about 11 months ago (12/04/2023)
Code switching: How Fotomsuseum Winterthur became digital-first - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW With the physical space closed for renovation, Fotomuseum Winterthur’s digital curator reveals how ASMR livestreams and ‘sludge content’ are keeping online momentum high Marco De Mutiis, digital curator at Fotomuseum Winterthur, wants the photography world to “stop whining”. Each recent wave of technology has prompted cries that the medium is dead, he says, citing Photoshop in the 1990s, Flickr in the noughties, then smartphones, Instagram, TikTok and, most recently, artificial intelligence. He has had enough.