75,7 x 16,5 cm
Martin Creed is a sculptor, filmmaker, performer and installation artist. Working within a minimal or conceptual mode, most of his artworks, objects, statements, suggestions or performances are titled “Work” and numbered. He wittily subverts the definitions of art and often uses mundane modest materials such as Blu-Tack, balloons, tape, piles of paper. In 1993, Work No. 81 consisted of a one-inch cube of masking tape in the middle of every wall in a London firm and since 1998 Work No. 200 proposes “the air in a given space” through filling it with balloons. Yet any anti-materialism is occasionally counteracted like in the marble staircase realized for the city of Edinburgh or the bronze sculptures. Creed is constantly reappraising things and nothings and all incumbent relations. During 5 months in 2008, Work No. 280 London runners sprinting one by one through the Duveen Galleries in Tate Britain. Martin Creed was born in Wakefield, UK, 1968. He lives and works in London, UK and Alicudi, Italy.
This series of photographs is inspired by the artist’s travels to Jos, Nigeria...
ALICEGAVINSERVICES™ — La MABA — Exposition — Slash Paris Connexion Newsletter Twitter Facebook ALICEGAVINSERVICES™ — La MABA — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour ALICEGAVINSERVICES™ Exposition Design, graphisme, techniques mixtes Derniers Jours Alice Gavin, ALICEGAVINSERVICES™, sans titre Crédit photo : Léonard Méchineau ALICEGAVINSERVICES™ Encore 6 jours : 14 septembre → 17 décembre 2023 Cet automne, dans le cadre de sa saison dédiée au design graphique, la MABA présente, du 14 septembre au 17 décembre, une exposition consacrée à ALICEGAVINSERVICES™...
Revolution for the Family: Heather Bhandari and Nikki Columbus on Pandemic Parenting, Art, and Activism About AFC Board AFC Editions Donate Art F City Revolution for the Family: Heather Bhandari and Nikki Columbus on Pandemic Parenting, Art, and Activism by Paddy Johnson and William Powhida on May 19, 2020 Explain Me + Podcast Tweet The Abrons Art Center has paid all their staff and performers during the shutdown...
Daily Life of Human is comprised of a fast-paced series of still images selected by the artist from ImageNet, a massive dataset of images (about 14 million) produced by BigGAN...
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This One, That One by Micah Lexier does not have one ultimate version, but instead consists of a source body of 51 separate chapters that are edited to make up different versions...
The headdresses, woven from artificial hair braids, symbolize historical icons including Martin Luther King, Kwame Nkrumah, Fela Kuti and King Guézo of Dahomey...
Weekly Southeast Asia Radar: Hallyu love and cementing disaster | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar February 26, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources – so we are exposed to a multitude of voices in the region...
AE x Goethe-Institut Critical Writing Micro-Residency: Meet the Writers (Part 2) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints May 28, 2021 We recently announced our selected resident writers for the inaugural AE x Goethe-Institut Critical Writing Micro-Residency, focusing on the development and promotion of critical writing about arts and culture in Southeast Asia...
Dominika Olszowy, Vesuvius eruption victim’s brain turned to glass - Galeria Foksal Polski English GALERIA FOKSAL #Las Rzeczy Exhibitions Artists About gallery Contact Dominika Olszowy Dominika Olszowy, Vesuvius eruption victim’s brain turned to glass September 23, 2022 Exhibition opening: September 23rd from 6 pm Exhibition duration: September 23rd – November 2nd, 2022...
Young men are often found together in uniform, already influenced by ideology and bodily and style stereotypes...