon letters that collectively have the potential to spell “Be Oblivion.” The dismembered phrase is rendered powerless in its present state; the potential power lies with the viewer, who could conceivably reconstruct it.
© » KADIST
Natasha Wheat
Drawing & Print (Drawing & Print)
Natasha Wheat’s Kerosene Triptych (2011) is composed of three images, one each from the digital files of the Library of Congress, the Smithsonian Institution, and the Field Museum tropical research archive. The original photographs were taken by anonymous photographers, not as art but as documents of the building of the Panama Canal. The laborers in the images are holding cans of kerosene and spraying it into the foliage.
© » KADIST
Daria Martin
Soft Materials is a curious, touching but also disturbing sequence of confrontations between two people: a man and a woman, and machines. Shot in the Artificial Intelligence Laboratory at the University of Zurich, the humans and the machines mirror each other’s actions. It is unclear which party takes the lead.
© » KADIST
Tao Hui
For 7 Materials , Tao Hui films seven scenes selected from the countless scenarios in his notebooks, including a group of ethnic minority girls in a spoil pit in the rain, a reporter interviewing a corpse, and a deity sailing on the river. Due to the lack of internal logical order, these one-minute video “materials” are not played in a fixed sequence but randomly. For Tao Hui, to film his diary is to adorn and embellish his memories before evoking and reviving their spirits.
© » KADIST
Cameron Rowland
Rowland’s minimal installations require a focus not on the objects themselves, but on the conditions of their creation, use, and distribution. Who controls the services that contemporary citizens take for granted—like power, water, heat? Who makes these objects that deliver these services?
© » KADIST
Naama Tsabar
Naama Tsabar’s sculptural works are developed serially. The series Work on Felt references the history of post-minimal sculpture: from Robert Morris to Joseph Beuys’s social sculptures. However one can equally relate her work to 1970s conceptual performers such as Terry Fox or Paul Kos.
© » KADIST
Teppei Kaneuji
In his White Discharge series (2002 to today), arguably his best known works, Kaneuji assembles old toys and plastic scarps into dramatic mounded heaps and covers the surface with white plastic resin, drawing on allusions to landfills, commodity fetishism, and creative repurposing. White Discharge (Built-Up Objects #38) (2014) appears playful, like a lost landscape from a whimsical Dr. Seuss story awaiting a charmingly wacky inhabitant. But in drawing its source materials from prefabricated and mass-produced objects, Kaneuji’s work also suggests more trenchant anxieties consumer culture and the rapid and wasteful accumulation that becomes “built-up” in all of our lives.
© » KADIST
Gabriella and Silvana Mangano
There is no there by Gabriella and Silvana Mangano is a black and white looped video with sound, in conjunction with a live performance. The work is inspired by the Blue Blouse, a political propaganda theater movement which spread across the Soviet Union in the mid-1920s. More specifically, the work takes the form of ‘Living Newspapers’, which were performances based on topical news events.
© » KADIST
Runo Lagomarsino
Drawing & Print (Drawing & Print)
On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages. The work’s connection to Amazon deforestation is difficult to ignore. Yet still, it also engages in broader issues about the country’s fractures, such as the 2018 fire at Rio de Janeiro’s National Museum and the ongoing erasure of its past.
© » KADIST
Barbara Kasten
Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points. Light streams from unseen sources and projects rectangular shadows against an adjacent wall. Three-dimensional shapes become suddenly flat as the objects in Kasten’s still life are juxtaposed alongside their ghostly traces.
© » KADIST
Jeamin Cha
In On Guard by Jeamin Cha, a security guard receives safety training, juxtaposed against his patrol of an empty building as he tries to give care instructions for his ailing mother over the phone. The film dismantles the binary oppositions between “caring” and “guarding,” two actions that parallel one another in their emphasis on attentiveness without a logical conclusion. Cha’s exploration of the relationship between these two focuses is channeled through nocturnal urban space, drawing attention to the labor that each requires.
© » KADIST
Eileen Quinlan
Eileen Quinlan’s abstracted images, like Swipe , rely on the manipulation of photographic materials inside the studio itself, and reject the exterior world for complex interrogations of the medium.
© » KADIST
Peter Robinson
Defunct Mnemonics (2012) plays off woodworking traditions found in indigenous art in order to create a body of formally minimal objects that are both beautiful in their restraint and profoundly moving in their associations with the totemic. Resembling large pick-up-sticks, the complete work is comprised of 126 vertical sculptures wrapped in fabric with alternately monochromatic and graphically patterned dyes and prints. Leaning against a wall and arranged side-by-side, they could be mistaken as highly decorated mallets for use in an undetermined ritual or game.
© » KADIST
Cheryl Donegan
Fashion is the focus of Blood Sugar , which consists of a video projected onto a vintage vinyl jacket set at torso height on a dressmaker’s dummy. As suggested by the work’s title, Cheryl Donegan uses the body as a metaphor, relating the continuous cycle and recycle of images that characterizes consumer fashion culture to the flow of sugar in our blood. Formally, the work borrows strategies from conceptual art, and specifically video art from the 1960s and 1970s—such as the use of repetition, patterns, found materials, and a DIY, low-tech aesthetic—and combines it with contemporary cultural forms, in this case, the world of fashion.
© » KADIST
David Haxton
In the mid to late 70s David Haxton turned to photography, and similarly to his output in film, his photographs show reverberations of his perspective as a painter. As inferred from the title—and the titles of most of his work—Haxton has a methodical, near-scientific approach to studying and documenting the effects of light. In Holes in White and Holes in Cream with?
© » KADIST
Ana Vaz
Há Terra! (There Is Land!) is a short film by Ana Vaz that picks up on the artist’s previous film A Idade da Pedra (2013), in which Vaz imagined premodernity in her native Brazil.
© » KADIST
Jeffrey Alan Scudder
Radical Digital Paintings is a collection of 239 works that were painted from 2016–2021; one exemplary image from the series is #98 . This painting was made after Scudder did the first ever Radical Digital Painting show, a hybrid performance/painting/lecture that brings together his painterly and pedagogical interests. In Scudder’s work, it is often difficult to pick apart what is a painterly effect versus an artefact of a lens-based or computational process.
© » KADIST
Matthew Darbyshire
Matthew Darbyshire has made several Furniture Islands, all of which employ different objects and different color values. Furniture Island No 3 looks like a shop display tastefully arranged in complementary colours. Darbyshire’s use of colour is like that of a designer or a painter.
© » KADIST
Yu Ji
Flesh in Stone – Ghost No. 1 is a stunning series of cement made body parts in various scales and movements, along with components such as iron and plaster molds to emphasize their tension. The “incompleteness” of Flesh in Stone weakens the figurative image itself, thus shifting the viewer’s focus onto the relationship between the rough material and the ideal rounded body shapes.
© » KADIST
Sheelasha Rajbhandari
Agony of the New Bed by Sheelasha Rajbhandari brings out the familiar yet often ignored reality of gender discrimination and taboos built within the construct of marriage. Part of the artist’s series Marriage Taboos , these portraits of women from different age groups in Nepal are staged on cotton mattresses placed on miniature golden matrimonial beds. The embroidered text on top of the portraits in golden threads are a representation of the range of vulnerable and resilient emotions experienced by women and the social beliefs towards them.
© » KADIST
He Xiangyu
He Xiangyu’s Terminal 3 presents excerpts from the lives of young African acrobats attending the Hebei Wuqiao Acrobatic Arts School in China. Acrobatics, which had a rich history as a court display in imperial China, is now integral to the cultural industries and tourism sector in Wuqiao, continuing a legacy of expending bodies for monetary gain. From 2016 to 2019, He intermittently went to Wuqiao Acrobatics School in Hebei Province to record the daily lives of the students who study a variety of acrobatic skills during their year-long program.
© » KADIST
Christoph Draeger
In his performative action Subterranean Doomsday Vendor , Draeger positions himself in the subway system of Mexico City, as part of the common occurrence of bootleg media vendors. His contribution lies in dissemination of prophecy as he tests the public’s reactions to the types of content and media which can be circulated in such common spaces.
© » KADIST
Khadim Ali & Sher Ali
Drawing & Print (Drawing & Print)
Transaction/Evacuation is a collaborative painting by Khadim Ali and Sher Ali, and is part of a larger collaborative body of works by the artists, which share the same title. Like Khadim Ali, Sher Ali is also part of the Hazara people, and experienced massive personal and social trauma early in life, losing his parents at the age of ten and witnessing the devastation of the Afghan Civil War in his native Kabul. The horned figure in the foreground represents Rustam, a legendary hero in Iranian mythology and central character in the Shahnameh, who depicted here by the artists as a potbellied demon, stripped away of its heroism.
© » KADIST
Yuyan Wang
One Thousand and One Attempts to Be an Ocean by Yuyan Wang reflects on the experience of not being able to see the world with depth perception. Made up of micro-events from ‘satisfying videos’ that swarm on the internet, the abstract narrative unfolds through layers of appropriation; referencing trance and minimal music in the process. The work addresses a desire for groundless waves, blended with today’s inexorable entropy of information societies.
© » KADIST
rafa esparza
thanks for staying alive Fern.1994 by rafa esparza is from a body of work that pays homage to youth culture in the 90s. The work is based on the popularity of mid-90s era Star Shots photographs, which usually featured graphic backgrounds and highly glamorized subjects wearing heavy makeup, matching outfits, perfectly coiffed hair, and dramatic expressions. In Los Angeles, esparza remembers many Black and Brown youths going to the mall (where many Star Shots photo studios were located) to circulate the photos with personal messages written on the back.
© » KADIST
Paul McCarthy
Drawing & Print (Drawing & Print)
To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey. On his shoulders he supports an enormous false head, Mickey’s familiar face grinning with glossy eyes. The artist has marked out in heavy black the background of Cinderella’s castle.
© » KADIST
Choi Jeong-Hwa
The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle. And though his works share a similar sensibility to Claes Oldenburg’s oversized sculptures from everyday objects, Choi draws from his immediate surroundings and life experience. Public sculptures with a flower theme are often used to decorate the rapidly urbanized cities in Asia, which are constructed with concrete and steel materials.
© » KADIST
Renata Lucas
Lucas’s quadroquadro (círculo) employs familiar materials for the artist: wood, paper, and glass. A simple composition—a black circle inscribed on white paper, encased in a rectangular frame—is interrupted in Lucas’s work, the continuous geometry of the nested forms segmented into four broken shards. Pieced back together, these fragments comprise a whole, but it is a unity shattered, unsteadied.
© » KADIST
Birender Kumar Yadav
Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana. The forests were felled and immigrants from northern Bihar and South India were brought to exploit the mineral resources. The Indigenous people were then dispersed to live nomadically, engaging themselves as seasonal workers in farms and industries.
Paul Kos
- location: San Francisco, California
- year born: 1942
- gender: male
- nationality: American
Gozo Yoshimasu
Gozo Yoshimasu is a prolific Japanese poet, photographer, artist and filmmaker active since the 1960s...
Daniela Ortiz
In order to reveal and critique hegemonic structures of power, Daniela Ortiz constructs visual narratives that examine concepts such as nationality, racialization, and social class...
David Haxton
Although trained as a painter, David Haxton is known for his exploration of light through the mediums of photography and film...
Diane Severin Nguyen
Diane Severin Nguyen collects found objects and organic matter to craft the images in her photographs and video works...
Jeamin Cha
Jeamin Cha’s questions exist in the gyre between individual and social environment, stepping over conspicuous strands of relation between the two in favor of cultivating characters that dwell in the night, under-noticed or otherwise surplus figures outside of mainstream societal representation...
Jennifer Locke
Working in video and installation-based performance, Jennifer Locke stages physically intense actions in relation to the camera and specific architecture in order to explore the unstable nature of artist/model/camera/audience hierarchies...
Alexis Smith
- location: Los Angeles, California
- year born: 1949
- gender: female
- nationality: American
- home town: Los Angeles, California
Jeffrey Alan Scudder
In his articulation of Radical Digital Painting, Jeffrey Alan Scudder has developed an optimistic view of painting’s future that begins from an in-depth focus on digital materiality...
Maryam Hoseini
Maryam Hoseini makes delicate, figurative paintings to investigate the political, social, and personal conditions of identity and gender...
John Houck
- year born: 1977
- gender: male
- nationality: American
- home town: South Dakota
Yangjiang Group
Zheng Guogu founded the artistic group Yangjiang Group in 2002 with Chen Zaiyan (b...
Voluspa Jarpa
Voluspa Jarpa’s work is based upon a meticulous analysis of political, historical, and social documents from Chile and other Latin American countries, which she uses to develop a reflection on the concept of memory...
Teppei Kaneuji
Teppei Kaneuji produces sculptures and installation-based work that interrogates Japan’s continuously burgeoning postwar culture of commodification...
Koki Tanaka
- location: Los Angeles, California
- year born: 1975
- gender: male
- nationality: Japanese
- home town: Tochigi, Japan
Lu Chunsheng
- location: Shanghai, China
- year born: 1968
- gender: male
- nationality: Chinese
- home town: Changchun, Jilin province, China
Birender Kumar Yadav
Birender Kumar Yadav is a multi-disciplinary artist who experiments with various media including painting, sculpture, photography, installation, etching, found and man-made objects, as well as live documentary...
Barbara Kasten
- year born: 1936
- gender: female
- nationality: American
- home town: Chicago, Illinois
Nora Schultz
Born 1975, Frankfurt / Main, Germany Lives and works in Berlin Nora Schulz explores the relations between painting, sculpture, performance, and language...
Gareth Moore
- location: Berlin, Germany
- year born: 1975
- gender: male
- nationality: Canadian
- home town: Matsqui, Canada
rafa esparza
rafa esparza is a multidisciplinary artist whose work reveals his interests in history, personal narratives, kinship, colonization, and the disrupted genealogies it produces...
Mike Kelley
- location: Los Angeles, California
- year born: 1954
- gender: male
- nationality: American
- home town: Detroit, Michigan
Cian Dayrit
Cian Dayrit is a Filipino multimedia artist...
Choi Jeong-Hwa
- year born: 1961
- gender: male
- nationality: Korean
- home town: Seoul, South Korea
James T. Hong
James T...
Gabriel Orozco
- location: New York City, Paris
- location: Mexico
- year born: 1962
- gender: male
- nationality: Mexican
- home town: Jalapa, Mexico
Gabriel Kuri
- location: Mexico City; Brussels, Belgium
- year born: 1970
- gender: male
- nationality: Mexican
- home town: Mexico City, Mexico
Daria Martin
A number of Daria Martin’s films explore the relationship between humans and machines and make reference to modernist art, whether through the work of the Bauhuas (Schlemmer), Surrealism (Giacometti’s Palace at 4 AM) or American art of the 1960s and 1970s...
© » LENS SCRATCH
about 11 months ago (02/12/2024)
Focus on Aging: Beate Sass: I Belong to You and You to Me - LENSCRATCH Fine Art Photography Daily Subscribe / Contact / About Home Photographers Browse All Browse Alphabetically Browse by Genre Browse by Subject Browse by Place Browse by Process Features Publisher’s Spotlight The States Project Alaska Alabama Arizona Arkansas California Colorado Connecticut Delaware District of Columbia Florida Georgia Hawaii Idaho Illinois Indiana Iowa Kansas Kentucky Louisiana Maine Maryland Massachusetts Michigan Minnesota Mississippi Missouri Montana Nebraska Nevada New Hampshire New Jersey New Mexico New York North Carolina North Dakota Ohio Oklahoma Oregon Pennsylvania Rhode Island South Carolina South Dakota Tennessee Texas Utah Vermont Virginia Washington West Virginia Wisconsin Wyoming Content Aware DEVELOPER Mixtapes Art and Science Competition: The Heart of the Matter Book Reviews Geometry In the Dark Insecta Magic Night The Natural World/Nature Women and Earth The Art of Healing Lenscratch Student Prize Winners 2023 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 Notes from a Curator Exhibitions Interviews Articles Photographers on Photographers Resources Artist Residencies Calls For Entry Lenscratch Library Portfolio Reviews Photo Festivals Online Magazines Print Magazines Sites of Interest Organizations and Institutions Photography Charities Grants Submit About Submissions Submit to Lenscratch Exhibitions Submit To Art and Science Award Submit to Student Prize Submit Your Project Shop Home Photographers Browse All Browse Alphabetically Browse by Genre Browse by Subject Browse by Place Browse by Process Features Publisher’s Spotlight The States Project Alaska Alabama Arizona Arkansas California Colorado Connecticut Delaware District of Columbia Florida Georgia Hawaii Idaho Illinois Indiana Iowa Kansas Kentucky Louisiana Maine Maryland Massachusetts Michigan Minnesota Mississippi Missouri Montana Nebraska Nevada New Hampshire New Jersey New Mexico New York North Carolina North Dakota Ohio Oklahoma Oregon Pennsylvania Rhode Island South Carolina South Dakota Tennessee Texas Utah Vermont Virginia Washington West Virginia Wisconsin Wyoming Content Aware DEVELOPER Mixtapes Art and Science Competition: The Heart of the Matter Book Reviews Geometry In the Dark Insecta Magic Night The Natural World/Nature Women and Earth The Art of Healing Lenscratch Student Prize Winners 2023 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 Notes from a Curator Exhibitions Interviews Articles Photographers on Photographers Resources Artist Residencies Calls For Entry Lenscratch Library Portfolio Reviews Photo Festivals Online Magazines Print Magazines Sites of Interest Organizations and Institutions Photography Charities Grants Submit About Submissions Submit to Lenscratch Exhibitions Submit To Art and Science Award Submit to Student Prize Submit Your Project Shop Focus on Aging: Beate Sass: I Belong to You and You to Me by Ruth Steinberg February 12, 2024 ©Beate Sass, Dad at Water Aerobics, from: I Belong to You and You to Me Introduction to Aging Series I met Aline Smithson at a portfolio review in the fall of 2023 when I showed her my project about my father...
© » TRIBLIVE
about 11 months ago (02/12/2024)
Less is more? Consumers have fewer choices as brands prune their offerings to focus on best sellers | TribLIVE.com Business Less is more? Consumers have fewer choices as brands prune their offerings to focus on best sellers Associated Press Monday, Feb...
© » THE ARTBLOG
about 11 months ago (01/31/2024)
Artblog | ‘(re)FOCUS, Then and Now,’ Big Differences, and The Future Artblog Celebrating 20 Years! Support Us Today! Features Reviews News Community About Advertise Donate Contact Features Reviews News Community About Advertise Donate Contact ‘(re)FOCUS, Then and Now,’ Big Differences, and The Future By Katie Dillon Low January 31, 2024 Katie Dillon Low writes a terrific piece on the "(re)FOCUS: Now" exhibit, one of two exhibits at the Galleries at Moore College of Art and Design; the other is "(re)FOCUS: Then" (with artists from the original 1974 exhibit)....
© » THE ARTBLOG
about 11 months ago (01/25/2024)
Artblog | Talking with Diane Burko and Judy Brodsky about FOCUS (1974) and (re)FOCUS (2024), two major women’s art festivals Artblog Celebrating 20 Years! Support Us Today! Features Reviews News Community About Advertise Donate Contact Features Reviews News Community About Advertise Donate Contact Talking with Diane Burko and Judy Brodsky about FOCUS (1974) and (re)FOCUS (2024), two major women’s art festivals By Susan Isaacs January 24, 2024 Susan Isaacs's interview with the two founders of the FOCUS festival, staged in Philadelphia in 1974 provides insights into the origins and significance of (re)FOCUS 2024, a celebration marking 50 years of women in the visual arts....
© » FRANCE24
about 12 months ago (01/16/2024)
Japan's Otokonoko cross-dressing culture challenges gender norms - Focus Skip to main content Japan's Otokonoko cross-dressing culture challenges gender norms Issued on: 16/01/2024 - 12:56 Modified: 16/01/2024 - 12:59 05:17 FOCUS © FRANCE 24 By: Yena LEE Follow | Alexis BREGERE | Melodie SFORZA | Yuko SANO Today’s Focus report takes us to Japan where we take a deep dive into the Otokonoko subculture...
© » AESTHETICA
about 13 months ago (12/18/2023)
Aesthetica Magazine - Mixed-Media in Focus: 5 Group Exhibitions for 2024 Mixed-Media in Focus: 5 Group Exhibitions for 2024 Textiles...
© » WHITEHOT
about 13 months ago (12/18/2023)
Ticket to Paradise: An Interview Whitney Oldenburg at Chart Gallery advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Ticket to Paradise: An Interview Whitney Oldenburg at Chart Gallery By CLARE GEMIMA December 13, 2023 The intellectual landscape of sculptures and drawings in Whitney Oldenburg's latest exhibition, Ticket to Paradise (notably the work in the show entitled Feeding Frenzy), scrutinizes the intricate dynamics between protection and waste in the context of contemporary consumption...
© » DAZED DIGITAL
about 13 months ago (12/15/2023)
Visit a new exhibition shedding light on man of mystery, Martin Margiela | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Fashion Round-up …plus all the other fashion news you missed this week, from a new Balenciaga video game to Robyn Lynch’s London exhibition, and Entire Studios’ Selfridges pop-up 15 December 2023 Text Dominic Cadogan Margiela: In the Void 12 Martin Margiela is as much of an enigma today as he was while at the helm of the brand – which he stepped away from in 2009...
© » ROYAL ACADEMY
about 13 months ago (12/12/2023)
Start here: Impressionists on Paper | Blog | Royal Academy of Arts Edgar Degas, Dancers on a Bench, c.1898 (detail)...
© » WALLPAPER*
about 13 months ago (12/11/2023)
Sotto Negroni bar in Manhattan will make you return for more | Wallpaper (Image credit: Photography: William Laird...
© » THEARTNEWSPER
about 13 months ago (12/09/2023)
In pictures: focus on Caribbean artists Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 feature In pictures: focus on Caribbean artists María Elena Ortiz, curator at the Modern Art Museum of Fort Worth, picks her favourite works at Art Basel in Miami Beach Alexander Morrison 9 December 2023 Share April Bey, COLONIAL SWAG: Not Conceited, CONVINCED! (2023) © Liliana Mora María Elena Ortiz is a trailblazing curator at the Modern Art Museum of Fort Worth (the Modern), but she also has close ties to South Florida...
© » IGNANT
about 13 months ago (12/06/2023)
Introducing The Second Ignant Shop Product: A Room Scent Created With AOIRO - IGNANT Name AOIRO Images Clemens Poloczek Words Anna Dorothea Ker Crafted with olfactory design studio AOIRO , the limited-edition Ignant Scent translates the visual world of Ignant into a singular olfactory experience...
© » ARTSY
about 13 months ago (12/05/2023)
Lee Miller’s Surrealist, Photographic Legacy Comes into Focus after Years of Being Sidelined | Artsy Skip to Main Content Advertisement Art Lee Miller’s Surrealist, Photographic Legacy Comes into Focus after Years of Being Sidelined Maxwell Rabb Dec 5, 2023 2:17PM Lee Miller, Self portrait with headband, Lee Miller Studios Inc., New York, USA, c...
© » MODERN MET ART
about 13 months ago (12/02/2023)
Stan Squirewell's Mixed-Media Collages Give a Fresh Perspective on the Past Home / Art Vibrant Mixed-Media Collages Give a Fresh Perspective on African American Ancestry By Jessica Stewart on December 2, 2023 “Mrs...
© » 1854 PHOTOGRAPHY
about 14 months ago (11/20/2023)
Now on show in New York City: BJP's Female in Focus winners - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW © Minxu Li, Female in Focus 2022 single image winner BJP’s new exhibition takes place in a converted Brooklyn townhouse, reflecting the award’s domestic focus The winners of BJP ’s Female in Focus 2022 include two series and 20 single images which demonstrate the sheer power of photography by women...
© » ARTOMITY
about 14 months ago (11/01/2023)
Asia Art Archive annual fundraiser auction – ARTOMITY 藝源 aaa2023auction.com Asia Art Archive (AAA)’s 2023 Annual Fundraiser features an auction of over 55 works, generously donated by artists, galleries, and individuals...
© » TATE EXHIBITIONS
about 14 months ago (10/27/2023)
Long Life, Low Energy: Designing for a Circular Economy | Tate Liverpool An exhibition from the Royal Institute of British Architects about the climate emergency and its relation to architecture Tate Liverpool and the Royal Institute of British Architects (RIBA) are forming a new partnership on Liverpool’s waterfront...
© » ARRESTED MOTION
about 16 months ago (09/20/2023)
Preview/Art Focus: Futura – ‘Breaking Out’ @ University of Buffalo « Arrested Motion Retrospectives are rarely as overdue as the one opening on Saturday at the University of Buffalo Art Galleries ...
© » PIER 24
about 24 months ago (01/28/2023)
Pier 24 Pilara Foundation Changing Philanthropic Focus - Pier 24 Pilara Foundation Changing Philanthropic Focus January 28, 2023 Chris McCaw, Sunburned GSP#455 (San Francisco) , 2010...
© » LARRY'S LIST
about 27 months ago (10/10/2022)
This emerging buyer class was a focus of Jenny Guo’s talk at the Digital Art Collector Summit presented by Larry’s List, at which she......
© » LARRY'S LIST
about 27 months ago (10/05/2022)
With their collection and related activities, the couple are bringing new definition to the role of the contemporary collector....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
One of Polandâs Top Collectors Will Auction 200 Works to Fund Her Private Museum and Expand Her Focus on Women - via ARTnews...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Carl and Marilynn Thoma Are Unafraid to Buyâand ConserveâArt Thatâs Tough to Care For - via ARTnews...
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Eugenio López Alonso divides his time between Los Angeles and Mexico, filling both homes with paintings and sculpture....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
Arts patron, collector and educator Bernard Lumpkin opens his New York home to Cultured to reveal a personal collection committed to emerging and established artists of African descent, one that is also the focus of book, Young, Gifted and Black: A New Generation of Artists....
© » ARTS EQUATOR
about 28 months ago (09/20/2022)
“It Has Been Dreamed”: Kiri Dalena on documenta fifteen | ArtsEquator Skip to content Kiri Dalena, one of the artists at the controversy-ridden documenta fifteen speaks with Pristine De Leon about the uneven dynamics between global exchanges and local needs, between lumbung and rigid hierarchies, between what has materialised and what was dreamed...
© » ARTS EQUATOR
about 35 months ago (02/13/2022)
The Maker’s Project: What does it take to sustain the puppeteer? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of The Finger Players February 13, 2022 By Janice Yap (1,200 words, 6-minute read) What would it look like if makers had the space and time to reflect, research and incubate outside of working on a production? What benefits would it reap for this generation of puppeteers, and for the ones to come?...
© » HIGH FRUCTOSE
about 60 months ago (01/29/2020)
Reza Bahmani's oil paintings, with each's distinctive texture and scale, carry a distinct intimacy...
© » HIGH FRUCTOSE
about 61 months ago (12/23/2019)
Brian Tolle's startling sculptures are said to be a dialogue between "history and context." His ability to manipulate what appear to be the most stubborn of structures is more than just a clever use of materials such as styrofoam and urethane (as is th case in the top piece, "Eureka.") Tolle forces us to consider our own relationship with the materials around us....
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1970-1979
David Haxton
197016 films is a selection of David Haxton’s single-screen videos, which he began producing in the 1970s as a continuation of some of the conceptual underpinnings of his earlier film installations...
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1980-1989
Martin Kippenberger
1988Martin Kippenberger’s late collages are known for incorporating a wide range of materials, from polaroids and magazine clips to hotel stationery, decals, and graphite drawings...
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1990-1999
Alexis Smith
1990Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage...
Gabriel Orozco
1994Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...
Mike Kelley
1996Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...
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2000-2009
Daria Martin
2004Soft Materials is a curious, touching but also disturbing sequence of confrontations between two people: a man and a woman, and machines...
Tino Sehgal
2004Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space...
David Haxton
2005In the mid to late 70s David Haxton turned to photography, and similarly to his output in film, his photographs show reverberations of his perspective as a painter...
Carla Zaccagnini
2005This series of photographs, Sobre la igualdad y las diferencias: casas gemelas (On Equality and Differences: Twin Houses) , taken in Havana in 2005, belongs to a wider group of works that the artist has been developing over many years, generally titled Bifurcaciones y encrucijadas (Forking Paths and Crossroads) ...
Jennifer Locke
2005Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious...
Christoph Draeger
2006In his performative action Subterranean Doomsday Vendor , Draeger positions himself in the subway system of Mexico City, as part of the common occurrence of bootleg media vendors...
Gareth Moore
2006Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...
Francis Alÿs
Drawing & Print
2006(Drawing & Print) This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...
Yael Bartana
2006Yael Bartana’s video work A Declaration was shot in southern Tel Aviv, on the visible border between that city and Jaffa...
Diana Fonseca Quiñones
2007In Los amantes (The lovers) Diana Fonseca Quiñones uses simple, commonplace objects and experiences that she derives from daily life to develop narratives that mix reality and fiction...
Barbara Kasten
2008Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points...
Choi Jeong-Hwa
2008The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle...
Matthew Darbyshire
2009Matthew Darbyshire has made several Furniture Islands, all of which employ different objects and different color values...
Pratchaya Phinthong
2009Phinthong made four photographs depicting fragments of meteorites of which the faces have been polished to reflect the sky...
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2010-2019
Paul McCarthy
Drawing & Print
2010(Drawing & Print) To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...
Gabriel Kuri
2010Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
Koki Tanaka
2010Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
Natasha Wheat
2011Wheat’s work is built on a strong conceptual framework that weaves together commentary on social and political issues and the radical potential for change...
Natasha Wheat
Drawing & Print
2011(Drawing & Print) Natasha Wheat’s Kerosene Triptych (2011) is composed of three images, one each from the digital files of the Library of Congress, the Smithsonian Institution, and the Field Museum tropical research archive...
Peter Robinson
2012Defunct Mnemonics (2012) plays off woodworking traditions found in indigenous art in order to create a body of formally minimal objects that are both beautiful in their restraint and profoundly moving in their associations with the totemic...
Shimpei Takeda
2012While still living in New York, shortly after the nuclear power plant disaster, Shimpei Takeda heard an NPR interview with a survivor living in temporary housing in Fukushima...
Yangjiang Group
Drawing & Print
2012(Drawing & Print) One Day in the Mountain is a bilingual calligraphic performance piece written in ink superimposed with food leftover from a meal...
Valeska Soares
2012Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...
Daniela Ortiz
2012In her work, Maids Room (2012) which is part of a series, Daniela Ortiz undertakes an architectural analysis of the houses belonging to the upper class of Lima...
James T. Hong
2012Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program...
Voluspa Jarpa
2012To make Minimal Secret (2012), Jarpa created sculptures based on pages of declassified CIA information about the United States’ involvement in Chile...
Cheryl Donegan
2013Fashion is the focus of Blood Sugar , which consists of a video projected onto a vintage vinyl jacket set at torso height on a dressmaker’s dummy...
John Houck
2013Houck’s Peg and John was made as part of a series of photographic works that capture objects from the artist’s childhood...
Daniela Ortiz
2013Previously, Ortiz produced a series of photographs related to her research on the position of ‘service architecture’, the vital space given to domestic servants in the modernist architectural houses of South American upper class families...
Nora Schultz
2013Halfway between a painting and an installation City Sound of Rug gathers found images, synthetic foam, painted metal plates, and prints placed on the floor...
James Collins
2013These two large format untitled paintings by James Collins feature the artist’s hallmark technique, which transforms abstraction into an optical illusion that creates dimension, space, and mass...
Cameron Rowland
2014Rowland’s minimal installations require a focus not on the objects themselves, but on the conditions of their creation, use, and distribution...
Teppei Kaneuji
2014In his White Discharge series (2002 to today), arguably his best known works, Kaneuji assembles old toys and plastic scarps into dramatic mounded heaps and covers the surface with white plastic resin, drawing on allusions to landfills, commodity fetishism, and creative repurposing...
Khadim Ali & Sher Ali
Drawing & Print
2014(Drawing & Print) Transaction/Evacuation is a collaborative painting by Khadim Ali and Sher Ali, and is part of a larger collaborative body of works by the artists, which share the same title...
Elena Damiani
2014In Fading Fields 7 by Elena Damiani, the unstable transparency of the print on silk chiffon is relative to the light and the viewer’s position, varying continually as one moves around the work...
Gozo Yoshimasu
Drawing & Print
2014(Drawing & Print) Gozo Yoshimasu’s visual-poetry series Dear Monster (Kaibutsu-kun) explores his response to the March 2011 Tohoku earthquake and tsunami...
Gozo Yoshimasu
Drawing & Print
2014(Drawing & Print) Gozo Yoshimasu’s visual-poetry series Dear Monster (Kaibutsu-kun) explores his response to the March 2011 Tohoku earthquake and tsunami...
Gabriella and Silvana Mangano
2015There is no there by Gabriella and Silvana Mangano is a black and white looped video with sound, in conjunction with a live performance...
Eileen Quinlan
2016Eileen Quinlan’s abstracted images, like Swipe , rely on the manipulation of photographic materials inside the studio itself, and reject the exterior world for complex interrogations of the medium....
Renata Lucas
2016Lucas’s quadroquadro (círculo) employs familiar materials for the artist: wood, paper, and glass...
Birender Kumar Yadav
2016Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana...
Matthew Langan-Peck
2016Plane is an inflatable sculpture in the shape of an aeroplane made from numerous pieces of plastic bags assembled by an iron...
Gozo Yoshimasu
Drawing & Print
2017(Drawing & Print) Gozo Yoshimasu’s double-sided work on paper Fire Embroidery explores his response to the March 2011 Tohoku earthquake and tsunami...
Marlon de Azambuja
2017Following a series of related works, Brutalismo Americano by Marlon de Azambuja is a site-specific sculptural installation produced during the artist’s residency at Kadist, San Francisco in 2017...
Jeamin Cha
2018In On Guard by Jeamin Cha, a security guard receives safety training, juxtaposed against his patrol of an empty building as he tries to give care instructions for his ailing mother over the phone...
Sheelasha Rajbhandari
2018Agony of the New Bed by Sheelasha Rajbhandari brings out the familiar yet often ignored reality of gender discrimination and taboos built within the construct of marriage...
Cian Dayrit
2018Yuta Nagi Panaad (Promised Land) by Cian Dayrit addresses the impacts of the globalized economy and its powerful ideology on the spaces of everyday life...
Auriea Harvey
2018Fauna is a figurative sculpture by Auriea Harvey that is characteristic of the artist’s practice—both serious and somewhat whimsical...
He Xiangyu
2019He Xiangyu’s Terminal 3 presents excerpts from the lives of young African acrobats attending the Hebei Wuqiao Acrobatic Arts School in China...
Alicia Henry
2019Out of simple materials, Alicia Henry creates enigmatic, somewhat troubled characters, which reveal her interest in the complexities and the contradictions surrounding familial relationships...
Sarah Navqi
2019A “mata ni pachedi” is a piece of painted textile that depicts narrative images of goddesses...
Emmanuel van der Auwera
2019Emmanuel van der Auwera visited Miami at the end of 2017 and was working on a project relating to school shootings...
Maryam Hoseini
2019Secrets Between Her and Her Shadow 10 by Maryam Hoseini is from a series of paintings of the same title that are inspired by the story Layla and Majnun – an Arabic love story about Majnun, a 7th century Bedouin poet, and his lover, Layla...
Diane Severin Nguyen
2019To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic...
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2020-2029
Runo Lagomarsino
Drawing & Print
2020(Drawing & Print) On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...
rafa esparza
2020thanks for staying alive Fern.1994 by rafa esparza is from a body of work that pays homage to youth culture in the 90s...
Diane Severin Nguyen
2020To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic...
Jeffrey Alan Scudder
2021Radical Digital Paintings is a collection of 239 works that were painted from 2016–2021; one exemplary image from the series is #98 ...
Daniela Ortiz
2021The Rebellion of Roots by Daniela Ortiz depicts a series of situations in which tropical plants, held hostage in the botanical gardens and greenhouses of Europe, are protected and nurtured by the spirits of racialized people who died as a result of European racism...
Yuyan Wang
2022One Thousand and One Attempts to Be an Ocean by Yuyan Wang reflects on the experience of not being able to see the world with depth perception...
Lotus Laurie Kang
2022Scaffold by Lotus Laurie Kang features a seemingly disjointed amalgamation of materials between flat fabrics and lumps of aluminum...
Köken Ergun and Tashi Lama
2022Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017...
Köken Ergun and Satyam Mishra
2022Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017...
Köken Ergun and Satyam Mishra
2022Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017...
