Dora Garcia’s work is a result of institutional critique and more generally that of language, following the conceptual artists of the 1960s like Weiner and Kosuth and Fraser from the 1980s and 1990s. What a fucking wonderful audience (2008) is positioned conveniently at the crossroads of several trends identified in the work of the artist. The performance from which it is derived, was made at the Biennale of Sydney in 2008, taking the form of a guided tour at the Museum of Modern Art in Sydney and focuses on artworks that were not physically present. A performer acts as a traditional museum guide and offers visitors a guided tour that comments on several controversial works from art and film history like “Cosmococa” by Oiticica, “Kunst Kick “by Chris Burden, “The Society of Spectacle” by Guy Debord. In the script of the tour guide, Garcia makes connections between these works and various authors whose approach was to question the position of the viewer and the artist within the institution. Included in the work are annotated framed index cards originating from the performance in Sydney. The printed text includes text written entirely by Dora Garcia, while the annotations stem from the performer, who clarifies or contradicts the discourse of the artist and uses it for his tour. The framed photograph documents the performance. Garcia never carries out personal performances, rather, she commissions professional actors. Being in relative distance to the viewer, she establishes a distinct relationship between performer and audience. This performance matches up to projects like The Beggar’s Opera , presented at the Skulptur Projekte de Münster for which the artist spoiled the expectations of the visitors. For those who continued to search for a sculpture by Dora Garcia, they found instead an actor playing the role of a beggar whose adventures were recorded on a blog.
Dora Garcia was born in 1965 in Valladolid, Spain. She lives and works in Brussels.
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KADIST Holiday Get-together, exhibition walk-through of Native Art Department International, Bureau of Aesthetics with artist, writer, and educator tamara suarez porras followed by Cran Royale cocktails and cheese boards to welcome our artist-in-residence Jeamin Cha! tamara suarez porras is an artist, writer, and educator from (south) Brooklyn, New York and based in the San Francisco Bay Area...
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Supreme court ruling concludes lengthy battle over Franz West estate Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Artist estates news Supreme court ruling concludes lengthy battle over Franz West estate The Austrian sculptor's art will go to his private foundation, represented by Gagosian, overturning previous decision granting ownership to West's widow and children Anny Shaw 18 December 2023 Share Franz West in his studio, 2009 © roessle A long-running inheritance row over the estate of Franz West, reportedly worth more than $50m, has finally been resolved after the Austrian supreme court last month concluded that all of the Austrian sculptor’s art should be donated to the Franz West Private Foundation, which is represented by Gagosian...
Quentin Blake: Now Exhibition | Londonist This Free Quentin Blake Exhibition Lands In London At The End Of January By Will Noble Will Noble This Free Quentin Blake Exhibition Lands In London At The End Of January The exhibition is free, although if you want, you can spend a lot of money by purchasing an original...
Sélection galerie : Farnood Esbati chez Christian Berst Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Sans titre (vers 2020), de Farnood Esbati...
How the Singapore literary ecosystem tackles mental health | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 27, 2021 By Sarah Tang (1,450 words, 5-minute read) cw: Contains mentions of suicide There appears to be more local books and writing about mental health in the Singapore lit scene in recent years...
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