Worker’s Clock (Lauren Bacall)
2013 - Painting (Painting)
Carter Mull
Mull’s Worker’s Clock collage works bring together images from the artist’s studio photography practice, found photographs, and pages from a phone book, laying them over a psychedelic warp of color in the background. One of the images is borrowed from a billboard, Double Block (for Alanna Pearl, Nik Nova and R. Mutt) (2013) that Mull created to hang above some storefronts in downtown Los Angeles. The pair of photographs features a woman posed in the center for rings of numbers, her body and shadow taking the place of the mechanical hands.
Los Angeles-based artist Carter Mull is an obsessive sort, and his fascinations show through in his multimedia photographic and installation-based works. Joining an interest with youth culture with an abiding preoccupation with the mass circulation of images and a fervent desire to mark the passing of time, Mull’s works come across as bright collisions of impulses and ideas. Certainly influenced by pop, Mull’s works also play with the processes of photography, taking advantage of the democracy of the digital image, and juxtaposing that, frequently, with the fragility of a fixed, printed image.
Colors:
Related works sharing similar palette
© » SLASH PARIS
Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Io Burgard — La proie pour l’ombre Exposition Techniques mixtes Affiche de l’exposition La proie pour l’ombre Io Burgard La proie pour l’ombre Encore environ 2 mois : 7 février → 30 mars 2024 Artiste : Io Burgard Commissaire de l’exposition : Bettie Nin Prenant prétexte du mythe du Sphinx — ce monstre-gardien symbole des connaissances inaccessibles aux non-initiés — Io Burgard a développé un jeu vidéo dont le récit infiltre l’exposition...
© » SLASH PARIS
Ça pourrait être mieux — Analix Forever Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Ça pourrait être mieux — Analix Forever Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Ça pourrait être mieux Exhibition Film, installation, lithography / engraving, books.....
© » SLASH PARIS
Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exhibition — Slash Paris Login Newsletter Twitter Facebook Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Io Burgard — La proie pour l’ombre Exhibition Mixed media Affiche de l’exposition La proie pour l’ombre Io Burgard La proie pour l’ombre Ends in about 2 months: February 7 → March 30, 2024 Artiste : Io Burgard Commissaire de l’exposition : Bettie Nin Prenant prétexte du mythe du Sphinx — ce monstre-gardien symbole des connaissances inaccessibles aux non-initiés — Io Burgard a développé un jeu vidéo dont le récit infiltre l’exposition...
© » ARTS EQUATOR
Weekly Picks: Singapore (10 - 16 December 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do December 10, 2018 Playfreely presents Invisible Bodies by Playfreely – a new music initiative by The Observatory, at the Projector, 12 – 14 December, 7:30pm Playfreely returns with Invisible Bodies — a miasmic surge of rhythms, trance and the unseen, an undertow of currents within fermented identities...
© » TWOCOATSOFPAINT
Coherent divergence at John Molloy Gallery – Two Coats of Paint Carter Hodgkin, Dither 12, cut paper collage with acrylic paint, inkjet & protective varnish on canvas over panel, 24 x 24 inches Contributed by Jonathan Stevenson / “Mutability,” a thoughtfully conceived and curated group show at John Molloy Gallery, by its title contemplates the elastic aesthetic capacities of painting, drawing, and sculpture...
© » KADIST
For the sixth year of its magazine residency, Kadist welcomes editors and artists Robert Hamelijnck and Nienke Terpsma of Fucking Good Art (FGA) , Rotterdam! To launch their latest issue, New Existentialism , and in celebration of the past twelve years of their publishing activity, FGA has assembled a small exhibition showcasing thirty-five past issues that will be on view at Kadist through February 19 ...
© » KADIST
Peter Friedl
2001Peter Friedl’s projects place aesthetic questions within an expanded field that takes into account the social, political and philosophical context...
© » ARTNEWS CN
Photographer Chen Ronghui is A Pivotal Figure in Chinese Art – ARTnews.com Skip to main content By Richard Vine Plus Icon Richard Vine Managing Editor, Art in America View All June 15, 2020 3:58pm View Gallery 6 Images Shanghai-based photographer Chen Ronghui’s principal theme—feeling displaced while still in place—resonates in unanticipated ways for today’s mid-pandemic viewers...
© » ARTS EQUATOR
SEE WHAT SEE: SEA AT SGIFF 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints November 28, 2021 By ants chua, Ruby Thiagarajan and Janiqueel (1,200 words, 4-minute read) In this edition of See What See, we review three films made by Southeast Asian directors and featuring Southeast Asia currently showing at the Singapore International Film Festival 2021 (SGIFF)...
© » ARTS EQUATOR
Weekly Picks: Singapore (12 - 18 November 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do November 12, 2018 667 , a Film Screening by Singapore Chinese Cultural Centre, 17 – 18 November 2018 Here’s your chance to catch 667 《回程667》 as the Singapore Chinese Cultural Centre celebrates the latest win of local filmmaker, Jun Chong, whose debut short film Ke《客》 , was awarded the Best Asian Short at the 13th Sapporo International Short Film Festival...
