22.5H x 21W x 4D inches
Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials. The title is a reference to a building Frank Lloyd Wright designed for Tokyo, which was completed in 1923. In its heyday, which lasted until after World War II, the hotel was reserved for elite personnel, many of them foreigners. With the passage of time it came to be seen as outdated and dingy, and it was demolished in the 1960s. Cruzvillegas’s work ironically and humorously symbolizes the hotel imposing presence. He presents us with the ultimate symbol of democracy—a phonebook—pierced with arrows. The sculpture is a symbol of solidarity imperiled by imperialism.
Abraham Cruzvillegas is known for his intricate and elaborate sculptures and installations made from found and scavenged materials. He often fashions useful objects out of repurposed parts and urban detritus. Cruzvillegas is inspired by the resourcefulness he has witnessed in impoverished rural and urban areas, where people build houses and necessary objects out of recycled materials such as cars and bottles.
Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior...
Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
Fridge-Freezer is a 2-channel video installation where Yoshua Okón explores the darker side of suburbia, d escribed by the artist as “ the ideal environment for a numb existence of passive consumerism and social a nd environmental disengagement...
Composed of four images, the series Sleeping Elephant in the Axis of Yogyakarta (2011) explores the artist’s observation of how Javanese mythology and cosmology have marked the geography of Yogyakarta, the cultural centre of Indonesia...
Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...
Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions...
Gabriel Orozco often documents found situations in the natural or urban landscape...
Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive...
Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...
With a habit of reading eight to ten books at the same time, Chong paints his two-foot tall novel covers through referencing an extensive reading list (accessible on Facebook) he has kept since 2006...
The video Interrupted Passage presents a performance Morales staged in the former home of Mariano Guadalupe Vallejo, a mid-nineteenth-century Mexican general serving in California...
Mario Garcia Torres discovered the work of artist Oscar Neuestern in an article published in ARTnews in 1969...