© » KADIST
Alexandre Arrechea
White Corner (2006) is a video installation, projected on two protruding perpendicular walls. On one level the work constitutes a self-portrait of the artist, whose image is projected on both walls, separated by the corner. Yet while facing, they don’t quite confront each other.
© » KADIST
Alexandre da Cunha
His Deck Painting I recalls the simplistic stripes of conceptual artist Daniel Buren, or the minimal lines of twentieth century abstract painting, but is in reality a readymade, fashioned from repurposed fabric of deck chairs. Alexandre da Cunha reinvents found objects in surprising ways that combine the material characteristics of Arte Povera with the concerns and techniques of painting. Da Cunha’s work often features flags—either as a found material per se or as a constructed form—that reflect the artist’s interest in issues of nationality, governmental politics, allegiance, and culture.
© » KADIST
Alexandre da Cunha
Glaze (Savana) (2005) is an assemblage of found materials: a car wheel, a tire, and a wooden plinth of the type traditionally used to display sculpture. It directly engages with the readymade, a subject that Alexandre de Cunha takes up throughout his practice, often inflecting it with a tropical, and South American–inspired materiality and painterly style that could potentially come across as a stereotype. Here, da Cunha transforms the component parts into a composition that highlights often-overlooked materials of artistic production and cultural mass-production.
© » KADIST
Alexandre da Cunha
In Laissez-Faire (Rainbow Flag) da Cunha has turned a beach towel into both a painting and a flag. Where the printed surface of the towel originally served to enliven this commodity, here the pattern—now stretched and re-presented—suddenly refers to abstract painting’s promises of transcendence. And its crisply painted shape pulls the printed colors into the rectangularity of the canvas and, as da Cunha notes, the graphic iconicity of flags.
© » KADIST
Alexandre da Cunha
The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes. Here, da Cunha overlays thick bars of color (blue, green, and red) on photographs of the ocean at sunset with surfers in floating on the horizon. The solid colors contrast with the fading colors reflected in the sunset, and the tilted orientation suggests a familiar California beach scene.
© » KADIST
Himali Singh Soin
Developed especially for the KADIST-KHOJ collaborative exhibition, Frozen World of the Familiar Stranger , Radar Level is set in the world’s last geological minutes, in two ancient landscapes. One in the northern hemisphere in Mongolia at the site of the first dinosaur egg excavation and the other beneath the southern constellation of Nambia, on its old waters. Embedded within the work are a series of dualities and codes.
© » KADIST
Karla Black
Karla Black is a Scottish artist living in Glasgow . Her work draws from a multiplicity of artistic traditions from expressionist painting, land art performance, to formalism. Her large-scale sculptures incorporate modest everyday substances, along with very traditional art-making materials to create abstract forms.
© » KADIST
Phan Thao Nguyên
Tropical Siesta begins in a rural landscape of Vietnam. Very quickly, painted images of students sleeping on their school benches appear. A text speaking of how the communist regime has placed agriculture at the center of its economy reads alongside the images.
Alexandre da Cunha
- location: London, United Kingdom
- year born: 1969
- gender: male
- nationality: Brazilian
- home town: Rio de Janeiro, Brazil
Himali Singh Soin
Himali Singh Soin is an artist and writer whose work is inspired by poetry and planetariness...
Karla Black
- location: Alexandria, United Kingdom
- year born: 1972
- gender: female
- nationality: British
Kara Walker
- location: New York, New York
- year born: 1969
- gender: female
- nationality: American
- home town: Stockton, California
© » HYPERALLERGIC
about 8 months ago (02/08/2024)
Required Reading Skip to content Everybody’s Bolos , a sumptuous display of historical and contemporary bolo ties exploring the traditionally Indigenous art form, just opened at the University of North Texas, with bolos on view including Wyatt Nestor-Pasicznyk's "A Wilder Blue" (left), Navajo/Hopi artist JJ Otero's "Land Back" (center), and Bee Reid's "Violet Body" (right)...
© » THE GUARDIAN
about 8 months ago (02/05/2024)
Beyond Form review: the dogged gunk rockers who besieged the art world – and the disco | Art and design | The Guardian Skip to main content Skip to navigation Skip to navigation Stuck on you … Lynda Benglis pouring Adhesive Products (1971)...
© » ARTNEWS MARKET
about 9 months ago (01/31/2024)
Independent New York Names Exhibitor List for 2024 Edition in May Skip to main content By Maximilíano Durón Plus Icon Maximilíano Durón Senior Editor, ARTnews View All January 31, 2024 10:00am The 2023 edition of Independent New York...
© » LE MONDE
about 9 months ago (01/28/2024)
Antoine de Galbert raconte l’histoire du monde en images au Musée de Grenoble Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « Les gitans, La Courneuve » (1966), d’Alexandre Lewkowicz...
© » ARTSY
about 9 months ago (01/25/2024)
10 Rising British Artists to Watch at “New Contemporaries” 2023 | Artsy Skip to Main Content Advertisement Art 10 Rising British Artists to Watch at This Year’s “New Contemporaries” Bella Bonner-Evans Jan 25, 2024 6:57PM Installation view of “Bloomberg New Contemporaries” at Camden Art Centre, 2024...
© » ARTPRESS
about 9 months ago (01/22/2024)
sommaire du n°518 - février 2024 - artpress 22 janvier 2024 In AP Print , artpress , artpress mensuel , sommaires sommaire du n°518 – février 2024 > COMMANDER LE NUMÉRO Vous êtes abonné(e) ? Retrouvez les offres de notre club pour février par ici ! Édito 5 Le paradoxe des Frac The Frac Paradox Étienne Hatt INTRODUCING 6 Vincent Chéry Jeanne Mathas Chroniques / Columns 11 L’art immersif, oui, mais lequel ?...
© » ARTPRESS
about 10 months ago (12/18/2023)
sommaire du n°517 - janvier 2024 - artpress X 18 décembre 2023 Dans AP Print , artpress , artpress mensuel , sommaires sommaire du n°517 – janvier 2024 > COMMANDER LE NUMÉRO Vous êtes abonné(e) ? Retrouvez les offres de notre club pour janvier par ici ! Édito 5 Lacan, le style Lacan, The Style Catherine Millet INTRODUCING 6 Elina Stoflique Étienne Hatt Chroniques / Columns 11 Des expositions qui donnent à penser Exhibitions That Give Food for Thought Catherine Francblin 15 La vérité en face Facing the Truth Aurélie Cavanna 19 Une épiphanie An Epiphany Colin Lemoine Point de vue / Opinion 22 La Coupole, le vivant et l’épée The Coupole, the Living World and the Sword Annabelle Gugnon DOSSIERS 24 GRANDE INTERVIEW Richard Mosse, au-delà de l’image Richard Mosse, Beyond Images Interview par Aurélie Cavanna 34 LACAN, L’EXPOSITION LACAN, THE EXHIBITION 36 Là quand sexe pose Lacan exposed Annabelle Gugnon 41 Réfléchir ?...
© » ARTFORUM
about 10 months ago (12/15/2023)
Scenic Routes at the 17th Jogja Biennale – Artforum Read Next: ARGENTINIAN PRESIDENT JAVIER MILEI SHUTTERS MINISTRY OF CULTURE Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...
© » THEARTNEWSPER
about 10 months ago (12/15/2023)
Paris to get new fair for Latin American art next September Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art fairs news Paris to get new fair for Latin American art next September Mira will bring together around 20 galleries at the Maison de l'Amérique Latine Alexandre Crochet 15 December 2023 Share The Maison de l'Amérique Latine in Paris Courtesy of Maison de l'Amérique Latine It was the only fair missing to allow for a world tour of art without ever leaving Paris...
© » THEARTNEWSPER
about 10 months ago (12/14/2023)
Louis-Antoine Prat, chair of the Friends of the Louvre, accused of slandering Paris dealer in new book Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Controversies news Louis-Antoine Prat, chair of the Friends of the Louvre, accused of slandering Paris dealer in new book French art historian is “horrified by the accusation of antisemitism” following the publication of his collection of short stories Vincent Noce 14 December 2023 Share Louis-Antoine Prat © Photo: Jean-Claude Figenwald for the Friends of the Louvre The French art historian and Old Master drawings collector Louis-Antoine Prat, the chair of the Friends of the Louvre membership group, has been accused of slandering a respected art dealer with antisemitic stereotypes he published in a new book...
© » ARTOMITY
about 10 months ago (12/12/2023)
Mrinalini Mukherjee – ARTOMITY 藝源 mould the wing to match the photograph / Asia Art Archive / Sep 20, 2023 – Feb 29, 2024 / Humans use knots to keep records, create decor, bind one another and fasten objects...
© » SOMETHING CURATED
about 10 months ago (12/08/2023)
Jatinder Singh Durhailay Reimagines Indian Miniature Painting for Modern Times - Something Curated Share this: Facebook Twitter Tumblr Features Interviews Profiles Guides Jobs Interviews - 8 Dec 2023 - Share British artist Jatinder Singh Durhailay ’s mesmerising works re-envision Indian miniature painting, in particular drawing reference from paintings produced during the Mughal Empire...
© » HYPERALLERGIC
about 11 months ago (12/05/2023)
Women’s Oppression Is the Earth’s Oppression Skip to content Laura Aguilar, "Nature Self-Portrait #5" (1996) (© Laura Aguilar Trust of 2016) LONDON — The tradition of landscape photography is entwined with a patriarchal settler-colonial perspective...
© » TATE EXHIBITIONS
about 11 months ago (11/08/2023)
Women In Revolt! | Tate Britain Art, Activism and the Women’s movement in the UK 1970–1990 This exhibition will be the first of its kind – a major survey of work by over 100 women artists working in the UK from 1970 to 1990...
© » BOMB
about 12 months ago (11/06/2023)
BOMB Magazine | Studio Visit: Kuldeep Singh Necessary (Required) Cookies that the site cannot function properly without...
© » ARTLYST
about 12 months ago (11/06/2023)
Alexandre Silberman’s portrait Diena has won first prize...
© » SLASH PARIS
about 15 months ago (07/13/2023)
Crédac Radio — Le Crédac, Centre d’art contemporain d’Ivry — Exhibition — Slash Paris Login Newsletter Twitter Facebook Crédac Radio — Le Crédac, Centre d’art contemporain d’Ivry — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Crédac Radio Exhibition Sound - music Crédac Radio © Le Crédac — Ivry-sur-Seine Crédac Radio Ongoing exhibition Créée en 2020, Crédac Radio, disponible sur le site internet du centre d’art ainsi que les plateformes Spotify et Apple Podcasts permet à la fois d’archiver et de mettre à disposition d’un public international francophone les différentes rencontres ayant lieu dans le cadre de sa programmation...
© » SLASH PARIS
about 15 months ago (07/13/2023)
Crédac Radio — Le Crédac, Centre d’art contemporain d’Ivry — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Crédac Radio — Le Crédac, Centre d’art contemporain d’Ivry — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Crédac Radio Exposition Son - musique Crédac Radio © Le Crédac — Ivry-sur-Seine Crédac Radio Exposition permanente Créée en 2020, Crédac Radio, disponible sur le site internet du centre d’art ainsi que les plateformes Spotify et Apple Podcasts permet à la fois d’archiver et de mettre à disposition d’un public international francophone les différentes rencontres ayant lieu dans le cadre de sa programmation...
© » LARRY'S LIST
about 25 months ago (10/05/2022)
Nepali art finds a new home | Nepali Times Nepali art finds a new home – Nepali Times Nepali art finds a new home MoNA is a permanent space for Nepali artists to showcase their work in Nepal itself Shristi Karki January 16, 2021 Museum of Nepali Art (MoNA), a private museum, opened to the public in February 2020...
© » ARTS EQUATOR
about 28 months ago (06/21/2022)
Ilham Art Show 2022: An Introspection Into What Was | ArtsEquator Skip to content From technological frustrations to climate catastrophes to queer representation, the Ilham Art Show has it all...
© » ARTS EQUATOR
about 42 months ago (05/05/2021)
ArtsEquator’s Hot List: May 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints May 5, 2021 Every first Wednesday of the month, ArtsEquator releases our editor’s picks of shows/events/programmes that our readers can look out for in that month...
© » ARTS EQUATOR
about 45 months ago (02/06/2021)
Aliwal Tracks: Mr Gelam and the potential of virtual worldbuilding | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints February 6, 2021 Walk around Kampong Gelam today and it’s easy to forget how much of a rich historical site it used to be...
© » ARTS EQUATOR
about 52 months ago (06/25/2020)
Weekly Southeast Asian Radar: Malaysia reopens theatres; playwright Alfian Sa'at dragged into politics | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar DPAC June 25, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » ARTS EQUATOR
about 68 months ago (03/18/2019)
“A Disappearing Number” at NUS Arts Festival 2019: Approaching Infinity | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Image: NUS Arts Festival March 18, 2019 By Eugene Koh (945 words, five minute read) Part of the NUS Arts Festival 2019, NUS Stage’s A Disappearing Number , directed by Edith Podesta, presents a world of imperfect humans aspiring to fully grasp the wonder of this world...
© » ARTS EQUATOR
about 68 months ago (03/11/2019)
Weekly Picks: Malaysia (11–17 Mar 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do March 11, 2019 For events in Penang this week, go to the Penang Free Sheet ...
© » ARTS EQUATOR
about 68 months ago (03/11/2019)
Weekly Picks: Singapore (11 – 17 March 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do March 11, 2019 District 18 by P7:1SMA , organised by Arts in Your Neighbourhood, at Tampines Round Market, 16 – 17 Mar, 12pm Rediscover stories of hawkers and market stall owners of a pasar bulat (wet market), its legacy, and its relevance in today’s age of supermarkets...
© » ARTS EQUATOR
about 68 months ago (03/06/2019)
Of Math and Art: "A Game of Numbers" with NUS Arts Festival 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles March 6, 2019 By Elaine Chiew (1195 words, five-minute read) ‘A GAME OF NUMBERS’: Elaine Chiew interviews Mary Loh and Professor Victor Tan on the mathematically-themed NUS Arts Festival 2019 believed to be first-ever in Singapore...
© » ARTS EQUATOR
about 76 months ago (07/12/2018)
"Chinatown Crossings": A Trail of Echoes | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Image courtesy of Drama Box July 12, 2018 By Akanksha Raja (890 words, 5 minute read) Along the bustling roads of Chinatown and the throngs of long-time residents, local visitors and tourists, there’s an invisible, theatrical time machine that comes to life a few evenings a week, running until mid-August...
© » ACAW
about 85 months ago (10/30/2017)
ACAW 2017 | Press Coverage - Asia Contemporary Art Week Asia Contemporary Art Week ABOUT Consortium Partners PRESENTED ARTISTS FIELD MEETING ABOUT FIELD MEETING TAKE 6: THINKING COLLECTIONS (2018) TAKE 5: THINKING PROJECTS (2017) TAKE 4: THINKING PRACTICE (2016) TAKE 3: THINKING PERFORMANCE (2015) TAKE 2: AN AFTERTHOUGHT (2015) TAKE 1: CRITICAL OF THE FUTURE (2014) FIELD REVIEW ABOUT FIELD REVIEW ISSUE 1: SOUTH ASIA ISSUE 2: MIDDLE EAST PAST EDITIONS ACAW 2002 – 2018 PRESENTED ARTISTS PRESS PRESS RELEASES PRESS COVERAGE Announcements ACAW 2017 | Press Coverage ACAW 2017 FIELD MEETING forum & ACAW THINKING PROJECTS Pop-up Exhibitions Coverage OCULA,”ACAW FIELD MEETING Take 5: Thinking Projects” Tianyuan Deng, Novmber 10, 2017 “While bringing Asian practitioners from the ‘periphery’ to the ‘centre’ remains a consistent feature of ACAW’s signature forum, this year’s iteration built upon its previous rejections of Euro-American-centric triumphalism.” > View as a PDF ArtAsiaPacific,”A Bite of Everywhere: Song Dong’s Eating The City” Mimi Wong, Novmber 8, 2017 “For Song, eating signifies life itself.” > View as a PDF Hyperallergic,”Mining Mineral Structures with Watercolor and Sediment” Barbara Pollack, Novmber 6, 2017 “Mineral geometries and natural forms inspire delicate artworks with fractal patterns and meticulous details.” > View as a PDF ArtAsiaPacific,”Yu Fan” Mimi Wong, 2017 “The ceramics on show were drawn from a set of 80 hand-sized sculptures, collectively known as Gifts, made during the artist’s month-long residency this year at the School of Museum of Fine Arts at Tufts in Boston.” > View as a PDF ArtAsiaPacific,”ASIA CONTEMPORARY ART WEEK FIELD MEETING: THINKING PROJECTS” Tausif Noor, November 3, 2017 “…Asia Contemporary Art Week’s Field Meeting convened to address the bounds and possibilities of the “project,” a concept that has become increasingly popular in artistic practice.” > View as a PDF China Daily USA,”Festival fosters youth cultural exchanges- food meets art” Zhang Ruian, October 24, 2017 “‘Eating is a very important part of Chinese culture,’ said Song.” > View as a PDF Arte Fuse, “Re-Thinking Home: ACAW’s THINKING PROJECTS Pop Up at C24 Gallery” Audra Lambert, October 23, 2017 “ Thinking Projects Pop Up at C24 gallery can seem at first glance to be an expedition: before you, wonders of the world are arrayed in complex congurations.” > View as a PDF Art Radar,”Highlights from Asia Contemporary Art Week 2017 in New York” Junni Chen, October 18, 2017 “Asia Contemporary Art Week pulls together some of New York’s biggest museums, galleries, and institutions to shine the spotlight on visual arts from Asia.” > View as a PDF BLOUIN ARTINFO, “Guo Hongwei & Judy Blum-Reddy at Chambers Fine Art, New York” BLOUIN ARTINFO, October 13, 2017 “It is basically a pop-up exhibition series presenting research-based, ongoing artistic endeavors by nine noted artists from China, Indonesia, Turkey, India, and the Us.” > View as a PDF Ocula, “An Introduction to FIELD MEETING Take 5: THINKING PROJECTS, New York” October 6, 2017 “…FIELD MEETING presentations traverse between disciplines of visual arts, art history, science, social history […] to relect on a variety of significant and timely topics.” >View as a PDF State of the Arts NYC, “Radio Interview with Leeza Ahmady” With host Savona Bailey-McClain, September 22, 2017 > View as a PDF Taipei Cultural Center, “Two Taiwan Artists to Present New Projects at ACAW FIELD MEETING Oct...
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2000-2009
Alexandre da Cunha
2005His Deck Painting I recalls the simplistic stripes of conceptual artist Daniel Buren, or the minimal lines of twentieth century abstract painting, but is in reality a readymade, fashioned from repurposed fabric of deck chairs...
Alexandre da Cunha
2005Glaze (Savana) (2005) is an assemblage of found materials: a car wheel, a tire, and a wooden plinth of the type traditionally used to display sculpture...
Alexandre Arrechea
2006White Corner (2006) is a video installation, projected on two protruding perpendicular walls...
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2010-2019
Alexandre da Cunha
2010In Laissez-Faire (Rainbow Flag) da Cunha has turned a beach towel into both a painting and a flag...
Alexandre da Cunha
2011The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes...
Himali Singh Soin
2016Developed especially for the KADIST-KHOJ collaborative exhibition, Frozen World of the Familiar Stranger , Radar Level is set in the world’s last geological minutes, in two ancient landscapes...