256 items, 81ms

» Refine your search

"Charles Esche"

Related Searches:




Nationality

Genres

Classification

Mentions Per Year

Decade Work Created

Artist Name

Object Sub Type

Object Type

Artist Traits

Collections

Region

Organization

Untitled (Map)
© » KADIST

Charles Avery

Drawing & Print (Drawing & Print)

Charles Avery has been constructing a narrative in his work since 2004. Between fantasy and reality, The Islanders is a very particular universe he has created in which to gather his disparate ideas. His practice primarily involves drawing, sculptures, texts and installations which participate in the epic and dreamlike narrative whole in the course of making.

Shadows V, Set of 3
© » KADIST

Charles Gaines

Photography (Photography)

To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure. Each is pictured four times: a photograph of the plant, a photograph of its shadow, a drawing of the plant, and a drawing of its shadow. Instead of lending structure to disparate entities, this system serves a counterintuitive purpose, dissolving the object.

Untitled (Waiters dancing with Itinerants, Onomatopoeia)
© » KADIST

Charles Avery

Drawing & Print (Drawing & Print)

Since 2005, Charles Avery has devoted his practice to the perpetual description of a fictional island. Replete with its own population and constantly shifting topography, Avery’s intricately conceived project amounts to an ever-expanding body of drawings, sculptures, installations and texts which evince the island. Exhibited incrementally these heterogeneous elements serve as terms within the unifying structure of the island – as multiple emissions of an imaginary state, and as a meditation on the central themes of philosophy and the problems of art-making.

SEA STATE 6: Capsize
© » KADIST

Charles Lim

Film & Video (Film & Video)

In SEA STATE 6 Charles Lim takes the viewer down the Jurong Rock Caverns in Singapore, a massive underground infrastructure for oil and fuel storage, built to support the commercial operations of oil traders, petrochemical ventures and manufacturing industries in the area. The first of its kind in Southeast Asia. Located at a depth of 130 meters beneath the Banyan Basin on Jurong Island, the Caverns provide infrastructural support to the petrochemical industry that operates on Singapore’s Jurong Island, a cluster of islets reclaimed into one major island and connected to the mainland in the 1980s.

SEASTATE 6: Phase 1
© » KADIST

Charles Lim

Film & Video (Film & Video)

In SEA STATE 6 Charles Lim takes the viewer down the Jurong Rock Caverns in Singapore, a massive underground infrastructure for oil and fuel storage, built to support the commercial operations of oil traders, petrochemical ventures and manufacturing industries in the area. The first of its kind in Southeast Asia. Located at a depth of 130 meters beneath the Banyan Basin on Jurong Island, the Caverns provide infrastructural support to the petrochemical industry that operates on Singapore’s Jurong Island, a cluster of islets reclaimed into one major island and connected to the mainland in the 1980s.

Adam
© » KADIST

Jean-Charles de Quillacq

Sculpture (Sculpture)

Adam is an emblematic work within Jean-Charles de Quillacq’s oeuvre. The artist has created a number of pieces entitled Adam , referring to original man, incarnated in multiple objects at once. Materially, Adam is a fluorescent yellow walking rope with an epoxy coating on one side, rendering the structure rigid, demonstrative of his sculptural practice which is both conceptual and sensual.

Charles Baudelaire
© » KADIST

Mary Reid Kelley

Photography (Photography)

Kelley’s 2015 portrait of the poet Charles Baudelaire is one of a series of poets, rappers, and other thinkers who have influenced the artist’s ideas about beauty, creativity, and expression. As a challenging artist who marches to her own drum, Mary Reid Kelley is in the vanguard of a generation that blends the digital and the analog to dialogue with history. From 2009 to the present, she has made videos that fuse live performance, animation, drawing, sculpture, and digital design.

A Variation on Powers of Ten
© » KADIST

Futurefarmers

Photography (Photography)

In 2011-12 the San Francisco-based collective Futurefarmers staged a 10-part series of conversations and collaborations with scientists, theorist, and philosophers inspired by Charles and Ray Eames’s film, Powers of Ten (1977). PoT was an IBM sponsored documentary that visualized the relative scale and limits of the known universe, both macro and microscopic, through a sequence of magnifications by 10-to-the-x-power. Using the picnic as human-scale index, Futurefarmers capture their meetings with scholars through audio, photography, and then distributed the results publicly through a website and publication .

Black Star Press
© » KADIST

Kelley Walker

Painting (Painting)

The triptych Black Star Press is part of the series ‘The Black Star Press project’ initiated in 2004 by the American artist Kelley Walker. The images in this series are taken from a photo essay on the struggle for civil rights in Alabama, directed by Charles Moore in 1962 (and published by the magazine ‘Life’) which showed the repression of the black population and persistent inequalities in the southern United States. The title “Black Star Press” is taken from the name of the news agency where Charles Moore worked, and it refers to the young black man shot fighting for the rights of his community.

Miriam Maine’s funeral, ca 1990
© » KADIST

Santu Mofokeng

Photography (Photography)

Mofokeng’s experiences during the turbulent time of the 1980s in South Africa led to a turn in his practice, opting to turn to the crowd, focusing on individual faces and bodies within the masses to tell a story of the collective resistance that is present in the daily life and surroundings of South African townships. “Miriam Maine’s funeral” urges the viewer to connect to the sadness that they are witnessing in the scene. Miriam Maine — the sister in law of Kas Maine a tenant farmer Mofokeng documented for historian Charles Van Onselen — was a respected member of the Bloemhof community.

The Pudic Relation between Machine and Plant
© » KADIST

Isadora Neves Marques

Film & Video (Film & Video)

The Pudic Relation between Machine and Plant shows a looped scene where a robotic hand touches a “sensitive plant” — Mimosa Pudica, a species characteristic for closing on itself when touched. The name of the plant was derived from Carl Linnaeus sexual taxonomy of plants: pudica referring both to the external sexual organs, shyness and modesty. In a poem written by Erasmus Darwin (Charles Darwin’s grandfather) titled The Loves of the Plants (1789), this plant is associated, jokingly, with British Botanist Joseph Banks’s famous sexual adventures during his botanical expedition to the tropics.

The End One
© » KADIST

Raymond Pettibon

Painting (Painting)

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.

Untitled (Wall Street's Chosen Few…)
© » KADIST

Raymond Pettibon

Painting (Painting)

Untitled (Wall Street’s Chosen Few…) is typical of Pettibon’s drawings in which fragments of text and image are united, but yet gaps remain in their signification. A full story seems present but is not fully within the viewer’s grasp. Here, Pettibon draws a connection between legal restrictions on free speech and the power of an elite on Wall Street.

Mushroom Cloud
© » KADIST

Raymond Pettibon

Painting (Painting)

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.

Untitled (Superman)
© » KADIST

Raymond Pettibon

Painting (Painting)

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.

No Title (Eh What Do?)
© » KADIST

Raymond Pettibon

The five drawings included in the 101 Collection are representative of Pettibon’s characteristic cartoonish style. The images in them allude to his ever-recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. However, it is worth noting that this formal quality of his work is not exhausted in the simple illustration.

Owl
© » KADIST

Raymond Pettibon

Painting (Painting)

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.

No Title (Without the comics)
© » KADIST

Raymond Pettibon

Painting (Painting)

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.

Raymond Pettibon

Charles Lim

Charles Lim Yi Yong’s work encompasses film, installation, sound, recorded conversations, text, drawing, and photography...

Charles Avery

Charles Gaines

Santu Mofokeng

The photographic artwork of Santu Mofokeng (b...

Kelley Walker

Isadora Neves Marques

The work of writer, visual artist and filmmaker Isadora Neves Marques focuses on the politics of nature, in specific relation to ecology; economics; cultural production; and social and ontological segregation...

Jean-Charles de Quillacq

Artist Jean-Charles de Quillacq erects works which have a complicated relationship to remaining upright...

Mary Reid Kelley

Drawing from literature, plays, and historical events, Mary Reid Kelley makes rambunctious videos that explore the condition of women throughout history...

Futurefarmers

Futurefarmers is an international, trans-disciplinary network...

American Artist

American Artist makes experimental work in the form of sculpture, video, and software that comments on histories of race, technology and forms of knowledge production...

© » HYPERALLERGIC

about 8 months ago (02/11/2024)

Chagall Print Stolen From NYC Gallery Recovered Skip to content Left: Marc Chagall, “Eve” (1971), lithograph on Arches paper, 37 3/5 × 28 2/5 inches, edition of 50; right: empty easel after thieves ran off with the framed print (all images courtesy Charles Saffati/Carlton Fine Arts) Four months after a trio of burglars made off with a Marc Chagall print from a Madison Avenue gallery, the artwork has now been recovered and returned...

© » ART CENTRON

about 8 months ago (02/10/2024)

Arrests Made in Marc Chagall Print Theft Case - Artcentron Home » Arrests Made in Marc Chagall Print Theft Case ART Feb 10, 2024 Ξ Leave a comment Arrests Made in Marc Chagall Print Theft Case posted by ARTCENTRON Marc Chagall, Eve (1971)...

© » HYPERALLERGIC

about 8 months ago (02/07/2024)

Sleeping Polar Bear Snuggling on Iceberg Wins Photo Award Skip to content "Ice Bed" (2023), digital photo (© Nima Sarikhani, Wildlife Photographer of the Year; all images courtesy the artist and Natural History Museum, London) In an era of immeasurable chaos caused by unsustainable human activity across the planet, it’s crucial to look within the natural world for order, hope, and to feel grounded as things spiral around us...

© » LE MONDE

about 9 months ago (02/03/2024)

Georges Hugo, un peintre dans l’ombre de son illustre grand-père Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « Victor Hugo à Guernesey », huile sur toile de Georges Hugo (1868-1925)...

© » SLASH PARIS

about 9 months ago (01/23/2024)

Le Droit à l’oubli — Musée Transitoire #3 — Musée Transitoire — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Le Droit à l’oubli — Musée Transitoire #3 — Musée Transitoire — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Le Droit à l’oubli — Musée Transitoire #3 Exposition Techniques mixtes Jean-Charles de Quillacq, vue de l’exposition Le Droit à l’oubli, Musée Transitoire #3 © Musée Transitoire Le Droit à l’oubli Musée Transitoire #3 Encore environ 2 mois : 26 janvier → 30 mars 2024 Date de clôture provisoire Artistes : Bas Jan Ader, Mégane Brauer, Sarah Bucher, A...

© » SLASH PARIS

about 9 months ago (01/23/2024)

Le Droit à l’oubli — Musée Transitoire #3 — Musée Transitoire — Exhibition — Slash Paris Login Newsletter Twitter Facebook Le Droit à l’oubli — Musée Transitoire #3 — Musée Transitoire — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Le Droit à l’oubli — Musée Transitoire #3 Exhibition Mixed media Jean-Charles de Quillacq, vue de l’exposition Le Droit à l’oubli, Musée Transitoire #3 © Musée Transitoire Le Droit à l’oubli Musée Transitoire #3 Ends in about 2 months: January 26 → March 30, 2024 Date de clôture provisoire Artistes : Bas Jan Ader, Mégane Brauer, Sarah Bucher, A...

© » SLASH PARIS

about 9 months ago (01/21/2024)

Gildas Le Reste — & Guests — Catherine Putman Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Gildas Le Reste — & Guests — Catherine Putman Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Gildas Le Reste — & Guests Exhibition Drawing, print, painting Gildas Le Reste, Notes de voyage #1, 2023 Ink on paper mounted on canvas Gildas Le Reste & Guests Ends in 27 days: January 27 → March 9, 2024 Galerie Catherine Putman has pleasure in making a double invitation to Gildas Le Reste as both artist and exhibition curator...

© » SLASH PARIS

about 9 months ago (01/08/2024)

Jean-Charles de Quillacq — Les poulains deviennent des chevaux — Galerie Marcelle Alix — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Jean-Charles de Quillacq — Les poulains deviennent des chevaux — Galerie Marcelle Alix — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Jean-Charles de Quillacq — Les poulains deviennent des chevaux Exposition Techniques mixtes Jean-Charles de Quillacq, Ouverte (Discomfort), 2023 (Détail) Collage et acetone sur poster — 59,7 × 80 cm Courtesy de l’artiste et galerie Marcelle Alix, Paris Jean-Charles de Quillacq Les poulains deviennent des chevaux Encore 27 jours : 11 janvier → 9 mars 2024 « J’étais un morceau d’usine pour l’éternité...

© » SLASH PARIS

about 9 months ago (01/08/2024)

Jean-Charles de Quillacq — Les poulains deviennent des chevaux — Marcelle Alix Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Jean-Charles de Quillacq — Les poulains deviennent des chevaux — Marcelle Alix Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Jean-Charles de Quillacq — Les poulains deviennent des chevaux Exhibition Mixed media Jean-Charles de Quillacq, Ouverte (Discomfort), 2023 (Détail) Collage et acetone sur poster — 59,7 × 80 cm Courtesy de l’artiste et galerie Marcelle Alix, Paris Jean-Charles de Quillacq Les poulains deviennent des chevaux Ends in 27 days: January 11 → March 9, 2024 “I was a piece of factory for eternity.” Georges Navel, Travaux [Works], Gallimard, 1995, p.108 How can one rediscover desire when its very mechanics are monopolized by capitalism? Where can our desire still intrude in the plethora of poetic, pornographic, intellectual, psychological, promotional, and political offerings? In the field of ruins of the imaginary, increasingly littered with Instagram images of war victims, portraits of friends who left this world too soon, calls for help from NGOs, and—in their wake—, images of ever more exhibitions we couldn’t see, parties that always look better from afar, clothes that would finally suit our morphology, or the latest accessories needed to help us sleep....

© » HYPERALLERGIC

about 10 months ago (12/18/2023)

New Bedford Whaling Museum Restores Rare Panorama Painting Skip to content Conservation efforts to restore Charles Sidney Raleigh’s “Panorama of a Whaling Voyage” (1878–80) This December, the New Bedford Whaling Museum revealed the groundbreaking restoration of one panel from Charles Sidney Raleigh’s “Panorama of a Whaling Voyage” (1878–80)...

© » DIANE PERNET

about 10 months ago (12/14/2023)

MARQUIS DE SADE by Charles Daniel McDonald – A Shaded View on Fashion ´ Sade: Freedom or Evil ´ is an exhibition that delves into the influence and reputation of the infamous French writer and philosopher, the Marquis de Sade , from whom the term ´sadism´ derives and it’s a journey not for the faint-hearted...

© » KQED

about 10 months ago (12/14/2023)

‘The Crown’ Ends as Pensive Meditation on the Most Private Public Family on Earth | KQED Skip to Nav Skip to Main Skip to Footer The Do List ‘The Crown’ Ends as Pensive Meditation on the Most Private Public Family on Earth Listen Eric Deggans Dec 14 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link A ‘Crown’ recreation of a royal family portrait photo...

© » KQED

about 10 months ago (12/13/2023)

Charles Lee at SF Camerawork: Black Cowboys and Their Horses | KQED Skip to Nav Skip to Main Skip to Footer The Do List SF Camerawork Show Honors the Relationship Between Black Cowboys and Their Horses Nia Coats Dec 13 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link An installation view of Charles Lee's show 'sweat + dirt' at SF Camerawork...

© » HYPERALLERGIC

about 10 months ago (12/13/2023)

Rules & Repetition: Conceptual Art at the Wadsworth Atheneum Skip to content “The Maze and Snares of Minimalism” (1993) by Carl Andre in front of Alfred Jensen’s “The World As It Really Is” (1977), on view in Rules & Repetition: Conceptual Art at the Wadsworth Atheneum The Wadsworth Atheneum Museum of Art presents works by groundbreaking conceptual artists of the 1960s and ‘70s alongside more recent acquisitions in Rules & Repetition: Conceptual Art at the Wadsworth Atheneum ...

© » LONDONIST

about 10 months ago (12/12/2023)

LSE's Giant Pie Chart Includes Part Of The Charles Booth Poverty Map | Londonist See London's Biggest Pie Chart By M@ M@ See London's Biggest Pie Chart A pie chart, a map and a giant mural.....

© » KQED

about 10 months ago (12/11/2023)

‘Murder in Boston’ Examines the History of Racism in the City | KQED Skip to Nav Skip to Main Skip to Footer The Do List ‘Murder in Boston’ Is What a Docuseries Should Look Like Linda Holmes Dec 11 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link ‘Murder in Boston’ is a three-part docuseries about the 1989 murder of Carol Stuart...

© » THEARTNEWSPER

about 10 months ago (12/11/2023)

Kentucky man who defrauded local art organisations gets prison time Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Crime news Kentucky man who defrauded local art organisations gets prison time The FBI apprehended the man, who took $340,000 from the ArtWorks Community Arts Education Center and Russell County Arts Council, as he disembarked from a cruise ship in 2022 Theo Belci 11 December 2023 Share The ArtWorks Community Arts Education Center in Jamestown, Kentucky, one of two arts organisations in the state defrauded by Charles Davis Photo via ArtWorks Community Arts Education Center/X Kentucky resident Charles Davis has been found guilty of defrauding two local arts organisations, the ArtWorks Community Arts Education Center in Jamestown and Russell County Arts Council (RCAC) in Russell Springs...

© » TWOCOATSOFPAINT

about 11 months ago (11/26/2023)

Charles LeDray: Securing memory – Two Coats of Paint Charles LeDray, Shiner, 2015–2023, wood, mat board, acrylic paint, enamel paint, watercolor, polyurethane, fabric, leather, embroidery floss, acrylic yarn, silicone rubber, Lava soap, mother of pearl, Fimo, pretzel bits, rabbit fur, bubble gum, wax, cinnamon oil, shoe dye, metal, copper wire, electrical tape, acrylic, foil, pumice, plastic, eraser, letterpress print, printed paper, 5 3/4 x 34 x 23 7/8 inches Contributed by Barbara A...

© » LONDONIST

about 11 months ago (11/17/2023)

The Cosmic House: A Surreal Mansion You Can Visit In Kensington | Londonist The Cosmic House: A Surreal Mansion You Can Visit In Kensington By Momtaz Begum-Hossain Momtaz Begum-Hossain The Cosmic House: A Surreal Mansion You Can Visit In Kensington Bathtub goals...

© » CREATIVETIME

about 22 months ago (12/16/2022)

Moving Chains Will Hibernate for Winter, Starting December 19, 2022, Reopening to the Public Spring 2023 - Creative Time Moving Chains Will Hibernate for Winter, Starting December 19, 2022, Reopening to the Public Spring 2023 December 16th, 2022 Tweet Email Creative Time, Governors Island Arts, and Times Square Arts announce the planned seasonal pause of Charles Gaines’s Moving Chains , starting December 19, 2022...

© » LARRY'S LIST

about 25 months ago (10/05/2022)

British artist says she had previously refused to sell her work to the YBA collector after his ad campaign rocketed Margaret Thatcher to power in 1979...

© » LARRY'S LIST

about 25 months ago (10/05/2022)

Notorious Art Collector Charles Saatchi Is Selling Off Another 100 Works From His Gallery in a Low-Priced Christie’s Online Auction - via artnew news...

© » LARRY'S LIST

about 25 months ago (10/05/2022)

The art collector Charles Saatchi appears to be relinquishing control of the country’s best-known and most popular private museum of contemporary art....

© » LARRY'S LIST

about 25 months ago (10/05/2022)

The Sydney restaurateur will auction nearly 170 works by artists such as John Olsen and Charles Blackman - but there are some he can’t bear to part with....

© » LARRY'S LIST

about 25 months ago (10/05/2022)

Phoebe Saatchi Yates, daughter of noted collector Charles Saatchi, has announced plans to open a 10,000-square-foot gallery in London that will exhibit the work of “unknown” and “unseen” artists...

© » ARTS EQUATOR

about 25 months ago (09/26/2022)

documenta fifteen ends, but the timeline continues | ArtsEquator Skip to content documenta fifteen closed on 25 Sept after its customary 100 days, which were filled with controversies and generated intense debate in the global art world...

© » ARTMARKETMONITOR

about 37 months ago (10/09/2021)

Sotheby’s Hong Kong Contemporary Evening Sale = HKD 568.9m ($73m) Sotheby’s Hong Kong Evening sale of Contemporary art was more notable for the several artist’s records set for Shara Hughes, Nicolas Party, Louis Fratimo, Jadé Fadojutimi and Joel Mesler than for the top lots in the auction...

© » ARTMARKETMONITOR

about 40 months ago (07/12/2021)

Royalty and Rediscoveries Drive Van Dyck’s Momentum at Auction Two van Dyck royal portraits sold at Sotheby’s in February 2018...

© » ARTS EQUATOR

about 56 months ago (02/26/2020)

Torch the Place: Shedding the Dead Weight | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Jeff Busby February 27, 2020 The following review is made possible through a Critical Residency programme supported by By Nabilah Said (800 words, 5-minute read) The first thing one sees upon entering the Fairfax Studio in Arts Centre Melbourne for Torch the Place is a huge mountain covered in cloth, and an old piano...

© » ARTS EQUATOR

about 60 months ago (10/29/2019)

Weekly Southeast Asia Radar: Cambodia's Charles Dickens; Yangon's graffiti scene | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Via Frontier Myanmar October 29, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...