What remains is future

2006 - Film & Video (Film & Video)

5,24min

Laurent Montaron


This film refers directly and fictionally to one of the first media dramas: the burning of the Zeppelin aircraft LZ 129 Hindenburg as it landed in New York in 1937. The power of these images, which were widely diffused in the press, had a profound haunting impact on people’s consciousness. This mode of transport – both futuristic and obsolete – crystallizes a collective imaginary which was fed by cinematic, literary and mythological fiction as Barthes would put it. A mass advances progressively towards the spectator, the camera glides right up to this monster, which is as graceful as a sea mammal, but flames perturb this vision. The mass disappears from view, making it impossible to define clearly, and finally exits the image field. Realized with an anaglyph process – which superimposes two slightly offset images to produce an effect of depth – the film prevents the experience of the third dimension and emphasizes the tricks of fabrication since it is viewed without special glasses. Due to its materiality and blurriness, the image, which is accompanied by a sinusoid wave, exerts a powerful haptic and hypnotic fascination.


Using a variety of media – photography, film, sound, installation, sculpture – Laurent Montaron’s work ‘renders an image’ in Mélancolia (2005) the magnetic band of an echo chamber endlessly loops and unwinds to become a hypnotic serpentine line. ‘To render an image’ can be understood in the sense of crystallizing a set of archetypes and fantasies in a sensory mental representation. In the film Readings (2005), a researcher at the astronomical observatory in Meudon observes his bloody hand caused by the tooth he has just lost in a suspended space-time. “I would say that I construct my images like scenes in which the beginning and the end are missing, in which the scenario is contained in a very short lapse of time. They are often like a film still with no attached synopsis” according to Laurent Montaron. These images are formed within a time warp, a ‘rupture’ (Georges Didi-Huberman), a concept which is also present iconographically in BALBVTIO (2009, two identical films, shot differently, projected simultaneously). Each one of the artist’s works necessitates a particular attention span, different for every spectator. Laurent Montaron was born in 1972 in Verneuil-sur-Avre, France. He lives and works in Paris.


Colors:



Related works sharing similar palette

Photography Festival - Planches Contact 2024, The Public Programme
© » EYE OF PHOTOGRAPHY

© 2023 All rights reserved - The Eye of Photography Olivier Culmann, URSSAF Normandie, site du Havre @ Olivier Culmann Le Havre, Seine-Maritime, Normandie, France 10/05/2023 © Olivier Culmann / Tendance Floue @ Thomas Jorion @ Sidonie Van Den @ Isabelle Scotta @ Carlo Lombardi S From October 21st to January 7th, 2024, for its 14th edition, 25 international photographers, both established and emerging, can be discovered in an open-air exhibition tour throughout the city, on the beach, and indoors at Point de Vue and Les Franciscaines...

New York: Ways of Reading, Symposium
© » KADIST

Participants include American Artist (artist); Anti-Eviction Mapping Project (data-visualization, data analysis, and storytelling collective); Jérôme Bel (choreographer); James Bridle (writer, artist, and technologist); Kate Crawford (Distinguished Research Professor at NYU); Martha Kenney (Assistant Professor of Women and Gender Studies at San Francisco State University); Laura Kurgan (Professor of Architecture at GSAPP, and Director, Center for Spatial Research, Columbia University); Trevor Paglen (artist and researcher); Gala Porras-Kim (artist); Kameelah Janan Rasheed (artist and learner); Steve Rowell (artist); Davide-Christelle Sanvee (performance artist); and Andros Zins-Browne (choreographer)...

Anonymous
© » KADIST

Laura Lima

2017

Anonymous by Laura Lima consists of a series of fabric-based forms, over which rope has been arranged in varying textures and patterns...

2024 Budget Prioritizes Defense at the Expense of Economic Development
© » PRISHTINA INSIGHT

2024 Budget Prioritizes Defense at the Expense of Economic Development - Prishtina Insight Home Kallxo Jeta në Kosovë Drejtësia në Kosovë Gazeta JNK Log In Subscribe News Features Opinion Guide Big Deal Archive Follow @prishtinsight Design: Prishtina Insight 2024 Budget Prioritizes Defense at the Expense of Economic Development The Assembly of Kosovo has provisionally approved the Draft Law for the 2024 budget, just days after the Government of Kosovo endorsed it with a value exceeding 3 billion euros...

It rains, Paris, 1st July 2000
© » KADIST

Jean-Luc Moulène

2004

It rains, Paris, 1st July 2000 , which could be the refrain of a song, is the title of a photograph of a minimal moment, the vision of a Parisian pedestrian, a cut flower lying on the pavement covered in rain drops...

Letter to a Turtledove
© » KADIST

Dana Kavelina

2020

Letter to a Turtledove by Dana Kavelina is a short film based on a poem written by the artist...

La Town
© » KADIST

Cao Fei

2014

Cao Fei’s video La Town, 2014 depicts a mythical metropolis that has been destroyed by unknown forces...

Year in review: the top 10 cars of 2023, as selected by Wallpaper’s Jonathan Bell
© » WALLPAPER*

Year in review: the top 10 cars of 2023 | Wallpaper (Image credit: Ferrari) By Jonathan Bell published 18 December 2023 This was the year that EVs went thoroughly mainstream, even as political dithering dented the emphasis on the urgency of the need to switch from ICE...

Willem Dafoe: Nosferatu is 'unlike anything I've seen'
© » I-D

Robert Eggers' Nosferatu remake: casting, release date and Harry Styles' involvement advertisement...

How would you fare in the afterlife? Haw Par Villa: ArtsEquator Edition
© » ARTS EQUATOR

How would you fare in the afterlife? Haw Par Villa: ArtsEquator Edition | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Adeeb Fazah October 29, 2019 Scenario: You are visiting the Ten Courts of Hell in Haw Par Villa...

An Overblown Anselm Kiefer Documentary by Wim Wenders Retells the Same Boring Myths
© » ARTNEWS REVIEWS

Review: ‘Anselm,’ by Wim Wenders, Is a Boring Anselm Kiefer Film – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All December 8, 2023 9:15am Still from Anselm , 2023...

Incompatibles (Unitas)
© » KADIST

Hana Miletic

2019

Incompatibles (Unitas) is made from discarded samples of the yarns that are exported from Croatia and not actually available in the local market...

Trayvon #2
© » KADIST

Mona Marzouk

2014

Trayvon is a series of acrylic paintings by Mona Marzouk that engages the courtroom as its points of departure...

After the Finish Line
© » KADIST

Adelita Husni-Bey

2015

After the Finish Line is a recent film by Adelita Husni-Bey produced for the exhibition Movement Break at Kadist-SF in 2015...

SEE WHAT SEE (Mar 2021): GENRE FICTION
© » ARTS EQUATOR

SEE WHAT SEE (Mar 2021): GENRE FICTION | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints March 30, 2021 By Joel Tan Welcome back to See What See ! It’s our monthly round-up of interesting stuff by Singapore and regional makers that you can stream right here on the Internet...

Female artists, art biennial to grace National Gallery this year (via The Jakarta Post)
© » ARTS EQUATOR

Female artists, art biennial to grace National Gallery this year (via The Jakarta Post) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Splash: Prelude II (2015) by Kinez Riza January 15, 2019 Indonesia’s arts scene is by no means lacking, yet most of its big names are men, with notable female artists largely unexplored...

Adelita Husni-Bey: Movement Break
© » KADIST

The first solo exhibition in the United States by KADIST Artist in Residence Adelita Husni-Bey , Movement Break addresses how capitalist imperatives condition us to perform unsustainably as individual subjects...

Emily Lee Luan by Wendy Xu
© » BOMB

BOMB Magazine | Emily Lee Luan Necessary (Required) Cookies that the site cannot function properly without...

Screening of "Fast Trip, Long Drop", a film by Gregg Bordowitz
© » KADIST

Saturday, June 14 at 1pm: Screening of the film “Fast Trip, Long Drop” (1994) by Gregg Bordowitz with an introduction by the artist...