11 min 40
In the seminal video Workout , Kanis looks at the phenomenon of exercise in public space—specifically aerobics exercises in parks around Moscow today—as a broader lens for thinking about generational change. She leads a local group of participants through a work-shopped sequence of aerobics and marching. Each participant moves steadily and confidently in unison. Suited in western sports gear and found in a municipal garden in Moscow, the elderly locals follow suit as the briskly paced instructor leads the way. The sexual overtones of Kanis’ presence as an instructor pervade the video. While seemingly innocent in the taking of her exercise class, the opening of the instructor’s legs and the angle of the camera strongly suggests objectification and sexualisation of women in sport. Kanis’ performance work is a sophisticated tool in locating and deconstructing structures of generational difference, transitions of political regime, social remnants of the past and gender placement in society.
Polina Kanis (b. 1985 Leningrad, now Saint Petersburg Russia) is a leading video practitioner of the post-soviet generation. Kanis is a graduate of the Herzen State Pedagogical University of Russia (2006) and the Rodchenko Art School (2011). Her choreographed situations are symbolic of her time and incorporate a removed sense of nostalgia with a keen sense of timeliness. Her social staging reinvents rituals while investigating power dynamics of the individual in formed groups. In her approach, she exposes broken structures by using routine, rhythm and repetition. Her pedagogical training and ability to work with various groups leads her to be the catalyst of each action.
The West Hollywood Artist Who Immortalised LA’s Golden Boys | AnOther A new exhibition in New York showcases the work of Kenneth Kendall, an artist who sculpted James Dean, Marlon Brando and more in the bohemian atmosphere of late 20th-century Los Angeles February 06, 2024 Text Miss Rosen Back in the 1950s, Hollywood’s fabled Melrose Avenue was still a sleepy street home to cabinetmakers and print shops catering to the local community...
For the exhibition 1440 sunsets per 24 hours at KADIST Paris in 2017, Haig Aivazian presented a sprawling installation, which sought to enact various instances of the deployment of light and darkness within public space and sports, reflecting on the double-edged abilities of lighting systems to expose, highlight or dissimulate subjects...
Particularly shaped by his own youth in the 1990s, his recent works have incorporated things like a marijuana leaf, a dragon-emblazoned chain wallet, metal grommets, and the ubiquitous (in the 90s) Stussy symbol...
Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth...
MAREUNROL’S solo exhibition “Fieldwork: Invisible exercises” at Riga Art Space – A Shaded View on Fashion Dear Shaded Viewers, In a celebration of sensory experiences and the undulating narrative of creation, the fashion and art duo MAREUNROL’S presents “Fieldwork: Invisible exercises” at Riga Art Space’s Grand Hall...
Sweet Jesus is a sound installation by Lutz Bacher that consists of a found recording of James Earl Jones’ iconic voice reciting biblical genealogy from Matthew, Book 1...