Recollections of Long Lost Memories by Ahmad Fuad Osman is a series of 71 black and white sepia-toned archival photographs that chart, with nostalgia, the social encounters between hierarchies of life in the Malay world. It begins with British colonial rule in the mid 1800s, followed by its occupation by Japanese forces in the 1940s, the rise of Communism in the 1950s, and then the racial issues between Islamic, Chinese, and Indonesian populations in a multicultural country desiring political independence in the 1960 and 70s. The archival photographs in this series were gleaned from national archives, museums, libraries, and old books across Malaysia.
Drawing & Print (Drawing & Print)
Immolation I is taken from the four-part Immolation series which shows four Arab revolutionaries who publicly sacrificed themselves through self-immolation and in so doing heralded the beginning of the Arab Spring. The lugubrious drawings are made with cigarette burns, a direct reference to torture and burning stakes, even if what is depicted here can be considered the ultimate act of resistance in the form of self-destruction. The portraits were meticulously executed on large-scale fragile sheets of paper.
Ahmad Fuad Osman is of a generation that came of age in a Malay world whose artists were eager to speak about socio-political issues on terms that broadened questions of nationhood, ethnicity, faith, and historical fact, doubtful of the grand narrative that had been propounded since the race riots of the late 1960s...
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Prominent Malaysian art collector demands the return of his loaned artworks after National Art Gallery censors Ahmad Fuad Osman exhibition....
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Reading in isolation: ‘Others’ is Not a Race and Interpreter of Winds | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 9, 2020 By Kathy Rowland (913 words, 4-minute read) Last November, when there was nary a thought for social distancing, and Corona conjured up visions of lime wedges and grimy bars, I reread Rex Shelley’s 1991 debut novel, The Shrimp People ...
Leading art collectors put pressure on Balai Seni Visual Negara | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles February 15, 2020 by Kathy Rowland In a first for Malaysian art history, a Collectors’ Petition signed by 55 private art collectors have warned Balai Seni Visual Negara that they will no longer be lending works from their collection to Balai in future unless Balai reinstates pieces removed from Ahmad Fuad Osman’s exhibition immediately ...
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Podcast Interview: Performance Photographers | Arts Equator Thinking and Talking about Arts and Culture in Southeast Asia Festival (Podcast) Crispian Chan (by Izdiyad Ahmad), Bernie Ng (by Biru Chua), Kuang Jingkai April 24, 2019 Duration: 45 min In this interview with Crispian Chan , Bernie Ng and Kuang Jingkai , three photographers of theatre and dance, we get to know more about a profession that’s sometimes taken for granted but is an essential aspect of the packaging of a performance...
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Recollections of Long Lost Memories by Ahmad Fuad Osman is a series of 71 black and white sepia-toned archival photographs that chart, with nostalgia, the social encounters between hierarchies of life in the Malay world...
Drawing & Print
Immolation I is taken from the four-part Immolation series which shows four Arab revolutionaries who publicly sacrificed themselves through self-immolation and in so doing heralded the beginning of the Arab Spring...