11 min 40
In the seminal video Workout , Kanis looks at the phenomenon of exercise in public space—specifically aerobics exercises in parks around Moscow today—as a broader lens for thinking about generational change. She leads a local group of participants through a work-shopped sequence of aerobics and marching. Each participant moves steadily and confidently in unison. Suited in western sports gear and found in a municipal garden in Moscow, the elderly locals follow suit as the briskly paced instructor leads the way. The sexual overtones of Kanis’ presence as an instructor pervade the video. While seemingly innocent in the taking of her exercise class, the opening of the instructor’s legs and the angle of the camera strongly suggests objectification and sexualisation of women in sport. Kanis’ performance work is a sophisticated tool in locating and deconstructing structures of generational difference, transitions of political regime, social remnants of the past and gender placement in society.
Polina Kanis (b. 1985 Leningrad, now Saint Petersburg Russia) is a leading video practitioner of the post-soviet generation. Kanis is a graduate of the Herzen State Pedagogical University of Russia (2006) and the Rodchenko Art School (2011). Her choreographed situations are symbolic of her time and incorporate a removed sense of nostalgia with a keen sense of timeliness. Her social staging reinvents rituals while investigating power dynamics of the individual in formed groups. In her approach, she exposes broken structures by using routine, rhythm and repetition. Her pedagogical training and ability to work with various groups leads her to be the catalyst of each action.
The West Hollywood Artist Who Immortalised LA’s Golden Boys | AnOther A new exhibition in New York showcases the work of Kenneth Kendall, an artist who sculpted James Dean, Marlon Brando and more in the bohemian atmosphere of late 20th-century Los Angeles February 06, 2024 Text Miss Rosen Back in the 1950s, Hollywood’s fabled Melrose Avenue was still a sleepy street home to cabinetmakers and print shops catering to the local community...
For the exhibition 1440 sunsets per 24 hours at KADIST Paris in 2017, Haig Aivazian presented a sprawling installation, which sought to enact various instances of the deployment of light and darkness within public space and sports, reflecting on the double-edged abilities of lighting systems to expose, highlight or dissimulate subjects...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
Particularly shaped by his own youth in the 1990s, his recent works have incorporated things like a marijuana leaf, a dragon-emblazoned chain wallet, metal grommets, and the ubiquitous (in the 90s) Stussy symbol...
Map of the Universe from El Cerro continues Chemi Rosado-Seijo’s long-term engagement with the community of El Cerro , a rural, working-class community living in the mountains of Naranjito, Puerto Rico...
Memorial for intersections #2 (2013) is a minimalist, black metallic structure that contains the brightly colored translucent circles, triangles, rectangles, and squares that originally were presented in Pica’s performance work A ? B ? C (2013)...
The Territory is not for sale is a process of reflection and research with people, thinkers and community leaders from Usme, a rural part of Bogotá on the tenuous verge of becoming urban...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
90022 (Leonard Ave) by Guadalupe Rosales engages with memory, loss, grief, and nostalgia; themes that run throughout the artist’s practice...
Podcast 84: Traditional Arts: Dikir Barat, Kavadi Attam and Nanyin | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 8, 2020 ArtsEquator speaks to Lyn Lee, Nirmala Seshadri and Soultari Amin Farid about Nanyin, Kavadi Attam and Dikir Barat and the study and practice of traditional arts in Singapore...
Afire: Christian Petzold’s combustible feast – Two Coats of Paint Afire (directed by Christian Petzold), 2023, Leon on the beach (Thomas Schubert) , courtesy of Janus Films Contributed by Jonathan Stevenson / Instability hovers on several fronts – environmental, political, economic – and German filmmaker Christian Petzold manifests his concern about it with remarkable astuteness...
Valérie Jouve — Le monde est un abri — CPIF — Centre photographique d’Ile-de-France — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Valérie Jouve — Le monde est un abri — CPIF — Centre photographique d’Ile-de-France — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Valérie Jouve — Le monde est un abri Exposition Photographie, vidéo À venir Sans titre (Les Façades), 2020-2023 / Sans titre (Les Personnages avec Abu Hassan), 2009, courtesy de l’artiste et de la galerie Xippas (Paris, Genève, Punta del Este) Photomontage Courtesy de Valérie Jouve et de la galerie Xippas (Paris, Genève, Punta del Este) Valérie Jouve Le monde est un abri Dans environ 2 mois : 11 février → 14 avril 2024 Après la parution en novembre 2022 de son dernier livre ( Valérie Jouve , Flammarion/ CNAP ) mettant en récit quinze années de travail, Valérie Jouve formule une nouvelle proposition pour le vaste espace du Centre Photographique d’Île-de-France (Pontault-Combault, Seine-et-Marne)...
For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...