Worker’s Clock (Lauren Bacall)
2013 - Painting (Painting)
Carter Mull
Mull’s Worker’s Clock collage works bring together images from the artist’s studio photography practice, found photographs, and pages from a phone book, laying them over a psychedelic warp of color in the background. One of the images is borrowed from a billboard, Double Block (for Alanna Pearl, Nik Nova and R. Mutt) (2013) that Mull created to hang above some storefronts in downtown Los Angeles. The pair of photographs features a woman posed in the center for rings of numbers, her body and shadow taking the place of the mechanical hands.
Los Angeles-based artist Carter Mull is an obsessive sort, and his fascinations show through in his multimedia photographic and installation-based works. Joining an interest with youth culture with an abiding preoccupation with the mass circulation of images and a fervent desire to mark the passing of time, Mull’s works come across as bright collisions of impulses and ideas. Certainly influenced by pop, Mull’s works also play with the processes of photography, taking advantage of the democracy of the digital image, and juxtaposing that, frequently, with the fragility of a fixed, printed image.
Colors:
Related works sharing similar palette
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Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exhibition — Slash Paris Login Newsletter Twitter Facebook Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Io Burgard — La proie pour l’ombre Exhibition Mixed media Affiche de l’exposition La proie pour l’ombre Io Burgard La proie pour l’ombre Ends in about 2 months: February 7 → March 30, 2024 Artiste : Io Burgard Commissaire de l’exposition : Bettie Nin Prenant prétexte du mythe du Sphinx — ce monstre-gardien symbole des connaissances inaccessibles aux non-initiés — Io Burgard a développé un jeu vidéo dont le récit infiltre l’exposition...
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For the sixth year of its magazine residency, Kadist welcomes editors and artists Robert Hamelijnck and Nienke Terpsma of Fucking Good Art (FGA) , Rotterdam! To launch their latest issue, New Existentialism , and in celebration of the past twelve years of their publishing activity, FGA has assembled a small exhibition showcasing thirty-five past issues that will be on view at Kadist through February 19 ...
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