In conjunction with his first NFT sale of White Male Dread Scott made and circulated a poster titled Whites For Sale . The indigo-colored poster advertises a “cargo” of newly arrived white slaves, from which one will be for sale. This work is adapted from a 1796 slave sale announcement poster that is now archived in the library at Columbia University, NYC. Remaining true to the format, design, and phrasing of the original document, the artist only altered the wording to offer “Prime, Healthy Whites” instead of “Negroes”. Using imaging-software, the work conceptually and materially color-inverts the original document—black becomes white, yellowed paper becomes a dark indigo. The use of the color indigo for this work is significant insofar as indigo cultivation and processing was brought to the United States by enslaved Africans. By the 1700s the profits from indigo sales far exceeded other common industries such as cotton and sugar, and subsequently, indigo dyed textiles became a form of currency traded in exchange for slaves.
Dread Scott is an interdisciplinary artist who for three decades has made work that encourages viewers to re-examine cohering ideals of American society. His interdisciplinary practice employs symbolic and visual forms to instigate, rile, and provoke social transformation. He works in a range of media including performance, photography, installation, screen-printing and video. In 1989, the US Senate outlawed his artwork and President Bush declared it “disgraceful” because of its transgressive use of the American flag. Dread became part of a landmark Supreme Court case when he and others burned flags on the steps of the Capitol. He has presented a TED talk on this subject. A skilled public speaker, Scott often unflinchingly calls out tense political issues rather than aesthetic ones. He uses the name Dread Scott firstly to call up the presence of history, for Dread Scott was a slave, sued for his freedom, and his case was a landmark Supreme Court decision. Secondly, Scott uses the name to obfuscate his identity, creating a protective barrier between his personal life and artistic persona.
Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program...
Weekly Picks: Malaysia (12–18 Nov 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do November 12, 2018 Bisikan Monsoon — Open Rehearsal , at Selangor & KL Kwang Tung Association, 13 Nov, 5:30pm An invitation to view the rehearsals for Kwang Tung Dance Company’s Bisikan Monsoon (the show is travelling to China later in the month)...
Montemozolo writes of the work: “ Fireflies is the result of a sudden event—and its transformation/translation into an art work—that erupts within a life, altering its flow, suspending it, creating a momentary intensity and deviation of the flow, channeling it somewhere unexpected...
Female artists, art biennial to grace National Gallery this year (via The Jakarta Post) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Splash: Prelude II (2015) by Kinez Riza January 15, 2019 Indonesia’s arts scene is by no means lacking, yet most of its big names are men, with notable female artists largely unexplored...
Participants include American Artist (artist); Anti-Eviction Mapping Project (data-visualization, data analysis, and storytelling collective); Jérôme Bel (choreographer); James Bridle (writer, artist, and technologist); Kate Crawford (Distinguished Research Professor at NYU); Martha Kenney (Assistant Professor of Women and Gender Studies at San Francisco State University); Laura Kurgan (Professor of Architecture at GSAPP, and Director, Center for Spatial Research, Columbia University); Trevor Paglen (artist and researcher); Gala Porras-Kim (artist); Kameelah Janan Rasheed (artist and learner); Steve Rowell (artist); Davide-Christelle Sanvee (performance artist); and Andros Zins-Browne (choreographer)...
Weekly Southeast Asia Radar: Protests over Marcos-sponsored play; the Spaniard in Singapore films | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar The Star/Azhar Mahfof September 11, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Freehand artist Mr Doodle comes to Hong Kong on mission to ‘doodle the world’: Briton’s work on show at K11 Musea and Pearl Lam Galleries | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more British artist Sam Cox, better known as Mr Doodle, draws on a model spaceship at Hong Kong MTR station in Central, Hong Kong on November 19...
Crafted Elegance: Hendrick’s Gin And Artist Boris De Beijer Unveil Limited Edition Cocktail Glasses - IGNANT Words: IGNANT magazine Photographer: Clemens Poloczek Name Boris De Beijer Images Clemens Poloczek Words IGNANT magazine Hendrick’s Gin has joined forces with artist and glassblower Boris de Beijer for an exclusive partnership as part of this year’s festive campaign...
Study of History IV by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
Dislocations — Exposition collective — Palais de Tokyo — Exhibition — Slash Paris Login Newsletter Twitter Facebook Dislocations — Exposition collective — Palais de Tokyo — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Dislocations — Exposition collective Exhibition Mixed media Upcoming Sara Kontar, Série Towards a Light, cyanotype, dimensions variables, 2021-2022 Courtesy de l’artiste Dislocations Exposition collective In 4 days: February 16 → June 30, 2024 At a time when international geopolitical developments are a palimpsest of times and spaces in crisis, The “Dislocations” exhibition brings together fifteen artists from different generations and backgrounds (Afghanistan, France, Iraq, Iran, Lebanon, Libya, Myanmar, Palestine, Syria and Ukraine) whose work is marked or informed by the experience of exile, of being torn between here and there, between past and present...
Expedition #46 is a work from the series “The Glacier Study Group,” which consists of artists, scientists, activists, and enthusiasts of glacial and polar activity in the Artic Circle to conduct scientific investigation, data collection, and glacier sampling...