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Interested in the collection of object and their potential to evoke various emotional reactions in the audience, Bopape’s “Why do you call me when you know I can’t answer the phone” is an invitation into the limitless netherworld of the unsaid and unspoken. Exploring the metaphysical landscape of secrets, lies and psychosexual ambivalence, this work is an attempt to create a site for contemplation. The video ventures to provoke a rhythmic trance through transporting the mind into a distant illusionary world constructed by vignettes of fractured spaces. Bopape interrogates the notion of space within vide through a celestial journey to a contemporary sublime disturbed by constant movement and disruption. Through employing images and sound that are loud and dissonant and displaced Bopape isolates her references creating a sense of awe, anxiety and dysphoria within the chaos. “Why do you call me when you know I can’t answer the phone” challenges the viewers understanding and familiarity to contemporary objects, animals and landscapes. “My work is a search through a minefield of metaphors in spaces: spaces of memory and of the present, spaces of the real and the imagined, the hidden and revealed. It is an attempt to conceal and mask, whilst simultaneously to peel away the husk and layers that crust over secretive stories embedded in objects and in people.” – Dineo Seshee Bopape
Dineo Seshee Bopape is known for her playful and experimental video works and installations of found objects. Through weaving together a variety of media, from video and installation to drawing, painting and performance Bopape’s practice focuses on the performative aspects of culture. Bopape engages the viewer with the explicit questioning of political and social positioning’s of the self and other. Taken from her own experience, Bopape traverses themes of sex, gender, race in her dense and chaotic installations of brightly colored objects, often accompanied by plastic bags. Bopape’s installations refuse and calls attention to consumerist culture and waste to provoke an ethical response by the audience in positioning themselves within this challenged environmental landscape.
World Theatre Day: Tribute to Singapore shows affected by COVID-19 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Photo by Paul Green on Unsplash March 27, 2020 By ArtsEquator From 26 March 2020, 2359 hrs, all theatres in Singapore will go dark in response to COVID-19 measures...
Weekly Picks: Indonesia (18 - 24 March 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do March 18, 2019 Top Picks of Indonesia art events in Bandung and Jakarta from 18-24 March 2019 In Bandung, catch the last couple days of the Bandung Contemporary Art Award (BaCAA) exhibition: Assemblage ...
The year in LGBTQ+ politics: is transphobia in its flop era? | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Life & Culture Dazed Review 2023 After a series of defeats and frustrations for the anti-trans movement, there’s hope that it may finally be running out of steam Text James Greig 12 December 2023 Trans Pride in London 2023 40 For the most part, 2023 has been a terrible year for anti-LGBTQ+ politics...
Karol Radziszewski, Nose up the Ass - Galeria Foksal Polski English GALERIA FOKSAL #Las Rzeczy Exhibitions Artists About gallery Contact Karol Radziszewski Karol Radziszewski, Nose up the Ass October 20, 2023 Opening: Friday, October 20th, at 6:00 till 10:00 pm The exhibition runs: October 20th — December 2nd curated by: Maria Rubersz Working with objects from the past, the archivist opens them up to the future...
Wallace says of his Heroes in the Street series, “The street is the site, metaphorically as well as in actuality, of all the forces of society and economics imploded upon the individual, who, moving within the dense forest of symbols of the modern city, can achieve the status of the heroic.” The hero in Study for my Heroes in the Street (Stan) is the photoconceptual artist Stan Douglas, who is depicted here (and also included in the Kadist Collection) as an archetypal figure restlessly drifting the streets of the modern world...
2023 Environmental Photographer of the Year Contest Winners Home / Photography / Photo Contest Incredible Winners of the 2023 Environmental Photographer of the Year Highlight Our Planet’s Climate Struggles By Jessica Stewart on December 13, 2023 “Black Soldier Fly Farming (I)” by Maurizio di Pietro...
AIDS Ring by General Idea is a cast metal ring, which takes as its basis Robert Indiana’s iconic “LOVE” design, appropriating its pop aesthetic, and totalizing, simplistic universal messaging to instead emphasize the severity of the AIDS epidemic that occurred in the 1970s...
Paul Lepetit — Not so Blue — Les Bains-Douches d'Alençon — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Paul Lepetit — Not so Blue — Les Bains-Douches d'Alençon — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Paul Lepetit — Not so Blue Exposition Techniques mixtes Paul Lepetit Courtesy de l’artiste Paul Lepetit Not so Blue Encore 12 jours : 24 novembre → 23 décembre 2023 L’exposition Not so Blue de Paul Lepetit aux Bains-Douches d’Alençon est présentée dans le cadre de « maintenant et demain 2023 » programme de résidence et exposition mis en place par le Conseil Départemental de l’Orne et Les Bains-Douches...
The film Sometimes It Was Beautiful by Christian Nyampeta poetically addresses the systemic conditions leading and emerging from the 1994 Rwandan genocide, which had lasting and profound effects on Rwanda and neighbouring countries like Congo...
Art Basel Arrives in Miami with a New Structure and Hints about Future – ARTnews.com Skip to main content By Daniel Cassady Plus Icon Daniel Cassady Senior Writer, ARTnews View All December 6, 2023 9:29am MIAMI, FLORIDA - NOVEMBER 30: An exterior view of Miami Beach Convention Center during Art Basel Miami Beach on November 30, 2021 in Miami, Florida...
The Planets, Chapter 32 (2017) is a short video that depicts the world at a time of great anxiety...