In conjunction with his first NFT sale of White Male Dread Scott made and circulated a poster titled Whites For Sale . The indigo-colored poster advertises a “cargo” of newly arrived white slaves, from which one will be for sale. This work is adapted from a 1796 slave sale announcement poster that is now archived in the library at Columbia University, NYC. Remaining true to the format, design, and phrasing of the original document, the artist only altered the wording to offer “Prime, Healthy Whites” instead of “Negroes”. Using imaging-software, the work conceptually and materially color-inverts the original document—black becomes white, yellowed paper becomes a dark indigo. The use of the color indigo for this work is significant insofar as indigo cultivation and processing was brought to the United States by enslaved Africans. By the 1700s the profits from indigo sales far exceeded other common industries such as cotton and sugar, and subsequently, indigo dyed textiles became a form of currency traded in exchange for slaves.
Dread Scott is an interdisciplinary artist who for three decades has made work that encourages viewers to re-examine cohering ideals of American society. His interdisciplinary practice employs symbolic and visual forms to instigate, rile, and provoke social transformation. He works in a range of media including performance, photography, installation, screen-printing and video. In 1989, the US Senate outlawed his artwork and President Bush declared it “disgraceful” because of its transgressive use of the American flag. Dread became part of a landmark Supreme Court case when he and others burned flags on the steps of the Capitol. He has presented a TED talk on this subject. A skilled public speaker, Scott often unflinchingly calls out tense political issues rather than aesthetic ones. He uses the name Dread Scott firstly to call up the presence of history, for Dread Scott was a slave, sued for his freedom, and his case was a landmark Supreme Court decision. Secondly, Scott uses the name to obfuscate his identity, creating a protective barrier between his personal life and artistic persona.
Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program...
Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious...
In her 2003 series “Better Lives”, Sue Williamson explores stories of immigrants in search of a better life in a historically contentious South Africa...
Dislocations — Exposition collective — Palais de Tokyo — Exhibition — Slash Paris Login Newsletter Twitter Facebook Dislocations — Exposition collective — Palais de Tokyo — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Dislocations — Exposition collective Exhibition Mixed media Upcoming Sara Kontar, Série Towards a Light, cyanotype, dimensions variables, 2021-2022 Courtesy de l’artiste Dislocations Exposition collective In 4 days: February 16 → June 30, 2024 At a time when international geopolitical developments are a palimpsest of times and spaces in crisis, The “Dislocations” exhibition brings together fifteen artists from different generations and backgrounds (Afghanistan, France, Iraq, Iran, Lebanon, Libya, Myanmar, Palestine, Syria and Ukraine) whose work is marked or informed by the experience of exile, of being torn between here and there, between past and present...
Montemozolo writes of the work: “ Fireflies is the result of a sudden event—and its transformation/translation into an art work—that erupts within a life, altering its flow, suspending it, creating a momentary intensity and deviation of the flow, channeling it somewhere unexpected...
Study of History IV by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
The virtual reality work Aquaphobia by Jakob Kudsk Steensen examines it’s title subject matter – the fear of water...
Freehand artist Mr Doodle comes to Hong Kong on mission to ‘doodle the world’: Briton’s work on show at K11 Musea and Pearl Lam Galleries | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more British artist Sam Cox, better known as Mr Doodle, draws on a model spaceship at Hong Kong MTR station in Central, Hong Kong on November 19...