63.3 x 120 cm
Zhou Tao spent almost two years in 2017 and 2018 in an eco-industrial park at the foot of the Kunlun Mountains in China exploring the activities of humans and other species in that particular topography between the mountain, the land and the desert. From the discovery of ancient desert villages to the billions of black chickens that will be raised under the snow-covered Kunlun Mountains, the resulting film and the photographs capture the climate and landscape, listening to the desert’s chanting and whispering, while attempting to construct a unique topology. Shot during the film production, the accompanying stunning photograph Winter North Summer South No. 2 shows a tightly framed tableaux of plants, trees, dust, water, sky; a topographical snapshot of the unique space that Zhao Tao’s project seeks to map out.
Artist Zhou Tao has a diverse and varied practice, and notably, he denies the existence of any singular or real narrative or space. Depicting subtle and often humorous interactions with people, things, actions, and situations, Zhou is known for his films that invite us to experience the multiple trajectories of reality; what he calls the “folding scenario” or the “zone with folds.” For him, the use of video is not a deliberate choice of artistic language or medium, instead the operation of the camera is a way of being that blends itself with everyday life. In his work, Zhou connects seemingly disparate milieus, turning his attention to often ignored sites that exist on the threshold between the natural and the artificial. The visual narratives merge different spatial constructs such as landscapes, the metropolis, construction sites, parks, public squares, and wastelands.
For the two-channel work Asking the Repentistas – Peneira & Sonhador – to remix my octopus works Shimabuku asked two Brazilian street singers to compose a ballad about his previous works with octopi (in which he created traditional Japanese ceramic vessels to catch octopi, with a fisherman who took him on his boat to test them out as we can see on one of the channel)...
Opinion | How the word ‘hostage’ used to mean something quite different to its modern definition, as the Israel-Gaza war rumbles on | South China Morning Post Advertisement Advertisement Hostages who were abducted by Hamas gunmen during the October 7 attack on Israel are handed over by militants to the International Red Cross in an unknown location in the Gaza Strip on November 30, 2023...
Temps Mort is the result of one year of mobile phone exchanges of still images and videos between the artist and a person incarcerated in prison...
Fashion is the focus of Blood Sugar , which consists of a video projected onto a vintage vinyl jacket set at torso height on a dressmaker’s dummy...
Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 For the benefit of the possible intelligences that may find these treasures after humans have long gone, we have translated one of the photographs of our wheat gleaning ceremony in Singapore into binary code...
Zarouhie Abdalian, Rocky Cajigan, Jesse Chun, Nikita Gale, Shilpa Gupta, Baseera Khan, Tarik Kiswanson, Alexis Smith, and Cecilia Vicuña Be here, or even better, be nowhere brings together artists who employ sculpture, drawing, video, and sound to probe social and historical structures and infrastructures, such as migration, colonialism, carceral systems, and space militarization...
What If Your Body Turns into a Sculpture?: Interview with Sasha Waltz on "Körper" at SIFA 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 29, 2019 By Winnie Chen Dixon (600 words, four-minute read) Have you ever imagined dancers’ bodies turning into sculptures, as if time stood still? This is the impression of Körper (Body) , the signature dance performance of this year’s edition of the Singapore International Festival of Arts...
El Salto (The Jump/The Waterfall) by Juan Covelli depicts the Salto de Tequendama, a waterfall located on the outskirts of southwest Bogota...
TV series: ‘Succession’, ‘The Bear’ and ‘Beef’ win big at the Emmys - arts24 Skip to main content TV series: ‘Succession’, ‘The Bear’ and ‘Beef’ win big at the Emmys Issued on: 16/01/2024 - 15:05 Modified: 16/01/2024 - 16:03 13:06 Jesse Armstrong accepts the award for Outstanding Drama Series award for “Succession”at the 75th Primetime Emmy Awards in Los Angeles, California, US, January 15, 2024...
Originally commissioned for documenta 14, Khvay Samnang’s two-channel video work Preah Kunlong (The way of the spirit) takes land politics, resource extraction and Indigenous Cambodian resistance as its primary concern...
In the nine-channel video installation, Against Step by Yim Sui Fong, a phantasmagorical image of a male dancer appears on a large-scale video projected on a floating retro-projection screen...
Angelica Mesiti’s piece, The Calling (2013-14) is a poignant exploration of ancient human traditions evolving and adapting to the modern world...
Anna Uddenberg first ever film to premiere in the United States to audiences online this December - FAD Magazine Skip to content By Mark Westall • 29 November 2023 Share — Black Cube Nomadic Art Museum has announced the debut of Useless Sacrifice , a short film created by renowned international Berlin-based Swedish artist Anna Uddenberg...