Ghost Games , follows the enigmatic dance of crabs “steered” by a flashlight in the night of darkness of a South American beach. The video produces a surreal impression, typical of Sala’s work, with no plot in the classical sense, no story being told. Like in Blindfold (2002), in which a sunrise is reflected in urban billboards, and Time After Time (2001), in which the figure of a horse emerges from darkness lit by the headlights of an automobile, Sala likes to explore the phenomenon of light and its effects; In Ghost Games , he uses the threatening reflection of the flash light through the darkness of the beach.
Oliver Laric’s video Versions is part of an ongoing body of work that has continued to evolve and mutate over time. Comprised of several video and sculptural works that share the same title, the Versions series reflects Laric’s key concerns: the mutability of images and objects and the negotiation between original and copy. In this video, we see several 3D renders of recognizable objects and places, while an ubiquitous feminized robotic voice that evokes the domestic familiarity of voice recognition tools such as Siri and Alexa, speaks of issues relating to identity, language, and translation.
The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits. The monumental and unnatural aspect of the baobabs turns them into strange and anthropomorphic personalities. Adding to the descriptive aspect of the film, the sound is a recording of the environment, of sounds made by animals, and participates in this peaceful contemplation.
Good life (2007) is an installation displaying letters, documents, photographs and objects from a man named Joseph Carrier, and appropriated by artist Danh Vo. The installation features a series of small square vitrines, inset, dark and precisely spot-lit. Inside these are framed photographs, mostly black and white, of young Asian men, taken, as the titles on the neat brass name plates tell us, in Vietnam in the 1960s and early 1970s.
The work “Les Fleurs d’intérieur” (which gives its name to the exhibiton presented at Kadist Art Foundation from May 30 to July 13, 2009) is a brass plate engraved with the inventory list of the works included in the show. From this moment, Dahn Vo will use this brass plates as a systematic element for all his exhibitions.
Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle. As suggested by the work’s title, each of the hands assumes a character with a distinct personality, as if we were witnessing a lovers’ quarrel and embrace, or the embodiment of opposing forces of an internal struggle. Gordon has previously created performance-based works depicting his own body or parts of it—arms, hands, fingers, eyes—usually enacting simple, repetitive movements.
Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner. An emptiness (some are burned letting appear a white or mirror background or a mirror) replaces the eyes, giving the impression of a blind eye deprived of all expression. Paradoxically, the work looks at us all the more intensely.
Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space. Upon hitting the cold, hard gallery floor, the seemingly confused interpreter writhes slowly on the ground while reciting a few lines from the curatorial statement in a whispered moan.
Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face. Masks (Merkel F6.1) was created in consultation with Merkel’s personal make-up artist; it features the special makeup that Merkel wears for HD cameras applied onto canvas. The image has been magnified to a near-microscopic level, rendering an ambiguous skin tone across which the makeup’s denser patches produce an abstract composition.
Making Chinatown (2012) is a remake of Roman Polanski’s 1974 classic neo-noir film Chinatown . According to Wong, the latter is a “textbook” of Hollywood filmmaking . In Ming’s version, he plays all four main characters portrayed originally by Jack Nicholson, Faye Dunaway, John Huston, and Belinda Palmer, shooting against a backdrop of a film set reproduced as wallpaper in a gallery space.
In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action. Also characteristic of his work, the scene takes place in front of a mirror, suggesting the kind of personal self-reflection that one is capable of – both good and evil. The video makes clear cinematographic reference to the ‘alter-ego’ transformation in Mamoulian’s Dr. Jekyll and Mr. Hyde, and to the “You looking at me?” sequence performed in front of a mirror by Robert De Niro in Scorsese’s Taxi Driver which also inspired Gordon’s through a looking glass ( 1999).
Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No. 1, 1974-1976 presents an interrupted image. The images capture scenes from an urban development, La Vega, built to modernize and connect favelas in Venezuela.
Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father. Jonathan Monk bridges a conceptual art and his family privacy, and ironically ensures that there is “no difference between Sol Lewitt and my mother, he does not know more than she do not know. ” What is the status of the O-backed chair rail to the white cube?
Drawing & Print (Drawing & Print)
Meeting #100 is one in a series of text works by Jonathan Monk. In this series, the artist attempts to organize meetings somewhere in the world. The audience is given the details of a meeting—the place, date and time—and nothing more.
Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years. Many of the pieces are found objects and discarded materials that he has transformed into tools and eccentric prop-like sculptures to help him on his journeys. Map (from Uncertain Pilgrimage) is one such object that could be a metaphor for the whole project: a simple empty paper map that has no location written on it.
Berlin Remake ( 2005) combines extracts of East German films with images filmed by the artist in Berlin. While staying in Berlin, the artist found the locations where the official films were made and she juxtaposes the two in a synchronised double projection. Therefore on one screen there is Berlin between 1945 and 1989 and on the other Berlin in 2004.
In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger. The installation suggests the personal, physical, psychological, and political dimensions of the modern office environment. Though abstracted from their original contexts, these materials are still formally recognizable and function as stand-ins for the places from which they came.
A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work. Following Haegue Yang’s 2010 anthropomorphic series Medicine Men, this sculpture appears as a shamanic objet or being. It is mobile and can be activated.
NO POSITIONS AVAILABLE is composed of panels covering the entire wall of the gallery exemplifying one of the tendencies of the artist. The “billboard sign,” like a ready-made, plays with the different meanings of the title, literally and abstractly. The repetition of the sign, as it has used in Minimal and Conceptual art, fills the space.
I’ve heard stories (2008) is one of Marwa Arsanios early works. It is a short animated film staging a story that took place at the Carlton hotel in Beirut. This work is the first part of a longer project on this iconic building.
Sideways Time by Olivia Erlanger is the result of the artist’s interest in networks, seen and unseen, financial and ecological, the collapse of which has resulted in the fracturing of a middle class American identity. Consumption and the construction of value are a frequent concern of her sculptures that explore the structural friction between a public and private. Erlanger looks to the architecture that connects these systems for inspiration and in this sense, the language of scaffoldings, foundations and facades that percolate throughout her work.
Carlton Hotel project is the second part of a research on the Carlton, an iconic building of modernist architecture from the 1960s in Beirut. Designed by Polish architect Karol Shayer, it was destroyed in 2008 (date of the project’s creation). This project is multifaceted, always transforming into different forms and involving a series of collaborations: the first step took place as part of the “traveling curtains project”, which consisted in recuperating the curtains from the Carlton hotel before its demolition and sending them to different cities throughout the world where they would be subject to new interventions and transformations by artists, among whom Marwa Arsanios.
Clemens von Wedemeyer has imagined a trip back in time at Breitenau. Starting with events that happened there from 1933 to 1945, the German artist has composed three stories that reach the years of the women’s reformatory, in the 1970s, with a different protagonist for each era. A work that attempts to bring out the “pathology” of the site, as the artist tells Bert Rebhandl, and at the same time its “unforgettable” status as a black hole in the history of Germany, that sucked up innocent lives for almost a century.
Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015. The sculpture, employing the technique of traditional Atzompa pottery originating from Oaxaca, Mexico, is an examination of the way in which archaeological heritage is remembered in the earthenware made by Atzompa potters today. Accompanied by the publication ‘Ixiptla Vol.
Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold. The title is taken from a Germanic term used in the context of art history, designating classical drapery. In this particular photograph, Faltenwurf (Stairwell) , an assortment of various colored clothes lay tangled on a set of stairs, as a sculpture of abstract forms.
Addressing the legacy of colonialism, The Guestbook by Musquiqui Chihying and Gregor Kasper is a slow-paced, black-and-white film exploring the German colony of Togoland, now the Republic of Togo. The guestbook in question—a thin, battered copy that Do Do, the Togolese protagonist of the film, finds in Berlin’s State Library—is filled with the signatures of colonial-era explorers. The plot follows Do Do as he seeks out Treptower Park, where the JAZZ musician Kwassi Bruce was once exhibited in a human zoo in the first German Colonial Exhibition.
Mariana Castillo Deball’s set of kill hole plates are part of a larger body of work problematizing archeological narratives, and drawing attention to the conservation process and its role in recreating an imagined object. They are playful and exaggerated representations of “kill hole pottery” — ceramic dishes in the Mimbres tradition with distinct circular holes located in the center of the pots. Although very little is known about the Mimbres culture’s specific beliefs, they are loosely understood to have terminated the object symbolically in preparation for funerary use.
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations. Verging on a form of fetichism, his shoe collections are a case in point and indeed, for some exhibitions, he even asked gallery employees for their shoes. Against authorship and the commodification of art, he never gives titles or dates to his works which have infinite edition possibilities.
Epaminonda’s video works are based on re-shot excerpts of film and television footage – principally the Greek soap operas and kitsch romantic films fromthe 1960s that used to fill up Sunday afternoons in the artist’s Cypriot childhood –which she then subtly reworks...
Marwa Arsanios is born in 1978 in Washington, United-States...
Leaving Iran in 2017, Tirdad Hashemi now cultivates perpetual movement, between their hometown of Tehran, Istanbul, Paris, and Berlin...
Kitty Krauss has a very particular outlook on Minimal and Constructivist Art...
Matti Braun’s work entails research and experienced wanderings during sojourns and journeys...
In the late 1990s, Nathalie Djurberg started to work with Super 8 film, then video, staging plasticine models or puppets...
Aykan Safoglu is a Turkish-German artist whose works cultivate relationships among cultural, geographical, linguistic, and temporal boundaries...
Markus Amm studied graphic design at the Hochschule für Gestaltung in Offenbach, Germany...
Ha Tae-Bum (b...
Born 1975, Frankfurt / Main, Germany Lives and works in Berlin Nora Schulz explores the relations between painting, sculpture, performance, and language...
In recent years Bettina Pousttchi’s work has dealt with themes related to memory, time and history and she is particularly interested in the consequences of the fall of the Berlin Wall...
Christoph Keller’s works function between science and art and have a practical as well as an aesthetic application...
A student of Martin Kippenberger, Tobias Rehberger emerged in the 1990s as one of the major artists of the younger generation in Germany and one of the most active on the international stage...
Pro-Palestine Protestors Interrupt Tania Bruguera Event in Berlin Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All February 12, 2024 10:46am Tania Bruguera performing Where Your Ideas Become Civic Actions (100 Hours Reading The Origins of Totalitarianism) at the Hamburger Bahnhof...
Neo-Expressionist artist Karl Horst Hödicke has died at 85...
Tania Bruguera’s reading at Hamburger Bahnhof shut down after heated pro-Palestine protests Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Israel-Hamas war news Tania Bruguera’s reading at Hamburger Bahnhof shut down after heated pro-Palestine protests A statement from the museum says the incident involved activists using “hate speech” towards one of the readers and a museum director Gareth Harris 12 February 2024 Share Tania Bruguera invited artists, activists and members of the public, read from Hannah Arendt’s The Origins of Totalitarianism © Estudio Bruguera / Nationalgalerie – Staatliche Museen zu Berlin / Jacopo La Forgia The artist and activist Tania Bruguera’s non-stop reading of Hannah Arendt’s The Origins of Totalitarianism at Hamburger Bahnhof in Berlin was halted on Saturday (10 February) after pro-Palestine protestors disrupted the event...
Bringing you the best of Berlin Fashion Week AW24 Womenswear | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Fashion Feature From Sia Arnika and SF 1 OG, to Shayne Oliver’s Anonymous Club, here’s everything that went down at the German city’s fashion fair 10 February 2024 Text Elliot Hoste Berlin Fashion Week AW24 35 It might have been founded 17 years ago, but Berlin Fashion Week is a relative newborn in comparison to its Big Four siblings...
Is censorship on the rise in the West? Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search The Week in Art podcast Is censorship on the rise in the West? Plus, Frank Auerbach at the Courtauld and an Indian painting from Howard Hodgkin’s collection Hosted by Ben Luke ....
German Academy of Arts opens Otto Dix archive—and recalls a scandal Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Otto Dix news German Academy of Arts opens Otto Dix archive—and recalls a scandal Dix’s war painting The Trench, lost during the Second World War, is in focus at the opening Catherine Hickley 7 February 2024 Share Otto Dix's Der Schützengraben (The Trench) (1923) provoked a strong reaction when it was first displayed 100 years ago Photo: Hugo Erfurth, Akademie der Künste Berlin, Otto-Dix-Archiv A century after Otto Dix’s First World War painting The Trench (1923) provoked an outcry when it was displayed at the Prussian Academy of Arts in Berlin, the institution's successor, the Germany Academy of Arts , is opening to the public the inventory of the artist's works that he compiled—somewhat grudgingly...
Women Are the Post-Apocalyptic Future Skip to content Dana Schutz, "Civil Planning" (2004), oil on canvas (all photos Ela Bittencourt/ Hyperallergic ) BERLIN and PARIS — In recent years, impending ecological apocalypse has spurred a number of contemporary artists to visualize fears of an environmental collapse...
The Berlinale is a unique place of artistic exploration and entertainment...
Public Gallery now represent Nils Alix-Tabeling - FAD Magazine Skip to content By Mark Westall • 1 February 2024 Share — Public has announced the representation of French artist Nils Alix-Tabeling (b...
How Berlin Gallerist Michael Janssen Is Committing to New Models of Collaboration | Artsy Skip to Main Content Advertisement Art Market How Berlin Gallerist Michael Janssen Is Committing to New Models of Collaboration Maxwell Rabb Jan 31, 2024 6:46PM Gulnur Mukazhanova Untitled, from the series ‚Self Portaits‘ , 2023 Galerie Michael Janssen €9,000 Portrait of Michael Janssen...
Artists Participating in the Whitney Biennial 2024: Even Better Than the Real Thing, NYC - ArteFuse Seventy-one visionary artists and collectives will participate in the eighty-first installment of the Whitney Biennial, opening March 20, 2024...
Alfredo Aceto "3" Hua International / Berlin | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
Victoria Razo is a freelance documentary photographer born in the Port of Veracruz, Mexico...
Coco Fusco "Tomorrow, I will become an Island" KW Institute of Contemporary Art / Berlin | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
German Dealer Johann König Opens a New Berlin Gallery – ARTnews.com Skip to main content By Francesca Aton Plus Icon Francesca Aton Associate Digital Editor, ARTnews and Art in America View All December 14, 2023 3:02pm König Telegraphenamt, Berlin, Germany...
Dealer Johann König opens second Berlin gallery in former telegraph office Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Commercial galleries news Dealer Johann König opens second Berlin gallery in former telegraph office This is the first König space to launch since a number of artists left the gallery's roster last year Catherine Hickley 14 December 2023 Share König Telegraphenamt is located on Museum Island in Berlin Courtesy of König Galerie The Berlin dealer Johann König is tomorrow opening a new gallery next to the city’s Museum Island in a building that once housed the postal service’s telegraph office...
Berlin’s state museums raise ticket prices as costs climb Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news Berlin’s state museums raise ticket prices as costs climb “We have to increase income and reduce spending,” says Hermann Parzinger, the president of the Prussian Cultural Heritage Foundation Catherine Hickley 14 December 2023 Share Tickets to Berlin's Bode Museum will increase from €10 to €12 © Fi onn Große Admission to Berlin’s state museums will increase next year to cover rising costs, the Prussian Cultural Heritage Foundation has announced...
Increasingly, cultural workers are discussing boycotting Germany...
Sergio Zevallos’s Rituals of Disobedience Skip to content Sergio Zevallos, from the series Que tu Carne es el cielo recién nacido (1983), color chalk drawings (all images courtesy the artist unless otherwise noted) BERLIN — Peruvian artist Sergio Zevallos is a cult figure in Latin American art...
Transcending the Israeli-Palestinian conflict, this musical ensemble plays a message of hope for the Middle East | South China Morning Post Advertisement Advertisement Performing arts in Hong Kong + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more The West-Eastern Divan Ensemble at the Pierre Boulez Saal concert hall in Berlin, Germany...
According to the art collector data company Larry's List, the burgeoning private museums sector now comprises 446 institutions worldwide, 111 of which have opened since 2016...
Berlin Bad Boy Artist Jonathan Meese: 'I'm the sweet boy of art!' - arts24 Skip to main content Berlin Bad Boy Artist Jonathan Meese: 'I'm the sweet boy of art!' Issued on: 31/08/2023 - 16:57 11:45 ENCORE!...
Collector Patrizia Sandretto Re Rebaudengo Reflects on Her Grand Tour of Europe This Past Summer - via ARTnews...
Top Collector Thomas Olbricht to Sell Works from His Collection Following Berlin Museum Closure - via ARTnews...
Heiner Pietzsch, Collector Who Donated Surrealist Art Holdings to Berlin Museums, Is Dead at 91 - via ARTnews...
Collector Julia Stoschek May Close Berlin Private Museum, Home to Ambitious Video Art Shows - via ARTnews...
Markus Hannebauer will show his collection of time-based art in the former headquarters of the US Army in Berlin....
Plus, a 3D photograph of Banksy sells for just under $45,000, and a Berlin museum loans the Namibian government 23 objects in a partnership to assess their provenance....
Durjoy Rahman speaks with STIR about his vision, and plans about his recent initiatives through an art foundation based in Berlin and Dhaka....
by Chris Moore The China art market faces its most difficult period since 2008...
Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...
This work is one of Koller’s many variations which he began to use from 1970 to describe the ‘cultural situations’ he created...
Drawing & Print
Untitled is a work on paper by Martin Kippenberger comprised of several seemingly disparate elements: cut-out images of a group of dancers, a japanese ceramic vase, and a pair of legs, are all combined with gestural, hand-drawn traces and additional elements such as a candy wrapper from a hotel in Monte Carlo and a statistical form from a federal government office in Wiesbaden, Germany...
In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...
Drawing & Print
Shanghai Biennale, Awaiting Your Arrival is an appropriation of the posters made to promote biennial art exhibitions...
The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...
Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...
Zeppelintribüne (2002) was shot near the Zepelintribune in Nuremberg, designed by Albert Speer, chief architect of the Third Reich...
Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father...
Silberhöhe , directed at Halle, located in the former GDR (German Democratic Republic), is the name of a neighborhood on the outskirts of the city, which was built in the 70’s and could accommodate more 40,000 people...
Drawing & Print
Biennale, Dog is an appropriation of the posters made to promote biennial art exhibitions...
Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...
Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space...
Die Siedlung is a filmic documentary about the recent shift in housing developments in Leipzig-Grünau in former East Germany and its consequences on some inhabitants...
Apparently Djurberg’s mother made a puppet theater and traveled around Göteborg performing during her childhood...
Berlin Remake ( 2005) combines extracts of East German films with images filmed by the artist in Berlin...
Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...
NO POSITIONS AVAILABLE is composed of panels covering the entire wall of the gallery exemplifying one of the tendencies of the artist...
Invited in 2007 to the Museum Folkwang in Essen (Germany), Simon Starling questioned its history: known for its collections and particularly for its early engagement in favor of modern art (including the acquisition and exhibition of works by Cézanne, Gauguin, Van Gogh, Matisse), then destroyed during the Second World War, the museum was pillaged for its masterpieces of ‘degenerate art’ by the nazis...
Message to the Extraterrestrials consists of a slide projector beaming images into the side of the telescope...
Created from extracts of kitsch movies or Greek soap operas from the 1960s, these videos are like audiovisual ‘postcards’ reflecting a nostalgic and melancholic approach...
Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination...
Drawing & Print
9’oclock (my time is not your time) pertains to a series consisting of three numbers: 5, 10 and 11 works were made for the exhibition “Signs and messages from modern life” at the Kate McGarry Gallery in 2007...
Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No...
Carlton Hotel project is the second part of a research on the Carlton, an iconic building of modernist architecture from the 1960s in Beirut...
Eija Riitta was born in 1954 in Liden, Sweden, and is “objectum-sexual.” Since June 17, 1979, her name is Eija Riitta Berliner Mauer taking the name of her husband, the Berlin Wall...
Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other...
Shot on 35mm in two simply framed shots, Jazmín López’s Juego Vivo captures children at play, mixing imagination, reality, innocence, and violence...
Do ut des (2009) is part of an ongoing series of books that Castillo Deball has altered with perforations, starting from the front page and working inward, forming symmetrical patterns when each spread is opened...
Drawing & Print
These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin...
Drawing & Print
These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin...
During a residency in 2009 at L’appartement 22 in Rabat, the artist traveled in Morocco and Senegal on the traces of the German sculptor Arno Breker...
For Bettina Poutsttchi’s large-format, site-specific photographic work Echo (2009–10), the four exterior walls of the Temporäre Kunsthalle Berlin were covered with a digitally edited collage of archival images of the glass-and-steel facade of the Palast der Republik (Palace of the Republic), which had once been located nearby...
In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...
Ha Tae-Bum’s “White” series, started in 2008, begins with photographic images from the mainstream media depicting sites of conflict or crisis...
From the series the Old and the New (XI) by Carlos Garaicoa belongs to the series Lo viejo y lo nuevo / Das Alte und das Neue (The Old and the New) which was first exhibited in 2010 at Barbara Gross Gallery in Germany...
Oliver Laric’s video Versions is part of an ongoing body of work that has continued to evolve and mutate over time...
Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination...
Future Gestalt re-imagines a large-scale sculpture “ Smoke” by Tony Smith as embodying a futuristic intelligence that communicates with a group of communitarians undergoing experimental psychotherapy...
In collaboration with psychoanalyst and cultural theorist Leon Tan, Receding Triangular Square explores traditional Chinese and Taiwanese modalities of psychological healing as alternatives to dominant Western psychiatric and therapeutic practices...
Halfway between a painting and an installation City Sound of Rug gathers found images, synthetic foam, painted metal plates, and prints placed on the floor...
Off-White Tulips is an intimate, meditative, and tender essay-film composed as a fictional exchange between Black gay writer James Baldwin and the artist, Aykan Safoglu...
Shahab Fotouhi’s photographic series Establishing Shot; Interior, Night – Exterior, Day; without Antagonist and Extra consists of four C-prints that at first glance would appear to be travel posters for Iran, in that each features a beautifully shot image of an Iranian waterfall...
In this two-channel video installation, Spaniards Named Her Magdalena, But Natives Called Her Yuma , Carolina Caycedo gathered footage during numerous research trips to dam sites in the Harz Mountains, Saxony, Westphalia and the Black Forest in Germany interspersed with images of the Rio Magdalena region in Colombia...
Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...
For many years, Nina Könnemann has placed a camera before a billboard situated in the suburb Neukoln in Berlin...
Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face...
A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work...
Sideways Time by Olivia Erlanger is the result of the artist’s interest in networks, seen and unseen, financial and ecological, the collapse of which has resulted in the fracturing of a middle class American identity...
Indexes that either allow or inhibit the establishment of communication exist in both signed as well as spoken languages...
Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold...
A combination of planning and improvisation, control and lack of control, this painting is typical of Amm’s work...
Addressing the legacy of colonialism, The Guestbook by Musquiqui Chihying and Gregor Kasper is a slow-paced, black-and-white film exploring the German colony of Togoland, now the Republic of Togo...
This untitled painting by Tirdad Hasemi presents a space that can be thought of as both a prison cell and a house...
Drawing & Print
The Blue Poisoning series , reveals the outcome of artist Tirdad Hashemi’s weary and depressed days in the winter of 2022, following their second migration from Paris to Berlin...
Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022)...