The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways. The video begins with the pedestrian traversing a seemingly idyllic ivy lined stone and concrete thoroughfare. As his pace begins to accelerate, the camera follows him with greater urgency, slowly settling and become stable again as his pace decelerates.
Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds. These portraits explore the relationship between the psyche and contemporary social environments, focusing on isolation, identity, and distress. Central Station shows a character reaching to wipe a tear from her face as the blues of her wardrobe seem to blend in with the dismal blue of the background.
Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds. These portraits explore the relationship between the psyche and contemporary social environments, focusing on isolation, identity, and distress. The figure in Alignment slouches with his head in his hands in a gesture of failure or despair, speaking to the difficult task of balancing individual freedom and societal rules.
Central Station, Alignment, and Argument are “situation portraits” that present whimsical characters within distorted and troubling worlds. These portraits explore the relationship between the psyche and contemporary social environments, focusing on isolation, identity, and distress. The two characters in Argument interact in an ambiguous gesture of conflict or embrace as the world around them pulsates in agitated waves.
Commissioned by the San Francisco Museum of Modern Art and riffing on the “I Want You” army recruitment campaigns of the 1930s and 1940s, Labat asked Bay Area residents to interpret the slogan and make their own demands of the public in a series of live performance auditions. Given one minute to seize the voice of authority, contestants were asked to be the finger-pointing Uncle Sam, and their performances—as on the TV program American Idol —were voted on by a live audience. Five winners were chosen and their image and slogans appeared on posters throughout San Francisco to coincide with the presidential elections.
Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years. Many of the pieces are found objects and discarded materials that he has transformed into tools and eccentric prop-like sculptures to help him on his journeys. Map (from Uncertain Pilgrimage) is one such object that could be a metaphor for the whole project: a simple empty paper map that has no location written on it.
In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented. The artists used disposable spoons as catapults to shoot thousands of plastic bottle caps at a hole in a concrete platform. The platform was once part of a U. S. military installation in the Panama Canal Zone, and it is now an observation deck in a nature park.
In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger. The installation suggests the personal, physical, psychological, and political dimensions of the modern office environment. Though abstracted from their original contexts, these materials are still formally recognizable and function as stand-ins for the places from which they came.
Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape. Rooted in Central American folklore, politics, and culture, his works often move beyond the canvas onto the wall or into the streets. In Á rbol y Pelicao (Tree and Pelican, 2009), a tree with cartoonlike creatures drawn in pen beside it emerges from a field of bright swaths of color.
A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work. Following Haegue Yang’s 2010 anthropomorphic series Medicine Men, this sculpture appears as a shamanic objet or being. It is mobile and can be activated.
The Dud Effect is a film that revisits the fear of nuclear attacks during the Cold War by staging the firing of a R-14 missile by a solitary soldier on the site of a real Soviet launch base installed in Lithuania. For this film, Deimantas Narkevicius used no animation or 3D effects, instead it is the silence of the place interrupted by the voice of the Russian soldier (who truly served on a military base in Lithuania) that creates this worrying atmosphere in which the execution of such an act becomes possible. The War Game (1965) by Peter Watkins was a source of inspiration, since he displays a personal and collective concern about the danger of the nuclear arms race in the United Kingdom in the 1960s.
Superb production values and special effects that in the hands of Miguel Angel Rios do not get in the way or distracts from the content and deep essay of this work. The shadow of Modernity represented via a clear cube floats over and through a barren landscape in Latin America. Juxtaposing the corrupt politics of the land, with the artist’s struggles and questioning of the effects and burden of influence of Modernity.
Chase ATM emitting blue smoke, Bank of America ATM emitting red smoke, TD Bank ATM emitting green smoke was shot in the American Southwest at Mid-century modern architectural structures that were built to house regional independent banks and have since been bought up by Chase, Bank of America, and TD Bank. The video utilizes transparency and opacity effects in multimedia software to question the perceptibility of finance. It offers a complex metaphor (toxic assets, emergency flares, house/mortgage on fire) about the financial sector and the effects of the ‘crisis’ that led to the disappearance (and the ghostly memory) of many local and regional banks.
In her 2011 webcam video, Sickhands , Cortright poses before her in-computer camera, as her hands, hair, and body begin waving and rippling vertically across the screen, distorted by software effects. Capitalizing and commenting on the ubiquity of homemade video, the short film replicates with banal proximity the amateur special effects that thrive on the web. This rather cliched visual trick recalls a funhouse mirror, or, perhaps more aligned with Cortright’s frame of reference, a dream-sequence cue from after-school 90s television.
Burrito Bay is a video by George Kuchar that follows the format of a diary or travelogue centered on a tropical trip to Acapulco, Mexico. The footage was filmed during the production of Tropical Vulture , a cross-generational collaborative project between George Kuchar and his then student, Mexican artist Miguel Calderón. The video strays away from the conventions of documentary: Kuchar adds an array of effects such as fadeouts between scenes, overlaid digital shapes traversing across the frame, and a strange, unexpected soundtrack.
Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program. T. Hong’s research is not only an effort to revisit a dark time that complicates certain histories, but more importantly an investigation of how violence is enacted in the name of rationality.
The video I am protesting against myself presents a puppet in a garbage can citing numerous reasons why one should protest against it. Ciprian Muresan utilizes the comic effects typical of popular culture and the media. Progressively during the video, one appropriates the reasons for this characters discontent.
The lecture performance, Screen Green takes the telecast of a speech made by the Prime Minister of Singapore, Lee Hsien Loong, during which he was pictured against a homogenous green backdrop commonly used for visual effects or post-production in film, as a point of departure. Taking the lush, botanical landscape of Singapore, administered through a series of governmental gardening efforts, Ho offers a speculative narrative through the metaphor of a space of future possibilities that are simultaneously a method to limit and modulate its citizens.
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code. The geometric pattern that composes each acrylic-on-panel painting is determined by a preordained ratio of 2 to 3. But even though a formulaic system determines the image’s structure, its surface is full of painterly effects.
The artist duo João Maria Gusmão and Pedro Paiva traveled to Japan for a month to make a series of short 16mm films, often shot in slow-motion. This film, shown in continuous loop, has a run-time of just under 3 minutes, and is presented without sound. It captures a traditional Shisa (combination of a dog and lion from Okinawan mythology) animated by an invisible person.
Conrad Ruiz loves to paint subjects related to the “boy zone”: video games, weapons, games, science fiction, fantasy, and special effects. He also often works at a very large scale to emphasize a connection to the tradition of history painting. Blockbuster (2011) was, at the time of its creation, the largest watercolor painting he had ever made.
Inspired by the 1934 novella Duo by the French writer Colette, Sriwhana Spong’s film Beach Study explores ideas of disappearance and the ephemeral, both physically and psychologically. In the film, a female body conducts abstract dance movements on a beach, responding to the environment that surrounds her. This particular beach was one the artist loved as a child, but today it is hardly accessible because it is in the hands of a private landowner.
The video Rubber Man continues exploring issues related to land use, also noticeable in his Untitled series (2011). More specifically, Rubber Man addresses the French colonial legacy of land use for the exploitation of rubber –today exploited by multiple forces such as individuals, governments, multinationals and international banks– and its effects on Cambodia’s indigenous forests and culture today. The video takes place in Ratanakiri, an area in northeastern Cambodia increasingly known in local and international news for land grabs and protests, and where the artist frequently traveled to over two years.
Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for. He gives light a density in the precise moments he captures—a forest’s leaves shimmering in the early morning, a street’s reflective surface radiating color at night, luminous blinds drawn over an apartment window. He achieves his distinctive effects by using an old, second hand analog-era lens that he attaches to his digital camera.
The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits. The monumental and unnatural aspect of the baobabs turns them into strange and anthropomorphic personalities. Adding to the descriptive aspect of the film, the sound is a recording of the environment, of sounds made by animals, and participates in this peaceful contemplation.
Fridge-Freezer is a 2-channel video installation where Yoshua Okón explores the darker side of suburbia, d escribed by the artist as “ the ideal environment for a numb existence of passive consumerism and social a nd environmental disengagement. ” Filmed at display homes in the suburbs of Manchester in the United Kingdom, the video features real-estate agents clad in bright-red blazers enthusiastically describing features of the ‘dream home’ as they walk through different rooms. A couple of additional elements, a couch and neutral soft carpet, recreate the domestic setting and immerse the viewer in the unfolding scenes.
Flight Rehearsals focuses on Subbaiah’s desire to fly as a means to highlight the relationship between human ambition and limitations of the physical world. The video presents philosophical explorations of the human desire to defy gravity and time. The minimalist set of a table highlights the intention and persistence of the protagonist rather than technological innovation.
Drawing & Print (Drawing & Print)
Selected Scripture is a series of silkscreen prints that Hong Hao has been working on since the 1980s. The series includes 37 prints to date, each of which resemble the pages of an ancient cartography book. In this series, the artist reflects on the authoritative influence of ancient books that shape dominant understandings of the world.
Youthfulness and gestures of play are central to Aziz Hazara’s practice. The artist uses these mechanisms as a lens to give pause to the behaviours of children as foreboding reflections of the enduring and all-pervasive effects of conflict and war. In the short video Rehearsal the artist documents two young Afghan boys imitating the guttural rattling of an automatic rifle, play-shooting in the field in front of them, and swivelling as if to suggest the gun is mounted.
Andrew Norman Wilson is an artist, curator, and filmmaker whose practice is mostly based in research and documentary...
Spanning photography, painting, installation, as well as behavior and performance art, Hong Hao’s artistic exploration is informed by the many cultural, political, and economic shifts in his lifetime...
Born in 1977 in the city of Governador Valadares, Minas Gerais, Paulo Nazareth now lives as a global nomad...
Nontawat Numbenchapol is primarily known as a film director and television screenwriter, widely recognized for his documentary work...
Photographer Zhang Kechun documents striking scenery that meditates on the significance of landscape in modern Chinese national identity...
Firenze Lai is a Hong Kong painter known for her atmospheric portraits that explore the ways in which contemporary life causes people to adjust to their surrounding conditions in disturbing ways...
Yosuke Takeda started from experimenting with darkroom photography production and he shifted over to digital photography, aware that photographic film and paper were becoming obsolete...
Shooshie Sulaiman is one of the leading creative practitioners in Southeast Asia...
Mathieu Kleyebe Abonnenc’s practice engages with the cultural hegemonies that form the basis for the evolution of contemporary society...
Olaf Breuning’s photographs, videos, performances and installations play with codes of mass production with references to publicity, fashion and cinema and “high” and “low” art...
Minia Biabiany’s practice is concerned with the past and ongoing effects of colonialism, exploring the poetics of resistance embedded in everyday life practices, and translating this research into the exhibition space through careful consideration of the cultural and spiritual implications of the material she uses, and the techniques she employs...
Since the early 1980s, Cuban-born Tony Labat has been an important participant in the California performance and video scene...
Charles Lim Yi Yong’s work encompasses film, installation, sound, recorded conversations, text, drawing, and photography...
Artist and filmmaker Pascual Sisto is known for creating works that reimagine the mundane as captivating alternate realities...
The artist, writer, and researcher Ho Rui An probes histories of globalization and governance, performing a detournement of dominant semiotic systems across text, film, installation, and lecture...
Jeamin Cha’s questions exist in the gyre between individual and social environment, stepping over conspicuous strands of relation between the two in favor of cultivating characters that dwell in the night, under-noticed or otherwise surplus figures outside of mainstream societal representation...
Mercedes Dorame is a photographer and member of the Tongva tribe in Los Angeles...
Doreen Lynette Garner’s practice examines the histories and enduring effects of racial violence in the United States...
Conrad Ruiz makes watercolor paintings of fantastic scenes...
Chechen artist Aslan Goisum’s work engages with memories–collective and personal, political and cultural–to unearth clues about colonial realities, how they have been endured, and how they might be undone...
Yuji Agematsu is an artist who works across various media, including sound, photography, and the arrangements of objects—not exactly sculpture...
George Kuchar was a key figure in experimental and independent filmmaking in the Bay Area and more broadly across America...
Ciprian Muresan appropriates historical, political, social and cultural (essentially artistic, literary and cinematographic) references which he re-contextualizes...
Born in Sidpur and living in Bangalore, Kiran Subbaiah works in a variety of media that includes assemblage, video and internet art after initial training as a sculptor...
Beatriz Milhazes: Maresias | Tate St Ives Discover the vibrant works of one of the leading abstract artists working today Tate St Ives presents a retrospective of the work of artist Beatriz Milhazes , who is known for intensely colourful, large-scale abstract canvases...
“Possibly Painting”at Five Myles advertise donate post your art opening recent articles cities contact about article index podcast main February 2024 "The Best Art In The World" "The Best Art In The World" February 2024 “Possibly Painting”at Five Myles Roger Loft: Portraits, 2016 – 2023, epoxy, dynel, fiberglass, wood diverse sizes...
Archaeologists Find Evidence of Hallucinogenic Drug in Ancient Rome Skip to content A bust of Emperor Trajan surrounded by black henbane seends and flowers and a femur discovered by archaeologists (edit Valentina Di Liscia/ Hyperallergic ) Two new archaeological finds suggest Roman subjects at the northern edge of the ancient empire used a hallucinogenic and poisonous plant called black henbane, the effects of which were described by Greek philosopher Plutarch as “not so properly called drunkenness” but rather “alienation of mind or madness.” Dutch zooarchaeologists Maaike Groot and Martijn van Haasteren and archaeobotanist Laura I...
4 Fun and Creative Ways To Enhance Senior Portraits Home » 4 Fun and Creative Ways To Enhance Senior Portraits ART Feb 2, 2024 Ξ Leave a comment 4 Fun and Creative Ways To Enhance Senior Portraits posted by Kelly Schoessling Enhancing your senior portraits in fun and creative ways will memorialize your youthful character and passions...
Inspired by 2000s-era teen-girl magazines, Elizabeth Renstrom uses a mix of real and AI-generated imagery to consider the ongoing effects of media on young women....
Jack Goldstein — La fulgurance de l’instant ou l’histoire fragmentée — Michèle didier Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Jack Goldstein — La fulgurance de l’instant ou l’histoire fragmentée — Michèle didier Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Jack Goldstein — La fulgurance de l’instant ou l’histoire fragmentée Exhibition Mixed media Upcoming Jack Goldstein, The Burning Forest, on marbled red and white vinyl, 1976 Courtesy Galerie michèle didier Jack Goldstein La fulgurance de l’instant ou l’histoire fragmentée In 17 days: February 29 → May 4, 2024 Jack Goldstein (1945, Montréal — 2003, San Bernardino) est peintre et également auteur de films, d’enregistrements sur disques vinyles et de poèmes...
Jack Goldstein — La fulgurance de l’instant ou l’histoire fragmentée — Galerie michèle didier — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Jack Goldstein — La fulgurance de l’instant ou l’histoire fragmentée — Galerie michèle didier — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Jack Goldstein — La fulgurance de l’instant ou l’histoire fragmentée Exposition Techniques mixtes À venir Jack Goldstein, The Burning Forest, on marbled red and white vinyl, 1976 Courtesy Galerie michèle didier Jack Goldstein La fulgurance de l’instant ou l’histoire fragmentée Dans 17 jours : 29 février → 4 mai 2024 Jack Goldstein (1945, Montréal — 2003, San Bernardino) est peintre et également auteur de films, d’enregistrements sur disques vinyles et de poèmes...
Tia-Thuy Nguyen — Sparkle in the vastness — Almine Rech Gallery, Matignon — Exhibition — Slash Paris Login Newsletter Twitter Facebook Tia-Thuy Nguyen — Sparkle in the vastness — Almine Rech Gallery, Matignon — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Tia-Thuy Nguyen — Sparkle in the vastness Exhibition Painting Tia Thuy Nguyen, série I, my, me, cloud (2018-2023) Courtesy de l’artiste et galerie Almine Rech Tia-Thuy Nguyen Sparkle in the vastness Ends in 13 days: January 11 → February 24, 2024 “Sparkle in the vastness", Tia-Thuy Nguyen’s first show with Almine Rech presents a suite of more than twenty multi-media paintings from the artist’s ongoing series “I, my, me, cloud” (2018–)...
Ambera Wellmann joins Hauser & Wirth in new “collective impact” initiative with Company Gallery...
Could visiting a museum be the secret to a healthy life? Menu Close Does the simple fact of being in contact with art have any specific effects? (Shutterstock) Emma Dupuy , Université de Montréal Author Emma Dupuy Postdoctoral researcher, cognitive neuroscience, Université de Montréal Disclosure statement Emma Dupuy works in partnership with the Montreal Museum of Fine Arts and has received funding from MITACS, the Université de Montréal and the Fonds de Recherche du Québec....
LSE's Giant Pie Chart Includes Part Of The Charles Booth Poverty Map | Londonist See London's Biggest Pie Chart By M@ M@ See London's Biggest Pie Chart A pie chart, a map and a giant mural.....
Architects Anne Lacaton and Jean-Philippe Vassal on the joy of reusing buildings rather than knocking them down | Architecture | The Guardian Skip to main content Skip to navigation Skip to navigation ‘A fascination with spatial effects’: Jean-Philippe Vassal and Anne Lacaton at the Sir John Soane’s Museum in London last month...
Nevada lithium mine threatens cultural sites Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Heritage news Nevada lithium mine threatens cultural sites The US federal government’s manoeuvres to boost domestic lithium extraction are raising fears from tribal communities about archaeological and environmental impacts Gabriella Angeleti 8 December 2023 Share Members of the Fort McDermitt Paiute-Shoshone tribe gather to oppose the Thacker Pass lithium mine Photo: Carolyn Cole/Los Angeles Times via Getty Images The construction of an open-pit lithium mine in northern Nevada, which is scheduled to begin full-fledged operation in 2026, will have irreversible effects on the environment and cultural heritage sites in the region, according to archaeologists, environmentalists and Native American communities who oppose the project...
How Are Pakistani Artists Grappling With the Climate Crisis? Skip to content Zohreen Murtaza (Pak Khawateen Painting Club), “Untitled” from the series Pari (Fairy) Space in “Symbolism of Home” (2022), digital collage (image courtesy the artist) Near the boundaries of Pakistan’s Sindh and Balochistan provinces lies one of the world’s warmest cities: Jacobabad, where locals endure temperatures as high as 127 degrees Fahrenheit and a severe shortage of water due to improper public water resource management...
How To Make Community Theater Productions More Professional Home » How To Make Community Theater Productions More Professional ENTERTAINMENT Dec 4, 2023 Ξ Leave a comment How To Make Community Theater Productions More Professional posted by Kelly Schoessling Actors perform on stage...
Group show — Tous les jours — Chantal Crousel Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Group show — Tous les jours — Chantal Crousel Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Group show — Tous les jours Exhibition Drawing, photography, sculpture, mixed media.....
Georges Rousse — Couleurs — Catherine Putman Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Georges Rousse — Couleurs — Catherine Putman Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Georges Rousse — Couleurs Exhibition Photography Georges Rousse, Bilbao, 2023 Impression jet d’encre sur hahnemühle — 145 × 115 cm © D...
Morán Morán now represent Ryan Trecartin - FAD Magazine Skip to content By Mark Westall • 24 November 2023 Share — Morán Morán has announced the gallery representation of Ryan Trecartin...
From developing our brains to keeping us healthy: the positive effects of art | Me and my National Art Pass | The Guardian Skip to main content Skip to navigation Skip to navigation An interest in the arts benefits the brain, creating the kinds of connections usually built in childhood...
5 Advantages of Using Photography Filters on Your Camera Home » 5 Advantages of Using Photography Filters on Your Camera ART PROJECTS Oct 31, 2023 Ξ Leave a comment 5 Advantages of Using Photography Filters on Your Camera posted by Kelly Schoessling What are the advantages of using photography filters with your camera when you take shots of a natural location? Here are five advantages of using photography filters...
A Sculptural Travertine Staircase Takes Centre Stage in RDAI’s Hermès Vienna Store Renovation - IGNANT Name RDAI Words Anna Dorothea Ker In the landmark-laden Graben District at the heart of Vienna, the interior architecture of a newly renovated and expanded Hermès store in an 18th-century building honors the arthistorical riches of its city...
Piece will be fixed onto nose of an Ariane 5 launcher that will be collecting data on climate change's impact on Africa...
RED LINES: 60 Global Cartoonists Talk Fear And Favour | ArtsEquator Skip to content "If satire is so toothless, then why are cartoonists so often badly bitten?" Ann Lee reviews RED LINES: Political Cartoons and the Struggle Against Censorship by Cherian George and Sonny Liew...
Harrowing and sublime: Topography of Breath 2.0 by Pat Toh | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Pat Toh November 10, 2020 By Chan Sze-Wei (739 words, 4-minute read) In grainy close up, we see segmented views of one woman, fighting to breathe with every fibre of her sinewy body...
Zombie Figuration Isn’t a Thing: A Critical Autopsy with Antwaun Sargent About AFC Board AFC Editions Donate Art F City Zombie Figuration Isn’t a Thing: A Critical Autopsy with Antwaun Sargent by Paddy Johnson and William Powhida on August 4, 2020 Explain Me + Podcast Tweet Jordan Casteel, “Within Reach”, New Museum installation view, 2020...
Purⓔ《纯ⓔ》: How do we talk about Art Form X? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of M1 CONTACT July 13, 2020 By Jocelyn Chng (1,800 words, 4-minute read) When I accepted the opportunity to write this piece on Purⓔ 《 纯 ⓔ》 , I did it feeling a bit like a shipwreck survivor re-approaching water for the first time...
The Beauty of Time and Image: “ST/LL” at SIFA 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 23, 2019 Seamlessly blending the digital image, live dance and a richly evocative music score, ST/LL is startlingly beautiful treat for the eyes and the ears...
'Son mai' – the painstaking Vietnamese art of lacquer painting (via Tuoi Tre News) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles December 3, 2018 Once chiefly employed in the decoration of wooden objects, son mai , or lacquer painting, has grown over the last century into a freestanding art form in Vietnam, to a point where it is now widely considered to be the country’s national painting technique...
1010 — UNRTD™ 1010 Graffiti artist 1010 (pronounced ten-ten) first took to the streets in 1994...
Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...
Drawing & Print
Selected Scripture is a series of silkscreen prints that Hong Hao has been working on since the 1980s...
Drawing & Print
Selected Scripture is a series of silkscreen prints that Hong Hao has been working on since the 1980s...
Drawing & Print
Selected Scripture is a series of silkscreen prints that Hong Hao has been working on since the 1980s...
The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...
In the work We only move wehen something changes !!!, Olaf Breuning composes a portrait of posed antiglobalization protesters, each wearing clown noses, inside of a scene reminiscent of an event...
For this image, Olaf Breuning invented a revised stone age corrected for the cinema in which dolmens and leather were replaced by surf boards and neoprene clothing...
Zeppelintribüne (2002) was shot near the Zepelintribune in Nuremberg, designed by Albert Speer, chief architect of the Third Reich...
Flight Rehearsals focuses on Subbaiah’s desire to fly as a means to highlight the relationship between human ambition and limitations of the physical world...
In the mid to late 70s David Haxton turned to photography, and similarly to his output in film, his photographs show reverberations of his perspective as a painter...
Drawing & Print
Shooshie Sulaiman’s pictures of unidentified figures initially appear alien and even monstrous: rendered hairless in unusual and even sickly colors, they stand in stark contrast to the aesthetic ideals of conventional portraiture...
Shooshie Sulaiman’s pictures of unidentified figures initially appear alien and even monstrous: rendered hairless in unusual and even sickly colors, they stand in stark contrast to the aesthetic ideals of conventional portraiture...
The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history...
Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...
Coué 1 is an animated sculpture that hypnotically highlights the self-motivating leitmotiv of the ‘Coué Method’: “Every day, in every way, I’m getting better and better.”This is the mantra that is repeated by different male and female voices in the soundtrack – first in an incomprehensible painfully slow slur, becoming clear and speeding up into a drilling hilarious sounding high pitching spin, as if helium had been inhaled...
Efectos de familia (Family Effects, 2007–9) is a series of 13 videos that dramatize an array of abusive events derived from Edgardo Aragón’s family’s history—specifically its involvement with organized crime...
The artist describes the work as “very performative video-pieces but they take on a more sculptural feel...
In the video No Not Nothing Never , a group of 23 domestic fans arranged in a mountainous desert landscape, move in perfect synchrony...
Commissioned by the San Francisco Museum of Modern Art and riffing on the “I Want You” army recruitment campaigns of the 1930s and 1940s, Labat asked Bay Area residents to interpret the slogan and make their own demands of the public in a series of live performance auditions...
The Dud Effect is a film that revisits the fear of nuclear attacks during the Cold War by staging the firing of a R-14 missile by a solitary soldier on the site of a real Soviet launch base installed in Lithuania...
Priola pays particular attention to otherwise unnoticed details in the cityscape, a quality that not only recurs throughout his oeuvre, but which also places his work in line with a strong tradition of California documentary photography...
Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...
Born in 1974, Kano, Nigeria, Otobong Nkanga lives and works in Antwerp, Belgium...
Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape...
Burrito Bay is a video by George Kuchar that follows the format of a diary or travelogue centered on a tropical trip to Acapulco, Mexico...
In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...
Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for...
Taken from the title of the incredibly influential punk/hardcore record I AGAINST I by the Bad Brains, Untitled (blue) is an acrylic painting on reflective paper by Chris Duncan is part of a larger body of work titled EYE AGAINST I ...
A Viewing (The Effect) by Anthony Discenza is a continuous voiceover loop intended for presentation in a dedicated, light-and-acoustically controlled space...
In her 2011 webcam video, Sickhands , Cortright poses before her in-computer camera, as her hands, hair, and body begin waving and rippling vertically across the screen, distorted by software effects...
The video I am protesting against myself presents a puppet in a garbage can citing numerous reasons why one should protest against it...
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Conrad Ruiz loves to paint subjects related to the “boy zone”: video games, weapons, games, science fiction, fantasy, and special effects...
Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for...
Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented...
Superb production values and special effects that in the hands of Miguel Angel Rios do not get in the way or distracts from the content and deep essay of this work...
Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program...
Inspired by the 1934 novella Duo by the French writer Colette, Sriwhana Spong’s film Beach Study explores ideas of disappearance and the ephemeral, both physically and psychologically...
In collaboration with psychoanalyst and cultural theorist Leon Tan, Receding Triangular Square explores traditional Chinese and Taiwanese modalities of psychological healing as alternatives to dominant Western psychiatric and therapeutic practices...
The title of the performance video work Impression by Amol k Patil refers to an Indian tradition...
Cinthia Marcelle’s video work Automóvel (2012) re-edits the mundane rhythms of automotive traffic into a highly compelling and seemingly choreographed meditation on sequence, motion, and time...
Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
In the flash animation SpringValle_ber_girls , Petra Cortright collages together surreal scenes out of unnaturally idyllic desktop screensavers with equally unreal computer-generated women that pop in and out of the landscape...
Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...
Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...
Central Station, Alignment, and Argument are “situation portraits” that present whimsical characters within distorted and troubling worlds...
The installation “East Side Story” is based on events that took place in the streets of Belgrade in 2001 and Zagreb in 2002, during the Gay Pride demonstrations, where the participants were the victims of verbal and physical injury by neo-Nazi groups and other citizens...
Part of a series of videos called LIFE, where Shay Arik videos that re-enact iconic journalistic photographs...
Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...
All Watched Over by Machines of Loving Grace takes its title from a 1967 poem by American writer Richard Brautigan, which describes a utopian future where computers are in harmony with and protective of mankind and nature, performing all the necessary work while we retreat back towards nature...
The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways...
Chase ATM emitting blue smoke, Bank of America ATM emitting red smoke, TD Bank ATM emitting green smoke was shot in the American Southwest at Mid-century modern architectural structures that were built to house regional independent banks and have since been bought up by Chase, Bank of America, and TD Bank...
The video Rubber Man continues exploring issues related to land use, also noticeable in his Untitled series (2011)...
Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for...
In SEA STATE 6 Charles Lim takes the viewer down the Jurong Rock Caverns in Singapore, a massive underground infrastructure for oil and fuel storage, built to support the commercial operations of oil traders, petrochemical ventures and manufacturing industries in the area...
In SEA STATE 6 Charles Lim takes the viewer down the Jurong Rock Caverns in Singapore, a massive underground infrastructure for oil and fuel storage, built to support the commercial operations of oil traders, petrochemical ventures and manufacturing industries in the area...
The artist duo João Maria Gusmão and Pedro Paiva traveled to Japan for a month to make a series of short 16mm films, often shot in slow-motion...
Fridge-Freezer is a 2-channel video installation where Yoshua Okón explores the darker side of suburbia, d escribed by the artist as “ the ideal environment for a numb existence of passive consumerism and social a nd environmental disengagement...
Secteur IX B is full of ghosts: some that you can see, briefly appearing at the turn of a statue in an under construction museum, some that you only dream of when you switch from day to night, of one space to another...
The video work Volga by Aslan Goisum begins with a sweeping field caught under a misty, gray sky...
In Akira Takayama’s work Happy Island – The Messianic Banquet of the Righteous , five video screens perpendicular to the floor feature footage of cows grazing and resting in the rolling hills of a farmland...
Each day, Yuji Agematsu smokes a pack of cigarettes and wanders the streets of New York City looking for trash...
A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work...
Drawing & Print
Mesoamericana (Economic activities) is part of a larger project titled Mesoamerica: The Hurricane Effect, which includes a video as well as series of hand drawn maps -based on historical cartography- that examine the effects of foreign power in Mexico today...
Indigenous educator and curator Sandra Benites, of the Guarani-Ñandeva people, narrates the origin myth of the bird Urutau in her native language...
The film installation Mud Man by Chikako Yamashiro is set on Okinawa and South Korea’s Jeju Islands, two locations at the center of local controversies surrounding the presence of the United States military...
The Ballad of Special Ops Cody by Michael Rakowitz is a serio-comic stop motion animated film in which an everyday African-American G...
Known But to God: The Dug Up, Dissected, and Disposed for the Sake of Medicine by Doreen Lynnette Garner is a small, suspended sculpture composed of glass, silicone, steel, epoxy putty, pearls, Swarovski crystals, and whiskey...
Miljohn Ruperto’s research-based multidisciplinary practice often deals with possession, re-enactment, mythology and archives...
Yuta Nagi Panaad (Promised Land) by Cian Dayrit addresses the impacts of the globalized economy and its powerful ideology on the spaces of everyday life...
The project Grabador Fantasma (Phantom Recorder) consists of a communally constructed technological device in Sarayaku ancestral territory...
Drawing & Print
Agnieszka Kurant’s Placebo VIII brings together a series of imaginary pharmaceuticals invented within the fictional narratives of literature and film...
The film Sometimes It Was Beautiful by Christian Nyampeta poetically addresses the systemic conditions leading and emerging from the 1994 Rwandan genocide, which had lasting and profound effects on Rwanda and neighbouring countries like Congo...
Hopf’s works reference the effects that developments in economics and technology have had on our bodily and mental composition...
Mercedes Dorame utilizes photography to investigate, recode, and connect with her Gabrielino-Tongva tribe culture, as well as to bring current Indigenous experiences to light...
escenario chacana by Claudia Martínez Garay is a sculptural work composed of a frame-like structure that contains a series of ceramic pieces...
In Trinity , Wang Mowen uses video to tell the story of a young woman who wants to know the whereabouts of a person born sixty years ago...
Advanced Technology
Matt Kane initiated the project Right Place & Right Time – Bitcoin Volatility Art in 2019...
Las Bambas by Elena Tejada-Herrera takes the name of a copper mine in the Andean department of Apurímac, Peru...
From suicides, to gang violence, to the epidemic abuse of force by police departments (predominantly against Black men), to school and mass shootings, there is perhaps no more urgent issue in the United States than gun control...
Resiliencia Tlacuache / Opossum Resilience by Naomi Ricón Gallardo is a fabulation in which four characters find themselves in temporalities that overlap Mesoamerican narratives about the creation of the world with the contemporary time of accumulation by dispossession...
Qui vivra verra, Qui mourra saura is an installation by Minia Biabiany composed of the plan of a house made out of strips of salt, and a “garden” made of ceramic pieces, hanging from the ceiling and on the floor, and non woven fabric...
In Andrew Norman Wilson’s work Kodak the artist uses computer-generated imagery to create narratives that question the reliability of images in the age of post-production...
Behold A City 4 extols the old grandeur of Manila, the nation’s storied capital – the complex nexus of heritage, modernity, and all sorts of compulsions, political or otherwise, that attempt to define it...
Musa is a visual and textual work by Minia Biabiany and the starting point of a broader research around the sexuality of Caribbean women, the historical legacy of slavery, and the artist’s own female lineage...
Z = |Z/Z•Z-1 mod 2|-1: Lavender Town Syndrome by Andrew Norman Wilson is a multi-channel video that uses three different imaging technologies—a photographic lens, photorealistic ray tracing animations, and fractal ray-marching animations—to travel through three constructed environments...
he woke up with seeds in his lungs by Prajakta Potnis is a set of x-ray films presented through backlit light boxes of found objects constructed to evoke the body or organs that turns the host into a foreign element...
Jeamin Cha’s essay-film Ellie’s Eye is an extensive examination of the human mind and the effects of new technology, such as chatbots and virtual avatar therapists on the mental health industry...
Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
The installation Breathspace by Eduardo Navarro encompasses all the content presented at the artist’s first solo exhibition, of the same name, at Gasworks, UK...
On the first day of the Covid-19 lockdown in New York, Andrew Norman Wilson was evicted from his sublet and decided to board a $30 flight to Los Angeles that evening...
Drought Mask by Rajni Perera is a prototype that is suggestive of dire implications for human survival...
The film Limbé by Mathieu Kleyebe Abonnenc takes its inspiration and its title from a poem by the Guyanese poet Léon-Gontran Damas, one of the co-creator of the negritude movement...
In this untitled acrylic painting, Tessa Mars explores the long-lasting effects of colonialism on the Afro-Caribbean diaspora, particularly in terms of female vulnerability and resilience...
The mines at Potosí are both the site and subject of this work, also titled Potosí, by Antonio Vega Macotela...
Drawing & Print
The Blue Poisoning series , reveals the outcome of artist Tirdad Hashemi’s weary and depressed days in the winter of 2022, following their second migration from Paris to Berlin...