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JCA-25-SC
© » KADIST

Jedediah Caesar

Sculpture (Sculpture)

After being cast, the resulting resin block used in JCA-25-SC was cut into thin slices obtaining a series of rectangular shapes that resemble ceramic tiles. Usually displayed in grid against the wall or in a corner, the viewer is able to follow the sequence of cross sections to visually recreate the work’s genesis. In this way, Caesar’s pieces embody an interesting x-ray or archaeology of the artistic process itself.

Untitled
© » KADIST

Jedediah Caesar

Sculpture (Sculpture)

For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms. This technical rework allows for a clinical inspection of the material contents of the piece and the resulting slanted industrial monolith echoes minimalist sculpture, although with a different expressive texture. Indeed, Untitled can be seen as a contemporary pyramid with a painterly surface.

Constituent
© » KADIST

Cameron Rowland

Installation (Installation)

Rowland’s minimal installations require a focus not on the objects themselves, but on the conditions of their creation, use, and distribution. Who controls the services that contemporary citizens take for granted—like power, water, heat? Who makes these objects that deliver these services?

Calvin Warren calls it an 'ontological equation'/or methods of estimating the odds to rise in the coming centuries
© » KADIST

Kameelah Janan Rasheed

Photography (Photography)

Calvin Warren calls it an ‘ontological equation’/or methods of estimating the odds to rise in the coming centuries by Kameelah Janan Rasheed is part of A Casual Mathematics , a series of interpretive art diagrams, which revisit W. E. B. Du Bois’s iconic data portraits in The Exhibit of American Negroes . This was a landmark exhibit within the Palace of Social Economy at the 1900 World’s Fair in Paris that demonstrated the progress of Black Americans through the visual display of quantitative sociological information.

Cosmovision V - VI - VII
© » KADIST

Rometti Costales

Drawing & Print (Drawing & Print)

The three cut-outs are made of three aerial photographs coming from the archives of the Ecuadorian Military Geographic Institute. These are views of the Amazon forest. The photographs are cut following an optical illusion pattern called “reversible cubes” or “tumbling blocks”, based on the Necker cube, a multistable object of psychophysics that is constantly switching perspectives.

0000 - The Axiom ("The Unmanned" series)
© » KADIST

Fabien Giraud & Raphael Siboni

Film & Video (Film & Video)

– Thisstoryoffriedrichkurzweiliwanttotellit- myselfhowhelivedinthisroomandh – Inspired by the writings of the feral child Kaspar Hauser and told by the young Friedrich, both father and son of Ray Kurzweil, this story unfolds on the microscope images of a blade cutting through metal. Filmed at the scale of a fold of matter, this cut is the axiom on which the first season of The Unmanned rests.

Eclipse
© » KADIST

Jordan Kantor

Drawing & Print (Drawing & Print)

Eclipse is a series of screenprints from Jordan Kantor’s larger vitrine installation that included reworkings of a single image of a small group viewing an eclipse through shielding cut-outs. Printed on a clear surface, the work plays with ideas of obstruction and viewing, connecting spectacular natural phenomena with contemporary art making.

Untitled
© » KADIST

Martin Kippenberger

Drawing & Print (Drawing & Print)

Untitled is a work on paper by Martin Kippenberger comprised of several seemingly disparate elements: cut-out images of a group of dancers, a japanese ceramic vase, and a pair of legs, are all combined with gestural, hand-drawn traces and additional elements such as a candy wrapper from a hotel in Monte Carlo and a statistical form from a federal government office in Wiesbaden, Germany. Text cut out from a Newspaper spells out in German “Egg hunting in the Bavarian forest” and an additional piece of text reads in all capitals “BIN DABEI DU AUCH” (“I’m here too” in English). Together, all the messages and geographies from the separate elements suggest an alternative, highly stylized portrait of the artist; in this case, a fragmented, fluid, and itinerant sense of identity.

Untitled (Blue Chapel)
© » KADIST

Robert Therrien

Painting (Painting)

In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon. The object and its ground both glow, but the chapel-shape is crisp and simple, reminiscent of a piece of cut paper. Like many of Therrien’s early pieces, this abstraction slips into representation and the visual and spiritual power of the image is emphasized by the strong central placement of the chapel.

Work On Felt (Variation 2) and (Variation 11) Black
© » KADIST

Naama Tsabar

Sculpture (Sculpture)

Naama Tsabar’s sculptural works are developed serially. The series Work on Felt references the history of post-minimal sculpture: from Robert Morris to Joseph Beuys’s social sculptures. However one can equally relate her work to 1970s conceptual performers such as Terry Fox or Paul Kos.

450 Hayes Street (excavation site)
© » KADIST

Marcelo Cidade

Photography (Photography)

450 Hayes Street (excavation site) by Marcelo Cidade is a large scale photograph documenting the artist’s excavation of a parking lot located at 450 Hayes Street in San Francisco, a former section of the city’s Central freeway and current condominium site. The cut shape mirrors the precise shape of the Kadist gallery floor, where the concrete was relocated as part of his residency exhibition entitled Somewhere, Elsewhere, Anywhere, Nowhere. Through this concrete graft, Cidade inextricably links the city with artwork.

And shadows will follow
© » KADIST

Thea Djordjadze

Sculpture (Sculpture)

The sculpture And Shadows Will Follow is an angle piece that articulates a space since its appearance highly changes depending on the point of view. Initially conceived for an exhibition with natural light, this work diffracts light and projects a shadow like a cut-out. Surprisingly the work stands like a drawing in space, a graph and its imprint, a line and a point.

Westminster Agua Viva
© » KADIST

Adriano Costa

Sculpture (Sculpture)

Westminster Agua Viva is made from Westminster City Council(‘s) recycling bin bags, glued together, that the artist has painted and cut or cut and painted. Although, they hang on the wall they possess a strong sculptural quality as the fringes float away from the wall. This is part of a series of works that refer to Brazilian concrete and neo-concrete art as well as Arte Povera in a playful manner while demonstrating a strong identity of its own.

In View
© » KADIST

Randa Maddah

Film & Video (Film & Video)

Shot from the rooftop of her house in Majdal Shams, through a complex construction of moving mirrors, this video connects both sides of the border which has cut through Syrian Golan heights since the 1967 Six-Day war. Located on the cease-fire line, residents of Majdal Shams are reminded of this tragic separation on a daily basis. During the war the majority of the local population were exiled to Syria.

Nadie sabe de la sed con que otro bebe (No one knows the thirst with which another drinks)
© » KADIST

Nicolás Consuegra

Installation (Installation)

A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community. An important town during the colonial era as the main port on the Magdalena River, Honda is presently rife with poverty, unemployment, and environmental deterioration. Here he produced the work Nadie sabe de la sed con que otro bebe (No one knows the thirst with which another drinks) , a variable arrangement of cut glasses in front of a mirror so that they appear whole.

Collaborative Mt. Tamalpais Drawings #1-8
© » KADIST

Etel Adnan and Lynn Marie Kirby

Drawing & Print (Drawing & Print)

In conjunction with KADIST’s 2017 exhibition If Not Apollo, the Breeze , artist and filmmaker Lynn Marie Kirby performed Transmissions , a video and live reading created with longtime collaborator Etel Adnan. Inspired by time spent together in Paris, the piece incorporated open-ended conversation about the oracle, Mount Tamalpais (a subject of long-standing fascination for Adnan and the subject of hundreds of works), and a suite of collaborative drawings. The drawings, made in India ink and created spontaneously, are remarkable evidence of two lives, minds, and hands in dialogue.

Vertical Horizon
© » KADIST

Woto Wibowo

Film & Video (Film & Video)

Vertical Horizon by Wito Wibowo addresses a media scandal in 2010 that took over the cultural milieu of Indonesia. Someone uploaded on a sextape of pop star Ariel Peterpan with model-actress Luna Maya recorded on a mobile phone. Several days later, another video of Ariel Peterpan and Cut Tari, an infotainment news presenter in Indonesia, surfaced on the Internet.

Telescopic Pole (Tennis Balls Red) and (Tennis Balls)
© » KADIST

Chadwick Rantanen

Sculpture (Sculpture)

Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure. The ends, protected by two, cut-open tennis balls, recall the legs of a walker. For Rantanen’s second solo exhibition at Jancar Jones Gallery, San Francisco in 2010, one pole was placed inside the gallery while the other was located outside.

Solo
© » KADIST

Pascal Grandmaison

Installation (Installation)

Solo (2003) is a video exhibited as a video/sound installation depicting shots of drum, voice, guitar, clavier/synthesizer, and a melodica player cut into segmented fragments from the perspective of a studio recording set. Rather than deploying a narrative strategy, Grandmaison focuses on the gestures of the musicians and the repetitions they carry out when recording their individual tracks. The musicians are portrayed nodding, dancing, improvising, strumming, creating resonance that is repeated over and over– however, Grandmaison is sure not to document their entire faces or expressions while they perform, just details.

State Terrorism in Ultimate Form of PreRaphaelite Brotherhood
© » KADIST

Xiaoyun Chen

Photography (Photography)

State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism. The title alludes to the Pre-Raphaelite notion of a brotherhood based on “truth to nature.” Censorship of the mouth and indigestion of freshly cut stalks, central to Chen’s language of tree branches, feeds back provocatively to the title’s suggestion of “state terrorism.” However, one must resist seeking symbolic meaning in the image as Chen’s focus is on the direct visual impact of the absurd act portrayed.

Untitled (Breathless)
© » KADIST

Ian Wallace

Untitled (Breathless) presents a folded newspaper article on Jean-Luc Godard’s À Bout de Souffle (Breathless). The work uses collage techniques—it is stapled down and has a thick strip of contact sheet paper taped over it—that convert the media coverage on Godard’s film into a filmic object itself. The black paper enacts a kind of cinematic “jump cut” on the article, while simultaneously drawing attention to the medium of the film, as well as the photograph reproduced in this newspaper article.

Suspensión I
© » KADIST

Adrían Balseca

Film & Video (Film & Video)

Adrian Balseca’s Suspensión I inverts the logic of the old colonial game, the greasy pole. Digitally filmed in the Province of Morona Santiago among the last existing community at the entrance of the Sangay National Park, a native girl climbs a balsa tree trunk from which plastic containers filled with “local” fossil fuels hang (super, extra, eco-país, gasoline, diesel, etc.). The trunk – which is lightweight quality wood, typical of the subtropical jungle of Ecuador -– has been cut down and suspended vertically and the trophies of modern progress hang from it.

Estratos II
© » KADIST

Cynthia Gutiérrez

Sculpture (Sculpture)

Estratos II by artist Cynthia Gutiérrez features a large white plinth with a transversal cut through the lower half, revealing a collection of archeological objects. These pieces of history have seemingly been lost to time and have lived covered under a sterile exterior. To create the ceramic objects for this project, Gutiérrez worked closely with an artist that creates Mesoamerican replicas.

The Hole’s Journey
© » KADIST

Ghita Skali

Film & Video (Film & Video)

The Hole’s Journey by Ghita Skali follows a complex political satire involving a worn-out floor, a political activist, and the Ouled Sbita tribe of Morocco. For 23 years, the director’s chair at an international art institute in the Netherland’s scratched the wooden floor below it. For Skali’s project, a 102 cm x 120 cm section of this scratched floor was cut out and mailed to an expropriated region in Morocco.

Blind Spencer (Mirror)
© » KADIST

Douglas Gordon

Photography (Photography)

Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner. An emptiness (some are burned letting appear a white or mirror background or a mirror) replaces the eyes, giving the impression of a blind eye deprived of all expression. Paradoxically, the work looks at us all the more intensely.

Silver & Gold
© » KADIST

Nao Bustamante

Film & Video (Film & Video)

Silver & Gold combines video, performance, and original costumes into a self-proclaimed “filmformance” that evokes the legendary filmmaker Jack Smith and his tribute to 1940s Dominican movie starlet Maria Montez in a magical and joyfully twisted exploration of race, glamour, sexuality, and the silver screen. Taking Smith’s interest in Hollywood’s obsession with the reproduction of the exotic as a point of departure, Bustamante embodies Miss Montez. Here, video and the body function as both material and subject in her bizarre search for the new bejeweled body part that is at once her curse and oracle.

Greetings From Uruguay
© » KADIST

Julia Rommel

Painting (Painting)

On the artwork, Rommel states: “I was reading Jonathan Franzen’s new novel Purity, where they take a lot of walks through the jungle in Uruguay, or Paraguay, I can’t remember. One of the characters takes a walk and jumps off a cliff; it’s kind of dark. The painting reminded me of a long, dark, and very serious walks in beautiful places.” With references to Howard Hodgkin in the incorporation of the stretcher into the painting and certain kinds of mark making, to Matisse’s cut outs and to the history of Cubist collage, Rommel has created a dreamy oeuvre that manifests her strong conceptual interest in process and unmapped journeys.

The Wooden People
© » KADIST

Nao Bustamante

Advanced Technology (Advanced Technology)

The Wooden People is a 360º virtual reality film series comprising seven episodes. It is written and directed by artist Nao Bustamante and its cast includes notable Los Angeles-based artists Gabriela Ruiz, rafa esparza, San Cha, Markus Kuiland-Nazario, Ron Athey, and Dorian Wood. The work also features a musical and sound score by Nick Hallett and costumes by OLIMA.

The More You Want…, …The Less You Get
© » KADIST

Zach Reini

Painting (Painting)

Particularly shaped by his own youth in the 1990s, his recent works have incorporated things like a marijuana leaf, a dragon-emblazoned chain wallet, metal grommets, and the ubiquitous (in the 90s) Stussy symbol. Reflecting and recouping elements from American youth culture, Reini’s works question how we package, mark, and express ourselves through manufactured symbols of identity. Reini has also used images of Mickey Mouse—Disney’s anthropomorphic icon—in numerous works, including in this pair of works, The More You Want…, …The Less You Get .

Jess

Jess Collins (most commonly known as Jess), is a celebrated San Francisco artist known for his highly symbolic paintings and layered collages that combine imagery from mythology, alchemy, popular culture and the male body...

Jedediah Caesar

The Atlas Group

The Atlas Group is a research and artistic project founded by Lebanese artist Walid Raad in 1999...

Nao Bustamante

California-born and internationally recognized, Nao Bustamante cut her teeth as an artist between 1984 and 2001 in San Francisco where she studied in the New Genres department at the San Francisco Art Institute...

Margo Wolowiec

Margo Wolowiec uses her multidisciplinary practice to examine space, material versus conceptual practices, and affective responses...

Thea Djordjadze

Thea Djordjadze was born in 1971 in Tiflis, Georgia...

Chadwick Rantanen

Pascal Grandmaison

Marked by an apparent austerity and meticulousness, Pascal Grandmaison’s works display a disconcerting aloofness from the world, a clearly asserted detachment from reality...

Fabien Giraud & Raphael Siboni

The collaborative work of Fabien Giraud and Raphael Siboni is part of a reflection on the history of cinema, science, and technology...

Cameron Rowland

Cameron Rowland bases his practice on re-contextualizing everyday objects in ways to highlight the economic and political forces that influence our immediate surroundings, exposing dynamics that are often overlooked, hiding in plain sight...

Vuth Lyno

Vuth Lyno’s artistic practice operates at a crucial intersection of contemporary Khmer culture...

Ayan Farah

Ayan Farah spends considerable time travelling: to Israel, the Somali desert or to Sweden where her mother lives...

Zach Reini

In the work of American artist Zach Reini, elements of recent pop culture mix with art historical references to create works tinged with playfulness and darkness...

Julia Rommel

Julia Rommel (b...

Leslie Shows

Ruby Sky Stiler

Ruby Sky Stiler has established a visual language in which historical periods, art movements, and spatial dimensions readily coexist...

Anna-Bella Papp

Anna Bella-Papp recalls how intuitive it felt the first time she modelled something out of clay as a child...

Ian Wallace

Matthew Darbyshire

Matthew Darbyshire is interested in the non-specificity of today’s design language...

Naama Tsabar

Naama Tsabar is an Israel-born, New York-based sculpture artist...

Brook Andrew

Brook Andrew is a Wiradjuri and Ngunnawal Aboriginal Australian artist and scholar whose interdisciplinary practice examines hegemonic narratives relating to colonialism and modernism...

Ryan Villamael

Ryan Villamael’s deeply layered practice is informed by a rare degree of skill and dexterity as well as by vivid imagination and haunting intellectual preoccupations...

Xiaoyun Chen

Jordan Kantor

Jordan Kantor’s artworks explore relationships between painting and photographic mediums...

Fernanda Laguna

Fernanda Laguna has mobilized and influenced a whole generation of artists through her various projects since the mid-1990s...

Chitra Ganesh

Spanning printmaking, sculpture, and video, Chitra Ganesh’s work draws from broad-ranging material and historic reference points, including surrealism, expressionism, Hindu, Greek and Buddhist iconographies, South Asian pictorial traditions, 19th-century European portraiture and fairy tales, comic books, song lyrics, science fiction, Bollywood posters, news and media images...

Hans-Peter Feldmann

Marcelo Cidade

Robert Therrien

Randa Maddah

Randa Maddah, was born 1983 in Majdal Shams, occupied Syrian Golan...

© » WHITEHOT

about 8 months ago (02/12/2024)

Nelson Loskamp reflects on years making paintings from horror stills advertise donate post your art opening recent articles cities contact about article index podcast main February 2024 "The Best Art In The World" "The Best Art In The World" February 2024 Nelson Loskamp reflects on years making paintings from horror stills Artwork by Nelson Loskamp...

© » SOUTH CHINA MORNING POST

about 8 months ago (02/06/2024)

Architect at the cutting edge: how making Chinese paper decorations became Nick Tsao’s second career | South China Morning Post Architect at the cutting edge: how making Chinese paper decorations became Nick Tsao’s second career Profile Nick Tsao talks about the Foster + Partners internship that led to him becoming an architect, learning the art of paper cutting and promoting Hong Kong culture Kate Whitehead + FOLLOW Published: 7:15am, 7 Feb, 2024 Why you can trust SCMP My parents were both born in Hong Kong and went to boarding school in the UK, where they met while at university...

© » HYPERALLERGIC

about 8 months ago (02/05/2024)

Italian Official Accused of Laundering Stolen Painting Resigns Skip to content Vittorio Sgarbi resigned from his post as Junior Culture Minister in Italy...

© » SLASH PARIS

about 9 months ago (02/01/2024)

Robert Courtright — Recovered time — Dutko / Quai Voltaire Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Robert Courtright — Recovered time — Dutko / Quai Voltaire Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Robert Courtright — Recovered time Exhibition Collage, painting Robert Courtright Robert Courtright Recovered time Ends in 27 days: February 1 → March 9, 2024 Dutko Gallery is pleased to present, from February 1st to March 9th, 2024, the first retrospective exhibition on the American artist Robert Courtright (1926-2012) in Paris...

© » OBSERVER

about 9 months ago (01/31/2024)

An Interview with Artist Hannah Beerman | Observer A view of the recent Kapp Kapp exhibition...

© » DAZED DIGITAL

about 10 months ago (12/18/2023)

Cult label BodyMap on outfitting London’s 80s underground scene | Dazed ⬅️ Left Arrow *️⃣ Asterisk ⭐ Star Option Sliders ✉️ Mail Exit Fashion Q+A Co-founders David Holah and Stevie Stewart revisit the brand’s legacy, following the digital release of nostalgic documentary film Tramps! 18 December 2023 Text Zoe Whitfield In 2013, Canadian director Kevin Hegge met filmmaker and DJ Jeffrey Hinton at a film festival, and subsequently began assembling what would become Tramps! ....

© » ARTSJOURNAL

about 10 months ago (12/12/2023)

KCRW plans staff cuts to help close $3 million budget deficit Advertisement Close this content Meg James December 8, 2023 at 5:45 PM · 3 min read Link Copied Read full article The KCRW Media Center in Santa Monica...

© » WHITEHOT

about 10 months ago (12/12/2023)

Enmeshed, Dreams of Water at NARS Foundation advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Enmeshed, Dreams of Water at NARS Foundation Keren Anavy...

© » DAZED DIGITAL

about 10 months ago (12/12/2023)

Namasenda talks fashion fails, fashion grails and how much she loves to lie | Dazed ⬅️ Left Arrow *️⃣ Asterisk ⭐ Star Option Sliders ✉️ Mail Exit Fashion Q+A The Stockholm-based musician behind bangers like ‘No Regrets’ and ‘deathrow bby’ also reveals her sci-fi influences, her dream girl group line-up, and which Spice Girls track she’d love to cover 12 December 2023 Text Emma Elizabeth Davidson Namasenda Gig Style by Michele Baron 29 Namasenda is a self-confessed liar...

© » HYPERALLERGIC

about 10 months ago (12/10/2023)

The Grim History of Rome’s Oldest Building Skip to content The Carcer as it appears today, stripped of most of the religious decoration inserted in the 17th and 18th centuries...

© » HYPERALLERGIC

about 10 months ago (12/07/2023)

Citing Silencing of Arab Voices, Artists Cut Ties With Art Canada Institute Skip to content Rana Nazzal Hamadeh, "Untitled" (2020), color digital photograph, inkjet on vinyl, 60 inches x 120 inches (image courtesy of the artist) A number of artists and curators have said they are cutting ties with Art Canada Institute (ACI) after the arts nonprofit was accused late last month of attempting to suppress the voices of a group of Arab and Muslim artists...

© » MODERN MET ART

about 11 months ago (12/02/2023)

Stan Squirewell's Mixed-Media Collages Give a Fresh Perspective on the Past Home / Art Vibrant Mixed-Media Collages Give a Fresh Perspective on African American Ancestry By Jessica Stewart on December 2, 2023 “Mrs...

© » LONDONIST

about 11 months ago (11/21/2023)

Christmas Tree Farms In And Around London | Londonist Pick Your Own Christmas Tree At These Festive Farms In And Around London By Laura Reynolds Laura Reynolds Pick Your Own Christmas Tree At These Festive Farms In And Around London Take your family on a day out at a Christmas tree farm close to London...

© » LARRY'S LIST

about 13 months ago (10/05/2023)

French Actor Gérard Depardieu to Auction Art Collection Including Works by Rodin and Duchamp - via Euronews...

© » BOMB

about 13 months ago (09/27/2023)

BOMB Magazine | Justine Kurland Interviewed Necessary (Required) Cookies that the site cannot function properly without...

© » BOMB

about 13 months ago (09/20/2023)

BOMB Magazine | Selena Kimball Interviewed Necessary (Required) Cookies that the site cannot function properly without...

© » IGNANT

about 14 months ago (09/07/2023)

In The Studio With Jakub Kubica: Between Minimalist Design And Sci-Fi Archeology - IGNANT Name Jakub Kubica Images Clemens Poloczek Words Marie-Louise Schmidlin With a portfolio that spans minimalist furniture, functional design objects, and futuristic artworks, the practice of Jakub Kubica meets at the intersection of various disciplines...

© » LENS CULTURE

about 14 months ago (08/28/2023)

Gilded Lilies - Photographs by Tine Poppe | Interview by Sophie Wright | LensCulture Feature Gilded Lilies Norwegian photographer Tine Poppe’s portraits of cut flowers, shot against landscapes ravaged by climate change, propose a new take on the still life—one fit for the uncertain times we are living in...

© » ARRESTED MOTION

about 14 months ago (08/19/2023)

Showing: Banksy – ‘Cut and Run’ @ GOMA « Arrested Motion After a sold-out 10 week run at Glasgow’s Gallery of Modern Art , Banksy ’s first solo show in almost 14 years comes to a close next week...

© » TATE EXHIBITIONS

about 20 months ago (02/15/2023)

Yoko Ono | Tate Modern Delve into the powerful, participatory work of artist and activist Yoko Ono Yoko Ono is a leading figure in conceptual and performance art, experimental film and music...

© » LARRY'S LIST

about 25 months ago (10/05/2022)

Private spaces throughout the country are uniting to host a joint show in the face of government funding cuts...

© » THE JEALOUS CURATOR

about 29 months ago (06/04/2022)

Yep, that image pretty much sums it up! Large-scale, hyperreal paintings on custom-cut panel, and a pug named Mochi...

© » ARTNET

about 32 months ago (03/02/2022)

The museum says it returned the donation Aven made to support its current Francis Bacon exhibition...

© » THE INDEPENDENT

about 32 months ago (02/18/2022)

Titan of pop art returns to auction after record-breaking sale | The Independent Andy Warhol’s Self-Portrait, one of his final works, is going under the hammer in New York ...

© » ARTS EQUATOR

about 42 months ago (05/15/2021)

SEE WHAT SEE (May 2021): SOUTHEAST ASIAN DOCUMENTARIES | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints May 15, 2021 By Joel Tan To borrow and distort the title of David Shield’s lyrical manifesto against fiction: I’ve been HUNGRY for reality in the month of May...

© » GAS

about 48 months ago (11/05/2020)

I'm pleased to present a new addition to our website : a collection of art and design books from publisher Gestalten...

© » ARTS EQUATOR

about 63 months ago (08/26/2019)

“Medium Rare”, “God or Dog” and the makings of a Singaporean monster | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Asian Film Archive August 26, 2019 By Alfonse Chiu (1,700 words, 7-minute read) Content warning: References to violent or disturbing behaviour In late January 1981, the body of a young girl was discovered in a brown PVC bag about a metre high by a young man in Toa Payoh...

© » ARTS EQUATOR

about 65 months ago (06/25/2019)

Transgression, triggers, and the thousand cuts of “Blunt Knife” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo courtesy of the artist June 25, 2019 By Corrie Tan (2,700 words, 13 -minute read) Content Warning: Mentions of a sexual relationship involving a teenager This response contains major spoilers for Blunt Knife by Eng Kai Er and A Doll’s House by Theatre of Europe...

© » ARTS EQUATOR

about 71 months ago (12/20/2018)

Watch the ArtsEquator Theatre Wrap Up 2018 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 21, 2018 As 2018 draws to a close, we interview four ArtsEquator writers in rapidfire style on the highs and lows of their theatre calendar this past year...

© » ARTNEWS CN

about 130 months ago (02/26/2014)

Liu Wei: China’s Trickster Mixer-Upper – ARTnews.com Skip to main content By Barbara Pollack Plus Icon Barbara Pollack View All February 26, 2014 5:00am When the Rubell Family Collection opened its doors with an exhibition of 28 Chinese artists in time for Art Basel Miami Beach last December, one of the stars that emerged from the show was Liu Wei , whose brand of geometric abstraction surprised many Americans looking for more stereotypical hallmarks of Chinese art ...