In conjunction with his first NFT sale of White Male Dread Scott made and circulated a poster titled Whites For Sale . The indigo-colored poster advertises a “cargo” of newly arrived white slaves, from which one will be for sale. This work is adapted from a 1796 slave sale announcement poster that is now archived in the library at Columbia University, NYC. Remaining true to the format, design, and phrasing of the original document, the artist only altered the wording to offer “Prime, Healthy Whites” instead of “Negroes”. Using imaging-software, the work conceptually and materially color-inverts the original document—black becomes white, yellowed paper becomes a dark indigo. The use of the color indigo for this work is significant insofar as indigo cultivation and processing was brought to the United States by enslaved Africans. By the 1700s the profits from indigo sales far exceeded other common industries such as cotton and sugar, and subsequently, indigo dyed textiles became a form of currency traded in exchange for slaves.
Dread Scott is an interdisciplinary artist who for three decades has made work that encourages viewers to re-examine cohering ideals of American society. His interdisciplinary practice employs symbolic and visual forms to instigate, rile, and provoke social transformation. He works in a range of media including performance, photography, installation, screen-printing and video. In 1989, the US Senate outlawed his artwork and President Bush declared it “disgraceful” because of its transgressive use of the American flag. Dread became part of a landmark Supreme Court case when he and others burned flags on the steps of the Capitol. He has presented a TED talk on this subject. A skilled public speaker, Scott often unflinchingly calls out tense political issues rather than aesthetic ones. He uses the name Dread Scott firstly to call up the presence of history, for Dread Scott was a slave, sued for his freedom, and his case was a landmark Supreme Court decision. Secondly, Scott uses the name to obfuscate his identity, creating a protective barrier between his personal life and artistic persona.
Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program...
Baloji and the Art of Averting the Evil Eye | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership In Conversation Baloji and the Art of Averting the Evil Eye Musician, filmmaker, and multitalented artist Baloji talks to C& about his first feature film and how the diasporic relationship gives access to an imaginary world that breaks free from shackles...
Crafted Elegance: Hendrick’s Gin And Artist Boris De Beijer Unveil Limited Edition Cocktail Glasses - IGNANT Words: IGNANT magazine Photographer: Clemens Poloczek Name Boris De Beijer Images Clemens Poloczek Words IGNANT magazine Hendrick’s Gin has joined forces with artist and glassblower Boris de Beijer for an exclusive partnership as part of this year’s festive campaign...
© 2023 All rights reserved - The Eye of Photography Olivier Culmann, URSSAF Normandie, site du Havre @ Olivier Culmann Le Havre, Seine-Maritime, Normandie, France 10/05/2023 © Olivier Culmann / Tendance Floue @ Thomas Jorion @ Sidonie Van Den @ Isabelle Scotta @ Carlo Lombardi S From October 21st to January 7th, 2024, for its 14th edition, 25 international photographers, both established and emerging, can be discovered in an open-air exhibition tour throughout the city, on the beach, and indoors at Point de Vue and Les Franciscaines...
Expedition #46 is a work from the series “The Glacier Study Group,” which consists of artists, scientists, activists, and enthusiasts of glacial and polar activity in the Artic Circle to conduct scientific investigation, data collection, and glacier sampling...
The virtual reality work Aquaphobia by Jakob Kudsk Steensen examines it’s title subject matter – the fear of water...
Review into British Museum thefts calls for fundamental reforms Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search British Museum thefts news Review into British Museum thefts calls for fundamental reforms The Independent Collection Security Review urges the museum to take urgent action, including fully recording the collection and tough management changes Martin Bailey 13 December 2023 Share The report has been heavily criticised by Ittai Gradel, the Danish gems specialist who privately warned the British Museum about the theft in 2020 Photo: Jeff Whyte The independent review into thefts at the British Museum reveals serious problems with the institution’s governance...
Dislocations — Exposition collective — Palais de Tokyo — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Dislocations — Exposition collective — Palais de Tokyo — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Dislocations — Exposition collective Exposition Techniques mixtes À venir Sara Kontar, Série Towards a Light, cyanotype, dimensions variables, 2021-2022 Courtesy de l’artiste Dislocations Exposition collective Dans 4 jours : 16 février → 30 juin 2024 L’exposition « Dislocations » réunit quinze artistes, de générations et origines différentes (Afghanistan, France, Irak, Iran, Liban, Libye, Myanmar, Palestine, Syrie, Ukraine) dont le travail est marqué ou informé par l’expérience de l’exil, du déchirement entre ici et ailleurs, entre passé et présent...
Days of Future Passed - Photographs by Florence Iff | Text by Marigold Warner | LensCulture Feature Days of Future Passed Collecting photos from her daily life, the Internet, newspapers, and free image libraries, Swiss photographer Florence Iff amalgamates vast webs of organisms, structures, and scenes into a portrait of a planet in crisis...
Dislocations — Exposition collective — Palais de Tokyo — Exhibition — Slash Paris Login Newsletter Twitter Facebook Dislocations — Exposition collective — Palais de Tokyo — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Dislocations — Exposition collective Exhibition Mixed media Upcoming Sara Kontar, Série Towards a Light, cyanotype, dimensions variables, 2021-2022 Courtesy de l’artiste Dislocations Exposition collective In 4 days: February 16 → June 30, 2024 At a time when international geopolitical developments are a palimpsest of times and spaces in crisis, The “Dislocations” exhibition brings together fifteen artists from different generations and backgrounds (Afghanistan, France, Iraq, Iran, Lebanon, Libya, Myanmar, Palestine, Syria and Ukraine) whose work is marked or informed by the experience of exile, of being torn between here and there, between past and present...
Study of History IV by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...