160 x 170 cm
Adjamé, Charbon reflects on both global environmental discourses and domestic impacts of the use and trade of coal. Adjamé is one of ten urban communes of the city of Abidjan, the economic capital and city with the largest French-speaking populous in the Côte d’Ivoire. Employing vibrant colors to contrast the plastic jerrycans, children toys and clothing strewn randomly throughout the shanty settlement with the darkness of coal is a challenging articulation of the image of progress and its environmental consequences today. Reflecting on the Africa Carbon Forum that was held in Abidjan in 2013, Adjamé, Charbon mediates the image of clean development in a continent that has historically not benefited from the economic advancement of emissions trading.
The work of Cheikh N’Diaye (b. 1970, Dakar, Senegal), currently based between Dakar, New York and Lyon, traverses painting, photography, film and installation to discuss the future of obsolete objects. The artist’s oeuvre focuses on the subjective perspective of social and architectural ruins and the potential for their repossession. The artist challenges perspectives through reconsidering dispossessed objects, places and ideas and reclaims their potential as a vessel, whose function can be redefined as it is needed in society. Having been influenced by his childhood in Senegal, N’Diaye’s work examines social codes of knowledge, weaving in Senegalese legends and myths, to interrogate the legacy and future of African intellectualism.
Podcast Interview: Performance Photographers | Arts Equator Thinking and Talking about Arts and Culture in Southeast Asia Festival (Podcast) Crispian Chan (by Izdiyad Ahmad), Bernie Ng (by Biru Chua), Kuang Jingkai April 24, 2019 Duration: 45 min In this interview with Crispian Chan , Bernie Ng and Kuang Jingkai , three photographers of theatre and dance, we get to know more about a profession that’s sometimes taken for granted but is an essential aspect of the packaging of a performance...
A Remote Viewing workshop with artists Myriam Lefkowitz and Simon Ripoll-Hurier 11:00am to 1:30pm or 2:30pm to 5:00pm In the heart of Silicon Valley in the 1970s, and under the aegis of the CIA, a group of scientists and psychics developed a technique intended to channel extra-sensory perceptions in an effort to produce descriptions of distant targets...
In her photographs of England's stiles and centuries-old footpaths, the artist reflects on how we cross boundaries—and the ways we have shaped the natural world....
The black-and-white projection, Araf by Didem Pekün, begins, as a lithe man stands high up in the middle of the grand, rebuilt 16th-century Ottoman bridge in Mostar, in Bosnia and Herzegovina...