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Interested in the collection of object and their potential to evoke various emotional reactions in the audience, Bopape’s “Why do you call me when you know I can’t answer the phone” is an invitation into the limitless netherworld of the unsaid and unspoken. Exploring the metaphysical landscape of secrets, lies and psychosexual ambivalence, this work is an attempt to create a site for contemplation. The video ventures to provoke a rhythmic trance through transporting the mind into a distant illusionary world constructed by vignettes of fractured spaces. Bopape interrogates the notion of space within vide through a celestial journey to a contemporary sublime disturbed by constant movement and disruption. Through employing images and sound that are loud and dissonant and displaced Bopape isolates her references creating a sense of awe, anxiety and dysphoria within the chaos. “Why do you call me when you know I can’t answer the phone” challenges the viewers understanding and familiarity to contemporary objects, animals and landscapes. “My work is a search through a minefield of metaphors in spaces: spaces of memory and of the present, spaces of the real and the imagined, the hidden and revealed. It is an attempt to conceal and mask, whilst simultaneously to peel away the husk and layers that crust over secretive stories embedded in objects and in people.” – Dineo Seshee Bopape
Dineo Seshee Bopape is known for her playful and experimental video works and installations of found objects. Through weaving together a variety of media, from video and installation to drawing, painting and performance Bopape’s practice focuses on the performative aspects of culture. Bopape engages the viewer with the explicit questioning of political and social positioning’s of the self and other. Taken from her own experience, Bopape traverses themes of sex, gender, race in her dense and chaotic installations of brightly colored objects, often accompanied by plastic bags. Bopape’s installations refuse and calls attention to consumerist culture and waste to provoke an ethical response by the audience in positioning themselves within this challenged environmental landscape.
Photographer Nick Brandt Discusses His Latest Underwater Series Home / Photography / Underwater Photography Haunting Underwater Photos Show How Climate Change Impacts the South Pacific [Interview] By Jessica Stewart on December 1, 2023 Serafina and Keanan on a Bed For the third chapter of Nick Brandt ‘s long-term project addressing climate change, the photographer traveled to the South Pacific to address the urgent issues surrounding rising sea levels...
Takeshi Murata developed an interest in space inspired by his architect parents...
Weekly Picks: Indonesia (18 - 24 March 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do March 18, 2019 Top Picks of Indonesia art events in Bandung and Jakarta from 18-24 March 2019 In Bandung, catch the last couple days of the Bandung Contemporary Art Award (BaCAA) exhibition: Assemblage ...
Eamon Ore-Giron’s new commissioned video project Bite Work, is an experimental genre breaking video that is part-performance, part-conceptual and part-comical addressing issues of mediation, surveillance and trust...
Karol Radziszewski, Nose up the Ass - Galeria Foksal Polski English GALERIA FOKSAL #Las Rzeczy Exhibitions Artists About gallery Contact Karol Radziszewski Karol Radziszewski, Nose up the Ass October 20, 2023 Opening: Friday, October 20th, at 6:00 till 10:00 pm The exhibition runs: October 20th — December 2nd curated by: Maria Rubersz Working with objects from the past, the archivist opens them up to the future...
Paul Lepetit — Not so Blue — Les Bains-Douches d'Alençon — Exhibition — Slash Paris Login Newsletter Twitter Facebook Paul Lepetit — Not so Blue — Les Bains-Douches d'Alençon — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Paul Lepetit — Not so Blue Exhibition Mixed media Paul Lepetit Courtesy de l’artiste Paul Lepetit Not so Blue Ends in 12 days: November 24 → December 23, 2023 The Skogyrkogarden Cruise: Rambling in the Lands of Sexual Dissidence “Be proud and happy of what your body exults...
The year in LGBTQ+ politics: is transphobia in its flop era? | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Life & Culture Dazed Review 2023 After a series of defeats and frustrations for the anti-trans movement, there’s hope that it may finally be running out of steam Text James Greig 12 December 2023 Trans Pride in London 2023 40 For the most part, 2023 has been a terrible year for anti-LGBTQ+ politics...
Rebecca Solnit on Meghann Riepenhoff’s Cyanotype Prints Made in Freezing Landscapes ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture The Virtual Book Channel Film and TV Music Art and Photography Food Travel Style Design Science Technology History Biography Memoir Bookstores and Libraries Freeman’s Sports The Hub Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Just the Right Book Keen On Literary Disco The Literary Life with Mitchell Kaplan The Maris Review New Books Network Open Form Otherppl with Brad Listi So Many Damn Books Thresholds Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast WMFA Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In Rebecca Solnit on Meghann Riepenhoff’s Cyanotype Prints Made in Freezing Landscapes “The processes of photography were liquid for most of the medium’s history...” via Radius Books By Rebecca Solnit and Meghann Riepenhoff December 13, 2023 Ice, #9316 © Meghann Riepenhoff, from Meghann Riepenhoff: Ice © Radius Books...
Headlands Center for the Arts Lays Off Five Staff Members | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Headlands Center for the Arts Lays Off Five Staff Members, Citing Fundraising Shortfalls Sarah Hotchkiss Feb 8 Save Article Save Article Failed to save article Please try again Email A view of Headlands Center for the Arts' campus buildings...
Cao Fei, Anthony Discenza, Harun Farocki, Tobias Fike and Matthew Harris, Forensic Architecture, Adelita Husni-Bey, Binelde Hyrcan, Yung Jake, Jazmín López, Rachel Rose, Bunny Rogers, Pavel Wolberg, and John Wood and Paul Harrison Often played by children and teenagers, the protagonists on view in On Struggling to Remain Present When You Want to Disappear take active part in physical or symbolic conflicts as they create alternative personalities, forge online relationships, or navigate across constructed environments...
World Theatre Day: Tribute to Singapore shows affected by COVID-19 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Photo by Paul Green on Unsplash March 27, 2020 By ArtsEquator From 26 March 2020, 2359 hrs, all theatres in Singapore will go dark in response to COVID-19 measures...