White Grounds 14
2019 - Installation (Installation)
258 x 210 cm
Mandy El-Sayegh
Mandy El Sayegh grew up in a medicalized environment, surrounded by anatomy, biology and psychology publications; these books inspire the figures that appear throughout her work. The work White Grounds 12 offers a bird’s eye view of a skull open from the front, belonging to a patient diagnosed with dementia who is suffering from self-inflicted wounds. White Grounds 10 depicts the body of an injured worker in China. What takes center stage in this work is not the political subtext, but the representation of flesh, turning blue, like death. At the opening of the exhibition “White Grounds” at Betonsalon in Paris, where this work was first exhibited, visitors were invited to walk across the latex canvasses that carpeted the ground. The odor of paint, the feeling of moving across the sticky surface added something organic and visceral to the experience. El-Sayegh cites the artist Kader Attia and his artistic ambition to “repair the world” as integral to her practice. She also notes her father’s native Gaza as an unresolved trauma transmitted through generations. For the artist, painting becomes a material for exchange through which sensitivity becomes a register of intelligibility, inciting the viewer to reconstruct the fragments of the exhibition and the world themself.
Beginning with rigorous research and resulting in a wide range of media, from layered paintings, to installation, diagram, sculpture, sound and video, El-Sayegh’s work is about systems of bodily, linguistic and political order among others, and their disintegration. This gives way to an exploration of the poetry that emerges from a reworking of such codes, and the new meanings that are created. Her work is both personal and political, often merging found references from the media, as well as intimate details, such as her father’s calligraphy work within the same space. In an interview with The Guardian, the artist describes her work as “a forensic thing. I’m laying it all out. I want everything in there, the political, the sexual… there is a terror in excess.” These fragmented units are then reconsidered as a coherent whole.
Colors:
Related works sharing similar palette
© » THEARTNEWSPER
Turner Prize winner Jesse Darling makes a Miami Beach cameo Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 news Turner Prize winner Jesse Darling makes a Miami Beach cameo A self-portrait by Jesse Darling, who won the prestigious British award this week, is on sale at Chapter NY gallery Gareth Harris 9 December 2023 Share Jesse Darling, O Cowardly Word , 2022 Courtesy of the artist and Chapter NY, New York A self-portrait by the Turner prize winner Jesse Darling is available with Chapter NY gallery at Art Basel in Miami Beach...
© » KADIST
Taiyo Kimura
The wall installation Friction/Where is Lavatory (2005) plays off anxieties about time but utilizes sound to create a disconcerting experience of viewership: comprised of dozens of wall clocks sutured together, the work presents a monstrous vision of time at its most monumental...
© » ART & OBJECT
The Top Art Exhibitions of 2023 | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » KADIST
Matthew Angelo Harrison
2015In Hole #1 a zebra scull stands in as a representation of Africa, while the plexiglass box and the hole made through it represent the inaccessibility of that culture to African-Americans....
© » ARTS EQUATOR
Weekly Picks: Indonesia (9 - 15 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Indonesia July 9, 2018 Top Picks of Indonesia art events in Bali, Yogyakarta and Jakarta from 9 – 15 July 2018 Titian Art Space in Bali presents the exhibition Mokoh for the house of Mondo ...
© » KADIST
Yoshua Okón
2015Fridge-Freezer is a 2-channel video installation where Yoshua Okón explores the darker side of suburbia, d escribed by the artist as “ the ideal environment for a numb existence of passive consumerism and social a nd environmental disengagement...
© » KADIST
Kamau Amu Patton
2011Kamau Amu Patton’s painting Static Field I originates from a system of electronic and digital media...
