Zero
2019 - Film & Video (Film & Video)
5:30 minutes
Luiz Roque
In Luiz Roque’s short film Zero we follow a dog moving alone onboard an aircraft that flies over a vast desert. The dog seems tranquil as if keeping up with its daily routine in an environment in which the human presence is completely absent. The disturbing image of the animal left adrift — perhaps the only remaining living being in existence — is interspersed with the shiny mirrored surface of high-tech skyscrapers emerging out of the sand, in what might have once been an oasis. The continuum is only interrupted by the word ZERO. In times in which emerging technology points to the overcoming of the very concept of the human, the contrast between the desert’s dust, the futuristic skyline, and the lone creature seems like a timely alert to the environmental and social consequences of much of the political and economic choices of the 20th century. The film suggests an inevitable return to a sort of ground zero of the species, whatever this might be. The inconclusiveness of its plot makes us wonder about extinction, whether it concerns either the disappearance of the human race itself or perhaps of the cultural construct that we call “human civilization”.
Brazilian artist Luiz Roque’s production consists largely of short duration open-ended cinematic narratives, in which he places mysterious characters (either gender-fluid dancers, famous drag queens, animals, landmark modernist buildings or historical artworks) creating dreamlike and sci-fi atmospheres. Roque’s sets unfold through suspended time and are at once prehistoric and dystopic, familiar and odd. To compose his visually engaging and well-chiseled allegories, he relies on different film formats and cinematography techniques (HD, super-8,16mm, etc), as well as original soundtracks to address pressing issues such as queer-bioethics, the legacy and the failure of modernism, the cultural overstimulation of the 21st century, and the problematics of automation and artificial intelligence. His films may be fantastical, but they fall far from an escapist fantasy.
Colors:
Related works sharing similar palette
© » KADIST
Lenka Clayton and Phillip Andrew Lewis
2022Five Hundred Twenty-Four, a single-channel video installation by Lenka Clayton and Phillip Andrew Lewis, features singers from over twenty Cleveland-area choirs counting numbers in an iterative process: one person sings “one”, then two people sing “two”, and so forth, to 524...
© » KADIST
Oliver Beer
2011Pay and Display is a film of a performance, for which there was no audience, staged in the multistory Pershore Street car park in Birmingham, a brutalist building, arguably one of the most inhospitable environments for a musical performance...
© » ART & OBJECT
10 Stunning Prehistoric Sculptures from The Met's Collection | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » ARTS EQUATOR
“Medium Rare”, “God or Dog” and the makings of a Singaporean monster | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Asian Film Archive August 26, 2019 By Alfonse Chiu (1,700 words, 7-minute read) Content warning: References to violent or disturbing behaviour In late January 1981, the body of a young girl was discovered in a brown PVC bag about a metre high by a young man in Toa Payoh...
© » SLASH PARIS
Abigail Lane — Doing Time — Galerie Semiose — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Abigail Lane — Doing Time — Galerie Semiose — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Abigail Lane — Doing Time Exposition Installations Abigail Lane, Black bird, Doing Time Abigail Lane Doing Time Encore 27 jours : 13 janvier → 9 mars 2024 La série exposée dans la project room chez Semiose, Doing Time, consiste en des broderies d’oiseaux insérées dans des boîtes fermées par des barreaux...
© » ARTS EQUATOR
Podcast 65: M1 CONTACT Contemporary Dance Festival (Part 1) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Crispian Chan September 12, 2019 Duration: 20 min Podcast host Chan Sze-Wei and guest Melissa Quek discuss works they saw at the recent M1 CONTACT Contemporary Dance Festival, specifically at the platforms DiverCity, Off Stage and M1 Open Stage...
© » THEARTNEWSPER
Italy donates replica of Bull of Nimrud destroyed by Isis to Iraq Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Heritage news Italy donates replica of Bull of Nimrud destroyed by Isis to Iraq The 3D-printed reproduction of the Assyrian statue was previously displayed at the Colosseum in Rome and the Unesco headquarters in Paris James Imam 9 February 2024 Share The replica of the Bull of Nimrud at the Colosseum © Museo Archaeologico del Colosseo Italy has donated a reconstructed Assyrian statue to Iraq in what has been described as a “miracle of Italian cultural diplomacy”...
© » APERTURE
Gregory Halpern
The photographer speaks with his brother, the journalist Jake Halpern, about growing up in a city of surreal sights and memorable characters....
© » THEARTNEWSPER
Marina Abramović spreads the love in one-off performance at the Royal Academy Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Diary blog Marina Abramović spreads the love in one-off performance at the Royal Academy Against backdrop of turbulent real-world events, crowds gathered and hugged for Unconditional Love recital The Art Newspaper 11 December 2023 Share Marina Abramović performs An Invitation to Love Unconditionally in the Annenberg Courtyard at the Royal Academy of Arts, London...
© » KADIST
Sin Wai Kin
2018The video Tell me everything you saw, and what you think it means by Sin Wai Kin is from a performance series titled A View from Elsewhere...
© » ARTS EQUATOR
Leading art collectors put pressure on Balai Seni Visual Negara | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles February 15, 2020 by Kathy Rowland In a first for Malaysian art history, a Collectors’ Petition signed by 55 private art collectors have warned Balai Seni Visual Negara that they will no longer be lending works from their collection to Balai in future unless Balai reinstates pieces removed from Ahmad Fuad Osman’s exhibition immediately ...
© » KADIST
Mahmoud Khaled
2009CAMARADERIE is a precursor to and a blueprint for Mahmoud Khaled’s later forays into queer aesthetics and modes of visual representation...
© » GALERIE MAGAZINE
See Highlights from Design Miami/ 2023 - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Maison Gerard booth at Design Miami/...
