© » KADIST
Minerva Cuevas
Drawing & Print (Drawing & Print)
During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects. Cuevas’s America (2006) is a wall painting of a comic Donald Duck wallowing in a heap of gold coins, alluding to Mexico’s postrevolutionary mural tradition. The mural’s background is one of the earliest illustrations of flora and fauna in the American continent, juxtaposed with a reference to America as having bountiful natural resources available to be exploited, and the historical use of comics as ideological tools.
© » KADIST
Ana Vaz
Ana Vaz describes her film É Noite na América (It is Night in America) as an eco-terror tale, freely inspired by A cosmopolitics of animals by Brazilian philosopher Juliana Fausto; in which she investigates the political life of non-human beings and questions the modern idea of the exceptionality of the human species. In parallel to the feature film version, Vaz created a three-channel installation format meant to be displayed in contemporary art spaces. This edition includes three complementary video works that expand on the conceptual frameworks of the film.
© » KADIST
Dread Scott
Drawing & Print (Drawing & Print)
This screen-print by Dread Scott titled Imagine a World Without America shows a map without the landmass that is the USA, as if the continents have drifted, or as if it never existed in the first place. Artist Dread Scott’s work is founded upon challenging “American patriotism as a unifying value,” and as such he claims that it is necessary to “burn the US Constitution (an outmoded impediment to freedom), and position the police as successors to lynch mob terror.” Perhaps one must imagine a structurally different world to produce new and freer modes of thought. While not explicitly related to Afro-Futurism, one of the key sub-genres of science-fiction and related thought is speculative revisionism; asking ‘how would the world be different if X never happened?” This modest work is a call to our daily imaginary, an invitation to zoom out to the scale of the global human condition, and implicitly America’s role in trade, war, cultural exchange, and the spread of western values.
© » KADIST
Paulo Nazareth
In 2011, Paulo Nazareth completed a unique journey of several thousand miles. Nazareth left Minas Gerais, Brazil and walked across all of Latin America to the United States to take part in an exhibition during the Miami edition of Art Basel. The series Notícias de América , described by the artist as a residency in transit, or perhaps an accidental residency, is the result of a year’s elaboration of a body of work that is the direct result of an entanglement of human affairs experienced along the way.
© » KADIST
Paulo Nazareth
In 2011, Paulo Nazareth completed a unique journey of several thousand miles. Nazareth left Minas Gerais, Brazil and walked across all of Latin America to the United States to take part in an exhibition during the Miami edition of Art Basel. The series Notícias de América , described by the artist as a residency in transit, or perhaps an accidental residency, is the result of a year’s elaboration of a body of work that is the direct result of an entanglement of human affairs experienced along the way.
© » KADIST
Kara Walker
In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America. Her use of contour and silhouette accentuate emotion with rigor, she reduces the narrative to black and white as gruesome acts of sex and violence address trauma, fear and suffering through a majestic play of shadow and light.
© » KADIST
Andrew Norman Wilson
Chase ATM emitting blue smoke, Bank of America ATM emitting red smoke, TD Bank ATM emitting green smoke was shot in the American Southwest at Mid-century modern architectural structures that were built to house regional independent banks and have since been bought up by Chase, Bank of America, and TD Bank. The video utilizes transparency and opacity effects in multimedia software to question the perceptibility of finance. It offers a complex metaphor (toxic assets, emergency flares, house/mortgage on fire) about the financial sector and the effects of the ‘crisis’ that led to the disappearance (and the ghostly memory) of many local and regional banks.
© » KADIST
Miguel Angel Rojas
Drawing & Print (Drawing & Print)
In his paper-based work, Medellin-New York , Rojas uses coca leaves and dollar bills to spell out the words of the two cities, tied together through the illicit exchange of materials used to make the word, gesturing towards the uncomfortable reality of the drug trafficking trade and the complicity of both America and Colombia within that economic system.
© » KADIST
Miguel Angel Ríos
Superb production values and special effects that in the hands of Miguel Angel Rios do not get in the way or distracts from the content and deep essay of this work. The shadow of Modernity represented via a clear cube floats over and through a barren landscape in Latin America. Juxtaposing the corrupt politics of the land, with the artist’s struggles and questioning of the effects and burden of influence of Modernity.
© » KADIST
Enrique Ramirez
Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail. These works epitomize the idea of perpetual movement and migration while carrying a deep personal meaning in the creative process, as the artist’s father himself, still living in Chile, mends and sends the sails to his son, living in Europe. The reversed position of the sail recalls both the shape of South America itself and the Eurocentric view that in the Southern Hemisphere, everything is “upside-down.” The stitches themselves create an illusion of an alternative political geography, and the framed-cuts impose a cartographic grid.
© » KADIST
Emeka Okereke
Bariga Nights is a photographic series set in the Bariga neighborhood in Lagos (Nigeria). This district has the reputation as home to some of the most disenfranchised of an estimated 21 million inhabitants of Lagos. After several years of being on the road across Africa, Europe and North America, Okereke decided to stay in Lagos in 2016.
© » KADIST
Adriana Bustos
El mar y sus múltiples afluentes (The Sea and its Multiple Tributaries) builds on the concept of trafficking that Adriana Bustos has been exploring over the last decade. The piece represents an apocryphal river and illustrates the routes of the slave trade between the coasts of Africa, Europe, and South America, departing from the Congo River (once called Zaira), and arriving at Río de la Plata, the main river in Buenos Aires that divides Argentina from Uruguay. The work collapses time and space, placing the coasts of colonial empires across the colonies where slaves were taken.
© » KADIST
Andrea Fraser
Drawing & Print (Drawing & Print)
The year 2016 is organized like a telephone book; the data corresponding to the contributions are classified in alphabetical order by the name of the donor. With this database as well as other types of information, the 900-page book presents a material representation of the scale of the cross over between cultural philanthropy and the financing of political campaigns in America. It also provides an unprecedented resource for discovering the political leaning of the museum sector.
© » KADIST
Catherine Opie
Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth. Opie is known for her honest portraits of diverse individuals, from LGBT people to football players, and the self-portrait has also been a long-standing and important part of her practice. Instead of hiding her sexuality and interest in sadomasochism, Opie wears it proudly.
© » KADIST
Mimian Hsu Chen
In Hsu’s work, Colonia China (2014), the artist documents a Chinese cemetery of Costa Rica’s Limón Province, along the country’s Caribbean coast. Serving as the final resting place for Chinese migrants who came to Coast Rica during the late nineteenth century as indentured laborers working to construct the Transatlantic Railroad, the Colonia China speaks to a long but divided history. Hsu’s photographs of the burial ground also echo her interest in typography, with blocky black lettering and painted Chinese characters marking the cemetery as a space belonging to two different worlds.
© » KADIST
Tamar Guimarães
Canoas by Tamar Guimarães is a film made for the 2010 São Paulo biennial as an exercise in the projection of national identity. The main subject and setting of the film is Casa das Canoas, the home that architect Oscar Niemeyer built for himself in the early 1950s. Overlooking the bay on the outskirts of Rio de Janeiro, the building has achieved iconic status in Brazil.
© » KADIST
Raimond Chaves and Mantilla Gilda
Many of Chaves and Gilda’s works use recycled cardboard. For Partituras, they arranged stacks of cardboard into long rectangles on the ground, which are visually analogous to fields of graphite in Chaves’s pencil drawings. While the blocks have a spare presence in space, they exist more full solidity within their borders, and the recycled nature of the cardboard adds some play into the clean minimalist rectangles and cubes.
© » KADIST
Reyes Santiago Rojas
The work Sarta (String) by Reyes Santiago Roja is part of a larger series of works that examine the commercialization of the tobacco plant and its relationship to the meaning and use of tobacco by Native American tribes such as the Mayas, Aztecs, Incas or Tainos, which attributed spiritual qualities to tobacco such as the smoke carrying one’s thoughts and prayers to the sprits. In this work the artist studied the forms of tobacco leaves native to Latin America and recreated their shapes with commercial tobacco packaging from such global brands as Marlboro or Camel to the most popular Colombian brand Pielroja. The leaves made of the packaging material are lined up on a string as if they are hung out to dry as in traditional tobacco making processes.
© » KADIST
Miguel Angel Ríos
For Piedras Blancas , arguably his most ambitious and visually arresting video to date, Miguel Angel Ríos made 3,000 “piedras” out of a concrete/stone composite. The video is shot in arid, mountainous locations in Mexico (his adopted country) and Argentina (his home country). Over several months, Ríos scouted locations for natural-worn tributaries where he eventually allowed these balls to then thunder down the mountain.
© » KADIST
Jason Meadows
Jason Meadows’s Do Not Pass Go (2011) depicts Richie Rich, “the poor little rich boy” of the 1950s comic strip. As his steel outline gleefully makes off with a bag of money and a stack of bills, another icon of affluent America, Uncle Pennybags (otherwise known as the Monopoly Man), is crushed underfoot between two heavy blocks. Behind them lies a broken piggy bank, depicted upside down with eyes X-ed out.
© » KADIST
Elisabeth Wild
Drawing & Print (Drawing & Print)
Her collage works are made from the pages of glossy lifestyle magazines, from which the artist identifies colors, forms, and textures that she reconstitutes into rich, abstract compositions. Calling them her Fantasías, Wild’s collages rework the extravagances of consumer culture into beautiful, beguiling images of her own that seem to evoke unknown terrestrial landscapes, dreamlike architectures, and imaginary spaces. Elisabeth Wild’s colorful, bold, and lavish collages are the result of the artist’s daily practice.
© » KADIST
Doreen Lynette Garner
Known But to God: The Dug Up, Dissected, and Disposed for the Sake of Medicine by Doreen Lynnette Garner is a small, suspended sculpture composed of glass, silicone, steel, epoxy putty, pearls, Swarovski crystals, and whiskey. At once attractive and repulsive, the sculpture combines objects of adornment with what appears to be viscera. The sculpture’s curious delicacy evokes a ritualistic catharsis, in response to persistent forms of medical racial violence and objectification for Black people in America and around the world.
© » KADIST
Curran Hatleberg
Untitled (Man with Bees) is part of Curran Hatleberg’s attempt to make sense of the current state of the “American Dream”, or lack thereof. “Without question our present American experience feels increasingly strange, unnerving and dreamlike. Our country is utterly different and changed now in its present iteration – surreal and confounding – and we can’t help but regard it with a confounded stare that we hold in reserve for the most bizarre and difficult circumstances.” This image is one, like many in the series that find something poetic, supernatural, and surreal in the common human condition of middle America.
© » KADIST
Paulo Nazareth
In 2011, Paulo Nazareth completed a unique journey of several thousand miles. Nazareth left Minas Gerais, Brazil and walked across all of Latin America to the United States to take part in an exhibition during the Miami edition of Art Basel. The series Notícias de América , described by the artist as a residency in transit, or perhaps an accidental residency, is the result of a year’s elaboration of a body of work that is the direct result of an entanglement of human affairs experienced along the way.
© » KADIST
Ulrik López
Addressing the 1966 XVII World Chess Olympics, Pataki 1921 by Ulrik López continues the artist’s interest in chess as a subject and as a symbol for various world affairs and political confrontations. Pataki 1921 is an installation that derives from and expands on Cuban choreographer Alberto Alonso’s ballet piece titled La partida viviente (The Living Match) which opened the Olympic. The choreography recreates the 1921 World Championship chess match where the Cuban player José Raúl Capablanca won the world title against the German master Emmanuel Lasker, becoming the first Latin-American, but more precisely Caribbean, player to win this title.
© » KADIST
Abigail Reyes
The video work Si Señor by Abigail Reyes is about the typical representation of women in Latin American office culture. Collaging together a chorus of subservient snapshots of women responding to an off-screen man with “si señor”, the accumulative effect of these spliced together scenes weighs heavy as the film plays on both humour and collective discomfort. In order to complete the work the artist watched hours upon hours of telenovelas, the impact of which on the collective consciousness is explored through her film.
© » KADIST
Juan Brenner
The photographic series Tonatiuh (The Son of the Sun) by Juan Brenner is an in-depth visual study of current Guatemalan society from the perspective of miscegenation and the incalculable consequences of the Spanish conquest. Establishing Spanish conquistador Pedro de Alvarado as a central figure, not only in the conquest of Guatemala, but also in the formation of a complex, segregated society, Brenner proposes a series of images that re-establish the lens through which to consider both a historical and contemporary Guatemala. Tonatiuh is a visual essay on the state of a country on the verge of failure and its incapacity to address its own history and learn from it.
© » KADIST
Patricia Esquivias
Cardón Cardinal by Patricia Esquivias is part of a series of video works in which the artist develops a narrative in front of her computer screen. In this work, the computer sits on a covered piano keyboard, and the reflection of the artist is sometimes visible on the black surface. Cardón Cardinal is a collage of references that revolve around the removal and displacement of a 46 foot tall Pachycereus pringlei , a type of giant cactus also known as a cardón , from Baja California, Mexico to Seville, Spain.
© » KADIST
Binelde Hyrcan
Binelde Hyrcan’s video “Cambeck” is a playful study of four boys on a beach in Angola playing in a chauffeured car made of sand. Weaved through the seemingly naïve game are themes of poverty, migration and inequality. Speaking of ‘the good life’ in the United States of America, the young boys discuss separated families as a result of migration, unemployment and education, poverty, the dream of leaving the slum for a building with walls made not of tin, and the luxury of the accessibility of transport.
Gregory Halpern
Gregory Halpern is an acclaimed American photographer whose practice is predicated on wandering...
Rometti Costales
Rometti Costales is an artistic collaboration between Julia Rometti and Victor Costales that began in 2007...
Paulo Nazareth
Born in 1977 in the city of Governador Valadares, Minas Gerais, Paulo Nazareth now lives as a global nomad...
Daniel Joseph Martinez
- location: Los Angeles, California
- year born: 1957
- gender: male
- nationality: American
- home town: Los Angeles, California
Young Min Moon
Young Min Moon is a Korean American artist, curator, critic, and art historian, who migrated to the United States from South Korea as a teenager...
Sheroanawe Hakihiiwe
Sheroanawe Hakihiiwe is a Yanomami artist who lives and works in Upper Orinoco, at the Venezuelan side of the Amazon rainforest...
Anthony Goicolea
Goicolea, a first generation Cuban-American living in New York, makes work that explores his conflicted identity and the recent history of the Cuban people...
Helina Metaferia
Helina Metaferia is an interdisciplinary artist working across collage, assemblage, video, performance, and social engagement...
Runo Lagomarsino
- location: Malmo, Sweden
- location: Sao Paolo, Brazil
- year born: 1977
- gender: male
- nationality: Italian-Argentine-Swedish
- home town: Sweden
Javier Castro
Javier Castro was born in the in the neighbourhood of San Isidro in the heart of Habana Vieja, Cuba, where he lives and works...
Minerva Cuevas
- location: Mexico City, Mexico
- year born: 1975
- gender: female
- nationality: Mexican
- home town: Mexico City, Mexico
LaToya Ruby Frazier
LaToya Ruby Frazier was born in 1982 in Braddock, Pennsylvania (USA)...
Jarrett Key
Jarrett Key’s work addresses their concerns about the state of their freedom in America...
Mimian Hsu Chen
Costa Rica-based artist Mimian Hsu works with photography, documents, typography, and objects to construct site-specific installations, performances, and projects that explore intersecting cultural identities...
Tadasu Takamine
Tadasu Takamine is one of the most controversial, thought provoking, and irreverent media, video and installation artist working in Japan...
Patricia Esquivias
Working primarily in video, Patricia Esquivias’s work focuses on the material remains of idiosyncratic occurrences that connect to larger historical narratives...
Nadia Myre
The work of Nadia Myre, member of the Kitigan Zibi Anishinabeg First Nation, is notable for its embrace of cross-cultural mediations as a strategy towards celebrating and reclaiming the far-reaching intellectual and aesthetic contributions of Indigenous communities...
Benvenuto Chavajay Gonzalez
Benvenuto Chavajay’s body of work includes sculpture, interventions into objects, installation, performance, and painting...
Gabriel Chaile
Gabriel Chaile’s work draws on references ranging from Pre-Columbian cultures to Conceptualism in often-usable sculptures involving bricks, adobe structures, and other found objects...
Enrique Ramirez
- year born: 1979
- gender: male
- nationality: Chilean
- home town: Santiago, Chile
Pablo Accinelli
- year born: 1983
- gender: male
- nationality: Argentinian
Dread Scott
Dread Scott is an interdisciplinary artist who for three decades has made work that encourages viewers to re-examine cohering ideals of American society...
Ximena Garrido Lecca
- location: London, United Kingdom
- year born: 1980
- gender: female
- nationality: Peruvian
- home town: Lima, Peru
Tuan Andrew Nguyen
Tuan Andrew Nguyen is an artist and filmmaker, one of the three founders of The Propeller Group created in 2006...
Ana Vaz
Ana Vaz is an artist and filmmaker whose works speculate on the relationships between self and other, and myth and history, through a cosmology of signs, references, and perspectives...
Curran Hatleberg
Curran Hatleberg spends extended amounts of time with his subjects, usually months, building a rapport, building trust, until finally making images with them...
Lynn Hershman Leeson
- location: San Francisco, California
- year born: 1941
- gender: female
- nationality: American
- home town: Cleveland, Ohio
Maya Watanabe
Drawing on her background in theater design and direction, Maya Watanabe is known for her multi-channel video installations that explore the relationship between language, collectivity, identity, and space...
© » ARTSJOURNAL
about 11 months ago (02/12/2024)
Over 600 writers have signed this open letter to PEN America...
© » THEARTNEWSPER
about 11 months ago (02/09/2024)
Graphic memoir charts an ominous journey from Fidel Castro’s Cuba to Donald Trump’s America Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books review Graphic memoir charts an ominous journey from Fidel Castro’s Cuba to Donald Trump’s America Cuban American artist Edel Rodriguez, labelled a “worm” for fleeing Cold War Cuba in 1980, tells story of his progress from impoverished boyhood to creating alarming covers for Time magazine David D'Arcy 9 February 2024 Share The front cover of Worm © 2023 Edel Rodriguez On the cover of the graphic memoir Worm: A Cuban American Odyssey , which follows the artist and illustrator Edel Rodriguez from 1970s Cuba to the US, the author draws himself as a boy wearing the red scarf of the José Martí Pioneer Organization and a beret with a star high on his head—the attribute of no less than Ernesto “Che” Guevara...
© » ARTEFUSE
about 11 months ago (02/07/2024)
The best exhibitions and openings of 2024: North America - ArteFuse It’s an exciting year for art lovers — from Alicia Keys and Swizz Beatz’s world-class collection of contemporary art to the world’s first exhibition exploring Matisse and the sea — there’s something for everyone Abraham Ángel: Between Wonder and Seduction Dallas Museum of Art Through 28 January 2024 Praised as one of the leading artists of his generation, Abraham Ángel produced just 24 paintings — four of which remain lost — before his tragic death at 19 years old, but those works established him as a legendary figure in the canon of modern Mexican art...
© » CONTEMPORARYAND
about 11 months ago (02/07/2024)
Under the artistic direction of Kathryn Weir and Folakunle Oshun, the 2024 edition of the Lagos Biennial takes place in the heart of Lagos on the grounds of Tafawa Balewa Square from 3-10 February...
© » CONTEMPORARYAND
about 11 months ago (02/06/2024)
These Pavilions have Announced African Perspectives so far | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership 2024 Venice Biennale These Pavilions have Announced African Perspectives so far Canada, Benin, Egypt, Ethiopia, France, Great Britain, Nigeria, Netherlands, Portugal, South Africa and Tanzania present artists from Africa and the Global Diaspora....
© » CONTEMPORARYAND
about 11 months ago (02/01/2024)
South Africa Pavilion Announces Curator, Artists and Exhibition Title for Venice Biennale 2024 | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership News South Africa Pavilion Announces Curator, Artists and Exhibition Title for Venice Biennale 2024 Managed by the Institute of Creative Repair, the exhibition, titled Quiet Ground, is curated by Portia Malatjie and will feature new work by MADEYOULOOK....
© » CONTEMPORARYAND
about 11 months ago (01/30/2024)
Madame Zo: From Re-Creation to Quest for Meaning | Contemporary And Madame Zo, Bientôt je vous tisse tous [Soon I’ll weave you all], Installation View at Fondation H...
© » CONTEMPORARYAND
about 11 months ago (01/25/2024)
Diana Ejaita: Unfixed Stories, Interconnected Worlds | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership In Conversation Diana Ejaita: Unfixed Stories, Interconnected Worlds We spoke to artist Diana Ejaita about her residency at the Villa Romana, her multidisciplinary work, and the many uses of symbols and images....
© » CONTEMPORARYAND
about 12 months ago (01/23/2024)
Darling, this is Switzerland | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership Greetings from Rosie Olang’ Odhiambo Darling, this is Switzerland On a curatorial research trip through Switzerland, curator Rosie Olang’ Odhiambo shares her impressions in five postcards with a loved one in Nairobi....
© » CONTEMPORARYAND
about 12 months ago (01/18/2024)
Lesley Lokko Receives Royal Gold Medal 2024 for Architecture | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership News Lesley Lokko Receives Royal Gold Medal 2024 for Architecture One of the world’s highest honours in architecture goes to architect, educator, author and curator Lesley Lokko....
© » CONTEMPORARYAND
about 12 months ago (01/17/2024)
Mabel Cetu: A Complicated Legacy | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership Female Pioneers Mabel Cetu: A Complicated Legacy L’autrice Ethel-Ruth Tawe s’interroge sur les multiples récits liés au travail photojournalistique de Mabel Cetu, en particulier l’analyse de Stephanie Jason développée dans Centring Silences autour de l’absence de Cetu dans les archives....
© » CONTEMPORARYAND
about 13 months ago (12/14/2023)
C& Magazine’s Highlights of 2023 You Might Want to Read Again | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership Best of 2023 C& Magazine’s Highlights of 2023 You Might Want to Read Again From climate colonialism to new perspectives from queer artists in Mozambique, these are some of our most-read articles this year....
© » CONTEMPORARYAND
about 13 months ago (12/11/2023)
C& Launches Patreon Membership | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership News C& Launches Patreon Membership An invitation to our extended community to join and support us!...
© » CONTEMPORARYAND
about 13 months ago (12/08/2023)
A Reader on Post-Colonialism and Decolonial Practices | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership Special Focus A Reader on Post-Colonialism and Decolonial Practices We want to share some resources on the important movements that help us to see a more differentiated picture of these complex times....
© » CONTEMPORARYAND
about 13 months ago (12/08/2023)
Book List on Post-Colonial Theory from the C& Library | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership C& Center of Unfinished Business Book List on Post-Colonial Theory from the C& Library Our library offers a wide selection of books that are connected to the topic of (post-)colonialism in various ways and help us to understand the now....
© » ARTOBSERVED
about 13 months ago (12/07/2023)
Art Basel Miami Beach 2023 is currently taking place from December 8 to December 10, 2023, at the Miami Beach Convention Center...
© » CONTEMPORARYAND
about 13 months ago (12/06/2023)
The Foundation for Contemporary Art – Ghana: 1st Circular Library, Accra | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership Inside the Library The Foundation for Contemporary Art – Ghana: 1st Circular Library, Accra Adwoa Amoah, artist, curator, and co-director of Foundation for Contemporary Art – Ghana, asked regular visitors of the library to pick their favorite book....
© » CONTEMPORARYAND
about 13 months ago (12/04/2023)
The Stedelijk x C& Editorial Fellowship Announces First Fellow Wanini Kimemiah | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership News The Stedelijk x C& Editorial Fellowship Announces First Fellow Wanini Kimemiah We are thrilled to announce a new cooperation with Stedelijk Museum Amsterdam: an editorial fellowship....
© » SOUTH CHINA MORNING POST
about 13 months ago (12/04/2023)
Paul Gaugain, Frida Kahlo and David Medalla among artists in National Gallery Singapore’s ‘Tropical’ exhibition exploring colonial and postcolonial experiences in Southeast Asia and Latin America....
© » CONTEMPORARYAND
about 13 months ago (11/29/2023)
Baloji and the Art of Averting the Evil Eye | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership In Conversation Baloji and the Art of Averting the Evil Eye Musician, filmmaker, and multitalented artist Baloji talks to C& about his first feature film and how the diasporic relationship gives access to an imaginary world that breaks free from shackles....
© » CONTEMPORARYAND
about 14 months ago (11/22/2023)
Unheard Voices: Arts and Culture Journalism in Nigeria | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership Cultural Funding Unheard Voices: Arts and Culture Journalism in Nigeria Cultural coverage in Nigeria is presently limited, writes Obidike Okafor, and that corresponds with scarce training and income opportunities for such work....
© » CONTEMPORARYAND
about 14 months ago (11/15/2023)
Troubling the stage and the body as places of stable representation, Ligia Lewis invites frictions and ruptures into her creative process...
© » CONTEMPORARYAND
about 14 months ago (11/13/2023)
Toronto Biennial Announces Preliminary List of Artists, Partners, and Sponsors | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership News Toronto Biennial Announces Preliminary List of Artists, Partners, and Sponsors Curators Dominique Fontaine and Miguel A...
© » LENS CULTURE
about 17 months ago (08/12/2023)
Another America — AI-Generated Photos from the 1940s and 50s - AI-generated images by Phillip Toledano | Interview by Jim Casper | LensCulture Interview Another America — AI-Generated Photos from the 1940s and 50s Phil Toledano has often pushed the boundaries of photography to imagine the future; now he’s tapping into AI to create alternative histories, challenging our belief in any images at all...
© » CONTEMPORARYAND
about 23 months ago (02/24/2023)
Celebrating the C& Cosmos | Contemporary And search for something search GO TO C& AMÉRICA LATINA EN FR EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Opportunities Print C& Audio Archive On Tour Places Explore Inside the Library Over the Radar Conscious Codes Looking Back Follow About Contact Newsletter Advertise Imprint Data protection Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Opportunities Print C& Audio Archive On Tour Places Explore Inside the Library Over the Radar Conscious Codes Looking Back GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection C&’S 10TH ANNIVERSARY Celebrating the C& Cosmos 2023 marks a special year for Contemporary And (C&): the platform will be turning TEN!...
© » HUFFINGTON POST
about 23 months ago (02/08/2023)
Known as the Queen of Salsa, Cruz was one of the most popular Latin artists of the 20th century....
© » LARRY'S LIST
about 27 months ago (10/05/2022)
When a piece speaks to Dani Levinas, he listens...
-
1940-1949
Diego Rivera
1940In 1940 Rivera came to San Francisco for what would be his last mural project in the city, Pan-American Unity ...
-
1970-1979
Daniel Joseph Martinez
1978For I use to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance (1978), also known as the Bodybuilder series, Martinez asked male bodybuilding competitors to pose in whatever position felt “most natural.” They are obviously trained in presenting their ambitiously carved physiques, but their facial expressions seem comparatively unstudied...
-
1980-1989
Martha Araújo
1982In Habito/Habitante , the suspended material renders the wall a prison and the participant a prisoner...
Catherine Opie
1987Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...
-
2000-2009
Matthew Buckingham
2002Matthew Buckingham presents a narrative directly connected with a highly symbolic site in the United States, the Mount Rushmore Memorial*...
Kara Walker
2005In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America...
Daniel Joseph Martinez
2005Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...
Gregory Crewdson
2005Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
Minerva Cuevas
Drawing & Print
2006(Drawing & Print) During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects...
Dread Scott
Drawing & Print
2006(Drawing & Print) This screen-print by Dread Scott titled Imagine a World Without America shows a map without the landmass that is the USA, as if the continents have drifted, or as if it never existed in the first place...
Francis Alÿs
Drawing & Print
2006(Drawing & Print) This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...
Lynn Hershman Leeson
2007Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
Diana Fonseca Quiñones
2007In Los amantes (The lovers) Diana Fonseca Quiñones uses simple, commonplace objects and experiences that she derives from daily life to develop narratives that mix reality and fiction...
Anthony Goicolea
Drawing & Print
2008(Drawing & Print) Goicolea has made drawings based on a family album of relations that he did not know but who in one way or another contributed to his history and to the predicament in which he now finds himself as a Cuban in America...
Javier Castro
2008In the video Negro sobre Negro (Black on Black) all we see is a completely black screen on a monitor that is recessed into a wall, also painted black...
Anthony Goicolea
2008Goicolea has made drawings based on a family album of relations that he did not know but who in one way or another contributed to his history and to the predicament in which he now finds himself as a Cuban in America...
-
2010-2019
Tamar Guimarães
2010Canoas by Tamar Guimarães is a film made for the 2010 São Paulo biennial as an exercise in the projection of national identity...
Miguel Angel Rojas
Drawing & Print
2011(Drawing & Print) In his paper-based work, Medellin-New York , Rojas uses coca leaves and dollar bills to spell out the words of the two cities, tied together through the illicit exchange of materials used to make the word, gesturing towards the uncomfortable reality of the drug trafficking trade and the complicity of both America and Colombia within that economic system....
Jason Meadows
2011Jason Meadows’s Do Not Pass Go (2011) depicts Richie Rich, “the poor little rich boy” of the 1950s comic strip...
Binelde Hyrcan
2011Binelde Hyrcan’s video “Cambeck” is a playful study of four boys on a beach in Angola playing in a chauffeured car made of sand...
Pablo Accinelli
2011In Onde quer que voce esteja (2011) Accinelli sets up a row of cardboard shipping tubes of varying heights and inscribes on them in black ink the words of the title, which translates in English as “Wherever you may be.” The words, while legible, seem like fragmented lines and shapes—almost but not quite a deconstruction of the text...
LaToya Ruby Frazier
2011LaToya Ruby Frazier is an artist and a militant; her photos combine intimate views of her relation with her parents and grandparents with the history of the Afro-American community of Braddock, Pennsylvania, where she grew up and where her family still live...
Miguel Angel Ríos
2012Superb production values and special effects that in the hands of Miguel Angel Rios do not get in the way or distracts from the content and deep essay of this work...
Tuan Andrew Nguyen
2012This work presents the image of an immolated monk engraved on a baseball bat...
Tadasu Takamine
2012The video work Japan Syndrome is a continuation of his lines of inquiry, taking post-Fukushima Japan as a case study...
Donna Conlon and Jonathan Harker
2012In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented...
Benvenuto Chavajay Gonzalez
2013Jardín (2013) refers to environmental destruction, specifically the preponderance of disposable plastics, as well as Medellín’s long history of dangerous conflict; it was once considered the most violent city in the world because of the drug trafficking there...
Rometti Costales
2013This anarchist flag is made from Huayruro seeds, a native plant of South and Central American tropical areas...
Rometti Costales
Drawing & Print
2013(Drawing & Print) The three cut-outs are made of three aerial photographs coming from the archives of the Ecuadorian Military Geographic Institute...
Andrew Norman Wilson
2014Chase ATM emitting blue smoke, Bank of America ATM emitting red smoke, TD Bank ATM emitting green smoke was shot in the American Southwest at Mid-century modern architectural structures that were built to house regional independent banks and have since been bought up by Chase, Bank of America, and TD Bank...
Mimian Hsu Chen
2014In Hsu’s work, Colonia China (2014), the artist documents a Chinese cemetery of Costa Rica’s Limón Province, along the country’s Caribbean coast...
Miguel Angel Ríos
2014For Piedras Blancas , arguably his most ambitious and visually arresting video to date, Miguel Angel Ríos made 3,000 “piedras” out of a concrete/stone composite...
Javier Castro
2014In the video Blanco sobre Blanco (White on White) , we see a white man appearing in a white screen embedded into a white wall— alluding to Malevich’s White on White series...
Ximena Garrido Lecca
2014Destilaciones ( Distillations , 2014) is an installation composed of a group of ceramic pots, presented on the floor and within a steel structure...
Maya Watanabe
2014In Escenarios (Sceneries) Maya Watanabe films forgotten wastelands through a series of 360° camera movements that highlight the dramatism and visual richness of terrain that would be otherwise forgotten...
Reyes Santiago Rojas
2015The work Sarta (String) by Reyes Santiago Roja is part of a larger series of works that examine the commercialization of the tobacco plant and its relationship to the meaning and use of tobacco by Native American tribes such as the Mayas, Aztecs, Incas or Tainos, which attributed spiritual qualities to tobacco such as the smoke carrying one’s thoughts and prayers to the sprits...
Elisabeth Wild
Drawing & Print
2015(Drawing & Print) Her collage works are made from the pages of glossy lifestyle magazines, from which the artist identifies colors, forms, and textures that she reconstitutes into rich, abstract compositions...
Fernando Palma Rodríguez
2015Aqua by Fernando Palma Rodríguez is an installation formed by four gourds and one movement detector that activates them...
Jesús ‘Bubu’ Negrón
Drawing & Print
2015(Drawing & Print) The series of drawings Cancha Abierta (Yellow Series) derive from a project in which Jesús ‘Bubu’ Negrón worked with the community of El Rosario, located in the region of Beni, Bolivia, approximately 500 meters away from the Mamoré River...
Abigail Reyes
2016The video work Si Señor by Abigail Reyes is about the typical representation of women in Latin American office culture...
Isadora Neves Marques
2016The Pudic Relation between Machine and Plant shows a looped scene where a robotic hand touches a “sensitive plant” — Mimosa Pudica, a species characteristic for closing on itself when touched...
Edgardo Aragón
Drawing & Print
2016(Drawing & Print) Mesoamericana (Economic activities) is part of a larger project titled Mesoamerica: The Hurricane Effect, which includes a video as well as series of hand drawn maps -based on historical cartography- that examine the effects of foreign power in Mexico today...
Antonio Caro
2016Juego de Banderas (a play on words that loosely translates to both set of flags and game of flags) is a triptych of modified Colombian flags by Antonio Caro...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Laura Huertas Millán
2016La libertad is a “greca” film, a meander film, with no beginning nor end, weaving together fragments of daily life at the Navarro´s, counting threads and time, wondering and wandering around words as emancipation, labor, and freedom (la libertad), the word that most appeared in our conversations...
Aline Baiana
2016Indigenous educator and curator Sandra Benites, of the Guarani-Ñandeva people, narrates the origin myth of the bird Urutau in her native language...
Enrique Ramirez
2017Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...
Doreen Lynette Garner
2017Known But to God: The Dug Up, Dissected, and Disposed for the Sake of Medicine by Doreen Lynnette Garner is a small, suspended sculpture composed of glass, silicone, steel, epoxy putty, pearls, Swarovski crystals, and whiskey...
Curran Hatleberg
2017Untitled (Man with Bees) is part of Curran Hatleberg’s attempt to make sense of the current state of the “American Dream”, or lack thereof...
Sadie Benning
2017In borrowing and subverting images from popular culture, Sadie Benning exposes the media’s role in constructing false and oppressive stereotypes of women, with regard to gender and sexual identity...
Emeka Okereke
2018Bariga Nights is a photographic series set in the Bariga neighborhood in Lagos (Nigeria)...
Adriana Bustos
2018El mar y sus múltiples afluentes (The Sea and its Multiple Tributaries) builds on the concept of trafficking that Adriana Bustos has been exploring over the last decade...
Juan Brenner
2018The photographic series Tonatiuh (The Son of the Sun) by Juan Brenner is an in-depth visual study of current Guatemalan society from the perspective of miscegenation and the incalculable consequences of the Spanish conquest...
Nadia Myre
2018First exhibited as part of the recent multidisciplinary project Code Switching and Other Work , at Art Mûr, Berlin in late 2018, Nadia Myre’s Untitled (Tobacco Barrel) takes inspiration from the cylindrical vessels used to import tobacco from North America to Europe during periods of early colonial settlement...
D’Angelo Lovell Williams
2018On January 7th, 2020, artist D’Angelo Lovell Williams was diagnosed with HIV...
Adrían Balseca
2018The project Grabador Fantasma (Phantom Recorder) consists of a communally constructed technological device in Sarayaku ancestral territory...
Leonor Antunes
2018Discrepancies with Oaxacan Textile II by Leonor Antunes is a hanging sculpture composed of three elements made of brass...
Ulrik López
2019Addressing the 1966 XVII World Chess Olympics, Pataki 1921 by Ulrik López continues the artist’s interest in chess as a subject and as a symbol for various world affairs and political confrontations...
Rometti Costales
2019Canción para un fósil canoro (Song for a chanting fossil) by Rometti Costales is inspired by the history of the building that currently hosts the Museo de la Solidaridad Salvador Allende (MSSA) in Santiago, Chile...
Chanell Stone
2019Natura Negra , which translates to “Black Nature”, is a black-and-white photographic series by Chanell Stone that explores the connection between the Black body and nature within man-made environments...
Emmanuel van der Auwera
2019Emmanuel van der Auwera visited Miami at the end of 2017 and was working on a project relating to school shootings...
Naomi Rincón-Gallardo
2019Resiliencia Tlacuache / Opossum Resilience by Naomi Ricón Gallardo is a fabulation in which four characters find themselves in temporalities that overlap Mesoamerican narratives about the creation of the world with the contemporary time of accumulation by dispossession...
Vvzela Kook
2019Columbus of Horticulture stems from Vvzela Kook’s ongoing research into the central and often-ignored role that botany played in the history of European imperialism...
Adrían Balseca
2019Adrian Balseca’s Suspensión I inverts the logic of the old colonial game, the greasy pole...
Sheroanawe Hakihiiwe
2019Wateoma husipe / Larvas de oruga / Caterpillar larvae by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions...
Sheroanawe Hakihiiwe
2019Perawesi / Estómago de animal / Stomach of animal by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions...
Gabriel Chaile
2019For the project Aguas calientes Gabriel Chaile exchanged silverware from three popular soup kitchens (mutual aid organizations to provide food for people in need) in Buenos Aires to brand new cooking utensils to shape his project...
Noé Martínez
2019As he investigates the forms that slavery took through different events that occurred during the sixteenth century in the Huasteca region of Mexico, Noé Martínez tells, in a non-linear narrative, the history of human trafficking in Relación de tráfico de personas 1525-1533 I (Study of Trafficking of Persons 1525–1533 I) ...
-
2020-2029
Andrea Fraser
Drawing & Print
2020(Drawing & Print) The year 2016 is organized like a telephone book; the data corresponding to the contributions are classified in alphabetical order by the name of the donor...
Patricia Esquivias
2020Cardón Cardinal by Patricia Esquivias is part of a series of video works in which the artist develops a narrative in front of her computer screen...
Runo Lagomarsino
Drawing & Print
2020(Drawing & Print) On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...
Runo Lagomarsino
2020Yo también soy humo (I am also smoke) is a 16mm film that has been digitized to video...
Jarrett Key
2020Jarrett Key’s practice combines several modes of production into a single frame, incorporating sculpture, painting, and performance...
Edgardo Aragón
2020In the agricultural areas of Mexico, Indigenous people use the mylar magnetic tape unspooled from VHS cassettes as an alternative to the scarecrow—the reflective tape flutters in the wind and does an excellent job scaring birds away from crops...
Edgar Calel
2020The point of departure for Xar – Sueño de obsidiana by Edgar Calel is a poem that the artist wrote in Maya Kaqchikel...
Wendy Cabrera Rubio
2021Victory Through Air Power III (1943) by Wendy Cabrera Rubio is part of a series of quilted maps that reproduce different scenes from the eponymous film...
Christian Salablanca
2021Hueso de culebra (Snake Bone) arises from the stories that the artist’s grandmother used to tell him as a child about her father’s medical and spiritual practices in the southern part of Costa Rica, close to the border with Panama...
Ana Vaz
2022Ana Vaz describes her film É Noite na América (It is Night in America) as an eco-terror tale, freely inspired by A cosmopolitics of animals by Brazilian philosopher Juliana Fausto; in which she investigates the political life of non-human beings and questions the modern idea of the exceptionality of the human species...
Young Min Moon
2022Young Min Moon’s recent paintings repetitively portray the rituals bound up in the Korean tradition of Jesa...
Young Min Moon
2022Young Min Moon’s recent paintings repetitively portray the rituals bound up in the Korean tradition of Jesa ...
Helina Metaferia
2023By Way of Revolution is a series that addresses the inherited histories of protest that inform contemporary social movements...
Helina Metaferia
2023By Way of Revolution is a series of works by Helina Metaferia that addresses the inherited histories of protest that inform contemporary social movements...
