Mull’s Worker’s Clock collage works bring together images from the artist’s studio photography practice, found photographs, and pages from a phone book, laying them over a psychedelic warp of color in the background. One of the images is borrowed from a billboard, Double Block (for Alanna Pearl, Nik Nova and R. Mutt) (2013) that Mull created to hang above some storefronts in downtown Los Angeles. The pair of photographs features a woman posed in the center for rings of numbers, her body and shadow taking the place of the mechanical hands.
Los Angeles-based artist Carter Mull is an obsessive sort, and his fascinations show through in his multimedia photographic and installation-based works. Joining an interest with youth culture with an abiding preoccupation with the mass circulation of images and a fervent desire to mark the passing of time, Mull’s works come across as bright collisions of impulses and ideas. Certainly influenced by pop, Mull’s works also play with the processes of photography, taking advantage of the democracy of the digital image, and juxtaposing that, frequently, with the fragility of a fixed, printed image.
Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Io Burgard — La proie pour l’ombre Exposition Techniques mixtes Affiche de l’exposition La proie pour l’ombre Io Burgard La proie pour l’ombre Encore environ 2 mois : 7 février → 30 mars 2024 Artiste : Io Burgard Commissaire de l’exposition : Bettie Nin Prenant prétexte du mythe du Sphinx — ce monstre-gardien symbole des connaissances inaccessibles aux non-initiés — Io Burgard a développé un jeu vidéo dont le récit infiltre l’exposition...
Photographer Chen Ronghui is A Pivotal Figure in Chinese Art – ARTnews.com Skip to main content By Richard Vine Plus Icon Richard Vine Managing Editor, Art in America View All June 15, 2020 3:58pm View Gallery 6 Images Shanghai-based photographer Chen Ronghui’s principal theme—feeling displaced while still in place—resonates in unanticipated ways for today’s mid-pandemic viewers...
Peter Friedl’s projects place aesthetic questions within an expanded field that takes into account the social, political and philosophical context...
Chinese restaurants have been a familiar feature of Swedish cities since the late 1970s, embodying the foreign and the exotic...
Ça pourrait être mieux — Galerie Analix Forever — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Ça pourrait être mieux — Galerie Analix Forever — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Ça pourrait être mieux Exposition Film, installations, lithographie / gravure, livres.....
SEE WHAT SEE: SEA AT SGIFF 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints November 28, 2021 By ants chua, Ruby Thiagarajan and Janiqueel (1,200 words, 4-minute read) In this edition of See What See, we review three films made by Southeast Asian directors and featuring Southeast Asia currently showing at the Singapore International Film Festival 2021 (SGIFF)...