Drawing & Print (Drawing & Print)
In his paper-based work, Medellin-New York , Rojas uses coca leaves and dollar bills to spell out the words of the two cities, tied together through the illicit exchange of materials used to make the word, gesturing towards the uncomfortable reality of the drug trafficking trade and the complicity of both America and Colombia within that economic system.
Superb production values and special effects that in the hands of Miguel Angel Rios do not get in the way or distracts from the content and deep essay of this work. The shadow of Modernity represented via a clear cube floats over and through a barren landscape in Latin America. Juxtaposing the corrupt politics of the land, with the artist’s struggles and questioning of the effects and burden of influence of Modernity.
For Piedras Blancas , arguably his most ambitious and visually arresting video to date, Miguel Angel Ríos made 3,000 “piedras” out of a concrete/stone composite. The video is shot in arid, mountainous locations in Mexico (his adopted country) and Argentina (his home country). Over several months, Ríos scouted locations for natural-worn tributaries where he eventually allowed these balls to then thunder down the mountain.
Working independently, Herndon experimented at the forefront of a now-canonical method—appropriation—by painting additions into found images from magazines such as Life and Sports Illustrated in a way that imbues the resulting works with mythical significance. Associated with the Beat movement, her work is integral to that part of the history of San Francisco. White Angel (1962), painted in the year of Marilyn Monroe’s death, portrays the actress in a process of devolution.
Drawing & Print (Drawing & Print)
The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement. These drawings were created during the trial of political activists pursued by the government that the artist would regularly attend. During the tribunal, the artist would let his pen slide freely across his notebook, replicating the automatic drawing techniques of the surrealists.
Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky. The women in the photograph exist ambiguously here. The photograph’s title, the subject’s outfits, and their environment suggest that they are both trapped and glorified within their position.
Gypsy shows an ambivalent scene, in which broken blinds and its unsmiling subject are balanced with the stilllife plentitude of watermelon slices and the beautifully lit nudity of the sitter. The room seems messy and in disrepair, but simultaneously romanticizes the scene. The fruit and the sitter suggest a robustness in contrast with the mise-en-scene.
Drawing & Print (Drawing & Print)
The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights. The protesters and their supporters carried signs and wore t-shirts whose messages are highlighted in the drawings. However, in them, Bowers isolates the images of the protesters from the multitude that surrounds them in the original photographs, and, therefore amplifies their messages.
In one series, she considers issues of spectatorship at the Los Angeles Zoo. Box Stall (2013) shows the back end of a horse, highlighting what is included and excluded from the frame of vision.
Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure. The ends, protected by two, cut-open tennis balls, recall the legs of a walker. For Rantanen’s second solo exhibition at Jancar Jones Gallery, San Francisco in 2010, one pole was placed inside the gallery while the other was located outside.
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination. Displayed with the cardboard boxes (and their shipping labels, which chart the journey in a different way) that contain them during the journey, these damaged forms draw from minimalist sculpture, and conceptual artworks that focused on distance, travel, and virtual connections.
In 1970, Ruscha began a series of paintings made from stains. He experimented with a variety of materials (gun powder, dust, blood, among many others) to leave surface traces of different objects. The resulting images are negative shapes amidst blurry environments like Splinters and Seconal in which a grey surface is imprinted with the materials mentioned in the title.
The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources. Growing up in an African-American community in Los Angeles, Capistran has long been influenced by hip-hop culture. The photographs in this print document him surreptitiously breakdancing on Carl Andre’s iconic lead floor piece after the guards at the Los Angeles County Museum of Art have left the gallery.
This work presents the image of an immolated monk engraved on a baseball bat. The flames surround him eroding the extremity of the bat. The delicate sculpture refers to the sacrifice of the Buddhist monk, Thich Quang Duc, who immolated himself on June 16th 1963, in reaction to the discrimination and the repressive politics of the Diem Catholic regime (regime installed by the Americans) towards the Buddhists.
Drawing & Print (Drawing & Print)
The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979. As with Will Rogan’s MUM series, also included in the Kadist Collection, vital information is now missing: All of all the articles and features have been removed, leaving only ten years of advertisements. In an unusual way, The White Album reminds us that this important New York-focused magazine was originally founded in 1962 in San Francisco to promote Bay Area artists before it moved to Los Angeles in the mid-1960s in search of a wider advertising base.
Titled afterTruman Capote’s protagonist famously played by Audrey Hepburn in the film Breakfast at Tiffany’s (1961), Holly Golightly (2011) captures the essence of the character: seductive and bold, mysterious and capricious. Though tied to the ceiling by a chain, the suggested figure is literally light on her feet, with a pointed boot hovering just above the gallery floor. Non-parallel lines and inconsistent angles lend the sculpture a sense of airy haphazardness.
In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second. In a way, this work both examines the construction of history and the history of the influential magazine, which was founded in 1923. In addition to the play on “time”—one of Thomson’s ongoing obsessions—this piece highlights and continues the artist’s encyclopedic impulse, also seen in The White Album (2008), to record the history of the spaces he inhabits.
Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous. Thomson is referencing the lore that Nauman’s work (the first of many neons he’d make in the following years) had been inspired by a neon beer sign found in a corner-store in San Francisco that he used as his studio in the late 60s. This particular work has a self-critical subtext, as it also suggests the act of using another artist’s work, in an endless spiral of influence, is akin to a form of insanity.
The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture. In fact, one could go as far as to say that these pieces connect with different lines running through the 101 collection: they combine both the appropriation of found materials that responds to a very common practice in certain forms of West Coast avant-garde with an interest in the intersection of art and design (something that is present to a certain extent in more slick, design-oriented pieces such as Chadwick Rantanen’s Telescopic Poles for example).
Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents. Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay.
Drawing & Print (Drawing & Print)
Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay. Within the dark obscurity of three, three, three (2013), he frustrates and complicates this conditioned response to the photographic medium, questioning the photograph’s purpose.
Jason Meadows’s Do Not Pass Go (2011) depicts Richie Rich, “the poor little rich boy” of the 1950s comic strip. As his steel outline gleefully makes off with a bag of money and a stack of bills, another icon of affluent America, Uncle Pennybags (otherwise known as the Monopoly Man), is crushed underfoot between two heavy blocks. Behind them lies a broken piggy bank, depicted upside down with eyes X-ed out.
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination. Displayed with the cardboard boxes (and their shipping labels, which chart the journey in a different way) that contain them during the journey, these damaged forms draw from minimalist sculpture, and conceptual artworks that focused on distance, travel, and virtual connections.
Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model. The work takes as its departure point the history of Wilmington, Ybarra’s native hometown in southern Los Angeles. The piece refers to a Civil War era ammunition store that Ybarra found at the heart of the harbor close to Long Beach.
Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles. By 1968, the year she began creating Domes , the twenty-nine-year-old artist had moved from Chicago to Los Angeles, graduated from UCLA, and was part of a generation of artists whose work was characterized by of the masculine overtones of Southern California’s flourishing car culture. Inspired by new technologies in the auto manufacturing, these “Finish Fetish” artists appropriated industrial materials such as car paint or lacquer to create artwork with pristine finishes.
White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form. Here, Capistran humorously remixes the form and style of Frank Stella’s Black Paintings with California punk rock band Black Flag’s song title and logo (created by artist Raymond Pettibon). White Minority , then, appropriates, recontextualizes, and riffs on language and visual signs to unmoor notions of identity, power, and revolution.
In the early 20th century, the Hercules Engine Company was doing a brisk business producing customized, heavy-duty engines. Seventy years later, when the United States military started opting for Humvees and stock parts, the company began to fail, and it entirely ceased production in 1999. Hercules Engines, Abandoned, Canton, Ohio (2011) depicts the manufacturer’s former productive core, gone fallow.
To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure. Each is pictured four times: a photograph of the plant, a photograph of its shadow, a drawing of the plant, and a drawing of its shadow. Instead of lending structure to disparate entities, this system serves a counterintuitive purpose, dissolving the object.
Since the early 1980s, Cuban-born Tony Labat has been an important participant in the California performance and video scene...
Pascal Shirley’s photographs portray a California of beaches, music festivals, families, and hipsters wandering through the hills...
Los Angeles-based artist Carter Mull is an obsessive sort, and his fascinations show through in his multimedia photographic and installation-based works...
Working in photography, Dannielle Bowman’s photographs are multilayered, pushing a more nuanced understanding of American history and culture across various physical locations and time periods...
In line with the work of well-established West Coast conceptualists like John Baldessari, Ilene Segalove has been producing works in video, sculpture, photography, and mixed media for the past twenty-five years...
rafa esparza is a multidisciplinary artist whose work reveals his interests in history, personal narratives, kinship, colonization, and the disrupted genealogies it produces...
Davida Nemeroff turns her camera toward scenes from everyday life, creating compositions within the frame of her lens that are strong, even introspective...
California-born and internationally recognized, Nao Bustamante cut her teeth as an artist between 1984 and 2001 in San Francisco where she studied in the New Genres department at the San Francisco Art Institute...
Tuan Andrew Nguyen is an artist and filmmaker, one of the three founders of The Propeller Group created in 2006...
For Colombian artist Miguel Ángel Rojas, issues of economic and social inequality in his native country provide fodder to his artistic practice...
The Best Art Galleries in Engadin Valley, Switzerland | Observer In the southeastern part of Switzerland in the Swiss canton of Graubünden lies the Engadin Valley...
Powerful, Inclusive Angels Show to Creative Possibilities of AI Art Home / Art AI Artist Imagines an Ethereal World of Diverse Angels With Majestic Wings By Jessica Stewart on February 5, 2024 After years of curating and showcasing artistic talent as the co-founder of My Modern Met, Alice Yoo is finding her own creative voice thanks to the power of AI...
Roman funerary bed found in central London Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Archaeology news Roman funerary bed found in central London Archaeologists are "blown away" by the levels of preservation of the finds at Holborn Viaduct, which also include five oak coffins, a decorated lamp, a glass vial, and jet and amber beads Maev Kennedy 5 February 2024 Share The funerary bed being excavated and a reconstruction © MOLA A Roman oak bed, on which a dead person may have been carried to a grave now lying six metres below the surface of modern London, has been excavated along with a wealth of startlingly well preserved finds spanning many centuries, by archaeologists working in advance of a huge office development at Holborn Viaduct...
Since the 1960s, British artist Antony Gormley has used the language of sculpture to examine relationships between human beings, nature, and the cosmos...
A new book explores the life of a pioneering Irish stained-glass artist through his glorious creations Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books review A new book explores the life of a pioneering Irish stained-glass artist through his glorious creations Michael Healy’s reclusiveness belied his trailblazing role in Ireland's most prestigious studio of its kind Maev Kennedy 18 December 2023 Share Detail of The Potter (1923), at the Church of the Most Holy Rosary in Bridge a Crinn, County Louth, Ireland Photo: Jozef Vrtiel The saints and angels created in the early 20th century by the Irish stained-glass artist Michael Healy look down in a blaze of heavenly light from a jewelled world...
Artisans share handmade works at Westmoreland museum Holiday Mart | TribLIVE.com Art & Museums Artisans share handmade works at Westmoreland museum Holiday Mart Julia Maruca Sunday, Dec...
Noor Riyadh, the Largest Light Art Festival in the World, Returns for its Third edition - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Laurent Grasso, Future Herbarium , (2023)...
Donations sought to help children who have been through 'unimaginable circumstances' have a Merry Christmas | TribLIVE.com Valley News Dispatch Donations sought to help children who have been through 'unimaginable circumstances' have a Merry Christmas Brian C...
Public Art: 11 Amazing Examples Across the World | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Guardian and Observer photographs of 2023 – own a fine art print | gallery | Art and design | The Guardian Skip to main content Guardian Print Shop Guardian and Observer photographs of 2023 – own a fine art print Fans watch Elton John’s set on the Pyramid stage at Glastonbury festival in Somerset on 25 June...
In pictures: focus on Caribbean artists Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 feature In pictures: focus on Caribbean artists María Elena Ortiz, curator at the Modern Art Museum of Fort Worth, picks her favourite works at Art Basel in Miami Beach Alexander Morrison 9 December 2023 Share April Bey, COLONIAL SWAG: Not Conceited, CONVINCED! (2023) © Liliana Mora María Elena Ortiz is a trailblazing curator at the Modern Art Museum of Fort Worth (the Modern), but she also has close ties to South Florida...
Colombian artist Daniel Otero Torres wins French art prize Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 news Colombian artist Daniel Otero Torres wins French art prize CPGA-Etant donnés Prize is awarded to artists either from or working in France Carlie Porterfield 8 December 2023 Share Mor Charpentier’s Alex Mor and Philippe Charpentier (fourth and fifth from left) collect Otero Torres’s prize Courtesy French Professional Committee of Art Galleries (CPGA) and Villa Albertine The Colombian artist Daniel Otero Torres, who lives and works in Paris, has been named the winner of this year’s CPGA-Etant donnés Prize, awarded by two French art bodies to promote France’s art scene to international audiences at Art Basel in Miami Beach, among other venues...
Citing Silencing of Arab Voices, Artists Cut Ties With Art Canada Institute Skip to content Rana Nazzal Hamadeh, "Untitled" (2020), color digital photograph, inkjet on vinyl, 60 inches x 120 inches (image courtesy of the artist) A number of artists and curators have said they are cutting ties with Art Canada Institute (ACI) after the arts nonprofit was accused late last month of attempting to suppress the voices of a group of Arab and Muslim artists...
Review: ‘Women Dressing Women’ at the Met’s Costume Institute | Observer When it comes to fashion, we tend to celebrate male designers...
Nan Goldin named art world’s most influential figure | Nan Goldin | The Guardian Skip to main content Skip to navigation Skip to navigation Nan Goldin founded the advocacy group Pain (Prescription Addiction Intervention Now) after her own addiction to OxyContin...
Angel Vergara at Axel Vervoordt Gallery – ARTOMITY 藝源 Angel Vergara / Acts & Paintings, Hong Kong / Nov 18, 2023 – Mar 16, 2024 / Opening: Saturday, Nov 18, 1pm – 7pm / Artist Performance with Hong Kong New Music Ensemble, Nov 18, 3 pm – 3:30 pm / Axel Vervoordt Gallery 21/F, Coda Designer Centre 62 Wong Chuk Hang Road Entrance via Yip Fat Street, Wong Chuk Hang +852 2503 2220 Tuesday – Saturday, 11am – 7pm axel-vervoordt.com Painting is often considered a static art form...
Asia Art Archive annual fundraiser auction – ARTOMITY 藝源 aaa2023auction.com Asia Art Archive (AAA)’s 2023 Annual Fundraiser features an auction of over 55 works, generously donated by artists, galleries, and individuals...
BOMB Magazine | Raven Chacon and Micaela Tobin Necessary (Required) Cookies that the site cannot function properly without...
The DMA Presents a Must-See Retrospective of Groundbreaking Mexican Artist Abraham Ángel - D Magazine Skip to content Menu Search One brand, four magazines...
Kyiv Biennial 2023 — La Biennale de Kyiv — Divers lieux — Exhibition — Slash Paris Login Newsletter Twitter Facebook Kyiv Biennial 2023 — La Biennale de Kyiv — Divers lieux — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Kyiv Biennial 2023 — La Biennale de Kyiv Exhibition Mixed media Biennale de Kyiv, 2023 © Kyiv Biennial Kyiv Biennial 2023 La Biennale de Kyiv Ends in 18 days: October 5 → December 29, 2023 The fifth edition of Kyiv Biennial will be international and will take place in Kyiv, Ivano-Frankivsk, Uzhhorod, Vienna, Warsaw and Berlin...
Kyiv Biennial 2023 — La Biennale de Kyiv — Divers lieux — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Kyiv Biennial 2023 — La Biennale de Kyiv — Divers lieux — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Kyiv Biennial 2023 — La Biennale de Kyiv Exposition Techniques mixtes Biennale de Kyiv, 2023 © Kyiv Biennial Kyiv Biennial 2023 La Biennale de Kyiv Encore 18 jours : 5 octobre → 29 décembre 2023 La cinquième édition de la Biennale de Kyiv sera internationale et se tiendra à Kyiv, Ivano-Frankivsk, Uzhhorod, Vienne, Varsovie et Berlin...
Artist Spotlight: Mei Xian Qiu – Art and Cake July 17, 2023 July 17, 2023 Author Artist Spotlight: Mei Xian Qiu Bio Pic taken by Ken Weingart What does a day in your art practice look like? It usually starts with reading a book and thinking of art in the periphery of my mind...
Artist Spotlight: Mei Xian Qiu – Art and Cake July 17, 2023 July 17, 2023 Author Artist Spotlight: Mei Xian Qiu Bio Pic taken by Ken Weingart What does a day in your art practice look like? It usually starts with reading a book and thinking of art in the periphery of my mind...
Artist Spotlight: Mei Xian Qiu – Art and Cake July 17, 2023 July 17, 2023 Author Artist Spotlight: Mei Xian Qiu Bio Pic taken by Ken Weingart What does a day in your art practice look like? It usually starts with reading a book and thinking of art in the periphery of my mind...
Bronx Museum Trustee and Collector Richard Torres on Supporting Artists of Color, and the Picasso Heâd Most Love to Pilfer - via artnet news...
The fair was cancelled last year due to Covid-19 but this year was bigger than ever before, at 43 galleries...
Weekly Southeast Asia Radar: Protest art in Thailand; The productive pandemic | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Via Coconuts Bangkok November 26, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Performance Art And Interactive Booths Take LA Art Show – Art Report News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result No Result View All Result Performance Art And Interactive Booths Take LA Art Show by Christina Lee Jan 28, 2016 in Featured 0 LA Art Show 2016, Los Angeles Convention Center, Photo: Everest Share on Facebook Share on Twitter LA Art Show at the Los Angeles Convention Center...
Working independently, Herndon experimented at the forefront of a now-canonical method—appropriation—by painting additions into found images from magazines such as Life and Sports Illustrated in a way that imbues the resulting works with mythical significance...
Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...
Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...
San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel...
Antonio Ole’s Rhythm of N’gola Rhythms (1978), is a film about the struggle for Angolan political independence...
To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...
Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...
His series, The Golden State, harkens back to his early career and his photographic training...
The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...
Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky...
Gypsy shows an ambivalent scene, in which broken blinds and its unsmiling subject are balanced with the stilllife plentitude of watermelon slices and the beautifully lit nudity of the sitter...
Ben Shaffer’s Ben Deroy (2007) is part performance, part self-portrait, and part spiritual vision...
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...
Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...
Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon...
Drawing & Print
The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...
Commissioned by the San Francisco Museum of Modern Art and riffing on the “I Want You” army recruitment campaigns of the 1930s and 1940s, Labat asked Bay Area residents to interpret the slogan and make their own demands of the public in a series of live performance auditions...
The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture...
Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...
Drawing & Print
The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...
Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure...
In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second...
Drawing & Print
In his paper-based work, Medellin-New York , Rojas uses coca leaves and dollar bills to spell out the words of the two cities, tied together through the illicit exchange of materials used to make the word, gesturing towards the uncomfortable reality of the drug trafficking trade and the complicity of both America and Colombia within that economic system....
Titled afterTruman Capote’s protagonist famously played by Audrey Hepburn in the film Breakfast at Tiffany’s (1961), Holly Golightly (2011) captures the essence of the character: seductive and bold, mysterious and capricious...
Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...
Jason Meadows’s Do Not Pass Go (2011) depicts Richie Rich, “the poor little rich boy” of the 1950s comic strip...
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
In the early 20th century, the Hercules Engine Company was doing a brisk business producing customized, heavy-duty engines...
In Restaurant, Canton, Ohio (2011), a convenience store offers food, liquor, and Coca Cola to an empty street...
Drawing & Print
Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...
Superb production values and special effects that in the hands of Miguel Angel Rios do not get in the way or distracts from the content and deep essay of this work...
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
This work presents the image of an immolated monk engraved on a baseball bat...
The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami...
In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...
Drawing & Print
Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay...
Mull’s Worker’s Clock collage works bring together images from the artist’s studio photography practice, found photographs, and pages from a phone book, laying them over a psychedelic warp of color in the background...
Mull’s Worker’s Clock collage works bring together images from the artist’s studio photography practice, found photographs, and pages from a phone book, laying them over a psychedelic warp of color in the background...
For Piedras Blancas , arguably his most ambitious and visually arresting video to date, Miguel Angel Ríos made 3,000 “piedras” out of a concrete/stone composite...
Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...
The artist duo João Maria Gusmão and Pedro Paiva traveled to Japan for a month to make a series of short 16mm films, often shot in slow-motion...
Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...
Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas...
Drawing & Print
The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...
Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...
Awol Erizku’s image Origin of Afro-Esotericism has compositional force and a rhythmic use of full-blast color...
Vision (Bump’n’Curl) by Dannielle Bowman is from a series of photographs titled What Had Happened ...
thanks for staying alive Fern.1994 by rafa esparza is from a body of work that pays homage to youth culture in the 90s...
Advanced Technology
The Wooden People is a 360º virtual reality film series comprising seven episodes...
90022 (Leonard Ave) by Guadalupe Rosales engages with memory, loss, grief, and nostalgia; themes that run throughout the artist’s practice...