Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock. At first glance, due to the oversimplified silhouettes Ezawa employs, the connection between his animation and Namuth’s film may not be obvious. However, when seen side by side, Ezawa’s piece is a faithful reproduction of the scene—up until a point in which his sequence begins playing in reverse, effectively unpainting every brushstroke.
In his series Hanging and Beheading Paintings Mike Cloud speaks to the suffering of a series of named (and occasionally unnamed) individuals, addressing their trauma within the language of abstraction. They offer the viewer an aesthetic account of individuality, death, and the empathic space of communion in absence via avant-garde portraiture, unbound by the rules of anatomy or even representation, but instead by purely expressive compositional and aesthetic goals. Untitled (Beheading) embraces the individual subjectivities of notable and mundane contemporaries — from pop stars to serial killers — in cryptic ways, connected only by the physical circumstances of their deaths.
Filmed underwater, this is the third video in Nguyen-Hatsushiba’s “Memorial Project” series which began in 2001. The title already implies the cultural complexities about to be ironically unravelled: Ho Chi Minh is parodied and Okinawa (where this was filmed) was a battle site in Japan during World War II which then became an American training base during the Vietnam War. To a remix of James Bond movie tracks composed by Quoc Bao, no less than thirty divers in wet suits and full gear advance against the water resistance armed with cartridges of color.
Jarrett Key’s practice combines several modes of production into a single frame, incorporating sculpture, painting, and performance. Dancing Free I , painted in wet cement, like a fresco, is part of a current series of paintings titled Leaving the City , which depicts Black people they know in lush, pastoral landscapes. Raised in rural Alabama, Key’s series grew out of a few experiments conducted with visitors to their studio.
Since Manuel Solano became blind, they developed a technique that relies on audio descriptions that allow for an assistant to place pins and threads on a grid that guides the artist’s hands through the surface. In Los Abuelos , the artist works with a canvas the size of their body, allowing intense interaction with the wet paint. This kind of tactility creates a complex entanglement of color masses alternating sharp and blurred details, giving the image an erratic and affective atmosphere just as our fond memories often appear to us.
These two large format untitled paintings by James Collins feature the artist’s hallmark technique, which transforms abstraction into an optical illusion that creates dimension, space, and mass. These particular paintings expand on the optical illusion referred to as a moiré pattern. Moiré (or fringe patterns as they are also called) are known in mathematics, physics, and art as a type of interference pattern that can be produced when a partially opaque ruled pattern with transparent gaps is overlaid on another similar pattern.
Though the title might suggest an Adonis, Jeffry Mitchell’s The Swimmer (2012) is a squat, jolly man with a protuberant belly. The stocky figure lets his arm drop to his side, towel dripping on the ground. Mitchell’s umber-toned glaze makes everything look earthy and wet, primordial and warm.
Although the objects depicted in Titus Kaphar’s diptych 2016/1963 might not be immediately recognizable, the work’s title and the inscriptions ‘Alabama 1963’ and ‘North Dakota 2016’ reveal their use as tools of brutal force. The work with the inscription ‘Alabama 1963’ is a painting of the nozzle of a high-pressure water jet that the Birmingham Police used against black protesters, including children, during a non-violent campaign against racial segregation led by Martin Luther King JR. during the civil rights movement. The second painting depicts the nozzles used against protestors that in 2016 opposed the plans to build the Dakota Access pipeline near the Standing Rock Indian Reservation, many of whom were seriously hurt and left soaking wet during freezing temperatures.
Kamau Amu Patton’s painting Static Field I originates from a system of electronic and digital media. The image we see on the canvas was created by pointing a camera into its output—a gallery wall—and subsequently generating a feedback loop. Patton then records the distorted image, digitizes it and prints the file onto unprimed canvas with the help of a machine.
In this anti-collage, which comes from a series of 4, Macuga takes a photo she found in the archives of Zacheta National Gallery in Warsaw. The series was made on the occasion of her exhibition there in 2011. In 2000, Harald Szeemann curated an exhibition at Zacheta called ‘Beware of Exiting your Dreams: You May Find Yourself in Somebody Else’s.’ The exhibition provoked a violent response as a result of his inclusion of Maurizio Cattelan’s La nona ora , where the figure of the Pope is struck down by a meteor.
Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ. Equally, there is a semblance of fruits—their succulence and fragility. While the work is sensual, the matte bronze surface refuses any expectation of softness.
La cabeza mató a todos or “The Head that Killed Everyone”, is a mixing of indigenous mythologies with present-day characters, geographies, and culture in Puerto Rico. The title refers to how a shooting star was (in local mythology) interpreted as a head without a body, crossing the sky, signaling the arrival of chaos and destruction. The actor in the video, Michelle Nonó, is in touch with native plants—she’s a medicinal botanist but also a cultural activist.
Reeder’s works often start with language—and his Pasta Paintings are no different. After the phrase for the title came through his head, the artist set about trying to figure out how to make a mark with pasta. These paintings are the result, made using the pasta as something of a stencil, with the paint being applied after the noodles have been scattered on the painting’s blank surface.
To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic. She captures these ephemeral constructions at close range, enlarging minute tensions. Nguyen uses transient, prosthetic lighting—the glow of sunset, an iPhone flash, battery-powered LEDs, fire—so that the camera intervenes moments before these temporary arrangements and their lighting change.
Produced in an interview format and as an extended chapter of Cosmic Call (2019) in the KADIST Collection, Angela Su’s True Calling by Angela Su documents the artist’s answers to a series of questions on the conception of her 2019 film that proposes speculative cosmic synchronicities for an alternative understanding of epidemics that is not built on the foundation and authority of Western medical science. Set in Hong Kong, each of the locations draw connections to places commonly tied to dominant disease outbreak narratives, such as a bustling wet market with butchers handling and selling raw meat products and the Hong Kong West Kowloon Railway Station, a cross-boundary transport terminus that sees a high traffic footprint and directly linking Hong Kong’s city center to Mainland destinations without interchange. As the artist travels around the city, she observes systems of surveillance such as police officers patrolling, security cameras, and an encircling helicopter, all playing an important role in managing the population and instating health security.
The title of the painting refers to the fact that the figure’s behind is raised upwards and the face is found at the bottom of the painting, thus inverting the way in which people are normally seen. Bottom’s up is also a pun, a nod to the English toast. Quarles draws on a number of sources of inspiration, including comic book imagery, the influence of which sits alongside elements of her practice informed by life drawing classes.
To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic. She captures these ephemeral constructions at close range, enlarging minute tensions. Nguyen uses transient, prosthetic lighting—the glow of sunset, an iPhone flash, battery-powered LEDs, fire—so that the camera intervenes moments before these temporary arrangements and their lighting change.
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.
In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point. Calling up the unknown intimacies of these objects, McMillian upends their usual orientation, placing them directly on the wall to serve as paintings, rather than covers. Layering over the repurposed textiles with hardware store paint, McMillian transforms the sheets into canvases, creating abstract landscapes on top of the traces of human bodies intact in the fabric.
Halfway between a painting and an installation City Sound of Rug gathers found images, synthetic foam, painted metal plates, and prints placed on the floor. Rugs are elements representative of commerce and related to the idea of territory, handicraft and community. In City Sound of Rug, the rugs are used as surfaces upon which prints are manually made.
Map of the Universe from El Cerro continues Chemi Rosado-Seijo’s long-term engagement with the community of El Cerro , a rural, working-class community living in the mountains of Naranjito, Puerto Rico. The project was initiated in 2002 by painting the exteriors of residents’ homes different shades of green, paying homage to the way the community has been built in harmony with the topography of the mountains where it stands. Through negotiation and collaboration with community leaders, volunteers, students and residents, over 100 homes have been painted.
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image. Near his studio, Chen often walks over fallen branches in late autumn and sense their existence. Thus, his placing them in diverse contexts builds a “narrative Ariadne’s thread” where the branches become “the language of things” intertextually cohering his oeuvre.
Conrad Ruiz loves to paint subjects related to the “boy zone”: video games, weapons, games, science fiction, fantasy, and special effects. He also often works at a very large scale to emphasize a connection to the tradition of history painting. Blockbuster (2011) was, at the time of its creation, the largest watercolor painting he had ever made.
Tropical Vulture is a cross-generational project which highlights the artistic influences between George Kuchar, a Bay Area legend of independent filmmaking, and Mexican artist Miguel Calderón. Conversations with a Tropical Vulture is an experimental narrative video, co-directed by both artists, and blends Hollywood glamour and drama with an all-too-real life approach, which creates and inspires a counterpoint of unattainable desire against unbearable actuality. The video, shot on location in Acapulco, utilizes a “lo-fi” aesthetic and playful use of non-professional actors.
In this painting made in 2014, which is part of a series started in 2013, the artist dismantles the traditional painting process. Putting aside any formal intervention, the artist lets the membrane slowly soak up white monochrome paint through a transferring technique before removing it. In some places the structure of the canvas can be seen, while other places of the canvas are purposely blurred to evoke the texture of the material used.
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code. The geometric pattern that composes each acrylic-on-panel painting is determined by a preordained ratio of 2 to 3. But even though a formulaic system determines the image’s structure, its surface is full of painterly effects.
Untitled (Boom Box, Double-Sided) by Mary Ann Aitken is representational painting of a boom box on an unconventionally long canvas painted on both sides, to mimic the scale and appearance of the actual appliance. Known for going against trends, Aitken often favored dimensions, such as the square, that were otherwise considered out of style in contemporary painting. In this double-sided painting, one side depicts the titular boombox set up—a boxy cassette player, flanked by a pair of stereo speakers in front of wood panelling.
Untitled (Diptych) by Mary Ann Aitken is a pair of paintings; one entirely abstract and the other a hybrid of representational and abstract elements. The left-side painting is a cacaphonous all over composition of brushstrokes layered in the artist’s signature primary colors. In the same color scheme, the right-side painting portrays a still life with an arrangement of flowers as its focal point, with marks and splatter spilling from the left-side composition into the right.
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters. While Untitled (Bird’s Eyes) does not depict any actual women, it nevertheless alludes to gender roles and the power of the female gaze. Apparently playful, this scene of two animals has an ominous quality: A bird and a hedgehog confront at each other and the bird appears to be poking, even eating the hedgehog’s eye.
James Weeks, born in 1922, was an important figure in the Bay Area figurative painter tradition, with contemporaries such as Richard Diebenkorn, Elmer Bischoff, and David Park...
Mary Ann Aitken was known to be very private about her art practice; she was considered somewhat of an outsider by her peers affiliated with the second wave of Detroit’s Cass Corridor arts movement...
Since the beginning of his career, Minamikawa Shimon has made work that deviates from conventional painting and other formats...
Diane Severin Nguyen collects found objects and organic matter to craft the images in her photographs and video works...
Sharif Waked is a Palestinian artist who’s work enages with with Islamic culture and history, and its interaction with the Israeli occupation and hegemonic Jewish culture in Palestine...
Shooshie Sulaiman is one of the leading creative practitioners in Southeast Asia...
Working in paint, performance, and small, diorama-like wall sculptures, Seattle transplant Nicholas Buffon responds to his context through intimate gestures, examinations, and recreations...
Kadar Brock makes large-scale abstract paintings via a rigorous process of layering, erasing, and reworking his surfaces; his highly textured canvases are variously discordant, exuberant, and topographical in nature...
Conrad Ruiz makes watercolor paintings of fantastic scenes...
In his articulation of Radical Digital Painting, Jeffrey Alan Scudder has developed an optimistic view of painting’s future that begins from an in-depth focus on digital materiality...
Madani’s paintings have a caricatural quality that suggest a satirical intention...
Jarrett Key’s work addresses their concerns about the state of their freedom in America...
Manuel Solano, who is non-binary and prefers plural pronouns, was an emerging 26-year-old artist when they lost their sight to an HIV-related infection in 2013...
Markus Amm studied graphic design at the Hochschule für Gestaltung in Offenbach, Germany...
Ruijun Shen conceptualizes her painting-based practice as a form of extended meditation and a means of processing tensions between time and space in the world around us...
Beginning with rigorous research and resulting in a wide range of media, from layered paintings, to installation, diagram, sculpture, sound and video, El-Sayegh’s work is about systems of bodily, linguistic and political order among others, and their disintegration...
Miguel Calderón is a Mexican artist and writer...
Pakistani artist Imran Qureshi’s practice revives 16th century Mughal miniature painting...
Born 1975, Frankfurt / Main, Germany Lives and works in Berlin Nora Schulz explores the relations between painting, sculpture, performance, and language...
Artist Mike Cloud builds irregularly shaped canvases and frames into unique sculptural objects...
Taro Izumi was born in 1976 in Nara (Japan)...
Born 1964 in Trishur, Kerala, India Lives and works in Bangalore, India First trained as a Marine radio officer at the All India Marine College in Kochi, Vivek Vilasini obtained a Bachelor’s degree in Political Science from Kerala University in 1987 before turning to art and studying traditional Indian craftspeople’s sculpture...
Blood, Sweat, and Paint: Finding the Work Behind the Art ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture History Science Politics Biography Memoir Food Technology Bookstores and Libraries Film and TV Travel Music Art and Photography The Hub Style Design Sports Freeman’s The Virtual Book Channel Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library The Critic and Her Publics Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Future Fables The History of Literature I’m a Writer But Just the Right Book Keen On The Literary Life with Mitchell Kaplan New Books Network Read Smart Talk Easy Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast Write-minded Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In Via Viking Blood, Sweat, and Paint: Finding the Work Behind the Art Bianca Bosker Explores the Artistic Practice From the Painter’s Perspective By Bianca Bosker February 8, 2024 Pretty much all the gallerists I talked with would, at some point, lower their voices as if imparting a trade secret and confide that their favorite way to find talented artists was by talking to other artists...
Barbara Cole's Painterly Wet Collodion Photography Home / Photography Photographer Uses 150-Year-Old Photo Technique To Create Painterly Vintage-Looking Portraits By Jessica Stewart on February 7, 2024 Fine art photographer Barbara Cole is known for her artistic underwater photography ...
Between Risk and Control: How Mark Rothko Discovered His Signature Style ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture History Science Politics Biography Memoir Food Technology Bookstores and Libraries Film and TV Travel Music Art and Photography The Hub Style Design Sports Freeman’s The Virtual Book Channel Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library The Critic and Her Publics Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Future Fables The History of Literature I’m a Writer But Just the Right Book Keen On The Literary Life with Mitchell Kaplan New Books Network Read Smart Talk Easy Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast Write-minded Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In Between Risk and Control: How Mark Rothko Discovered His Signature Style Adam Greenhalgh on the American Abstract Painter's Early Years Via Yale University Press By Adam Greenhalgh February 7, 2024 Featured image: Allie Caulfield via Creative Commons In the summer of 1933, Mark Rothko, who was then still known as Markus Rothkowitz, hitchhiked nearly three thousand miles from New York City to his hometown of Portland, Oregon...
Why Anthony van Dyck was summoned to paint a recently deceased noblewoman Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Book Club feature Why Anthony van Dyck was summoned to paint a recently deceased noblewoman This extract from a new book about works in the Dulwich Picture Gallery by Helen Hillyard and Jennifer Scott reveals the story behind the artist's 1663 portrait of Lady Digby Helen Hillyard and Jennifer Scott...
What the Worldâs Top Collectors Bought in 2023, From Art Historical Treasures to the Freshest Wet Paint - via ARTnews...
Dee Carrion: Getting to know the Dazed 100 make-up artist | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Beauty Dazed 100 2023 Working with everyone from Rico Nasty and Doechii to Tems and Sza, Dee Carrion’s boundary-pushing make-up looks are defiantly non-conformist 18 December 2023 Text Alex Peters Dazed 100: Dee Carrion 10 Dee Carrion ’s passion for make-up is infectious, it spills out from her and you can’t help but get caught up in it...
100 Hooks at JB Blunk estate pays homage to the late artist | Wallpaper Left, hook by Martino Gamper...
Elizabeth Gilfilen: De-defining the gesture – Two Coats of Paint Elizabeth Gilfilen, Territory 1, 2023, oil on canvas, 48 x 40 inches Contributed by Vittorio Colaizzi / “I vehemently reject the claim that mark making by itself harbors any potential.” This was Isabelle Graw in conversation in 2010 with Achim Hochdörfer ...
Rebecca Solnit on Meghann Riepenhoff’s Cyanotype Prints Made in Freezing Landscapes ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture The Virtual Book Channel Film and TV Music Art and Photography Food Travel Style Design Science Technology History Biography Memoir Bookstores and Libraries Freeman’s Sports The Hub Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Just the Right Book Keen On Literary Disco The Literary Life with Mitchell Kaplan The Maris Review New Books Network Open Form Otherppl with Brad Listi So Many Damn Books Thresholds Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast WMFA Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In Rebecca Solnit on Meghann Riepenhoff’s Cyanotype Prints Made in Freezing Landscapes “The processes of photography were liquid for most of the medium’s history...” via Radius Books By Rebecca Solnit and Meghann Riepenhoff December 13, 2023 Ice, #9316 © Meghann Riepenhoff, from Meghann Riepenhoff: Ice © Radius Books...
Censored Work by Artemisia Gentileschi Is Restored | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Artist’s Notebook: Elisabeth Condon – Two Coats of Paint Elisabeth Condon, “Tempus Fugit,” installation view at Emerson Dorsch in Miami...
In the kaleidoscope of hues that paint our world, Pantone, the ultimate authority on colour, has declared 2024 as the year of "Peach Fuzz." The post Pantone Palette Proclamation: Peach Fuzz Takes the Lead for 2024 appeared first on Artlyst ....
Highlights from Art Basel Miami Beach 2023 | Observer The art world is a cold place; Miami is even colder...
Everything You Need To Enjoy Watercolor Painting Home » Everything You Need To Enjoy Watercolor Painting ART & DESIGN Nov 14, 2023 Ξ Leave a comment Everything You Need To Enjoy Watercolor Painting posted by Kelly Schoessling Watercolor painting is a relaxing form of art and an excellent hobby choice...
Sharon Stone says health issues slowed her acting career so she's expressing herself through paint | TribLIVE.com Movies/TV Sharon Stone says health issues slowed her acting career so she's expressing herself through paint Associated Press Saturday, Oct...
Mysteries will haunt the museum at Westmoreland Museum's October Art on Tap | TribLIVE.com Art & Museums Mysteries will haunt the museum at Westmoreland Museum's October Art on Tap Julia Maruca Monday, Oct...
BOMB Magazine | Sebastián Silva's Rotting in the Sun Necessary (Required) Cookies that the site cannot function properly without...
Artist Spotlight: Maya Kabat – Art and Cake August 14, 2023 August 14, 2023 Author Artist Spotlight: Maya Kabat Maya Kabat, “Pool Time/Super Spatial Los Angeles” Diptych, Oil on canvas on layered wood panels, 36×36 inches, 2023 What does a day in your art practice look like? Generally, I am in my tiny studio at home in Berkeley oil painting or at my studio in Oakland preparing canvases and doing other kinds of prep work or experimentation with other materials...
Artist Spotlight: Maya Kabat – Art and Cake August 14, 2023 August 14, 2023 Author Artist Spotlight: Maya Kabat Maya Kabat, “Pool Time/Super Spatial Los Angeles” Diptych, Oil on canvas on layered wood panels, 36×36 inches, 2023 What does a day in your art practice look like? Generally, I am in my tiny studio at home in Berkeley oil painting or at my studio in Oakland preparing canvases and doing other kinds of prep work or experimentation with other materials...
Artist Spotlight: Maya Kabat – Art and Cake August 14, 2023 August 14, 2023 Author Artist Spotlight: Maya Kabat Maya Kabat, “Pool Time/Super Spatial Los Angeles” Diptych, Oil on canvas on layered wood panels, 36×36 inches, 2023 What does a day in your art practice look like? Generally, I am in my tiny studio at home in Berkeley oil painting or at my studio in Oakland preparing canvases and doing other kinds of prep work or experimentation with other materials...
Podcast 97: Writer Wayne Rée talks about gore and slasher fiction | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints October 31, 2021 In the second of a two-part episode on the Singapore Writers Festival 2021, Nabilah Said chats with horror writer Wayne Rée about his love of gore and slasher fiction, the supernatural in Southeast Asia, and his opinions on Nickelback...
Painter Allison Zuckerman’s work pulls from the past and digital present of art history to craft amalgamated depictions of women...
Weekly Southeast Asia Radar: First nude painting exhibition in Hanoi; Teater Garasi wins Ibsen scholarship | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar AFP/Tang Chhin Sothy October 3, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Mad women, divine punishment, and “Dionysus” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Arts House Limited June 4, 2019 By Corrie Tan (1,700 words, eight-minute read) This review contains spoilers and/or plot points for The Bacchae, a 2,500-year-old ancient Greek tragedy; Beware of Pity, a 1939 German novel adapted for the stage by the Schaubühne Berlin and Complicité; as well as the final season of the fantasy television epic Game of Thrones, which concluded last month after an eight-year run...
SIFA 2019: Top Ten Picks | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Image: SIFA 2019 April 1, 2019 By Akanksha Raja The 42nd Singapore International Festival of Arts returns this year from 16 May to 2 June 2019...
Sedrick Huckaby was born in 1975 in Fort Worth, Texas...
FIELD MEETING Take 4: Thinking Practice | Ibraaz Contemporary Visual Culture in North Africa and the Middle East Home Platform Essays Interviews Projects Channel Reviews Publications News About Sign up Quick search Go Author Keyword Search archive Title Platform 010: Where to Now? Shifting Regional Dynamics and Cultural Production in North Africa and the Middle East 009: What are the genealogies of performance art in North Africa and the Middle East? 008: How do we productively map the historical and contemporary relationships that exist between North Africa, the Middle East and the Global South?...
FIELD MEETING Take 4: Thinking Practice | Ibraaz Contemporary Visual Culture in North Africa and the Middle East Home Platform Essays Interviews Projects Channel Reviews Publications News About Sign up Quick search Go Author Keyword Search archive Title Platform 010: Where to Now? Shifting Regional Dynamics and Cultural Production in North Africa and the Middle East 009: What are the genealogies of performance art in North Africa and the Middle East? 008: How do we productively map the historical and contemporary relationships that exist between North Africa, the Middle East and the Global South?...
The Faces Of Art Projects At London Art Fair 2016 – Art Report News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result No Result View All Result The Faces Of Art Projects At London Art Fair 2016 by Sarah Barlondo Jan 24, 2016 in NEWS 0 London Art Fair, Business Design Center...
Working independently, Herndon experimented at the forefront of a now-canonical method—appropriation—by painting additions into found images from magazines such as Life and Sports Illustrated in a way that imbues the resulting works with mythical significance...
Both Head-Portrait with Red and Blue Background and Man with Blue Tie are classic examples of Weeks’ deftness of line, shape, and color...
Both Head-Portrait with Red and Blue Background and Man with Blue Tie are classic examples of Weeks’ deftness of line, shape, and color...
Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...
In the 1980’s, while browsing Parisian fleamarkets, Barbara Bloom stumbled into an anonymous watercolor (dating to around 1960) in one of Paris’ fleamarkets, probably a study made by an interior designer for a bedroom...
Drawing & Print
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
Untitled (Boom Box, Double-Sided) by Mary Ann Aitken is representational painting of a boom box on an unconventionally long canvas painted on both sides, to mimic the scale and appearance of the actual appliance...
Filmed underwater, this is the third video in Nguyen-Hatsushiba’s “Memorial Project” series which began in 2001...
Drawing & Print
Calle’s drawings all inhabit received forms but alter them to call attention to specific qualities...
A child and dreamer my whole life long (broken tree) (2004) is a sculpture made of filler, wire, copper, oil paint, and wood depicting a tree just at it’s moment of breaking into half – one part alive with foliage and blooming branches and the other the crisp of the break exposed, with the trunk adhered solidly to a plinth...
Shooshie Sulaiman’s pictures of unidentified figures initially appear alien and even monstrous: rendered hairless in unusual and even sickly colors, they stand in stark contrast to the aesthetic ideals of conventional portraiture...
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
In Seven Deadly Sins (2006), Shen utilizes abstraction to produce complex topographies of color that evoke associations with violently tumultuous landscapes...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Kadar Brock creates dynamic abstract paintings that are born from a process of painting, scraping, priming, sanding, and painting again...
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Tropical Vulture is a cross-generational project which highlights the artistic influences between George Kuchar, a Bay Area legend of independent filmmaking, and Mexican artist Miguel Calderón...
Untitled (Diptych) by Mary Ann Aitken is a pair of paintings; one entirely abstract and the other a hybrid of representational and abstract elements...
Steak House is a video representing two small puppets smearing the artist’s face with paint while he is sleeping...
This is one of the most important works Schoorel has made to date, a triptych that has as its subject matter a garden scene with what looks like a pond...
Beau Soleil #7 ’s title (translated as Beautiful Sun) gives a good sense of its effect...
Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945...
Kamau Amu Patton’s painting Static Field I originates from a system of electronic and digital media...
In this anti-collage, which comes from a series of 4, Macuga takes a photo she found in the archives of Zacheta National Gallery in Warsaw...
Conrad Ruiz loves to paint subjects related to the “boy zone”: video games, weapons, games, science fiction, fantasy, and special effects...
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
In Restaurant, Canton, Ohio (2011), a convenience store offers food, liquor, and Coca Cola to an empty street...
Drawing & Print
Johanna Calle’s Abece “K” (2011) is part of a series of drawings (compiled into an artist book called Abece ) based on the alphabet...
The video Music While We Work (2011) is the first part/work of a long-term research project started in 2010...
Fairy #2 (2011) depicts a surreal scene of roughly assembled household ephemera, potted plants, and a faintly visible figure rendered in thin red line...
Though the title might suggest an Adonis, Jeffry Mitchell’s The Swimmer (2012) is a squat, jolly man with a protuberant belly...
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
Bath Time by Sharif Waked is a short video based on the tragi-comic outcome of the Israeli Blockade and the wars in Gaza...
These two large format untitled paintings by James Collins feature the artist’s hallmark technique, which transforms abstraction into an optical illusion that creates dimension, space, and mass...
Reeder’s works often start with language—and his Pasta Paintings are no different...
In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point...
Halfway between a painting and an installation City Sound of Rug gathers found images, synthetic foam, painted metal plates, and prints placed on the floor...
Contrast to the bustling and unrelenting experience of a city such as Hong Kong, Chris Huen Sin Kan paints the tranquil interiors of his apartment, where he leads a modest and almost hermit-like life...
Tughra is a protocol by Sharif Waked that reproduces the sixteenth century calligraphic monogram for tughra ; also known as the signature of Suleiman the Magnificent...
Drawing & Print
“School of the seven Bells (SOTSB)” is based on a series of hands games in which an object is passed from hand to hand...
Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock...
La cabeza mató a todos or “The Head that Killed Everyone”, is a mixing of indigenous mythologies with present-day characters, geographies, and culture in Puerto Rico...
In this painting made in 2014, which is part of a series started in 2013, the artist dismantles the traditional painting process...
Drawing & Print
Concerned with the early history of Singapore, Zai Kuning spent many years living with and researching the history of the Riau peoples who were the first inhabitants of Singapore...
In his work Housing Dreams Walls , the houses photographed are from a closely-knit locale in Kerala – a significant and rapidly popular pattern in this part of the country...
In Play , the image comes from a fashion magazine from the 1950’s (USA) whose theme is costume sportswear from the 19th century...
Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...
Drawing & Print
“Relation between Black and blood” explores the connection between performance, installation and representation...
(Untitled) Nimoa and Me: Kiriwina Notations by Newell Harry brings together a litany of contemporary politics—mobilization around enduring racism, the legacies of Indigenous and independence struggle, and the prospects of global solidarity against neocolonialism and social injustice...
Although the objects depicted in Titus Kaphar’s diptych 2016/1963 might not be immediately recognizable, the work’s title and the inscriptions ‘Alabama 1963’ and ‘North Dakota 2016’ reveal their use as tools of brutal force...
Map of the Universe from El Cerro continues Chemi Rosado-Seijo’s long-term engagement with the community of El Cerro , a rural, working-class community living in the mountains of Naranjito, Puerto Rico...
A series of works from 2016 document his neighborhood, replicating buildings and businesses he frequents within four blocks of his New York apartment...
5901 NW 2nd Ave., Miami, FL 33127 (Botanica) is a series of paintings that artist Eddie Arroyo created over an extended period of time, depicting the same site as it appeared from 2016 to 2018...
At first glance, This Day by Imran Qureshi appears to be an energetic, gestural painting reminiscent of Action Painting from the mid-20th century...
A combination of planning and improvisation, control and lack of control, this painting is typical of Amm’s work...
Curtis Talwst Santiago has been creating intimate and performative environments within these small spaces for several years; the artist used to carry them around to show visitors one on one, opening up a scene in the space of his hand...
The title of the painting refers to the fact that the figure’s behind is raised upwards and the face is found at the bottom of the painting, thus inverting the way in which people are normally seen...
Butter Mountain is part of an ongoing series of works that combines a sense of painterly mass and substance with sculptural language to examine the synergy between a topographical landscape and a landscape of the human condition...
Produced in an interview format and as an extended chapter of Cosmic Call (2019) in the KADIST Collection, Angela Su’s True Calling by Angela Su documents the artist’s answers to a series of questions on the conception of her 2019 film that proposes speculative cosmic synchronicities for an alternative understanding of epidemics that is not built on the foundation and authority of Western medical science...
To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic...
Mandy El Sayegh grew up in a medicalized environment, surrounded by anatomy, biology and psychology publications; these books inspire the figures that appear throughout her work...
In his series Hanging and Beheading Paintings Mike Cloud speaks to the suffering of a series of named (and occasionally unnamed) individuals, addressing their trauma within the language of abstraction...
Jarrett Key’s practice combines several modes of production into a single frame, incorporating sculpture, painting, and performance...
Since Manuel Solano became blind, they developed a technique that relies on audio descriptions that allow for an assistant to place pins and threads on a grid that guides the artist’s hands through the surface...
To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic...
Radical Digital Paintings is a collection of 239 works that were painted from 2016–2021; one exemplary image from the series is #98 ...