Workout

2011 - Film & Video (Film & Video)

11 min 40

Polina Kanis


In the seminal video Workout , Kanis looks at the phenomenon of exercise in public space—specifically aerobics exercises in parks around Moscow today—as a broader lens for thinking about generational change. She leads a local group of participants through a work-shopped sequence of aerobics and marching. Each participant moves steadily and confidently in unison. Suited in western sports gear and found in a municipal garden in Moscow, the elderly locals follow suit as the briskly paced instructor leads the way. The sexual overtones of Kanis’ presence as an instructor pervade the video. While seemingly innocent in the taking of her exercise class, the opening of the instructor’s legs and the angle of the camera strongly suggests objectification and sexualisation of women in sport. Kanis’ performance work is a sophisticated tool in locating and deconstructing structures of generational difference, transitions of political regime, social remnants of the past and gender placement in society.


Polina Kanis (b. 1985 Leningrad, now Saint Petersburg Russia) is a leading video practitioner of the post-soviet generation. Kanis is a graduate of the Herzen State Pedagogical University of Russia (2006) and the Rodchenko Art School (2011). Her choreographed situations are symbolic of her time and incorporate a removed sense of nostalgia with a keen sense of timeliness. Her social staging reinvents rituals while investigating power dynamics of the individual in formed groups. In her approach, she exposes broken structures by using routine, rhythm and repetition. Her pedagogical training and ability to work with various groups leads her to be the catalyst of each action.


Colors:



Related works sharing similar palette

The West Hollywood Artist Who Immortalised LA’s
© » ANOTHER

The West Hollywood Artist Who Immortalised LA’s Golden Boys | AnOther A new exhibition in New York showcases the work of Kenneth Kendall, an artist who sculpted James Dean, Marlon Brando and more in the bohemian atmosphere of late 20th-century Los Angeles February 06, 2024 Text Miss Rosen Back in the 1950s, Hollywood’s fabled Melrose Avenue was still a sleepy street home to cabinetmakers and print shops catering to the local community...

1,2,3 soleil ! (1440 sunsets per 24 hours series)
© » KADIST

Haig Aivazian

For the exhibition 1440 sunsets per 24 hours at KADIST Paris in 2017, Haig Aivazian presented a sprawling installation, which sought to enact various instances of the deployment of light and darkness within public space and sports, reflecting on the double-edged abilities of lighting systems to expose, highlight or dissimulate subjects...

Onde quer voce esteja (Wherever you may be)
© » KADIST

Pablo Accinelli

2011

In Onde quer que voce esteja (2011) Accinelli sets up a row of cardboard shipping tubes of varying heights and inscribes on them in black ink the words of the title, which translates in English as “Wherever you may be.” The words, while legible, seem like fragmented lines and shapes—almost but not quite a deconstruction of the text...

Marsha Coleman-Adebayo (Bronze, Plinth 2), Monuments of the Disclosed
© » KADIST

Ahmet Ögüt

2022

Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...

Justice
© » KADIST

Zai Kuning

2014

Justice (2014) presents viewers with a curious assemblage: a wooden gallows with slightly curved spindles protruding from the topmost plank, which in turn is covered with rudimentary netting, the threads slackly dangling like a loose spider’s web or an rib cage that’s been cracked open...

Memorial for intersection #2
© » KADIST

Amalia Pica

2013

Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...

Marlene Garcia-Esperat (Silver, Plinth 5), Monuments of the Disclosed
© » KADIST

Ahmet Ögüt

2022

Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...

Bunnatine Greenhouse (Silver, Plinth 4), Monuments of the Disclosed
© » KADIST

Ahmet Ögüt

2022

Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...

Kosovo Café Massacre Plaque Blames Serbian State Security
© » PRISHTINA INSIGHT

Kosovo Café Massacre Plaque Blames Serbian State Security - Prishtina Insight Home Kallxo Jeta në Kosovë Drejtësia në Kosovë Gazeta JNK Log In Subscribe News Features Opinion Guide Big Deal Archive Follow @prishtinsight The erection of a memorial plague in front of the Panda Cafe...

Black Painting No. 52
© » KADIST

Nguyen Thai Tuan

2008

In the “Black Paintings” series, although the human body is only suggested, it plays an important role...

Aaron Swartz (Bronze, Plinth 6), Monuments of the Disclosed
© » KADIST

Ahmet Ögüt

2022

Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...

Billionaire Heidi Horten to Become Museum Founder - via Vindobona
© » LARRY'S LIST

The billionaire, patron and art collector Heidi Goëss-Horten has acquired a palace for the permanent presentation of her Heidi Horten Collection in downtown…...

Abraham Cruzvillegas Part 1
© » KADIST

In this interview, Mexico City – based artist Abraham Cruzvillegas discusses the influence of music....

Kimberly Young-McLear (Bronze, Plinth 3), Monuments of the Disclosed
© » KADIST

Ahmet Ögüt

2022

Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...

“Tous les jours” at Galerie Chantal Crousel, Paris
© » MOUSSE MAGAZINE

“Tous les jours” at Galerie Chantal Crousel, Paris — Mousse Magazine and Publishing...

Antoine Jacobsohn, Ruth Noack & Shooshie Sulaiman
© » KADIST

Antoine Jacobsohn , responsible of the King’s Kitchen Garden, (Versailles), and Ruth Noack , curator and writer (Berlin) in conversation with Shooshie Sulaiman about her practice and storytelling through gardening....

SIFA 2019: Top Ten Picks
© » ARTS EQUATOR

SIFA 2019: Top Ten Picks | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Image: SIFA 2019 April 1, 2019 By Akanksha Raja The 42nd Singapore International Festival of Arts returns this year from 16 May to 2 June 2019...

El territorio no está en venta
© » KADIST

María Buenaventura

2011

The Territory is not for sale is a process of reflection and research with people, thinkers and community leaders from Usme, a rural part of Bogotá on the tenuous verge of becoming urban...

Caroline Delieutraz “Bleen”
© » ARTPRESS

Caroline Delieutraz "Bleen" - artpress 31 janvier 2024 In AP Web , arts visuels Caroline Delieutraz “Bleen” Par Camille Prunet...

Podcast 84: Traditional Arts: Dikir Barat, Kavadi Attam and Nanyin
© » ARTS EQUATOR

Podcast 84: Traditional Arts: Dikir Barat, Kavadi Attam and Nanyin | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 8, 2020 ArtsEquator speaks to Lyn Lee, Nirmala Seshadri and Soultari Amin Farid about Nanyin, Kavadi Attam and Dikir Barat and the study and practice of traditional arts in Singapore...